Book Bag Summer 2026

Books are one of the great loves of my life and when I go on holiday, one of the delights of lying under a warm sun on my sun bed is a good undisturbed read.  I read a lot at home but some books, as we all know, are just made for a really long, uninterrupted read.

I’ve just returned from a holiday in France and I thought I might share the contents of my ‘book bag’ with you. I’m a really big second hand book buyer and I buy my books from many sources. Second hand book shops, car boot sales, charity shops and of course, the internet. Even the occasional book comes my way as a gift. Anyway, without further ado, here are my holiday books:

Death in the Clouds; A Hercule Poirot Mystery by Agatha Christie

I do like a good crime read and for a long while I’ve been wanting to try a book by a writer who is the acknowledged master (or mistress) of the crime mystery genre, Agatha Christie. Agatha wrote over 66 detective novels as well as numerous short stories and created the famous detectives, Miss Marple and Hercule Poirot. I picked this book up ages ago at a second hand book shop and recently found it filed away in a box of books unread. Perfect for a holiday read I thought.

The murder happens on board a flight from Le Bourget to Croydon. A woman is found dead just prior to landing and Hercule Poirot travelling on the same flight sees that she has been murdered, possibly from a poisoned dart. A further investigation finds a blowpipe hidden on the aircraft so clearly the culprit must have been one of the passengers, but who?

This was a short read but a very entertaining one and very well thought out and put together. The author introduces her cast of characters, all passengers on the fatal flight and scatters various clues throughout the book. Once the flight arrives in England Poirot begins his investigations alongside Inspector Japp of Scotland Yard and an officer of the French Sûreté but of course it is Poirot who ultimately unmasks the murderer.

I was pleasantly surprised to find this was a short but highly enjoyable read. I must look out for more of Agatha’s books.

Death of a Village: A Hamish Macbeth Mystery by MC Beaton

Some time ago I set myself the task of reading all the Hamish Macbeth books written by author MC Beaton. I haven’t read one for a while and I thought this would be a good opportunity to read another. Quite a lot happens in this story, the 18th in the series. Hamish as usual has to solve various issues but of course needs to avoid promotion so he can stay in his beloved village of Lochdubh. He has to deal with a husband beating wife, an old people’s home that seems to be murdering its residents and an entire village that seems to be behaving oddly. Nice to see a little more personal stuff thrown in about Hamish. He’s still pining for his old girlfriend who is about to marry someone else but at least he seems friendly enough with reporter Elspeth although romance doesn’t seem to be blossoming for the couple yet.

As usual, an entertaining read but the main story about the village was a little bit farfetched.

Eve’s Hollywood by Eve Babitz

I ordered this from an online bookshop after reading another of Eve’s books Slow Days, Fast Company. Eve was born and bred in Hollywood and worked as a writer and artist. She designed album covers for a while and wrote essays and articles that were published in magazines like the Village Voice, Cosmopolitan and Esquire.

I picked up this book because I mistakenly thought the title referred to Hollywood as the centre of American film making rather than the place where Eve grew up. The book is actually a series of essays and thoughts about her life growing up and living in Hollywood both as a child and as an adult. Eve talks about the people she meets and gets involved with. The book is really a sort of wandering stream of thoughts going off in various directions and although parts of it are interesting, for the most part I just wanted to get to the end. I read another review of this book on Goodreads and the reviewer said that reading Eve’s Hollywood was like hopping along the stepping stones of Babitz’ memories and not stopping until you reach dry land. I couldn’t agree more.

The sure sign of a book that fails to keep my attention is when I pick up another book and begin to read that one instead.

Sorry Eve but this just didn’t do it for me. It was a bit of an up and down read with passages that were really fascinating and others that just couldn’t get me interested.

American Prince: A Memoir by Tony Curtis

This was a little more in my line. I am a great fan of film and cinema and especially Hollywood. This is Tony Curtis’ own account of how he made it as a film star in Hollywood and it was interesting reading. Curtis clearly loved the film business and being a part of it and he seems to have especially loved his fame and success. The other thing he loves is women and to a certain extent this is a sort of voyeuristic journey through Hollywood and the stars (and non stars) that he has loved and bedded. One particular woman he married after being captivated by her beautiful breasts so I can’t say I was surprised when that one didn’t work out.

Tony spends a lot of time detailing his relationship with Marilyn Monroe, seeming to imply they were in love or at least close to being in love but their careers gave them little time for relationships. Later when the two made Some Like it Hot Together Tony goes to great lengths to explain his famous remark that kissing Marilyn was like ‘kissing Hitler’. Apparently, so he says, it was a sarcastic response to some crew member asking what was it like to kiss Marilyn. Obviously, so he says, it was great so he sarcastically responded with the Hitler comment.

Well I’m sure I’ve seen him years ago on TV actually denying he ever said it. Anyway, it was a good read and I loved hearing his stories about Sinatra, Kirk Douglas, Janet Leigh (wife number 1) Monroe and many more.

In the 1970s Tony was determined to keep working and making money and so when the film work dried up he appeared in the TV show The Persuaders with Roger Moore. He didn’t get on well with Joan Collins who starred in one of the episodes but Moore became a great friend. What is really interesting about Tony Curtis’ body of work is that even though he has given great performances in classic films like Some Like it Hot, Spartacus, and The Sweet Smell of Success, he has also appeared in some really poor features.

Anyway, his ethic seems to have been to keep working no matter what and even if the film was poor, he gave his absolute best.

Verdict: A great read even though Tony comes over as being obsessed with women but then again, it’s his story, and he certainly doesn’t seem to have been short of them.

What have you been reading this summer?


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A Writer on Holiday

It’s always great to get away from things and to take a break. Writers though just cannot stop writing even on holiday. Well at least I can’t. I’m currently on holiday in a motorhome in France so how do I mix relaxation with writing? Let’s see if I can successfully answer that. Here we go.

Morning.

It takes me a while to get used to sleeping in our motorhome. It’s only small and there is a little dip in the bed just at the point of my lower back which has given me some backache in the past but lately I’ve learnt to either avoid it or just live with it. Another issue that affects our sleep is the way the van is parked and parking properly is very important. A tilt to the left and Liz will be rolling over and crowding me. Over to the right and I’ll be crowding her. A slight tilt forward and we tend to slide off our pillows and down the bed. If we have to have a tilt it’s better to tilt back toward our pillows but we do have chocks which we can slip under the wheels to level us up. My place on the bed is over by the window and there is no way out for me except by climbing over Liz so one of my rules is to not have beer prior to going to bed. Otherwise I’ll be waking in the night wanting to wee and struggling to get out.

On holiday I find myself waking up pretty early. I’m not totally comfortable sleeping in the motorhome but I usually wake up with my head full of various thoughts for either a blog post or a short story. I tend to lie there and get those thoughts in some sort of order before dragging myself up.

I’m usually the first one up so I’ll shuffle over to the small bathroom for a wash and a shave.

Despite being late September it’s still very warm in the Loire so in a morning I can handle a wash in cold water but when the warm weather comes to a close I’m less inclined to do that. I can switch on the water heater but usually I just put a pan of water on the hob.

Despite the bathroom being small, actually very small, there is a basin, toilet and even a shower in there. To shower it’s important to switch on the water heater first, pull round the panels that keep the water away from the toilet and basin and then switch on the water. In a motorhome I’m always aware that there isn’t an endless supply of water so a good idea is to apply shower gel liberally to the body, switch on the water and get washed as quickly as possible using as little water as you can.

Note to self: Don’t drop the soap as it’s pretty difficult to bend down and pick it up in these cramped conditions.

Shower over, towel yourself down, get dressed and get the kettle on before hanging your towel out in the sun on the bike carrier to the rear of the van.

