F1, The Crown and Watching the Box on Holiday

My original title for this post was Watching the Box in France. That however seemed to give the impression that this post was about French TV which it isn’t. Liz and I don’t normally watch much television on holiday, we are far more interested in swimming, going out for meals and barbecuing. On this holiday however, the weather was a little mixed and on quite a few evenings we settled down in the lounge of our rented house and decided to pop the TV on.

Just to backtrack a little, we rented this same house back in May and usually, the only time I put the TV on is to watch F1 racing. May is the usual month in the calendar for the Monaco grand prix, one of my favourite races of the year. There is actually plenty of talk recently about cancelling the race as nowadays, the F1 cars are faster and much bigger and so there is very little room left to overtake.

Back in the 1960s, cars were much smaller, in fact in those days there were three cars on the front row of the starting grid, the cars lining up in 3-2-3 formation. Fast forward to the present day and F1 cars and their aerodynamic fins and wings have spread out hoping to grab that extra bit of air in order to generate more downforce and push themselves down to the track so they can corner ever faster.

Many people have called for the race to be cancelled as bigger cars combined with a narrow track makes it virtually impossible to overtake which reduces the racing to just a procession of high speed cars and of course whoever is on pole position is pretty much guaranteed a win. Push that to one side and I must tell you that I happen to love the Monaco grand prix, I love the track, I love the exotic names of the corners: Saint Devote, Mirabeau and Rascasse. I love the run down to the Casino Square, the dash into the tunnel and the following tight chicane, the prize giving, the boats in the harbour, the glamour; in short, I love it all.

Back in May then I was disappointed to find that the Skybox in this lovely house did not seem to be working. I switched it on and off, rebooted it, checked the connections but all to no avail. I was forced to watch the 8 minute highlights on YouTube and quite frankly, I was gutted. OK back in England our own trusty Skybox had recorded the race but by then I knew the outcome, I knew the winners and the excitement had all been lost.

Anyway, we came here once again in September and I was looking forward to watching the Italian Grand Prix, another of my favourite races. The TV worked ok but the skybox was no more, lying abandoned and disconnected on one side. A new TV set up had been sorted with the TV connected to the internet. I quickly ascertained that in France, F1 was available on Canal+. Yes, Canal was there, ok so far. I clicked on the channel only to find that a subscription was required. I would have to pay and subscribe to Canal to watch the racing!

My inner tightwad kicked in and declined to open up my wallet so once again I had to make do with the 8 mins of YouTube highlights. Oh well, we didn’t come on holiday to watch TV but even so, I was disappointed.

The other thing we noticed on one rainy evening was that Netflix was available. Now just recently when Liz renewed her Sky package, some negotiation was involved and to sweeten the deal, Sky threw in a Netflix subscription. I have to say I haven’t looked at Netflix much but I always assumed it was just an ordinary channel like BBC1 for instance, in that there was a schedule and certain programmes were broadcast at certain times. Not so, Netflix is more like YouTube, you can watch programmes on demand but what to watch, that is the question.

Liz wanted to watch The Crown which I can’t say I was really interested in at first but after a while I realised what a really excellent production it is. The actors are really good especially the portrayals of the Queen, Princess Margaret and Winston Churchill.

The younger Queen was played by Claire Foy and Princess Margaret by Vanessa Kirkby and Margaret’s situation as the Queen’s sister was explored in a few episodes. Her love affair with Peter Townsend was doomed because Townsend was a divorcee. The Queen was advised to ask Margaret to wait until she was 25 and then she could marry. When the time came the Queen’s advisors brought up more issues and then ultimately the two lovers had to separate which of course didn’t help the sisterly relationship between the Queen and Margaret. Margaret actually could have married Townsend but that would have meant giving up her royal status so it seems to me that perhaps being a royal meant more to her than being with Peter Townsend.

Prince Philip courtesy creative commons

Before watching The Crown I had no idea of the background of Prince Philip. I always assumed he was English and a member of some family which was eligible to marry into the royals. In actual fact he was Greek and aged only eighteen months old he and his family were exiled from their homeland which left him with a lifetime fear of revolution and anything that might threaten the royal family.

His and Charles’ school days at Gordonstoun were really well done especially the interplay and flashbacks between Philip’s and his son Charles’ time there. Philip apparently loved it but Charles hated it.

A real stand out story was the one about the retirement of Churchill which was cleverly linked to the famous, or infamous painting of a portrait of Churchill by Graham Sutherland. Churchill, played by John Lithgow, was coming up to his 80th birthday and various people wanted him to retire but he was adamant that he would carry on. Churchill had various sittings for the painting with the artist and Churchill himself was an amateur painter of some merit. The two, one a professional and the other an amateur, tried to examine each other through their works. Churchill was hugely disappointed with the result which portrayed him as a very old man and came to see at last, according to The Crown anyway, that the time had come for him to retire and hand over the leadership of the country to Anthony Eden. Everything was beautifully done.

