So what actually is a ‘restored’ movie? Well, it is simply this; an old movie restored to its original condition, with deleted scenes added, lost scenes and dialogue inserted and basically restored to its former glory. In some cases, movies are restored to more than their former glory as on many occasions, producers, sensitive to preview audiences and running times, have unscrupulously cut movies and left many a director fuming. A lot of older films, unless preserved in the studio vault have been lost and restorers have hunted down copies of those lost films and those excised scenes that have been lost over the years. Here are three classic restored films.
Directed by Frank Capra and starring Ronald Colman, Lost Horizon was shot in 1936 and seriously went over budget. Issues that contributed were scenes shot in a cold storage area, used to replicate the cold of Tibet: The cold affected the film equipment and caused delays. There was also a great deal of location shooting and scenes where Capra used multiple cameras shooting lots of film. Wikipedia reports that the first cut of the film ran for six hours! Studio Boss Harry Cohn was apparently unhappy with the film and edited it himself, producing a version that ran for 132 minutes. Further cuts were later made and as a result, Capra filed suit against Columbia pictures. The issue was later resolved in Capra’s favour. The film did not turn a profit until it was re-released in 1942. A frame by frame digital restoration of the film was made in 2013 and various missing elements of the film were returned, including an alternative ending.
Lost Horizon is one of my favourite books ever and this movie adaptation is nothing short of wonderful, in fact it is one of my favourite films of all time. The casting of the urbane Ronald Colman as diploment Robert Conway is perfect. If you see this movie on DVD make sure you take it home and settle down for a wonderful film experience.
You probably thought film restoration was only about really old films from the early years of cinema but it’s about any classic film that needs work. Spartacus was made in 1960 meaning it is 56 years old this year and was restored in 1991. The movie was produced by and starred Kirk Douglas and was directed by Stanley Kubrick, whom Douglas brought in to direct after becoming disenchanted with the original director, Anthony Mann. The film is the story of a revolution, or at least a near revolution in ancient Rome. Spartacus, played by Kirk Douglas is a slave who starts off a rebellion in a gladiator camp; the rebellion gets bigger and bigger until it threatens the entire fabric of ancient Rome. Laurence Olivier played the part of the Roman general and politician Marcus Licinius Crassus who uses the rebellion to further his own dreams of dictatorship. Peter Ustinov plays the gladiator school owner and Charles Laughton plays Roman senator Gracchus. Ustinov, Olivier, and Laughton are a wonderful trio, their performances superb, so much so that other actors who share the screen with them seem to pale in comparison.
Tony Curtis plays another slave who calls out famously; ‘I am Spartacus’ towards the end of the film, heralding a chorus of similar calls.
In the restoration, 37 mins of cuts were restored to the film including a scene where Anthony Hopkins had to dub the sound for a sequence involving Laurence Olivier who had died two years previously.
Lawrence of Arabia.
Directed by David Lean from a screenplay by Robert Bolt, Lawrence of Arabia is a visually stunning film, shot in 70mm. The movie is based on the book ‘Seven Pillars of Wisdom’ by the enigmatic T.E. Lawrence himself, and won seven academy awards including Best Director and best Picture.
Peter O’Toole stars as Lawrence although he was not the first choice for the part. Lean actually wanted Albert Finney but Finney had reservations about the film and wasn’t keen on being locked into a long term contract so he declined, despite shooting an expensive test at MGM studios in Borhamwood. It was then that Lean cast O’Toole after being impressed by his performance in ‘The Day they robbed the Bank of England’.
Director Lean wasn’t too pleased with the original script so Robert Bolt was brought in to essentially rewrite the film. A further complication was added when Bolt was arrested for his part in an anti-nuclear protest in London and so the production started without Bolt’s completed re write.
The film is famous for a number of classic shots. One is the cut from Lawrence blowing out a match to a shot of the rising sun in the desert and another is the famous long shot of Sherif Ali, played by Omar Sharif, who trots from the horizon astride his camel towards the well where Lawrence has stopped for water.
Steven Speilberg has been quoted as saying that this was the film that made him want to be a director and perhaps that is why so many of his productions have a sort of ‘David Lean’ feel about them.
The film was restored in 1989 with various cuts returned to the film. One sequence involved the late actor Jack Hawkins and Charles Gray had to dub dialogue for Hawkins’ character.
Is this the same as ‘the director’s cut’, I wonder?
Sorry for the late reply DAVE. No is the answer, although some directors have used the restoration process to ensure that their personal editorial preferences are kept but then, if you can’t do that, what’s the point of being a director?
Indeed! Would love to have been a film director, yet another unfulfilled dream, along with lead guitarist and matinee idol …