Next I’ll check my emails while the van chef, Liz, gets herself ready too.

I’m a big lover of breakfast, in fact I’m even tempted to say it’s my favourite meal of the day and I love a standard English breakfast. Bacon, sausage, black pudding, mushrooms, tomatoes and eggs, preferably poached, served with toast. That can be a little difficult on the cramped three ring stove in the van so lately we’ve been having a bacon omelette with some French bread. I’ll either walk to a bakery if there is one nearby or we usually have some bread in our little freezer which always keeps pretty well and defrosts quickly in the sun.

Noon

Another option is to not have breakfast at all but to save ourselves for lunch. In France there are many places that serve a cheap lunchtime menu which will consist of a buffet starter, a simple main meal, a cheese course and a dessert.

We found an excellent restaurant near to Parçay-les-Pins called the Restaurant De La Gare, the Station Restaurant. The buffet starter is always my favourite and I fill my plate with pâté, cold meats, coleslaw and various salad items. A basket of French bread will appear and is usually topped up when it gets low. Vin de table is provided as well as some chilled water and a large bottle of cider. Not bad for 15 euros each!

OK, breakfast (or lunch) over it’s time to grab my laptop and tap out in rough form my ideas for this week’s blog post. Sometimes I can’t be bothered to drag my laptop out of its safe place in the boot so I’ll just write notes in my notebook. The notes you can see here in the photo are typical notes for a one of my Film Connections posts.

We will usually be parked in an aire in France and these special parking places, reserved for motorhomes, tend to have all the necessary things we might need. A very important thing is a place to empty the van toilet. It’s not a pleasant task but I tend to empty it whenever we get the opportunity. A lot of French aires have a water tap to help you rinse your toilet cassette but many require a token, a jeton that is usually available from nearby local shops although there are many aire de camping cars that are completely free.

The van navigator (Liz) will usually have perused google maps for a plan d’eau, a French swimming lake and we’ll be off to find it. We usually factor in a stop for some French bread and some more French cheese as well as a box of wine. This year is probably the first in which we haven’t really been interested in cheese, having said that I’ve still enjoyed the cheese course in a restaurant.

It’s important of course to keep a check on our fuel. We usually fill up with diesel at French supermarkets as they tend to be cheaper than the usual petrol stations, however we were chatting with a couple of English people in a restaurant one evening who told us that ‘TotalEnergies’ petrol stations were considerably cheaper than the supermarkets. It seems that they are under the control of the French government and they are keeping prices lower, approximately 20p a litre for diesel, but consequently most of them had run out and those that hadn’t had long queues.

Our fridge and cooker are powered by LPG, liquid petroleum gas and we always keep a look out for stations that provide gas. The big problem when we first came to France was finding a petrol station with LPG. There didn’t seem to be any until eventually, we realised that in France it’s called GPL! Duh!

Swimming

Over the years we have made a note of our favourite places to stop. A typical camping spot we prefer will have a swimming lake and a parking place for camping cars, (that’s what they call motorhomes in France) and at this time of the year they usually won’t be too busy.

The locals usually arrive around 12 noon with picnic baskets for lunch and few might have a pre lunch swim. I’ve noticed that this year the water levels in many lakes have been low due to the hot summer and in one particular lake we visited the water was only a couple of feet deep.

At another lake we watched a couple of fishermen dip their rods in the water and wait patiently for the fish to bite. We read our books, competed against each other to finish that day’s sudoku and then it’s time for a dip.

Later on we need to find somewhere to stop for the night. Usually, we will stay by the lake or if we are trying to make our way to somewhere in particular, we might get a few miles under our belt before stopping again.

The sun going down after a day by a plan d’eau

Evening

When evening comes we will have sorted out a place to stay the night. I usually get out our little gas barbecue and we will cook some sausages, burgers and maybe a steak to have with our salad. A glass of red wine is always good to wash the food down with and after clearing up I’ll go back to what I’ve written earlier and develop it a little and tidy it up.

I happened to notice something on the internet this week about Ian Fleming and the way he used to work at his holiday home in Jamaica. He was up at 7:30, had breakfast and then at 10am he began writing. He aimed for 1500 words before going for a swim at about 12:15. Later in the day at about 5pm he would write some more, put the pages in a folder and it was time for a drink. Perhaps that is what I need to do, plan my day like Ian Fleming’s day. Then again, I think I prefer things my way!

This year one of our stops was at La Meilleraie-Tillay. It’s a place we have stopped at before and one of the great things about it is that there is a toilet block with hot water. Sounds pretty normal doesn’t it but believe me, when you have not washed with hot water for a week, having a wash and shave in hot water is wonderful.

In the park next to the motorhome aire, a circus had set up, the Zanatteli circus and one night as we sat outside in the twilight we got chatting to Rico, the circus clown. He told us that he was the latest in six generations of his family that were circus people. After that first meeting Rico came to see us every night and told us stories of the circus. Despite a huge array of vehicles and equipment, there were only five people in the circus; him, his wife, his two sons and a daughter. The two sons were jugglers and acrobats. The daughter did some acrobatics too. Rico was the clown and his wife ran the box office, gave out tickets, sold refreshments in the intervals and also acted as a scene arranger. We attended their first afternoon performance before moving on to pastures new.

We usually relax in the evenings with a book but a problem this year with our leisure battery meant that our lights faded very early. If I’ve got a good internet signal I’ll transfer this week’s blog to wordpress then access it on my iPad and refine it a little more before passing it to my proofreader Liz for a final check up. Then I’ll add the graphics, pictures and videos and everything is ready for my publishing deadline of 10am on Saturday.

The next problem is what shall I write about next week?


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Breakdowns and Books

This might be the point in my French trip where I blog about the books I’m reading while I’m away. The thing that has really given me a problem is the breakdown of our lovely motorhome. How has that affected my reading? Well, let me explain.

We arrived in France at the end of August. The weather in the Loire was lovely and the only cloud on our horizon was that our favourite gite in France, a lovely villa which we regularly rent, was booked on the exact week we wanted it.

What we tend to do is potter about and explore various places in our motorhome and then spend a week, even a few weeks at the aforementioned villa in the village of Parçay les Pins.

The unexpected booking at the villa meant that after exiting our ferry we headed straight to Parçay les Pins for a week, actually a very hot week, of sun lounging, swimming and reading.

On only our second day there we decided to take a trip out to one of our favourite restaurants, restaurant La Gare. The place is only open at lunchtimes but they have a lovely buffet starter consisting of various meats and patés and a huge selection of salads. Then there is the main course, the fromage course and the final dessert, all served with a basket of fresh bread, chilled water, red wine and cider.

As I’m the nominated driver I always go for the low alcohol cider which is really tasty. After paying the paltry 30 euros for this feast for two it’s back to the villa for a rest in the sun.

On this occasion when we were only perhaps a mile from home our trusty ford transit motorhome conked out. It would not restart but happily, there was breakdown cover attached to the insurance. Within an hour our rescuer arrived, spotted the fault which could only be remedied at the garage so the van was hitched up to the back of his wagon and we were driven back to the gîte.

On the positive side, if the holiday had gone to its original plan and we were touring France, we would have had no where to go as of course we were living in the van itself. As it was the driver dropped us off at our gîte where we had already unloaded a few boxes of wine and plenty of food.

As the day wore on, we discovered various things we could have done with.

I had only one change of clothes although to be fair, in the continuing summer heat all I was wearing was shorts and a t-shirt. We were a little short on water but I had already unpacked the barbecue so at least we could relax and eat. Big problem though was that I had not yet unloaded my collection of books and for a great reader like me, that was a disaster.

