Tag Archives: Television

Making The Video and Why I Didn’t Get In The Taxi

Posted on by Steve Higgins

Back in the nineteen nineties I was at a bit of a crossroads in my life. I’d split up with my girlfriend and had sold the lovely house that we owned jointly. I was stuck in a job that used to be so much fun but had now become a boring dead end job that I was fed up with. I was desperate to do something really exciting, something creative so after a failed attempt at running my own motor sport memorabilia business I decided to have a last ditch try at getting into TV by enrolling on a video production course in Manchester.

It was at a place called the WFA which, if I remember correctly, stood for the Workers Film Association. It was a rather left-wing place too as you can guess from the name, and certainly it wouldn’t have been a good idea to say you admired Mrs Thatcher!

To get a place on the course I had to give a presentation on a media subject. I chose working class representation in film and television and spoke about the kitchen sink movie dramas of the sixties and seventies, (Saturday Night and Sunday Morning, A Kind of Loving, Alfie and so on) the TV soaps of the nineties (Coronation Street, Eastenders and Brookside) and how contemporary British movies were then, and now I suppose, very middle class, (Four Weddings and a Funeral and Notting Hill for example.)

On the very first day we had to introduce ourselves and explain why we were on the course. I gave a quick resumé of myself and my career, a re-hash of the above presentation and a quick mention of my film making heroes from Billy Wilder to Oliver Stone. I was somewhat surprised to say the least when the next candidate said he had just bought a video camera and wanted to know how to work it and then someone else said they knew nothing about video but wanted to know more. Well, I wonder what film making subject they chose for their presentation!

We were split into small groups of three and we had to come up with a subject. My idea was to make a documentary about taxi drivers and after some discussions I managed to persuade my two team mates to come on board. We were given a brief introduction to the camera and then we were off into Manchester to start interviewing taxi drivers and filming the comings and goings of cabs in the city centre.

We were rookies and we made a lot of mistakes. In particular, we didn’t think about the questions we were going to be asking the taxi drivers. We just sort of made them up on the spot but looking back it might have been better to have had the same questions ready for each new driver we interviewed.

A big issue that almost every driver mentioned was that the City Council was enforcing a new ruling about cabs being wheelchair accessible, which meant that drivers had to either buy a new cab or pay for a costly conversion to their current vehicle. Every taxi driver we spoke to mentioned this and they were clearly upset about it.

image courtesy wikipedia

Another thing the cab drivers pulled me up on was when I dared to call a private hire vehicle a taxi. Dear me no! Didn’t I know taxis and private hire vehicles were two entirely different things? Apparently not!

I think we spent a week going to the WFA in Hulme, picking up our camera and then getting the bus into town to start filming. We went to all the taxi ranks we knew. There was one at the top of Piccadilly railway station where we found quite a few talkative and sensible taxi drivers. Next we went over to Piccadilly itself where we came across a great bunch of drivers all trying to outdo each other with tales of drunken passengers and how Manchester City Council were trying to take too much money off them in licensing fees. At Victoria Station we met a very chatty driver who even wanted to show his singing talent. I felt his impromptu singing might have been a light hearted end to our video but my colleagues thought not. Oh well!

When we had shot a great deal of video we had to start editing and part of the training process was to screen a rough cut for the whole media school. In our film, one taxi driver had mentioned that certain places in the city were dangerous to go to as there was the possibility of passengers making off without paying or even robbing the drivers. The cabbie mentioned Moss Side, close to the city centre. One member of the audience complained that the driver was racist as Moss Side is a predominantly black area. I didn’t think he was racist; he just didn’t want to be robbed or lose a cab fare and didn’t care one way or another whether the passenger was black or white as long as he paid the fare. My co-directors wanted to cut the offending moment but I argued that the cabbie was just trying to highlight the risk factor in his job. I managed to win that debate and that scene was kept in.

Anyway, cutting the video and shaping it into something interesting was our next task and really the most enjoyable part of all. The big difficulty was that there were three of us, all wanting our own way and really the only way to make a video is for one person to have the lead. Anyway, we kept fighting to a minimum and most of the time we managed to either agree or come to a sort of consensus. The end result was a pretty reasonable video, at least I thought so.

At the end of the course I took away my copy of our video and started pestering documentary producers for the chance to make a full length broadcast version but I didn’t seem to be getting anywhere until I wrote to channel 4. I went down to see them, they watched the video and the first thing they said to me was ‘Why didn’t you get in the cab with your camera?’

Well, we had asked taxi drivers if we could do that and they mostly said ok but all of them stipulated that if a passenger wanted us out then we would have to get out, no matter where we were, so rather than risk being stranded somewhere we didn’t take any rides in the cab. Not only that, there were three of us carrying a rather bulky 1990’s Super-VHS camera, a microphone and a tripod. On hearing this the Channel 4 producer looked at me and said ‘If you were a real film maker you’d have got in that taxi!’ After that, despite my protests and assurance that I would get in the taxi when fully commissioned, numerous assistants arose, handed me my video and quite quickly I found myself out on the street!

That was my part of my brief foray into the world of TV. I never did get a job in television but then again, perhaps I just wasn’t as determined or as pushy as I should have been. The one job offer I did get was from a small video company that did a little work for the This Morning TV show. They offered me an unpaid job which apparently is the usual way into TV, working without pay until you show yourself good enough for a proper job. Sorry but I had a mortgage to pay so unpaid work just wasn’t for me.

Not long afterwards Channel Four produced a documentary series about cab drivers although mostly shot with small fixed cameras in the taxi. I still reckon they pinched the idea from me!

If you’re interested in seeing our Taxi video you’ll find it below. It’s actually one of my most watched YouTube videos.

