It’s always a bitter-sweet experience when someone decides to make your favourite book into a film. It doesn’t always work out because maybe it was a big, thick, long book and they have cut out your favourite bit, or perhaps the cast wasn’t the one you imagined. It’s usually just the same in reverse. You see a great film and in the credits it says based on the book by so and so, then you rush out and get the book and it turns out to be a little disappointing. Sometimes it’s even better than the film!
You can read the Film of the Book part 1 by clicking here. Meanwhile, here are a few more of my film/book experiences.
Rebecca (the film)
Rebecca was directed by Alfred Hitchcock and released in 1940. Laurence Olivier plays Max De Winter and Joan Fontaine is particularly good as the shy, unworldly new wife of the rather grand Max De Winter.
Max and his new wife, who is never named in the novel as she is also the narrator, meet in the south of France, marry and return to Max’s grand country house Manderley, in Cornwall. There they settle into country life rather uneasily, as lurking always in the background is the spectre of Max’s late wife Rebecca who died in a boating accident.
Also lurking in the background is the housekeeper of Manderley, Mrs Danvers. She was devoted to Rebecca and her presence seems to cloak the house in a sinister gloom. George Sanders plays his usual suave smooth talking self; in this film he is the apparent lover to the late Rebecca. A number of incidents occur making the new wife believe her husband resents her and prefers Rebecca. Nothing could be further from the truth as we find out when Rebecca’s body is discovered in the cabin of her sunken boat just off the coast. Max reveals he had an argument with Rebecca, struck her and she fell, hitting her head on some heavy fishing tackle. He carried her dead body to her boat, took to sea and scuttled the small vessel, creating the lie of her death at sea. Now the body has come to light, George Sanders’ character comes forward with a letter from Rebecca, inviting him to visit on the day of her death and with this he decides to blackmail De Winter as this shows she could not have contemplated suicide.
There is a nice twist at the end which I won’t give away but Rebecca is a wonderful film, well worth looking out for on one of the many movie channels available these days.
One disappointing aspect of the film was the rather cheap model of Manderley used at the beginning and end of the film. If I was Hitchcock I would have been tempted to revisit the film in the 1960’s and add some better model effects.
Rebecca (the book) by Daphne Du Maurier
The book is written in the first person by the unnamed new wife of Max De Winter. It’s a very good read indeed and I enjoyed it very much, so much so I had to take it out of my work’s bag (I’d been reading at work during my dinner breaks) and take it into the garden on a lovely sunny day as I was so keen to get to the end. It is very similar to the film although in the book De Winter actually shoots his wife unlike the film where De Winter strikes her and she falls and hits her head. The ending is also rather abrupt but an excellent read, well worth picking up if you see a copy for sale.
Serpico (the film)
Al Pacino stars in the true story of Serpico, a New York City cop who tried to fight the culture of bribery and corruption in the NYPD in the 60’s and early 70’s. This 1973 film is directed by Sidney Lumet and is shot in a gritty natural style. It starts with Serpico being shot in the face and then on his way to hospital it flashes back to tell the story of rookie cop Frank Serpico and his graduation to detective and his refusal to take bribes. It is shot and acted in a very natural documentary style and the film portrays Serpico’s ongoing disappointment with his superiors and those he trusts to look into the situation very well indeed. A brilliant example of 70’s moviemaking at its best.
Serpico (the book) by Peter Maas
It’s a long while since I read the book and despite a lengthy search I couldn’t get my hands on it for a read through for this post. It was a fascinating read as I remember, reading more like a work of fiction than the true story it really was.
Serpico (the DVD)
Since I couldn’t say much about the book I just want to throw in a quick comment about the DVD. One thing I love about DVDs are those special versions with extended features, documentaries and so on. On the DVD of Serpico there is an interview with the producer Dino De Laurentiis where he tries to explain the character of Serpico this way; He and Serpico go to a screening of a film in New York. They are checking out possible directors or something, anyway, the theatre is empty and ignoring the no smoking sign, De Laurentiis decides to light up. ‘Wait a minute’ says Serpico, ‘you can’t smoke in here.’ De Laurentiis replies ‘what does it matter? There is no one here but us.’