As it happens, we have a bag which we call the pool bag which we take out to the pool every day. In the bag we have our sudoku books, reading glasses, notebooks, water, swimming trunks and all sorts of things that we need by the pool. Happily, there was one book which I had already begun to read and that is where we can move on to the book part of this post.

Slow Horses by Mick Herron

This book was on a shelf in my late brother’s lounge and I picked it up when I went to clear his place out after his death. Despite all the praise and good reviews on the back cover, I really found it hard to read. It’s about a group of people who work for the UK intelligence service and all of them are either out of favour with the service or have fouled up in some way. They are all assigned to Slough House instead of the main HQ and they are all a bit fed up and disgruntled.

I found it rather slow reading and I was tempted to abandon it altogether but as one reviewer apparently thought the author was the ‘John le Carré of our generation’ (Le Carré’s books were rather slow moving too) I thought I’d carry on.

Anyway, the plot is about a group of right-wing activists who have kidnapped someone with the intention of chopping his head off on camera. Now it turns out, and I’m not 100% certain I’ve got this right, one of the kidnappers is actually an agent run by Jackson Lamb, the head of Slough House.

Later in the book the action kicks off not only with the kidnapped guy but also with some internal fireworks within the intelligence service.

I managed to get to the end but I found it slow and disjointed and I was forever flipping back because I couldn’t understand which character the author was talking about and who is this and who is that person. Anyway, perhaps I was a little stressed with our van breaking down but I wasn’t impressed although to be fair, everywhere I have looked online the book gets universally good reviews.

After reading that I was a little stuck for reading matter but after a quick sift through the bookcase at the gîte, I came up with this next read.

Predator by Patricia Cornwell

Author Patricia Cornwell first introduced Medical Examiner Kay Scarpetta in the book Postmortem originally published in 1990. The character is an Italian American. She is a perfectionist and workaholic and lives in a custom-built home where she cooks many Italian meals while she ponders her cases. She also, and perhaps this is me looking at the character from a UK perspective, seems to be overly obsessed with guns although on one occasion, having a gun under her pillow in the bedroom saves her life. In the first book Scarpetta has to deal with a series of murders and works with Benton Wesley from the FBI to create a profile of the murderer. The book also introduces DNA testing as a new technique and later Scarpetta hatches a plot to flush out the murderer. The murderer however, targets Scarpetta herself but is shot dead by policeman Pete Marino.

The books are fascinating reads and have been said to have influenced TV shows like CSI and other shows that use modern scientific techniques of detection and forensics. The first few editions are excellent reads but the later ones tend to stray into a bit of a fantasy area. Scarpetta has an affair with Benton Wesley who is murdered. In a later book he reappears, it seems he was not killed after all but was placed in a witness protection scheme for some reason. That seemed to me to be a little out of the ordinary but later things get really odd. Scarpetta’s niece Lucy appears in the first book as a ten-year-old but in later editions when she grows up, she becomes a computer wizard, and then joins the FBI where she has difficulties because she is gay. Later she develops an internet search engine and becomes a millionaire and creates her own super-secret investigation company called the Last Precinct. It’s all a little bit fantastic.

Anyway, getting on to Predator itself, this is the 14th book in the series and the name Predator is an acronym for a project which former FBI man Benton Wesley is running, in which he examines serial killers to try and find out why they kill. Former officer Marino is now an investigator for the organisation I mentioned above created by Scarpetta’s niece Lucy. Marino has now become some kind of biker wearing the sort of clothes I would associate with Hells’ Angel types. Despite him not being an actual police officer, he seems to throw his weight around a lot with actual police officers which I’m sure that in real life they would just not stand for. Anyway, the tension builds up nicely as the usual cast of characters close in on the murderers. Despite the book being rather gruesome in parts, the author brings the various story elements together really well. The end is rather odd though especially when Scarpetta is assaulted by one of murderers Benton is interviewing and the scene then cuts to Benton and Scarpetta driving away, the attack being sorted we are later told by the intervention of the security guards. The conclusion comes quickly afterwards almost as if the author had something better to do and wanted to quickly wrap up the book. Sadly this wasn’t one of Cornwell’s best.

Interestingly, both these book series (yes there are more books about Slough House) have both been made into TV series that belong to TV channels that I don’t have access to. Scarpetta is on Amazon and Slow Horses on Apple TV. There was a time when exciting new TV shows would have a run on some exclusive channel and then later finally end up on terrestrial TV.

Pity that doesn’t happen anymore.


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From Bond to the Bible: Memories of Manchester Cinemas

Just recently I saw a short video on a social media site, I think it was Instagram, one of those sites where you are constantly scrolling along until you find something slightly interesting and then after a few minutes or even seconds, you carry on scrolling again. After a while you find that an hour of your life has been lost and it’s time to put your phone or tablet down and do something else.

On this occasion the video in question was one of Tom Hanks who was asked to name four pictures he saw at the cinema and to name the actual cinemas where he saw those films.

That short video has gone and I cannot remember the films Tom saw or the picture houses that he visited but well, that’s modern social media for you. You watch, you scroll and move on to something else. Anyway, here are four pictures I saw at the cinema.

The Greatest Story Ever Told

Once, many years ago back in the 1960s, my school friends and I were taken on a Christmas school trip to watch the film. We walked it as I remember in crocodile fashion from our junior school, Crossacres, down Wiggins Hill and into Gatley, a small nearby village that boasted a lovely old cinema, the Tatton. That trip to watch this film did more for me than any teacher or RE lesson had ever done before or since and although I cannot claim to be overtly religious, I am certainly not an atheist and my respect for the person of Jesus has never been greater.

The Greatest Story Ever Told was directed by George Stevens who made such classic films as Shane and James Dean’s last film Giant. Stevens was a director who worked the way I would work if I was a director. He shot a great deal of film then sat back, reviewed everything and put his film together one brushstroke – or film clip – at a time. He chose Max von Sydow to star as Jesus as he wanted a performer who was unknown to the general public.

Max was in a way an unusual choice to play Jesus; he was pale and blue eyed and had a faint Swedish accent. Even so, he played a good part, so much so that whenever I see another portrayal of Christ, I always mentally compare it to that of Max. As for being pale and blue eyed, I suppose it is inevitable that people everywhere will envisage their religious icons in their own terms.

He might have been better in choosing unknown actors for the other roles too because the many star appearances seem to stop the viewer in his or her tracks as we spot various top actors and actresses in minor roles.

On Her Majesty’s Secret Service.

This is probably the most stand out Bond film of all time. Sean Connery was the first to play the role of James Bond 007 but eventually he tired of the part and moved on. The producers at Eon productions decided on an unknown actor to take over the Licence To Kill, George Lazenby, a former male model and star of the Big Fry chocolate bar TV ads. My brother and I were taken to see the film by our mother. This must have been 1969 and once again we saw the film at the Tatton cinema. The Tatton was a large cinema with a very grand façade and like many old cinemas there were the stalls downstairs and the balcony upstairs. If I’m not very much mistaken, the film was shown as a double bill with one of The Man From Uncle films which for me and my brother was a very exciting double bill.

Above you can see the Tatton as it is nowadays. No longer a cinema but a Co-op supermarket. How times change.

OHMSS was the very first Bond film I saw at the cinema and to me it was everything I had imagined it would be and what I liked about George Lazenby, the new 007, was that he looked pretty much as I had imagined Bond. He had the authentic ‘comma of black hair’ as Fleming had always described Bond having and not only that, Diana Rigg was probably my favourite Bond girl too.

The Bond films were not then a staple of UK TV but there was always a Bond documentary, usually on TV at Christmas time which built up, as it was supposed to do, the public interest in Bond. It certainly built up mine. There was one documentary I remember which showed the viewer how Ian Fleming suffered with back pain and was sent to recuperate at a rest home where they put him on a back stretching machine which he later incorporated into ‘Thunderball’. Aha, I thought, this is how writers think!