Due to issues of drinking far too much wine and lying far too long on my sunbed, this week’s blog post was an updated version of a previous post. Normal service may or may not be resumed next Saturday.

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The Old, the New, Covid and 2022

Posted on by Steve Higgins

My first post of 2022 was just a review of 2021 so this one is really my first proper 2022 post. I was due to be working on New Year’s Eve but that scourge of our modern times, Covid 19, stepped in and I had to call in sick.

Covid.

Both Liz and I had been suffering with bad colds and hers was getting worse with a bad headache and a loss of taste and smell. We did Covid tests and Liz was positive. My test was negative which was a surprise but then I haven’t had the headache or the loss of taste. I’m not sure when Liz was exposed to Covid, after all we haven’t been out much lately apart from some last minute shopping and a visit to quiz night at a local pub, the Lord Derby. Anyway, we were of course condemned to a minimum seven day lockdown so that meant no work on New Year’s Eve and no going out either.

We lit the fire, got the red wine on the hearth and settled down while we waited for our curry takeaway to be delivered.

The New.

Just lately I’ve been watching a whole lot of TV. Some of it new and some of it old. I mentioned a few weeks ago about watching And Just Like That, a new series of Sex and the City. Happily, it wasn’t on some subscription TV channel but on normal TV so I was able to watch it. I gave it another try the other day but I wasn’t impressed. Carrie had some hip surgery and Miranda got involved with a lesbian comedian. All pretty routine stuff for modern New Yorkers I suppose but it really wasn’t for me. Another new series was the latest four part JFK documentary by director Oliver Stone. I’ve been interested in the JFK assassination since I was a child and although I didn’t quite expect any new revelations in this new documentary series, I was surprised to find there were.

The so called magic bullet was given a severe bashing by various experts and so was the actual provenance of the bullet. The chain of evidence regarding the bullet was shown to be completely compromised as various new records released by the JFK Assassinations Records Review Board were shown to be either false or incorrect by the hard work of various investigators. The ARRB came into effect after the outcry from Oliver Stone’s 1991 film JFK and the documentary was fascinating but a little disjointed as instead of covering each issue in full, the films returned to the same subjects again in later episodes. Apart from that it was very convincing despite the poor review I read in the Guardian recently.

The Old.

There were the usual films shown over the Christmas period. Many films like Ghost for instance look pretty modern but it was technology that betrayed how old they were.

In Ghost banker Patrick Swayze was using one of those old computers with green text while Tom Hanks and Meg Ryan in the film You’ve Got Mail were still using dial up to get online and pick up their email messages. You’ve Got Mail was released in 1998 and Ghost in1990 making it 32 years old this year, would you believe it! Another film I saw that was also dated by technology was The Net with Sandra Bullock. The Net was a thriller about a computer programmer who gets involved in a conspiracy by a computer security company to mine and manipulate information. Made in 1995, dial up internet and green text were evident and there must have been many young people watching and wondering what exactly a floppy disc was.

Making Bread.

One thing that I really love and could never give up is bread. Yes, some may say it’s fattening and full of calories but it’s a food that has nurtured mankind for many centuries and anyone who tries to keep me away from a ham salad on granary is risking their life. When a bread shortage began to rear its ugly head here in Liz’s kitchen a state of panic began to mount. We were self-isolating so I couldn’t go to the shops, what could be done?

The obvious answer was to bring down my bread maker from the dusty shelf where it had lain for the past god knows how many years and to wipe it down and crank it up. I suppose I’ve had that bread maker for about twenty years. Once I got pretty interested in bread making. I had a few recipe books, I bought flour and yeast and started baking. I had a number of disasters along the way but eventually I managed to make some reasonable bread. Then, some new gadget caught my interest and the bread maker was left on the shelf. Why on earth did I stop making bread when I love it so much?

A quick search in the cupboard produced some flour and some packets of yeast and it was time to start up my bread maker once again. The thing is, making bread takes time. First the machine has to mix the ingredients then the mixture has to prove and rise. Then it gets another mix and finally the gizmo starts to bake. I waited patiently looking forward to warm fresh bread and then, many hours later when a huge rock hard inedible blob emerged I finally remembered why the bread maker had been lying on the shelf for so long.

More Old.

The Net was by no means a great film but Ghost was. I remember seeing it at the cinema back in the 1990s and it was one of those word-of-mouth films where the word was, this is a pretty good film, make sure you watch it. Patrick Swayze plays Sam Wheat, a banker who gets murdered. When his spirit is about to be pulled upward into the next world he looks back towards his girlfriend Demi Moore who is shattered and cradling his dead body and Sam realises it is not time for him to go yet. The ghostly Swayze later finds that his killer is stalking Demi. Frustrated and not knowing what to do, Sam wanders New York and finds a medium played by Whoopi Goldberg with whom he can communicate. Whoopi tells Demi about the stalker and Sam’s best friend Carl goes to find out what is happening. Sam is shocked to see that the murderer and stalker is actually acting on the orders of Carl. Maybe Ghost is a little too sentimental in parts but what the heck, I’ve always enjoyed it.

More New.

One new film (well new to me anyway) I did watch was The Time of Their Lives. It was a 2017 film starring Joan Collins and Pauline Collins. It was on in the background while I was tapping away on my laptop. I didn’t catch much of the beginning but Joan Collins is a faded movie star living in a home who decides to go to the funeral of her film director ex-lover in the hope of somehow breaking back into the film business. The funeral is in France and she somehow persuades Pauline Collins to go with her on the trip so it becomes a sort of French road trip. Over in France they meet an Italian artist played by Franco Nero, the one time spaghetti western star. Joan Collins is wonderful in the part of the former film star and I ended up putting my laptop down and giving the film my full attention. Very enjoyable it was too.

2022.