The other thing about The Crown was even the quick cutaway and establishing shots of cars driving up to the Palace or through London in the 50s and 60s, were expertly done. I’m sure there was an element of special effects involved especially in scenes of crowds in London but even so, everything looked so good.

An interesting episode concerned Lord Altrincham who was concerned enough to put forward a little criticism of her Majesty when she seemed to brand the workers at a car factory ‘ordinary’ instead of praising their work. He said himself that he didn’t blame the Queen but those who were writing her speeches and he added; “The personality conveyed by the utterances which are put into her mouth is that of a priggish schoolgirl, captain of the hockey team, a prefect and a recent candidate for Confirmation.”

In the show, Lord Altrincham is invited to the palace to meet the Queen’s secretary, however when he arrives, he finds himself face to face with the Queen.

I doubt that ever actually happened but if it did then full marks to the Queen for meeting criticism head on. Many of the Lord’s recommendations, such as making a Christmas TV broadcast, were accepted by the monarch and surely must have helped her feel not as remote from her people as she had up till then. Another broadcast which was dramatised was the one made by the Duke of Windsor when he abdicated. The Duke flips in and out of the story. The Queen Mother detested him as he had forced the mantle of kingship onto her husband when he was ill-prepared for it. Prince Charles however, did strike up a sort of friendship with the Duke. I should imagine that a former King and a future one would have much in common although how much was fiction and how much was accurate, I don’t know. Charles was played by Josh O’Connor extremely well and the Duke in his later incarnation by Derek Jacobi.

Our last evenings in our gite at Parçay-les-Pins were made all the more enjoyable by this splendid series which I’m sure everyone has watched ages ago but for me, a latecomer to Netflix, is very new.


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If Only I’d Gotten in the Taxi!

Taxi

image courtesy wikipedia

Back in the nineties I decided to pack my job in and have a last ditch attempt to break into TV by enrolling on a video production course in Manchester.

It was at a place called the WFA which, if I remember correctly stood for the Workers Film Association. It was a rather left wing place too as you can guess from the name, and certainly it wouldn’t have been a good idea to say you admired Mrs Thatcher!

To get a place on the course I had to give a presentation on a media subject. I chose working class representation in film and television and spoke about the kitchen sink movie dramas of the sixties and seventies, (Saturday Night and Sunday Morning, A Kind of Loving, Alfie, and so on) the TV soaps of the nineties (Coronation Street, Eastenders, and Brookside) and how contemporary British movies were then, and now I suppose, very middle class, (Four Weddings and A Funeral and Notting Hill for example.)

On the very first day we had to introduce ourselves and explain why we were on the course. I gave a quick resume of myself and my career, a re-hash of the above presentation and a quick mention of my film making heroes from Billy Wilder to Oliver Stone. I was somewhat surprised to say the least when the next candidate said he had just bought a video camera and wanted to know how to work it and then someone else said they knew nothing about video but wanted to know more. Well, I wonder what film making subject they chose for their presentation!

Our movie was about taxi drivers and after a brief introduction to the camera we were off into Manchester to start interviewing taxi drivers and filming the comings and goings of cabs in the City Centre. A big issue for Manchester cabbies at the time was that the city council was enforcing a new ruling about cabs being wheelchair accessible which meant either a new cab or a costly conversion. Every taxi driver we spoke to mentioned this and they were clearly upset about it. Another thing they pulled me up on was when I dared to call a private hire vehicle a taxi! Dear me no! Didn’t I know taxis and private hire vehicles were two entirely different things? Apparently not!

Another issue that came up was when we screened our rough cut for the whole media school. One taxi driver mentioned that certain places in the city were dangerous to go to as there was the possibility of passengers making off without paying or even robbing the drivers. The cabbie mentioned Moss Side, close to the city centre. One member of the audience complained that the driver was racist as Moss Side is a predominantly black area. I didn’t think he was racist; he just didn’t want to be robbed or lose a cab fare whether the passenger was black or white. My co-directors wanted to cut the offending moment but really the cabbie was just trying to highlight the risk factor in his job.

At the end of the course I took away my video and started pestering documentary producers for the chance to make a full length broadcast version but I didn’t seem to be getting anywhere until I wrote to channel 4. I went down to see them, they watched the video and the first thing they said to me was ‘Why didn’t you get in the cab with your camera?’

Well, we had asked taxi drivers if we could do that and they did say ok but if a passenger wanted us out then we would have to get out, no matter where we were, so rather than risk being stranded somewhere we didn’t take any rides in the cab. On hearing this the Channel 4 producer looked at me and said ‘If you were a real film maker you’d have got in that taxi!’ After that, despite my protests and assurance that I would get in the taxi when fully commissioned, numerous assistants arose, handed me my video and quite quickly I found myself out on the street!

That was my part of my brief foray into television. I’ll let you know more in another blog, however if you’re interested in seeing my Taxi video; here it is;


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