Around the World in Eighty Days

This was a wonderful film based on the book by Jules Verne. In the film David Niven stars as Phileas Fogg who, while playing cards at the Reform gentlemen’s club in London, enters into a wager than he can circumnavigate the globe in 80 days. Fogg bets £20,000, a huge sum back in 1872, that he will meet his gentleman friends back in the same club exactly 80 days later after traversing the globe.

The film then takes us on a tour of the globe with Fogg and his new manservant Passepartout played by Mexican actor and comedian Cantinflas.

The film was produced by Mike Todd and stars a mesmerising assortment of guest stars including Frank Sinatra, Noel Coward, John Gielgud, Charles Boyer, Ronald Colman, George Raft, Marlene Deitrich and numerous others. The production was a tour de force by Mike Todd who sadly was later killed in a plane crash in 1958.

The film was released in 1956, the year I was born so I certainly didn’t see it at the time. It was re-released in 1968 which was probably when I saw it at the cinema, again with my mother and brother. We saw it at the Gaumont cinema on Oxford Road in Manchester and I’m pretty sure we bought a very lavish programme with pictures and information about the film.

The Gaumont opened on 21st October 1935 with Robert Donat in The Thirty-Nine Steps. It was a beautiful cinema. There were 1,300 seats in the stalls and 1,000 in the circle, all with good sightlines. There was a Wurlitzer organ which was considered one of the best instruments in the UK which was later moved to the Granada Studios, cared for by the Lancastrian Theatre Organ Trust.

The exterior on Oxford Road was in the Italian Renaissance style and the entrance was dominated by one of the largest neon displays in the city. The Gaumont name alone was four feet high and below this there was a triple bordered panel which could take up to 12 rows of 18 inch letters in red neon announcing the attractions.

When the cinema closed it was turned into a nightclub. First it became Romanoffs and then later Rotters. Rotters closed in 1990 and the building was sadly demolished to make way for a multi storey car park. Why anyone would even attempt to drive into Manchester city centre in 2026 I really don’t know so how long that car park will last is anybody’s guess.

Henry V

I really don’t know much about the plays of William Shakespeare. Despite taking English Literature at school, we never studied Shakespeare, but then again I left school at 16 clutching my 4 O’ levels. Anyway, in later life I began to read some of the Bard’s plays and my first real introduction was the 1989 film by Kenneth Branagh. It’s a really wonderful film with some great supporting players including Paul Scofield, Derek Jacobi, Ian Holm and Emma Thompson. I saw it at the Odeon in Manchester where I saw many other films over the years. I think my mother took myself and my brother to see The Sound of Music there and my brother and I went there to see numerous films. I think I had my very first kebab at a fast-food place next door.

The Odeon all closed up in 2013

The Odeon opened as the Paramount in 1930. It was a massive venue seating nearly 3000 people. It eventually became a seven-screen cinema but closed in 2004. The building sat empty until 2017 when it was demolished.

Those are my four films. The Odeon and the Gaumont have both been demolished and the Tatton is now a supermarket although despite being extensively remodelled, the developers kept the old façade of the cinema. At least those four films are still going strong and finding new audiences on the TV screen.


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Bellringers, Breakdowns and A Buffet Lunch

The time has come round once again for Liz and me to bumble along in our little motorhome and take in the sights and sounds of la belle France.

Sometimes you make a big mistake and don’t realise it until months later. Many weeks ago we checked our diaries and searched through ferry websites looking for the best deal to travel over to France but it was only a few days prior to departure that we realised we had booked to travel on the August bank holiday. Well, how bad could it be? Really?

Things didn’t seem too bad as we motored down the M55, but then we hit the M6 and the nightmare began. All the way down south we encountered delays, accidents and roadworks. We were due to arrive at the friendly Jolly Boatman pub, where we had arranged to park for the night after some food and a few beers. We had anticipated arriving at about 5, giving us a good two hours to settle down and relax with a cup of tea before cleaning ourselves up and dining at seven.

A few days earlier I had begun to think that I should have booked an earlier slot and that perhaps 7pm was a little late. As it happened, we pulled up, had a quick wash and were out just in time to take our seats for that 7pm reservation.

After a lovely meal and a few pints of some excellent Cornish pale ale, we turned in for the night, secure in the knowledge that we weren’t too far away from the ferry terminal at Portsmouth.

Leaving Portsmouth behind

Cue another nightmare journey of roadworks and crashes but we managed to get to Portsmouth on time. It was a lovely voyage and we had booked a great cabin for the trip. The only problem was that even though we docked in Caen on time (10pm), French customs took so very long that it was well past 11pm when we were finally able to get onto the French highways and look for our pre‑arranged parking spot — a quiet car park just by a lovely old church.

One of the problems of parking by a French church is that during the night the church bells will be ringing the hours. I was awoken very early with the bells ringing for 6am. Later — I’m not sure what time it was — the bells rang again, with the local bellringers going through an impressive résumé of their bell‑ringing talents. Note to self: think again when parking near a church.

The queue for customs control

The next day we drove south through the French countryside and finally arrived at our rented gîte in the lovely village of Parcay‑les‑Pins. Normally, we would tour around in our motorhome, stopping at various places for a week or so and then arrive at the villa. This time, however, the gîte’s availability forced us to spend time at the villa first and then tour later.

On day two of our visit we decided to drop in for lunch at the Restaurant de la Gare, a short drive away. We settled in for a buffet starter and a main course of haché, a local dish of minced beef and potatoes served with bread, wine, water and cider. As the nominated driver I tend to drink the cider, which is very low alcohol. I finished with a cheese board and a dessert of île flottante.

Not long after leaving the restaurant we were travelling along a quiet lane on our way back to the gîte when the engine shuddered and stopped. The sun was burning down and there we were, stuck on a country lane where I had just managed to limp over to a grass verge. There was nothing to do but check our insurance — which happily included breakdown cover — and wait to be rescued.

Our stricken van by the roadside

We received various texts and on one occasion, a map which showed the location of the recovery driver relative to our position but after a closer look, our position on the map didn’t really match up with our actual location. I was rather worried but then an English couple stopped to ask if we were okay. It so happened they were the owners of a local bar in our village that we have not visited for a while — perhaps it’s time for another visit just to thank them for their welfare check.

I was thinking that perhaps we should call the recovery company to check on the driver’s location when our rescuer arrived. He quickly saw the fault which he said could be rectified, but the van would have to be taken to the local garage. He dropped us off at our gîte and we grabbed various things out of the van but it was only as he drove away that we remembered several other items: my books and a change of clothes. Liz’s sun bed and a whole raft of other things. Luckily, the contents of our fridge and various boxes of wine and other alcoholic delights had already been transferred to the gîte as well as our little gas barbecue.

I reckon we might just survive after all!


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Whatever Happened to the DVD?

I still have a DVD collection. Not a particularly impressive one and certainly not one that would make me a fortune on Antiques Roadshow in thirty years’ time but there’s something I like about having a shelf full of films I can actually hold in my hand. These days, of course, you can watch pretty much anything without owning a physical copy. When there are so many new TV channels around and everything can either be downloaded, streamed or watched on catch-up TV, what is even the point of a DVD? They just take up room, fill up cupboards and shelves and generally get in the way.

To a certain extent I sort of agree with that, for instance, if you miss a film on the BBC, you can always go to BBC iPlayer and watch it there. On the other hand, I read somewhere on the internet that DVDs are making a comeback.