Most years I make the same New Year resolutions. They usually go something like this; finish my new book. Finish my latest screenplay. Write more poetry. Make better videos. This year I decided not to make any resolutions. I thought why not make 2022 a pressure free year? After all, I never make good on any of those resolutions anyway.

Have a great 2022 and by the way, did you make any resolutions?

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A Few Pandemic TV Thoughts

Posted on by Steve Higgins

Lockdown may have finished on December 2nd in the UK but if you live in a tier 3 region, like me, it’s still going on. OK, I understand the need for the lockdown, I know we have to prevent the virus from spreading but that doesn’t stop the whole thing being a pain in the neck. No quiz nights at the pub, no restaurant meals out and so on. Not only that but why does the virus have 2 separate names? Is it Covid 19 or is it Coronavirus? And where does the 19 come from? Was there a Covid 18?  Does this mean there have been 18 previous versions of this insidious plague? If so, why have we never heard of them? We, the public, need to know.

This being December it certainly isn’t the time of the year for relaxing in the back garden but at least we have our TV set to keep us entertained. What TV gems have I found this week?

Showing on an obscure TV channel, Forces TV, I found the old Gerry Anderson TV series UFO. The show still looks pretty good after many years on the shelf. Ed Straker, the boss of SHADO is still trying to defend the world from alien attack and he and his colleagues look pretty good in their natty suits. In fact the whole thing looks pretty futuristic despite its obvious 1980’s origins, more so than Star Trek which, as much as I love it, does look very 1960’s.

It just so happens that I can remember that SHADO stood for Supreme Headquarters Alien Defence Organisation. What is interesting about that is this: The other day I went into the bedroom to get something and forgot what it was I’d gone in there for and yet I still knew what SHADO stood for.  A contributory factor might be that as a youngster I fell off a playground roundabout right onto my head. In fact, I can remember it like it was yesterday, falling off head first and heading towards the ground, actually a concrete slab and taking a hell of a whack on my bonce. Yes, that hurt, it really did but I’m still wondering what I wanted in the bedroom.

Anyway, when I mentioned Star Trek above. I’m talking about the original Star Trek, not the slightly lacking Star Trek:The Next Generation. Captain Picard and the cocktail lounge atmosphere of his space craft was not my cup of sci-fi at all and while Picard was running all the command decisions past everyone from the ship’s counsellor up, Kirk was already hitting the aliens with phasers on stun and getting up close and personal with some gorgeous interplanetary beauty.

The original Star Trek, like UFO was shot on film and today looks pretty sharp compared to the Next Generation which was shot straight to video. The original series was given a digital makeover a few years back with digital effects and new CGI spacecraft and is looking pretty good these days. The franchise has spawned quite a few follow up series and films. After the Next Generation came Deep Space 9 which was just as bad as the Next Generation if you ask me and then Star Trek Voyager. I actually like Voyager but it didn’t start off well for me and as much as I liked Captain Janeway, her oddball hairstyles just annoyed the hell out of me until in the later series they decided to employ someone who actually knew how to style hair and Janeway ended up looking pretty normal.

As Janeway became normal, the writers decided to shake things up with the pretty sexy Seven of Nine character. She was rescued from the Borg, an alien race whose catchphrase is you will be assimilated. Seven was given a very appealing tight fitting catsuit to wear instead of the Space Federation regulation uniform. Catsuits are OK and maybe they are pretty popular in the 24th century but they never seem to have any pockets. What Seven does with her handkerchiefs, lip gloss, mobile phone and purse I really don’t know. In the future people must prefer looking sexy rather than worrying about their stuff, at least they do in the eyes of the Star Trek writers.

While on the subject of cat suits, I feel I must mention, even just for a fleeting moment, the original cat suit girl who, at least in my mind, was Mrs Emma Peel played by Diana Rigg in the TV show The Avengers. The Avengers started off as a crime drama starring Ian Hendry as a police doctor, assisted in solving crimes by the dapper John Steed. Hendry left the show leaving Steed, played by Patrick MacNee needing a new assistant. His assistant was Kathy Gale played by Honor Blackman. She left the series to star in the film Goldfinger and Emma Peel was recruited as Steed’s new assistant. Kathy Gale was also a catsuit wearer although she seemed to prefer a leather version. When Emma Peel joined the series, the show moved from video to film and the production values increased enormously. The show also began to move in a sort of sci-fi fantasy espionage direction. Off the top of my head, I remember episodes about a mad scientist who shrinks other scientists and Steed, down to a small size, killer robots, time travel and cats that become wild animals.

Another problem with tight fitting cat suits must surely come whenever the wearer needs a bathroom break. Imagine having to strip right down just so you can have a wee. On board the Enterprise I can imagine that, like in any spaceship, space must be at a premium so the toilets must be pretty small. Now this is the perfect opportunity to introduce my own personal experience of using a ladies toilet. Years ago, when I had a cigarette vending machine round (writer, blogger, vending machine repairman -I’ve done it all) I remember visiting a pub in Prescot in Merseyside. I can’t remember the name of the place but it was the reverse of a normal pub in that most old pubs usually have a big room; the lounge and a small one, the vault, where men play cards, pool and darts. In this pub, the big room was the vault and the lounge was the small room. Anyway, after servicing the cigarette machine I wanted to use the toilet so I asked the cleaners, who were pretty fierce in that place, could I go in the gents. No she said, the floor was still wet but I could go in the ladies.

The ladies I soon found was actually two rooms, one with three toilet stalls and an outer room where you could wash your hands. The outer room had two huge mirrors for making sure your hair and makeup were OK and two comfy couches where the women could sit and presumably have a good natter before going back to join the men. Yes, that ladies toilet was a real eye-opener for me used to, like all men, smelly urinals.