Serpico points to the no smoking sign and replies ‘look, you just can’t smoke here’ and makes the producer put out his cigarette. That, says Dino on the DVD, was when he began to understand what Serpico was about. There were no grey areas with him, everything was black and white.
The Big Sleep (the book) by Raymond Chandler
The Big Sleep, which refers to death in American gangster speak was the first of Raymond Chandler’s novels to feature his famous detective Philip Marlowe. Marlowe was described by one reviewer as ‘a 20th-century knight who treads the mean streets of Hollywood and Santa Monica, and who also visits the houses of the stinking rich, with their English butlers, corrosive secrets and sinister vices.’ I couldn’t have put it better myself. In the Big Sleep Marlowe is summoned to the house of General Sternwood whose daughter is being blackmailed by a seedy bookseller.
Sternwood, a crippled old man spends his time in a heated conservatory and seems to draw strength from the overwhelming heat. He engages Marlowe who sets off on a trail of blackmail and murder. I have to say the film rather confused me and it was only after reading the novel that I began to understand some of the intricacies of the plot.
The Big Sleep (the film)
Director Howard Hawks was also aware of the complexity of the novel. He once asked Raymond Chandler who had shot the chauffeur. Chandler replied that he had no idea.
The movie version from 1946 stars Humphrey Bogart and Lauren Bacall and I used to think that this was the film where Bogart and Bacall met although in fact it was actually another movie, ‘To Have and Have Not‘, also directed by Howard Hawks. By the time of ‘The Big Sleep’ their romance was in full swing. Later Bogart left his wife Mayo and he and Bacall were free to marry.
The opening of the film where Bogart meets the general is brilliant. The wayward daughter remarks he is not very tall. ‘I try to be’ Bogart replies. Later, the other daughter played by Bacall says she doesn’t like Bogart’s manners. He replies ‘I’m not crazy about yours. I didn’t ask to see you. I don’t mind if you don’t like my manners. I don’t like them myself. They’re pretty bad. I grieve over them on long winter evenings.’
My advice, get yourself the DVD, pour yourself a large glass of red, press play and relax and enjoy.
The Silence of the Lambs (the Film)
The film was released in 1991 and it’s one of those films that seemed to naturally self-publicise itself, one of those word of mouth films that everyone at the time was talking about. It’s a gruesome film in parts and not really my usual sort of film but what is appealing is the slow relentless process the FBI makes to track down the killer and the procedures and techniques they use. Jodie Foster plays FBI trainee Clarice Starling. She is sent by the head of the FBI’s Behavioural Science Unit to interview captured serial killer Hannibal Lector played by Anthony Hopkins, in the hope he might give some clue or insight into helping with the capture of a new serial killer known as Buffalo Bill.
Hopkins gives a chilling portrayal of the psychotic serial killer and Jodie Foster and the other principals were given much acclaim for their performances. The film was only the third to win Oscars in the top 5 categories: Best Picture, Best Actor, Best Actress, Best Director, and Best Adapted Screenplay. It is perhaps the only horror film ever to win the best picture award.
The Silence of the Lambs (the Book) by Thomas Harris
The book, like the film, focusses on the FBI and their attempts to trace the killer known as Buffalo Bill. Trainee agent Clarice Starling builds up a relationship with imprisoned murderer Doctor Hannibal Lector where Lector dribbles out bits of information in exchange for personal details about Clarice herself. Clarice, the vulnerable young FBI agent is a sort of counterpoint to the evil Murderer Dr Lector.
The book like the film is more of a horror story than a detective novel. I felt drawn to the passages that were chilling and gruesome in a strange way, almost like when a spider appears and I’m compelled to watch it even though I hate spiders. The relationship between Lector and Starling is intriguing and is really more of a focus than the capture of the Buffalo Bill and I did find myself wondering whether Lector might want to murder Clarice or perhaps his interest in her is something different.
I read the follow up book, Hannibal, expecting more of the same but it was even more gruesome and had a strange implausible ending. Since then I’ve steered clear of Mr Harris’ books but Silence is a great read.