Sometimes, when there is absolutely nothing on TV worth watching, I’ll have a scan through my DVD shelf and choose something to watch. These days I get bored pretty easily, so I might watch an hour of something, go to make a cup of tea and find that something interesting has popped up — a documentary or an old TV show — and I’ll save the DVD for later (my DVD player actually remembers where you stopped the disc). Then I’ll settle down with my cuppa, watch the old TV show and finish the DVD later.

Interestingly, last night that exact situation occurred. I was watching an old favourite, the Errol Flynn version of Robin Hood, paused the disc to make a cuppa and up popped that old TV show, Man in a Suitcase. (I had set a reminder for it earlier after a quick browse through the on-screen TV guide).

Man in a Suitcase was a series made by Lew Grade’s ITC production company. It’s about a former CIA agent called McGill who was either sacked or forced to resign from the CIA and now makes his living as a private investigator in the UK. Presumably there is an episode that explains all this but I’m not sure I ever remember seeing it. Richard Bradford played McGill in a brooding, laid-back James Dean sort of style.

I had really been looking forward to watching Man in a Suitcase but after about twenty minutes — or probably less — I realised it wasn’t my cup of tea and went back to my film.

Some time ago I was looking up at my Woody Allen DVD collection of about twelve discs and thought I really needed to pick up some of his other films. Sleeper is a great comedy about Miles Monroe, played by Woody of course, a health-food store owner who gets cryogenically frozen in 1973 and wakes up two hundred years in the future. I searched eBay for a copy and found one, although the cheapest was just under £6. A number of Woody Allen DVD bundles came up for a similar price but sadly none of them had Sleeper. Anyway, for £5.20 I bought a collection of five of Woody’s films. Two I already had: the wonderful Manhattan and Bananas, although my copy of the latter was one of those free newspaper DVD versions, so it was good to get a “proper” copy with all the correct packaging. (Yes, I know, I’m a bit weird like that).

I put the first DVD in and got it set up ready to go. Then I sorted out a cup of tea with the mandatory ham sandwich and chocolate digestive and I was ready to press play. After about twenty minutes of Love and Death I was a little underwhelmed and thought, OK, I’ll save that for another day. In went Zelig, which is a sort of spoof documentary. Again, it wasn’t great but I managed to watch it right through to the end. The best thing about it was the way they made a lot of new footage actually look like real documentary film from the 1930s or 40s, whichever decade it was supposed to be set in. Great visual quality Woody, but Zelig was a little lacking in content.

Time for another cuppa and in goes Shadows and Fog. I gave that one fifteen minutes but it wasn’t doing it for me, so it was out with that one and in went Bananas. Just then though, a documentary series popped up on the Yesterday channel: Canal Boat Diaries. It’s a diary of a young man, Robbie Cummings, who journeys along the UK’s canals in his narrowboat. It’s largely self-filmed, although I suspect that at various points he is joined by another cameraman and a drone pilot, because various shots are incorporated from overhead and of him tootling off into the distance on his boat. I may be wrong and perhaps after that last shot he then had to reverse back, pick up his camera and tripod and start off again. When I used to make little YouTube films about our motorhome trips to France, I found myself doing similar things. It can be a little frustrating but sometimes you just need that shot.

Nothing much happens in Canal Boat Diaries but it’s a glimpse of a gentle, relaxing existence, chugging along at 4 mph through various towns. Robbie parks up here and there, makes dinner on his little stove and stops to stock up on supplies and to fuel up, as well as to explore. A few years ago, Liz and I looked at hiring a narrowboat for a weekend but the costs were really shocking. Perhaps we’ll have to try again later in the year when the holiday season has finished and things get (hopefully) cheaper.

Back to Bananas, which is one of my favourite Woody Allen films and it’s a long while since I’ve seen it. The film opens with the shooting of the President of San Marcos, shown as if it were a sporting event, with actual American TV sports commentator Howard Cosell presenting the action. Woody plays Fielding Mellish, who is a product tester and in one of the first sequences he is testing an office set-up with built-in exercise items. It’s actually a lot of fun but later he opens the door to a market researcher played by Louise Lasser, in real life Woody’s former wife. Woody later travels to San Marcos to impress her. Sylvester Stallone makes his film debut as a thug who Woody encounters on an underground train.

I love Bananas, especially the end where Howard Cosell commentates on Woody and Louise’s wedding night. One thing I found disappointing though, is that there are never any extras on a Woody Allen DVD. No interesting ‘making-of’ documentaries or commentary tracks by Woody, which I think are always an interesting addition to a DVD.

If I were to rewind a few years, I used to spend a lot of time in Manchester city centre, browsing music shops for CDs and DVDs. My favourite store was the huge HMV in Manchester city centre. They used to have an in-store DJ who was a really friendly girl, very approachable and very into her music. I always used to go and chat to her and she recommended all sorts of albums to me.

After looking through the CDs I’d pop up to the DVD section and spend more time there. I remember going in one day to find the in-store DJ had been replaced by a radio version: someone, presumably at head office in London, who was broadcasting music to all the HMV stores. Later, in 2013, the store closed down completely after more than twenty years on the same site. Browsing records and videos in HMV and then popping into my favourite bookshops before settling down in some back-street pub for a drink — ah, those were the days. I probably bought the larger part of my Woody Allen DVD collection there. Or was it eBay? Certainly the buying power of the internet may well have played a part in HMV’s demise.

Anyway, where will I find a copy of Sleeper? Ah well, back to eBay again.


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Film Connections #9 (Fairbanks to Brando and Back Again)

Time for another film connections post, in which I link films and cinema personalities together and tell a few interesting stories along the way. This week, I hope to connect Douglas Fairbanks to Marlon Brando — and maybe even back again.

During Hollywood’s silent‑film era, Douglas Fairbanks was arguably its greatest star. In 1922 he released his lavish version of Robin Hood, the first film ever to have a Hollywood premiere, held at Grauman’s Egyptian Theatre. The production featured enormous sets, including a castle and an entire town built at Fairbanks’ studio on Santa Monica Boulevard, expanded on screen with hanging models and matte paintings.

Fairbanks, who performed many of his own stunts, famously rode down a huge curtain at Nottingham Castle, made slightly easier by a concealed slide. The film was directed by Allan Dwan, one of early cinema’s great pioneers.

Fairbanks, Mary Pickford, Chaplin and DW Griffiths who together created United Artists.

Among the cast was Alan Hale as Little John, a role he reprised years later in the 1938 Technicolor version starring Errol Flynn.

Flynn’s The Adventures of Robin Hood featured Olivia de Havilland as Maid Marian and Basil Rathbone as Guy of Gisborne, who serves as the film’s main villain. The Sheriff of Nottingham, the traditional arch enemy of Robin is portrayed in this film as more of a comic figure. Much of the film was shot in California’s Bidwell Park, standing in for Sherwood Forest, with additional scenes filmed at the Warner Ranch in Calabasas.

The film began under director William Keighley, but producer Hal B. Wallis later brought in Michael Curtiz, who had previously made several films with Flynn, including Captain Blood, the film that made Flynn a star.

The highlight of The Adventures of Robin Hood is the climactic duel between Robin and Sir Guy, culminating in the famous moment when their shadows dance along the castle walls.

Olivia de Havilland and Errol Flynn later admitted they were in love during filming, but Olivia declined to pursue a relationship as Flynn was married to actress Lili Damita. Olivia’s relationship with her sister Joan Fontaine was far less affectionate. Their childhood rivalry carried on into adulthood: when Joan won an Oscar for Suspicion, she rejected Olivia’s congratulations, and when Olivia later won her own Oscar, she returned the favour. They reconciled in later years, only to fall out again over their mother’s medical treatment.

My favourite of Joan’s films, and perhaps her most well‑known, is Rebecca, directed by Alfred Hitchcock.