Diana Rigg left The Avengers to become a Bond girl, just like Honor Blackman before her. Diana starred in On Her Majesty’s Secret Service as the woman who finally got 007 to the altar only to be shot later by Bond’s enemy Blofeld.

Anyway, getting back to Star Trek, the latest series in the franchise are Discovery, which is rather like watching a very fast music video, I gave it a good 15 minutes and then had to switch off, and Star Trek Picard, which sees the return of Captain Picard and various other characters including Seven of Nine from Trek’s back catalogue. I actually quite fancy watching that but alas, not having Amazon Prime I’ve yet to do so. Pity because it actually looks pretty good from the clips I’ve seen on YouTube. Eventually it will filter down to the Freeview channels and one day I’m sure I’ll see it late at night on BBC2 perhaps.

William Shatner who starred as Captain Kirk in the original series is a firm favourite of mine and it would be rather nice to see his character pop up again. Star Trek: Kirk sounds like a pretty good idea for a new series to me. Shatner is now 89 years old and still going strong. His character was actually killed off in the Star Trek film Generations which started off pretty well, combining the usual sci-fi elements of Star Trek with an intriguing mystery; who is the mysterious Soran and what is he up to? As it happened what he was up to wasn’t really that interesting but the film marked the cinema handover from the original Star Trek cast to the new one. Pity really because as I mentioned above, I never really took to the Next Generation.

Star Trek is ultimately about three people, Kirk, Spock and McCoy and the producers probably realised that, which is why, in the latest Trek films a new generation of actors have been asked to recreate the old roles meaning that Captain Kirk lives on again for a new generation of sci-fi fans.

Another old show repeated currently on the CBS justice channel is The Fugitive starring David Janssen as Dr Richard Kimble, falsely accused of the murder of his wife. The show ran for four seasons but as viewer ratings began to fall, the series was cancelled. It was then that the producers hit on what at the time was an unusual idea. Instead of the show just ending, they decided to make an actual finale. Yes, they would wrap up the story of Kimble’s wife’s murder. Kimble had been searching for the supposed one-armed man he had seen leaving the murder scene for the past four seasons, now he would finally find him!

Back in the 1960’s, TV was not very highly thought of even by the TV networks themselves. So what if Kimble never finds the murderer. So what? It’s only a TV show. Of course, the viewers would disagree. They had kept faith with the series for four long years, they deserved a proper ending.

The final episode aired on August 29th 1967 and in the USA the viewing figures were a sensation: 72% of US TV viewers were watching that final episode and the show held the most watched record until November 1980 when someone shot JR in Dallas.

When I watched The Fugitive yesterday, I think we were up to episode 20 in season 4. Hope I remember to watch that final episode, then again, I still can’t remember what I wanted from the bedroom!

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5 TV Chefs Who Will Change the Way You Cook!

Posted on by Steve Higgins

I do like my food. Like everyone I have my likes and dislikes, for instance, I’m not a great lover of fish although I’ve been known to eat cod, hake, calamari and even mussels. Good food though is more than just ingredients or produce and a good chef is in his own way as much of an artist as a great painter or a poet. I do love watching great TV cookery shows and although I am not a great cook, I have sometimes tried to follow the advice of various TV cooks who have inspired me to make something exciting. The results will not be spoken about here but getting back to those TV chefs, who is your favourite?

Ken Hom.

A few years back when I first lived on my own, I saw one of Ken’s TV shows and began to wonder if I could actually make some tasty Chinese food. I remember going down to the Chinese supermarket in Manchester and picking up various things like sesame oil, lemongrass and of course, my first wok. Chinese cooking is quick and fresh and most of the work is in the preparation because the actual stir frying is a pretty quick process.

I followed all of Ken’s instructions and seasoned my wok and now and again I manage to dish out some reasonable food. I couldn’t quite find the clip of Ken Hom that I wanted to show but below is a recent clip with Ken talking about his food.

While I’m on the subject, wonder what I did with my wok?

Antonio Carlucci.

One of my favourite cuisines is Italian. Some people say pasta is boring but I’ve never really felt that at all. I love pasta, especially spaghetti and my favourite pasta dish is a very simple one spaghetti aglio olio e peperoncino. It’s basically spaghetti with garlic, olive oil and chilli. Simple and tasty and it’s always handy to have some fresh bread nearby to mop up the olive oil. Antonio Carlucci, who sadly died in 2017, made a great series back in the eighties and one of the highlights was where he visited some small Italian village and the locals showed him their authentic versions of pasta or how they made a ragu for instance. I’ve always liked simple rustic cooking and I think that is what is at the heart of Antonio’s food.

If I remember correctly that ragu was something involving tomatoes, onions and garlic, all of my favourite ingredients. I couldn’t find a clip from it on YouTube so here’s one of Antonio in his later years.

Jamie Oliver.

Jamie Oliver is a very modern cook and he seems to cultivate a sort of Jack the lad streetwise fast-talking persona but he really is a great modern chef. In his many TV shows he caters for the modern household where people come home from work after a busy day and inspires them to cook some simple and fresh food instead of just shoving a frozen pizza in the oven.

Jamie made his TV debut in 1999. He was spotted by a TV producer making a documentary about the River Cafe where he was working at the time. His TV show the Naked Chef followed soon after and his cookbook from the series was a best seller. I’ve got quite a few of his cookbooks in my collection which I always refer to when I get down to some serious cookery.

Here’s one of his many YouTube videos showing how to make another of my favourite Italian dishes, Bolognese.

Keith Floyd.

Keith Floyd is the master of the TV cookery programme and his shows from the seventies and eighties were the forerunners of some of today’s TV cookery shows. Floyd visited lots of places, soaked up the local atmosphere, checked out the local dishes and produce and then turned up somewhere, a village square, a beach or even a local restaurant and started cooking. During each monologue to the camera, Keith made sure the cameraman filmed exactly what he wanted him to film, giving a running commentary on the ingredients and the cooking process as well as directions to the cameraman. The supping of wine during the cooking was clearly compulsory. His shows were a mix of travelogue and cooking visiting various far flung places and his impact on the genre is still visible in today’s food programming.

