I started work in 1973 and one of the first things I wanted to buy with my new found income was a cassette tape recorder. To be honest I can’t think of anything that had such a profound effect on me until the video camera or the home computer which both came along many years later.
I had a huge amount of recorded music of course. By the mid-seventies my record collection was already pretty big and I was buying vinyl records, usually 45 rpm singles, every week. My tape recorder had a built-in radio so I could record my favourite tracks straight onto tape for free and I spent a lot of time taping the new top twenty which came out every Tuesday. The other thing I could do with my tape recorder was record myself with a microphone.
I used to write some rather silly plays made up of sketches based on Monty Python and Spike Milligan and my brother Colin and I used to read the parts. One tape I digitised some years ago featured a cowboy sketch with dialogue something like this:
Colin: (Fake John Wayne voice) You’ve got a helluva chip on your shoulder.
Me: (Fake James Stewart voice) That’s not a chip, it’s a potato!
If you think that was bad, here’s another sketch, this one was a spoof on The Glenn Miller Story.
Me: (Fake James Stewart voice) You know I’m still searching, still trying to find that sound, that special sound . . .
(Colin aka Special effects man: Flushes the toilet.)
Me: (Fake James Stewart voice) That’s it! The sound, the special sound I’ve been looking for!
Later on, I bought myself a music centre which for the benefit of any younger readers was a record deck, a tape recorder and a radio all in one unit. I could then record my music onto a tape and make up music collections. They called them ‘mix tapes’ which to be fair was not a phrase I ever heard back in the seventies but I seem to hear quite a lot these days. Anyway, I used to make lots of mix tapes which became even more important when I bought my first car. To record music back then you had to actually play the record to copy it onto tape so each of my tapes in a way reflected the atmosphere in my bedroom as I played and copied one track after another, each track in turn inspiring the next and then the next and so on. I loved my mix tapes.
Probably the most famous tape in TV fiction was the tape used in Mission Impossible.
The TV show was created by producer Bruce Geller and concerned a team of special agents known as the Impossible Missions Force. They are a US government agency which takes on hostile foreign governments, South American dictatorships and criminal organisations.
A great feature of the series was the opening title sequence which involved a match being struck and then lighting a fuse shown over quick clips of the upcoming episode to the sound of the iconic theme tune written by Lalo Schifrin. Next, Jim Phelps, the head of IMF would listen to his tape-recorded instructions which, after being played, would then self-destruct. Phelps would then look through his agents’ files complete with photos and choose who he wanted for the mission. Sometimes a guest star would play one of the agents who would be introduced by Jim checking out his dossier. A team briefing would then take place and the mission would get under way.
The show was re-booted in 1996 as a film franchise starring Tom Cruise.
When I bought my music centre, I realised I could actually connect my old tape recorder into the music centre and make tape to tape copies so I began to edit my tapes, particularly those radio recordings where I could edit out things like DJs who talked too much or songs I didn’t like. I also used to review my recordings and put together what I called a Tape Review in which I spoke with a microphone and introduced various recordings.
Another tape I made was called ‘Self Portrait in Tape’ which was me yakking away into the microphone talking about my favourite books, TV shows and of course introducing some of my favourite music.
My childhood friend Steve and I were both big record buyers and music fans. We interviewed each other on tape about our music loves in the style of a radio show of the time called ‘My Top Twelve’. The show was really a rip off of Desert Island Discs in which a celebrity is interviewed and talks about their favourite music and Steve and I did the same. I reviewed my tape back in 2017 when I digitised it and transferred it to a CD. I have to say I was surprised at some of the music choices I had made back in the mid-seventies and in the CD version I did give certain tracks the chop and add some additional ones plus I added some comments in a new voiceover discussing how my musical tastes had changed.
In the 1990s I bought another music centre, a mini one with a CD player and tape recorder with which I used to copy my CDs onto tape to play in my car. My car at the time was a Rover and it had a tape player and it wasn’t until 2020 that I bought a car with a CD player and it was only then that my mix tape producing days were over.
The Watergate Tapes.
I have always understood that John F Kennedy was the first President to install a taping system in the White House though Wikipedia seems to think the practice began with Roosevelt. Many of the recordings made during Kennedy’s presidency have been released to the public including those of cabinet meetings during the missile crisis of 1962.
President Lyndon Johnson carried on the tradition of taping and recording phone calls and numerous calls have been declassified and released by the authorities. Some with a special poignancy were even recorded on Air Force One on the 22nd November, 1963, the day Kennedy was shot and Johnson elevated to the presidency.