Released in 1940, Rebecca was Hitchcock’s first Hollywood film. In Monte Carlo, a shy young woman (played by Fontaine) meets the English gentleman Maxim de Winter and believes he is about to jump off a cliff. They later fall in love and marry, but the new Mrs de Winter (her name is never revealed) feels overshadowed by Maxim’s late wife, Rebecca. Olivier apparently wanted his own wife, Vivien Leigh, for the role, but Hitchcock chose Fontaine.

In 1956 Laurence Olivier announced he would direct a film version of Terence Rattigan’s The Sleeping Prince, retitled The Prince and the Showgirl. That same year Marilyn Monroe, newly married to Arthur Miller, arrived in England to make the film. Her production company, Marilyn Monroe Productions, had purchased the rights to Rattigan’s play, and she and Olivier would co‑produce.

Just as in Rebecca, Olivier wanted Vivien Leigh for Marilyn’s part, and tensions arose early. Marilyn looked to her acting coach, Paula Strasberg, after every take rather than to Olivier. He banned Strasberg from the set but soon had to readmit her. Marilyn was nervous and frequently late while Olivier and the rest of the cast were punctual. It was not a smooth shoot.

The fundamental clash was their acting styles. Olivier was classically trained and dismissive of the Method, the technique Marilyn had embraced. Yet in the finished film which I watched recently, Marilyn comes across far better than Olivier.

Marilyn studied the Method at the Actors Studio in New York under Lee Strasberg. The technique, rooted in the work of Konstantin Stanislavski, encourages actors to draw on their own emotional experiences to inhabit their characters fully.

Another famous Method actor (perhaps the most famous Method actor ever) was James Dean. His breakthrough came in 1955 with East of Eden, directed by Elia Kazan. Dean had also studied at the Actors Studio and, after theatre work and television roles, was cast in East of Eden while performing in the play See the Jaguar.

Kazan had previously directed Marlon Brando in A Streetcar Named Desire and On the Waterfront. Streetcar, based on Tennessee Williams’ play, was set in the Deep South. Kazan had directed the Broadway production and used the same cast for the film, with one exception: Vivien Leigh, who had played Blanche DuBois in the London stage version, was brought in for the film because of her star status.

In the story, Blanche, a former Southern belle, moves in with her sister Stella and Stella’s husband, Stanley Kowalski, after losing her home to creditors. Blanche finds Stanley loud and rough, and at one point he explodes in a drunken rage. Blanche and Stella hide from him, only for Stella to return to Stanley’s arms after his famous calls of “Stella!”

Brando was one of the great screen actors, but like Richard Burton, he sometimes questioned whether acting was a suitable profession for a man. Burton nevertheless gave his all to every role, knew his lines, and delivered superb performances. Brando, especially later in life, often did not. He refused to learn his lines and relied on “idiot boards” placed just out of shot.

When The Godfather was being cast, Warner Bros. refused to consider Brando, viewing him as too difficult. Director Francis Ford Coppola, however, was determined to have him as Don Corleone. The studio eventually agreed, but only if Brando accepted a reduced salary, posted a financial bond against potential misbehaviour, and completed a screen test.

Coppola filmed the test at Brando’s Mulholland Drive home. In the footage, which can be found online, Brando stuffed his cheeks with cotton wool, slicked back his hair, and muttered vague Italian‑sounding phrases. The studio was impressed, and Brando was cast.

Filming took place in and around New York in 1971, and the film was released in 1972. Brando won the Oscar for Best Actor but boycotted the ceremony, sending Sacheen Littlefeather to decline the award on behalf of Native Americans.

Earlier I wondered whether I could link back from Brando to Fairbanks. Here’s the admittedly thin connection.

In 1967 Brando starred with Sophia Loren in A Countess from Hong Kong, a romantic comedy written and directed by Charlie Chaplin. The film was a box‑office failure and turned out to be Chaplin’s last.

Chaplin had been heavily criticised after World War II for supposed communist leanings, and in 1952, when he left for a visit to England, the US Attorney General declined to renew his re‑entry permit. Chaplin did not appeal. Instead, he sent his new wife, Oona, to settle his affairs and moved permanently to Switzerland.

In 1972 Chaplin was invited back to Hollywood to receive a special Oscar for his contribution to cinema. It was an emotional return, and he was visibly moved as he accepted the award.

In the film Chaplin, directed by Richard Attenborough, we see Chaplin returning to the USA and taking a sentimental drive past his old studio lot, then the headquarters of A&M Records.

As he drove through Hollywood, I’m sure Chaplin might have thought for a moment about his best friend, Douglas Fairbanks, his partner in United Artists who, back in 1922, made his memorable version of the Robin Hood story.


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4 Classic US Mini Series from the Seventies and Eighties

The late seventies and early eighties were the heyday of the TV ‘mini series’. What is a mini series I hear you asking? Well, they were short TV series with only a few episodes. You rarely hear the name ‘mini series’ these days but they are still about. I mentioned some time ago about the series ‘Until I Kill You’ about a girl, Delia Dahmer, who unwittingly invited her lover to move in with her, not knowing that he was actually a serial killer. I started off this post as usual writing from memory, firmly convinced that the mini series was an eighties phenomenon. So, imagine my surprise to find that the first series on my list was broadcast back in 1974. OK, hasty change of this week’s blog post title from Mini series of the Eighties to Seventies and Eighties and here we go.

QB VII

Image via listal.com

QB VII was one of those huge television mini series that really felt like a major event when it was broadcast. It was based on Leon Uris’s bestselling novel and came out in 1974, with Ben Gazzara and a young Anthony Hopkins in the starring roles. The story kicks off with a libel case brought by a very respected Polish-born doctor who insists he’s been wrongly accused of being a Nazi collaborator. Anthony Hopkins plays the doctor and Ben Gazzara plays author Abraham Cady who feels it’s time to write about the holocaust. Adam Kelno, the doctor played by Hopkins, is only mentioned in a short segment of Cady’s book but as he has already been cleared of any war crimes by an earlier court, he feels free to sue the author.

The story starts in the courtroom, in Queen’s Bench VII but as things go on, the story keeps slipping back into flashbacks of the Second World War and that’s where the real core of the story is to be found. Anthony Hopkins, still fairly early in his career at that point, is especially good, as is Ben Gazzara.

Ben Gazzara was a graduate of the Actors’ Studio, the New York acting school that taught ‘the method’ to actors like Brando, Dean and Montgomery Clift, although at the time I only knew him from the TV series Run For Your Life about a terminally ill man trying to get the best out of the last years of his life.

Anthony Hopkins went on to star in many classic films and is perhaps most well known for his portrayal of Hannibal Lector in Silence of the Lambs.

QB VII had a big, serious, slightly grand feel that so many 1970s TV series lacked, like here was a  really important story to tell. It was the kind of show you’d settle in to watch properly, knowing you were in for some real epic TV and out of all the mini series here, I think this was my favourite.

Rich Man, Poor Man

Based on Irwin Shaw’s bestselling novel, it followed the very different fortunes of the Jordache brothers, Rudy and Tom, played by Peter Strauss and Nick Nolte. Set against the backdrop of post-war America, it had a bit of everything: ambition, money, family feuds, romance, betrayal and more than its fair share of trouble. Rudy becomes a wealthy, ambitious businessman and politician, while Tom is a rebellious, tough-minded drifter who pursues a career in boxing. Their rivalry, romances, family troubles and contrasting fortunes unfold over several decades, making it as much a story about family as it is about wealth, ambition and class.

Nick Nolte played Tom; rough around the edges, unpredictable and forever getting himself into scrapes while Peter Strauss’s Rudy took a rather more respectable route to success. What made the series so addictive was that it wasn’t simply about getting rich; it was about two brothers taking completely different paths through life and discovering, rather painfully, that money doesn’t necessarily buy happiness. It was classic 1970s television at its most gloriously melodramatic and millions of viewers were hooked. Fifty years later, I can still remember the sad ending which I won’t give away here.