Rick Stein.

Rick is a direct link to Floyd in many ways. Rick’s first appearance on TV was when Floyd visited his famous fish restaurant in Padstow and later when Floyd’s producer wanted to work with someone new, Rick turned out to be the obvious choice. Rick, together with producer David Pritchard produced a series called Ocean Odyssey which was a big hit and the two went on to make more foodie programmes together. A recent series and one of my favourites was Rick Stein’s Long Weekends. Incidentally, a while back I reviewed Ricks autobiography which is well worth a read if you ever see it on the bookshelves.

Graham Kerr.

I had always thought that Graham Kerr, AKA the Galloping Gourmet was Australian but a quick check over on Wikipedia showed me I was wrong. Kerr was born in London to Scottish parents who were hoteliers and later Kerr moved to New Zealand where he became a culinary advisor to the New Zealand Air Force.

In New Zealand Keith appeared in a highly successful cookery show called Entertaining with Kerr. Later the show moved to Australia and later still Graham and his wife Treena made the move to Canada. There Graham began a new cookery show produced by Treena called the Galloping Gourmet which again was very successful. The title came from Kerr’s fast moving and enthusiastic style in which he literally galloped into the studio.

The format of the show was a film travelogue followed by Graham cooking a dish inspired by his travels live in the studio. I remember watching his shows as a child where he would taste the dish and then give the camera a look of food rapture before running into the audience and grabbing someone to taste his food. I loved it and it’s always been one of my foodie favourites.

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Things to do During a Pandemic (Part 2)

Posted on by Steve Higgins

Some people are born to do certain things. Winston Churchill was a born leader, and Clark Gable was born to play Rhett Butler in Gone with the Wind. As for me, I was born to watch TV. My old dad used to call me ‘square eyes’ because I was glued to the television, or so it seemed to him.

During this unprecedented time -I had to use that phrase because I keep hearing it so much on TV- there is not much to do in one’s own home. Those lovely few warm days have slipped away leaving us in the northern UK a little chilly. The sun is hidden behind grey clouds and it is cold so no barbecues, no more reading out on the lawn.

I’ve have done a little reading and writing and put together a few revised videos for my various internet pages, but mostly I’ve been sipping red wine and watching TV. Some of it has been good, some of it not so good. Anyway, here’s a quick look at what I’ve been watching on TV this week . . .

Young Winston.

I’m not a great fan of director Richard Attenborough but to my mind he has made two really good films: Chaplin and Young Winston. I remember seeing Young Winston at the cinema back in the seventies. Simon Ward plays the part of young Winston Churchill and he plays a good part. He even comes across with a fair approximation of Churchill’s voice, both in his portrayal and also in the many voice overs. The book is based on Winston’s own book My Early Life. I read it many years ago and it was a wonderful read as I remember and this film is a particularly good version of it.

The film tells the story of young Winston Churchill, the son of Lord Randolph, who adores his father who sadly dies young, spoiling Winston’s dreams of working with him in Parliament. The film flips backwards and forwards in time showing Winston’s first day at school and then his exploits in the army. Winston failed to get elected as the Tory candidate for Oldham but later, after making a name for himself as an army officer, correspondent and author, he returns victorious after escaping from a Boer POW camp and finally enters Parliament.

Various familiar names play their parts beautifully including Anne Bancroft as Winston’s American mother, Robert Shaw as Lord Randolph Churchill and many others in smaller roles; Robert Hardy as a prep’ school headmaster and Jack Hawkins as the headmaster of Harrow.

Randolph died at the early age of 45 apparently from syphilis although others have suggested his illness may have been a brain tumour.

This was a wonderful film, beautifully photographed and put together from a script by producer Carl Foreman. What is rather sad is that when I first saw this film there was a scene at the end where the older Churchill falls asleep and dreams of meeting his father who appears free from illness. The scene was based on a short story Churchill wrote in 1947 but for some reason that scene has been dropped from TV and DVD versions of the film which is a great shame.

Bridget Jones’ Baby.

Another film I’ve seen during the lockdown was Bridget Jones’ Baby. The film was based on the book by Helen Fielding and I have to say, I was surprised to hear the TV announcer warning me of some ‘highly offensive language’ used in the film. Bridget Jones? Offensive? Really? Yes really! Even a scene with a child swearing. OK I do swear myself now and again but some of the language in this film was actually just as the announcer suggested and was highly offensive. The other thing was that most of the actors looked really old, really haggard. Now this may have been that we were watching on our new smart TV and the picture quality is just so good these days that it can appear daunting. Sometimes, when Liz and I are at our local pub quiz, Liz will ask why am I watching the TV when its tuned to Sky Sports news? Well, a lot of the time I am just amazed that I can see some football pundit’s pores or some hair that has escaped his razor. Still, the original film in the Bridget Jones series was made in 2001 while Baby was from 2016 some fifteen years later.

Film tends to freeze an actor in time and when you see them on TV talk shows plugging their new film it can be surprising to see just how old an actor has become. A while back I was watching Tom Hanks on Graham Norton and he had grey hair! Tom Hanks? Of course, not long prior to that, I had watched Apollo 13 which was made in 1995, 25 years ago!

Bridget Jones’ Baby finally settled down but I wasn’t totally impressed.

Storyville.