Anyway, despite his two predecessors, the President most famous for taping in the White House was Richard Nixon and it was the ‘Watergate tapes’ that were at the heart of the Watergate scandal.
The White House under President Nixon was worried about security. When Nixon realised the FBI weren’t willing to do his bidding, he created a security team which became known as the Plumbers. It was their job to plug the leaks to the press and they were also used to get information on Nixon’s rivals in the election.
A team of five men entered the Watergate building on the night of June 16th/17th 1972. Sometime after midnight on the 17th a security guard noticed that various doors into the building had been taped, preventing them from locking. He called the Police and the five men were arrested. They all had connections to the White House. Various investigations began and the President himself was implicated but things changed when investigators became aware that conversations in the Oval Office had been recorded. Would the tapes prove or disprove that Nixon knew about the break in? Well President Nixon refused to hand over his tapes at first but when he finally succumbed to pressure and handed over some, they revealed him to be foul mouthed, bigoted and small minded.
Nixon resigned from the presidency on August 8th 1974.
The Watergate tapes can be listened to on the university of Virginia’s Miller Centre for Public Affairs. (millercenter.org)
I read on the internet that cassette tapes are making a comeback. CDs and digital recordings are of a much higher quality than cassette tapes but tapes are handy, easy to use and certainly in the old days they were pretty cheap. I’d make a music tape up and if it jammed or broke, I’d just throw it away and record a new tape. Recording a music tape was always an experience because, as I mentioned earlier, you had to record it live, you had to actually play the record or CD to copy it onto tape unlike the CD compilations I make nowadays. Those are made by just dragging and dropping a track into the CD burner file so you only get to hear it after it is made.
Tape cassette
Prior to the digital revolution, singers and musicians recorded their songs on vinyl but the vinyls were produced from master recordings made on tape in a recording studio. Pressings of a record are made from a mixing of the master tapes. These days, quite a few classic albums have had their master tapes digitised and many new mixes of old recordings have been released. I’ve got a few albums which have been rereleased in this way; they are a little like ‘director’s cut’ versions of old albums with new mixes, outtakes and alternative versions, so Paul McCartney’s Band on the Run becomes three CDs instead of one, same for Rumours by Fleetwood Mac. Two interesting albums but to be fair, I prefer the original versions.
As I write this, the Beatles are once again running high in the pop charts with a ‘new’ release. Back in the 1970s, John Lennon switched on his cassette recorder high up in his New York apartment and recorded a demo of a song he had written called Now and Then. Yoko Ono passed the tape to the surviving Beatles some years ago and Paul McCartney, Ringo Star and George Harrison tried to make it into a new song. Alas, the background hum on the tape could not be removed and neither could the sound of Lennon’s piano. Recently however, new technology has enabled Lennon’s voice to be cleaned up, Harrison’s guitar has been added as well as new additions from Paul and Ringo. The result is what people are calling the very last Beatles song ever.
Many fans think the result is wonderful and it’s certainly pleasant and interesting but hardly in the same class as the Beatles classics that we know and love.
These days I tend to listen to music via Spotify. One of the great things about Spotify is that it listens to the kind of music you choose and then suggests similar music. On my Spotify page I have various playlists I can listen to but you do need that all important Wi-Fi connection which isn’t always available. Of course, as a fully paid up member of the noble order of Northern Tightwads I still only use the free version of Spotify which means every now and then I have to put up with the bane of the music world – advertisements! (Even the Beatles video above starts with an ad!)
Perhaps that’s why I’m still listening to my mix tapes!
One day in December 1980 I was working as a bus driver and I was driving one of our old half cab buses into Manchester. My conductor, Bob, was kept pretty busy as we took a bus load of passengers into Manchester city centre for their jobs in shops, offices and other places. At one point Bob poked his head through the little window into the cab and told me that he had heard from a passenger that John Lennon had been shot in New York. It was shocking news and when we arrived in Piccadilly, we both ran to the news stand to read the news in the morning papers. There was nothing about Lennon in any newspaper and we wondered if it had been just a mad rumour. Later when we went back to the canteen for our break, we heard the news either on the TV or the radio. Lennon had indeed been shot and was dead.
So why did Chapman shoot John Lennon? Apparently, Chapman had been a fan of the Beatles and John Lennon’s solo music but felt that Lennon had become a fake, a ‘phoney’, someone who preached peace and love to the masses while his music made him a multi-millionaire. Chapman signed out of his security job as ‘John Lennon’ on his last day of work so it is even possible that he identified so much with Lennon that the other Lennon, the fake ‘Lennon’ had to die. Chapman also claimed at other times that he shot Lennon to promote Catcher in the Rye.
Letters from an Unknown Author! 