The series was broadcast in nine parts in 1976.

Captains and the Kings

Captains and the Kings is another wonderfully grand example of the television mini series at its most ambitious. Based on Taylor Caldwell’s novel, this 1976 series follows the fortunes of the Armagh family, Irish immigrants who arrive in America with very little and gradually build a huge fortune and political influence. Perry King, Richard Jordan and Jane Seymour were among the impressive cast and the story has all the ingredients you could want from a sprawling family saga; poverty, ambition, romance, betrayal, politics and plenty of money. Like Rich Man, Poor Man, it’s really a story about the American dream, although here the journey from humble beginnings to wealth and power comes with a darker side.

I’m tempted to think the story was based on the Kennedy family or at least inspired by them. The parallels are pretty striking. The Armaghs are Irish immigrants who arrive in America with very little, build a huge fortune and then use their wealth to enter politics. The family eventually produces a charismatic young politician with presidential ambitions. That certainly sounds familiar. There are also elements involving political influence, wealth, family loyalty and the pursuit of the White House that inevitably bring the Kennedys to mind.

However, Caldwell’s story is much darker and more conspiratorial than the Kennedy saga.

I remember reading the book which was a very enjoyable read. The book opens with an introduction telling us about a meeting of very important people who get together to decide the political direction the USA is about to take. The members of the group are not politicians but a group of very rich men and the author mentioned they were a real group of people and they clearly inspired the story the author is about to tell.

Richard Jordan plays Rory Armagh, the ambitious Irish immigrant who claws his way from poverty to wealth and political power. The performance won him a Golden Globe and made him a familiar face to TV audiences.

He appeared in many films including Raise the Titanic and the sci-fi classic Logan’s Run. His career was cut short when he developed a brain tumour and he died aged only 39 in 1993.

Kane and Abel

Kane and Abel was another of those sprawling television dramas that seemed to arrive with the promise of several evenings of proper escapism. Based on Jeffrey Archer’s bestselling novel, this 1985 mini series starred Peter Strauss and Sam Neill as two men born on opposite sides of the world and into completely different circumstances, whose lives become increasingly intertwined through ambition, wealth and rivalry. Strauss plays William Kane, the privileged American banker, while Neill is Abel Rosnovski, a Polish immigrant who rises from poverty to build his own business empire. The two were born on the same day and their lives take dramatically different paths but an early encounter sets them on a lifelong collision course. As both men build powerful business empires, their rivalry becomes increasingly bitter, driven by ambition, pride, revenge and a determination to outdo the other.

It’s big, glossy and unabashedly melodramatic story, with fortunes made and lost, family feuds, business battles and enough twists and turns to keep you coming back for the next episode.

There is something wonderfully nostalgic about these old mini series; they knew how to tell a big story and more importantly, how to make you wait until the following week to find out what happened next. In today’s digital age, viewers would probably binge watch the whole series in one go.

Those are my four US mini series. There are probably more but they were the ones which have remained firmly stuck in my memory. All were adaptations of successful novels and perhaps their secret is that they were too long to be made into a film but not long enough for further seasons.

Which one is ripe for a re run on one of today’s many digital TV channels I wonder?


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Snips, Additions and (Directors’) Cuts

I really do hate it when the TV people decide to cut out a scene from a film, especially one of my favourite films. On the other hand, it’s always interesting to see a director’s cut of a film when previously cut scenes have been added back. I think that explains the premise of this week’s post but stay with me and hopefully it should soon become clear.

I’m going to kick off with the film Young Winston. I’m a great fan of Winston Churchill and I’m not amused about current plans to remove him from UK banknotes, but getting back to the film, Young Winston is a wonderful dramatisation of Churchill’s own book, My Early Life. I read the book many years ago and first saw this film at the cinema where I greatly enjoyed it and I remember it coming to television some years later.

The film details Winston’s early life and we see him at school and later in the army and the rather cool relationship he had with his parents is gradually revealed. The film finishes with a poignant dream sequence which I remember reading somewhere was based on something Churchill either said or wrote. In the dream, a much older Winston meets his father, Randolph but Randolph is not the unwell man of his later years but restored to full health. He asks Winston about great events and Churchill answers telling of the two World Wars. ‘Did Joe Chamberlain ever become Prime Minister?’ asks Randolph. ‘No,’ answers Winston, ‘but one of his sons did, Neville’.

Winston mentions that he has resigned his commission in the army. Randolph looks about at the many paintings and asks Winston if this is what he does. Winston answers that painting occupies much of his time. Randolph thinks for a moment and then tells Winston to ‘do the best you can’ and we see the sleeping Churchill smile at the thought.

I’ve always liked this final sequence but when I bought my VHS copy back in the 1980s the scene was omitted. Likewise, every time in recent years, since I first watched the film on television, this scene has always been removed. I’d love to know why. Perhaps the producers thought the film too long or perhaps preferred the new ending in which Winston talks briefly about his marriage and living ‘happily ever after’. After a search on the internet, I came across a post which claimed that Carl Foreman, who wrote and produced the film, found that US audiences occasioned so little reaction to the scene that he promptly had it cut. What reaction was he expecting to see I wonder?

Another film I’ve always rather enjoyed is Notting Hill. It was written by Richard Curtis and stars Julia Roberts and Hugh Grant. Grant plays William Thacker who owns and runs a bookshop in Notting Hill. Enter film star Anna Scott played by Julia Roberts who picks up some books in the bookshop. Not long after this she collides with Thacker in the street and he spills coffee all over her. They return to Thacker’s home only a few doors away where she cleans up and later Anna invites William to her hotel and consequently a romance ensues.

Thacker shares his home with Spike, a slightly oddball Welshman. In fact, Thacker describes Spike to a hotel receptionist by asking him to envisage the stupidest man he has ever met and then double it.

Anyway, I was watching this film not long ago. It was late evening and the film began at 9pm I think which of course is watershed time and we are all aware of things like bad language which of course is something which can be broadcast after 9.

In a really funny sequence Spike asks William to choose which T-shirt he should wear on a date and models about three shirts. William vetos them all due to rude or sexist phrases. He chooses a last one which says ‘LOVE’ on the front. Happy, Spike turns away but as he leaves we see written on the back of the t-shirt  the phrase ‘fancy a f#ck?’ Now I’ve always found that particular sequence rather funny but this time it was cut out. Why? It was after 9 (well, I think it was anyway) and although rude, it kills me every time. Do TV channels cut down films to fit their available time slots? If I was a director and that was my film I would be very upset indeed if some unknown TV editor had randomly chopped up my film just to fit it in a particular broadcast slot.

Let’s go the other way with this next example. I must have first seen Aliens on TV. I’ve always thought that it was as good, if not better than the Ridley Scott’s original Alien. In Aliens, astronaut Ripley played by Sigourney Weaver is adrift in a space lifeboat. I do love the opening of the film: The music gradually fades in as we come across a lifeboat drifting through space. Yes, the lifeboat holds astronaut Ripley, sleeping soundly in suspended animation after her adventures in the previous movie, Alien.

Later we see Ripley facing a committee where it is revealed that the spacecraft Nostromo, which Ripley self-destructed, caused a loss of over 64 million adjusted dollars. Another committee member advises that LV426, the planet where the Nostromo landed was ‘a rock’ with no indigenous life forms. I can feel Ripley’s frustration when she says, “Did IQ levels just drop while I was away?” She tries to tell the group about a derelict alien vessel containing alien eggs but the meeting ends and Ripley’s story is not believed.