BBC Four have been showing a documentary about OJ Simpson recently. I missed the first few episodes but thank heaven for catch-up TV. The documentary is in 5 parts and won an Oscar for best documentary. Episode one details Simpson’s incredible sporting career and also showed how it was important for him to be seen just as OJ rather than OJ the black athlete. He was apparently a friendly and amiable man who made many friends in the sporting world and kept himself well away from controversy and was never involved in the civil rights movement in America unlike sporting celebrities like Mohammed Ali. Later episodes show how he made a life after sport by becoming a TV sports pundit and by courting wealthy friends in Los Angeles to advise on his investments. In particular he made TV advertisements for Hertz car rentals which were highly popular and did well not only for Hertz but raised Simpson’s profile in the USA even higher.

The series also looks at the climate of race relations in Los Angeles and the activities and methods of the LAPD who clearly were not engaging or even trying to engage with the black community. A ‘them and us’ situation evolved in LA and when Rodney King, a black motorist was brutally beaten by a group of white police officers the situation become even more inflamed. The officers were taken to court but found innocent by a white jury causing riots and disturbances in the area.  This was the background of the later OJ Simpson murder trial.

Simpson divorced his wife and married eighteen year old Nicole Brown, a blonde LA waitress. Their marriage lasted seven years and was not happy, especially in the latter years when Nicole was beaten and abused by Simpson. She called the police numerous times reporting OJ for assault. On June 13th, 1994, Nicole and a waiter named Ron Goldman were found dead. A trail of blood led away from the scene and later blood was found on Simpson’s white Ford Bronco.

Simpson was not as famous in the UK as in America but I do remember seeing the crazy car chase on TV with Simpson in his white Bronco followed by a fleet of Police cars. I have to say that this series has completely gripped me so far and the portrait of Simpson himself and the racial climate in Los Angeles and the attitude of the police is compelling. If you are interested you can still find the episodes on the BBC I-player, at least you could when I wrote this a few days ago. When I tuned in to watch the final episode it was not available! 

Rocketman.

As we are cooped up at home for the duration, why not watch a good film on pay per view? It just so happens that Liz renewed her Sky sunscription recently so we were entitled to a free film. OK, settle back, pop corn at the ready, red wine poured, here we go.

Rocketman was an enjoyable film, well mostly. In parts it was a cross between a music video and a Hollywood musical featuring, of course, Elton John’s music. The first part of the film was very good while the second part seemed to just go on a little too much about Elton’s addiction to alcohol and drugs. Elton’s songs were all presented in an interesting way, some pretty much as we have heard Elton perform them in the past, others in a sort of musical fantasy production number way. I enjoyed all of them.

Elton’s relationship with lyricist Bernie Taupin was shown to be much closer than I realised; Elton, in the film, thinking of Bernie as the brother he never had. Elton’s father doesn’t come over as such a nice character and one sad moment was when Elton was reunited with him and found him to be much closer to his new sons in his new marriage than he ever was with him. Come to think of it, his mother doesn’t come out of the film as being a great mum either whereas before I always thought Elton and his mother were close.  The family member who always believed in him according to this film was his gran. Anyway, even if you don’t like the film itself the rest of the time it’s pretty much like listening to Elton’s Greatest hits, so if Elton’s music does it for you then you should like it.

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My Top TV Moments (Part 2)

Posted on by Steve Higgins

As I was away last week enjoying the delights of Southport I was a little rushed when it came to putting together a new post for this week. A couple of weeks back I wrote about my Top TV moments and looking back at my notes I see I had a few ‘moments’ left over so rather than consign them to the waste paper bin I think it’s time to welcome you to my Top TV Moments, Part 2!

24

24 was an action/espionage series which was shot in ‘real’ time, the 24 hour long episodes of each series covering a full 24 hour day. Kiefer Sutherland stars as special agent Jack Bauer of the CTU, Counter Terrorist Unit. Jack and his colleagues have to deal with various terrorist threats including in the opening season, plans to assassinate presidential candidate David Palmer. The show is full of twists and turns and other plots and villains emerge and unfold. Events are shown in real time and to emphasise this a digital clock is frequently shown with split screens depicting the various elements happening in the same time scale.

Bauer is a tough hombre who stands no messing and is perhaps similar to the Bruce Willis Die Hard character. A meme I saw on the Internet went like this ‘Jack Bauer threw a grenade and killed 50 terrorists. Then the grenade went off . . .’

Homeland

Carrie Matheson, a CIA agent who also suffers from a bipolar disorder has information that Al-Quaeda are planning a strike against the US using one of their own people. When Nicholas Brody, an army officer who has until recently been a captive in Iraq is rescued and returned to the US, Carrie believes this may be the man in question and he could have been programmed or brainwashed to act against his own country. The series builds the tension quietly and is a psychological drama rather than an action series like 24. Claire Danes as Carrie produces an outstanding performance as does Mandy Patinkin as Saul Berenson, Carrie’s mentor in the agency.

Happy Valley

A few years ago Liz and I spent part of the winter months in sunny and warm Lanzarote and to keep us occupied on those winter nights we took along the box set of Happy Valley. I have to say I wasn’t that interested at first. Sarah Lancashire who has long since moved on from the scatty part of Raquel in TV soap Coronation Street, plays Catherine Cawood a police sergeant in a small West Yorkshire town. She is divorced from her husband and the two of them are scarred by the suicide of their daughter Becky 8 years earlier. Becky had been raped and gave birth to a son Ryan who lives with Catherine and her sister, a recovering alcoholic and heroin addict. Plenty of drama in that set up alone but a kidnapping occurs and it turns out that Tommy Lee Royce, the man who raped Becky is involved. All in all, an outstanding production.

