Generally speaking, especially when a long journey is involved, I need music in my car. A quick trip to Sainsburys, ok, I can get along without it but to endure the forty-five minute motorway journey to work, I need music.

My taste in music has come a long way from my younger days in the 1970’s when I bought the latest chart singles (well not actually the latest. I always used to wait until they dropped down the top twenty and were reduced to half price!) Back then a top twenty single was three minutes of magic and how I must have driven my Mum and Dad demented when I played a new single time after time after time . .

Sorry Mum and Dad. . .

Anyway these days I like something that lasts longer than three minutes so here are a few of the CDs from my current in-car playlist.

Jeff Wayne’s War of the Worlds.

A firm favourite in my car is Jeff Wayne’s War of the Worlds. Yes, not only music but an album that tells a story with some drama and narration from that fine actor Richard Burton. Yes, this is an album ready for a good listening to and it’s not just a few quick singles; it’s music, dialogue, a good story and some excellent music -the perfect accompaniment for a long journey. Richard Burton’s narration is excellent and the dialogue elements are highly enjoyable, as are the musical sections.

Justin Hayward reached the UK top five with Forever Autumn, a shortened version of the album track and there are more vocal contributions on the album from Julie Covington, David Essex and Phil Lynott.

The whole thing is a sort of mix between radio drama, pop/rock music and contemporary orchestral works. I love it.

Kate Bush

I don’t know about you but in the past I’ve never had any real interest in Kate Bush. I’ve never disliked her but I’ve never felt compelled to buy any of her music. In fact, her early work has always sounded good but sort of odd if you know what I mean. Her slightly screechy ‘It’s me, Kathy, come home again’ was interesting but I never bought a copy and ‘Babooshka Babooshka‘ was ok but again, I never felt compelled to buy Kate’s work.

Some time ago I watched a documentary about Kate on BBC Four and I found myself liking the sounds and the melodies I heard. Straight afterwards I started searching on Ebay for her albums and found her latest work was the music I liked. Aerial is a double album full of lovely rhythms and melodies. It’s perhaps more akin to music that comes under the genre ‘chill out’ than her earlier frantic singles. I love the quick changes of direction, the way one track merges into another or into some soothing morning birdsong. The tracks on this album do not comply with the standard three-minute rule and they ebb and flow with Kate’s mood. Lovely stuff but be prepared to sit back and enjoy. This album is not something you can easily put away.

Ministry of Sound Chill Out Sessions.

Now, you might be surprised to see the Ministry of a Sound as one of my musical choices but I do like my electronic music. These compilation albums of chilled down dance tracks are the sort of music that does it for me these days.

Bands include Groove Armarda, Air, Kinobe, Jakatta and Massive Attack and many of the tracks are alternate mixes; the Club Mix, Pete Heller’s stylus mix, or the Electric Lounge Session re mix.

A typical song title is something like I am the Black Gold of the Sun (4 Hero Remix Edit.) Crazy stuff when you are used to a record title like Brown Sugar by the Rolling Stones!

Yes, the motor car is a place of comfort, a highly personal space. Sometimes I think I should invest in a digital radio for my lovely motor, then again, WeBuyAnyCar.com have valued it at a measly £398 so is it worth it?

Well, whatever it is worth I am happy with my car. If it is another warm night when I finish my late shift tonight I might just drop the roof down and drive home with the wind rushing through my hair, imagining for all the world that I am Hollywood scriptwriter cruising down Sunset Boulevard in my convertible ready to drop off another million dollar hit at the studios.

I can see myself now, reaching for my hand-held tape recorder, dictating some idea for a script, another blog post, perhaps even the sequel to Floating in Space. My hands touch the steering wheel lightly as I slip smoothly through the gears. With the sound of Nitin Sawhney’s chilled down spiritual moods wafting over me I think for a moment and then an idea begins to form . .

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