Anyway, the upshot of all this is that Ripley joins a motley crew of space commandos on a mission to help the colonists of LV426 with whom all contact has been lost. On the planet the soldiers gain entry to the colonist’s base camp and we meet one of the survivors, a young girl nicknamed Newt, to which Ripley goes to extraordinary lengths to rescue from the aliens.

Why is she so keen to rescue Newt? Well, that is explained in a later director’s cut of the film in which it is revealed that Ripley’s daughter has died of old age. I know that sounds confusing but remember, Ripley has been in suspended animation for 75 years. She is still saddened by the news of her daughter which she has only just been told about and it is this loss that spurs her on to help Newt.

Now for me, this director’s cut is a much better version of the film and in fact, every time I have seen Aliens on TV recently, it is this new version which seems to be the accepted ‘cut’.

Here’s one final example. Spartacus was made in 1960. It was produced by and starred Kirk Douglas and was directed by Stanley Kubrick, whom Douglas brought in to direct after becoming disenchanted with the original director, Anthony Mann. The film is the story of a revolution, or at least a near revolution in ancient Rome. Spartacus, played by Kirk Douglas, is a slave who starts off a rebellion in a gladiator camp; the rebellion gets bigger and bigger until it threatens the entire fabric of ancient Rome. Laurence Olivier played the part of the Roman general and politician Marcus Licinius Crassus who uses the rebellion to further his own dreams of dictatorship. Peter Ustinov plays the gladiator school owner and Charles Laughton plays Roman senator Gracchus. Ustinov, Olivier, and Laughton are a wonderful trio, their performances superb, so much so that other actors who share the screen with them seem to pale in comparison.
Tony Curtis plays another slave who calls out famously; ‘I am Spartacus’ towards the end of the film, heralding a chorus of similar calls.

The film was restored in 1991 and 37 minutes of cuts were restored to the film including a scene where Anthony Hopkins had to dub the sound for a sequence involving Laurence Olivier who had died two years previously.

Which film cuts do you love, or hate?


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Heatwaves and Quizzes

I’m not sure what counts as a heatwave in other countries but here in the UK it seems to be a run of a few hot days. The recent heatwave lasted for around two weeks and during that time perhaps only five days were really extraordinarily hot. Don’t get me wrong, I’m not knocking it, I like the warm weather even though we’re not really equipped to deal with it here in England.

Trains have been cancelled due to the heat, rails were expanding apparently but then, don’t they expand in hot places like Spain and Mexico? Apparently not. Why are we getting these heatwaves? Is the climate changing? Well, it certainly seems like it. Can we do anything about it? My opinion is no, we can’t. This planet that we all call home has gone through various different climatic periods throughout its 4.54 billion year existence. It’s been hot and it’s been cold and no doubt it looks like it going to be hot, or at least warmer again.

Extinct animals have been found in Siberia with fruits and grasses in their stomachs and I read recently that the sphinx in the Egypt has been weathered by water, meaning that for a time, the pyramids and the sphinx must have been underwater in the past, as well as Siberia once had a much warmer climate. Times change, just like the weather. This year Liz and I had disappointing weather in France in the spring. The previous year at the same time, the weather was wonderful.

As soon as the first cooler day appeared I have to say I did feel a certain amount of relief. Things were more comfortable. I could sleep without waking up sweating but then I actually began to miss the heatwave. I enjoyed lying in the sun in the back garden reading and doing puzzles with Liz. I enjoyed having barbecues. I enjoyed watching TV with the back door open and a comfortable breeze slipping through the house. I enjoyed going out for meals wearing just a short sleeved shirt, shorts and canvas shoes.

Typical press reporting of the heatwave. (Image credit: Daily Express)

After a few cooler days though, the sun came out and the temperatures began to rise and at bedtime we once again had the fan on in the bedroom.

At the moment I’ve got a big legal problem that’s occupying my mind and perhaps that’s why I haven’t really made full use of this lovely weather despite having a motorhome in which to travel. Anyway, I’ve been happy enough, reading and writing, watching TV and dining out with friends and of course having our weekly visit to our favourite pub quiz.

Our friend Mike runs the quiz night at the Lord Derby in St Annes. Liz and I are not accomplished quiz people but between us we have a fair knowledge of most things and when it comes to music, we both have our ‘specialist’ areas. Mine is the 1980s and Liz is pretty good with the 1970s. Neither of us are that great with the sixties though (we’re both far too young) but it’s even harder when you have a tricky quiz master to contend with.

I’m not sure how long we’ve been going to this particular quiz but it’s a very long time. We’ve had a few wins and plenty of disasters. In the past the winners received beer vouchers but recently they have upped the prize to a £25 voucher which is always nice to win.

The quiz starts off as usual with the picture round. Twenty five pictures of famous and not so famous people and always portrayed in the picture sheet at their very worst so as to make it so much harder to guess who they are. I have to say we are pretty good at this round and Liz and I are good at prompting each other. (Who is that guy who played Steed in the Avengers I might ask? Was it Patrick Macnee says Liz? Who is that comedian you like Liz asks? Is it Jack Dee I answer?) Of course, there are always the problem faces and sometimes we have to barter with other teams (tell me number four and I’ll tell you number fifteen!)

Patrick Macnee in a photo he sent to me after I wrote to him as a child fan of The Avengers

On one occasion I remember being foxed by a picture of a football manager but I was pretty certain he was an Italian. I texted my friend Andy ‘Tell me some Italian football managers who manage a UK team!’ Andy gave me various options, none sounded right but I chose one. The guy turned out to be José Mourinho, a football manager from Portugal! Sometimes, no knowledge at all is better than a little! Oh well, another point lost.

The next part is the music quiz. Ten decades and two tracks for each decade. Our quiz master will usually give us a bit of a clue so he’ll throw in two numbers to help us with the years. Now on the particular occasion I want to talk about he gave us 1 and 7 so the first year would be 1961, the next 1967 then 1971 and so on. Now, and this is pretty important, Mike mentioned that as usual, the year he is after is the year of highest chart placing. Starting to get a hint of his trickiness? I thought so.

We quickly identified the two sixties tracks, Del Shannon and the hit single ‘Runaway’ and the Kinks with ‘Waterloo Sunset’.

So, all the sixties tracks out of the way so we could concentrate on the others and in this endeavour, we used to invite John and Kurt, two young guys in their twenties to our table for their up to date music knowledge. (You can see how ruthless we are!) Sadly, we haven’t seen either of those two for a long time but of course there are other quizzers willing to barter answers.

The final music track was designed to totally confuse us because Mike played another sixties release, Frank Ifield and the yodelling song! We should have been ready for it really because, as I’ve said, Mike made much of the importance of the year of highest chart placing, however, we were snookered. I personally thought Runaway had been a re-release and we changed our answers but the sad truth is that Frank Ifield’s single ‘She taught me how to Yodel’ was re-released in 1991 and was a bigger seller then than in the sixties.

The final round is a fairly quick fire general knowledge round. It always starts with a long forgotten music track from an eighties one hit wonder singer or band. It’s always something that we know and that rings a bell but reaching out for that elusive performer isn’t always easy. After that we get questions like what year did the Titanic sink? (1912)

Name 4 US states that begin with the word ‘New’? (New Hampshire, New Mexico, New Jersey and New York)

Which battle started on the 1st July 1916? (Battle of the Somme)

What was the name of the famous streaker at Twickenham in January 1982 during an England v Australia rugby match? (Erika Roe)

Time to get a quick pint in before marking the answers and then we find out that two guys sat out at the far end of the pub were the winners. Despite accusations of using their mobile phones they take the big prize.

Oh well, no £25 voucher for us on that occasion. But we’ll be back next Thursday for another shot.


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