The Avengers

Not the comic book superhero Avengers but the 1960’s TV show about secret agents John Steed and Mrs Emma Peel. Steed was played throughout all the various incarnations of the Avengers by Patrick MacNee and Mrs Peel was portrayed by Diana Rigg. Mrs Peel was the leather jumpsuit wearing judo expert and together she and the charming bowler hatted Steed foiled various villains. The series was not in the same action packed mould as 24 or Homeland but had a slightly camp and comic edge to it. Mrs Peel drove a Lotus Elan as I remember while Steed preferred a vintage Bentley. When Mr Peel returned from being lost in the jungle Mrs Peel left the series to join him, handing over to Tara King, Steed’s new assistant. The two passed on the stairs to Steed’s apartment with Mrs Peel advising Tara to always stir Steed’s tea anti clockwise!

Department S

Department S was about an Interpol department that tries to solve cases that are particularly baffling. In the very first episode the team investigate an aircraft that lands at Heathrow having been missing for 6 days, although the passengers and crew have no recollection of what has happened. Department S consisted of three investigators, Stuart Sullivan, novelist Jason King and computer expert Annabelle Hurst. Jason King played by the flamboyant Peter Wyngarde was the real star and his stylish clothes preempted the fashion trends of the early 70’s. Wyngarde loved the part and I read somewhere that he even invented Mark Caine the hero of Jason King’s novels. Wyngarde later starred in a spin off series Jason King.

Across the Lake

Across the Lake was a BBC film made in 1988. It starred Anthony Hopkins as speed king Donald Campbell in the final days of his life as he tried to raise the water speed record to over 300 miles per hour. Hopkins gives a lovely performance as Donald Campbell, a man who believed himself to be living in the shadow of his father, record breaker Sir Malcolm Campbell. He decided to take his old Bluebird boat, update her and try to break the 300 mph mark on Coniston water in the lake district. The jet boat flipped over and Campbell was killed. His body was not found until 2001.

The film shows the unglamorous side to record-breaking. Waiting in poor weather, the endless delays, the mechanical issues, the press waiting for something to happen. Something drove Campbell onwards in his pursuit of records. He was short of money and had sold all sorts of rights to his name, his films of record-breaking and so on. This was all before the days of big time sponsorship in the speed and motor racing industry and Hopkins shows us a Donald Campbell undefeated, perhaps even a little desperate but still with considerable style.

The record-breaking team disperse for Christmas and then return after the holidays. They begin their preparations again until a fine January morning appeared. Campbell powered up his speedboat and did a run of 297 mph but lost his life on his second run.

Spend, Spend, Spend

Vivian Nicholson was a british woman who became famous after telling the press she was going to spend spend spend when her husband won £152,000 on the pools in 1961. Lavish spending depleted their fortune quickly and after her husband was killed in a car crash Viv was declared bankrupt. Nicholson wrote her life story with author Stephen Smith and a copy of the book was given to TV writer Jack Rosenthal who dramatised the work for the BBC’s Play for Today. The episode was broadcast in March of 1977 and stars Susan Littler as pools winner Viv Nicholson. The film tells the story of a hard working class life in Yorkshire that is transformed when she and husband Keith, played by John Duttine, win the huge amount. Three years later Keith was killed in a car accident and Viv was declared bankrupt. The film tells the story of their early life together and their inability to deal with their huge fortune.

The Magic Boomerang

There are a series of TV adverts on at the moment for ‘Quick Quid’, a loan company which invites you to apply for a quick loan (as long as you don’t mind paying their incredible interest rates that is!) There are various versions of the ad but they all go a similar way; the boiler has conked out or the car has broken down and some hapless member of the public has no money to pay to get it sorted. Suddenly that’s the clue for time to freeze while the person calls up ‘Quick Quid’ and arranges a loan. In the Magic Boomerang, a 1960’s black and white show from Australia, a young lad comes across a magic boomerang and finds that time freezes for everyone except him, just like those aforementioned adverts, while the boomerang is in the air. I remember running home from school years ago just to watch it.

Whatever Happened to The Likely Lads

The Likely lads was a TV sitcom from the 1960’s about two young Geordie lads. The follow up colour version, Whatever Happened to The Likely Lads, aired in the 1970’s and followed the antics of those same two lads. Rodney Bewes played Bob who is now happily married to Thelma and James Bolam played Terry, still footloose and fancy free. Each is jealous of the other in their own way and together they comment on the changing nature of life from pubs closing down to high rise flats but in particular their working class roots. Bob is constantly tormented by Terry as he is keen to become part of the middle class; he has a white collar job and a new house on a brand new housing estate. Terry however constantly laments the changing attitudes of the 1970’s.

Writers Dick Clement and Ian La Frenais had planned a new series meeting up with the pair in their later years but James Bolam declined to be involved. The two actors apparently fell out after making the feature film version in 1976. After the death of Rodney Bewes in 2017 James Bolam denied rumours of a rift between him and Bewes saying “I think that Rodney wanted to do some more Likely Lads and I never did . .” Such a pity, I would have loved to see the pair together in later life.

Fawlty Towers

After the success of the Monty Python series and before the appearance of the Python films, the various members of the Python team set about various other personal projects. John Cleese began writing the sitcom Fawlty Towers based on his experiences staying in a small hotel, actually the Gleneagles Hotel in Torquay, where he stayed while filming for Monty Python. He co-wrote the sitcom with his then wife Connie Booth although they had divorced by the time of the second series. The series is about hotel owner Basil Fawlty played by Cleese and his wife Sybil played by Prunella Scales. Other characters are the waitress played by Connie Booth and Manuel, a spanish waiter played by Andrew Sachs.

Only two series of six episodes each were made and the initial reception was only lukewarm but as the series gained popularity, critical acclaim began to follow. The show has won many plaudits including being ranked first on the BFI’s list of the top 100 British television Programmes and was named the greatest ever sitcom by a panel of comedy experts for the Radio Times magazine.

Floating in Space is a novel by Steve Higgins set in Manchester, 1977. Click the links at the top of the page to buy or for more information.

Remembering Apollo 11

Posted on by Steve Higgins

I’m not one for writing topical blog posts. I pretty much write about whatever comes into my head but this week it’s the 50th anniversary of the Apollo 11 moon landing, something that made a deep impression on me as a 12 year old boy in June, 1969.

There have been lots of anniversary programmes on TV about the moon shots and Apollo 11 and for me who was once obsessed by the Apollo missions they were all pretty interesting.

One was a programme I have seen before about Neil Armstrong which involved his friends and family talking about the late astronaut. Armstrong was a quiet man who took lessons at his local aerodrome and learned to fly before he could drive. He joined the US air force and became a pilot in the Korean War before returning home to study aeronautics at university.

Later he joined NASA and became an astronaut and apparently the first his family knew about it was when NASA introduced its new trainees on the television news.

Armstrong was a talented pilot who went from testing aircraft like the experimental X15 to become part of the manned spaceflight program and later from being an unknown astronaut to perhaps the most famous man in the world. Everyone wanted to meet the first man on the moon and perhaps get his autograph.

Later on he declined to sign autographs when he found that people were selling them on.

Armstrong resigned from NASA in 1971 and decided to take up a professorship at the University of Cincinnati.

He seemed reluctant to talk about Apollo 11 and I even remember back on the 25th anniversary, the BBC ran a documentary in which Buzz Aldrin did most of the talking, explaining how Neil landed the Lunar Module Eagle on the moon’s surface.

On the way down the Eagle’s computer kept throwing up ‘1201’ and ‘1202’ program alarms. Neither Armstrong nor Aldrin knew what that was but the controllers at mission control knew. The on-board computer which had less memory than a modern mobile phone, could not deal with all the data is was receiving. Armstrong switched over to manual flight, hopped the lunar lander over a rocky area then finally dropped down safely onto the lunar surface with only a scant few seconds of fuel remaining.

Anyway, getting back to July, 1969, I don’t know if you can imagine the excitement of a twelve year old boy, getting up for school one morning to find the TV on and Neil Armstrong walking on the moon when the usual TV broadcast at that time would have been the test card!

Those black and white ghostlike TV images enthralled me that July morning and how my Mother eventually managed to pack me off to school I do not know. Back then I was glued to the BBC transmissions about the Apollo programme and I was a great fan of James Burke who gave us concise updates on what was happening in space and at mission control.

Another BBC programme I saw recently was one about the BBC broadcasts of those days and James Burke himself looked back at film from the late sixties. Video tape was apparently in short supply at the BBC back then and most of his broadcasts were deleted but many of the filmed inserts, broadcast presumably when not much was happening live, were really interesting.

In one, Burke gets inside the cramped command module and shows us just how small it actually was. Apparently in zero g: weightlessness, it appeared bigger because then one could float off into a corner that was normally inaccessible and go to sleep.

In another Burke goes aboard a NASA plane which makes a steep descent creating a few moments of weightlessness which was important for astronaut training.

I often think about that day in 1969, watching the Apollo 11 crew on the moon. The images looked ethereal and ghostly as the two astronauts bobbed about in the low gravity of the moon. I used to wonder just what it was like for Aldrin and Armstrong and what it was like also for Mike Collins, waiting patiently orbiting above in the Command Module Columbia.

Collins must have been the loneliest man in the world just then.

Later in the Apollo program, the TV pictures improved enormously but it was the pictures and cine film that the astronauts brought back which were really amazing.

You might be forgiven for thinking that with the moon landing being 50 years ago, manned space exploration has gone on to bigger and better things. Not so. The Apollo program was incredibly expensive: 25.4 billion dollars according to a quick search on Google: Money that of course the US government could well use elsewhere and after Apollo 17 the moon landing programme was shut down.

Still, think about the spin offs in technology, not only rocketry but computers and electronics and so on. I once read that the secret to the US winning the space race was computer technology and that many calculations done by the Soviets were done by teams of mathematicians using abacuses!

The space race was also part of the cold war and although the Soviets seemed to excel in the early part of the 1960’s, it was the USA that finally put a man on the moon and that man, the first man, was Neil Armstrong who went from relative obscurity to the most famous man in the world. The only other person I can really think of with a similar fame was Charlie Chaplin, whose films, in the days of silent films, went all the way around the world.

One interesting thing to finish with: On one of the BBC documentaries, one of Armstrong’s friends, or perhaps it was his brother, remembered Neil as having a regular dream when he was a child.

Armstrong dreamt that he could float in the air by holding his breath! Quite an interesting dream for a future astronaut!

Floating in Space is a novel set in Manchester, 1977. Click the links at the top of the page to buy or for more information.

Soaps, Comedians and a DVD: This year’s Christmas TV

Posted on by Steve Higgins

Now we are well into 2018 I thought I’d take a quick look back to the recent Christmas and New Year TV. I don’t know about you but for me it just wasn’t really up to standard, at least not on terrestrial TV or ‘proper’ TV as I call it. Christmas on proper TV was all about soaps, Doctor Who and old shows from the TV of yesteryear.

Coronation Street.

Eastenders has never been my cup of tea but I do like Coronation Street. What has been a little disappointing this year is that this soap, set in my home town of Manchester, has drifted away from a lot of the things I used to like about it. It’s not as ‘northern’ as it used to be, or as funny as in the Jack Duckworth and Hilda Ogden days and the current storyline about Pat Phelan which involves kidnapping and murder is just not what I want. I just wish Pat would go away and we could return to storylines about affairs, illicit relationships, and domestic issues with a large dose of tongue-in-cheek humour thrown in. In a recent Coronation Street special about Jean Alexander, who played the warbling Hilda, the many funny and amusing sides of her character were shown, including a very sad and touching  moment when she returns home after the death of her husband and opens a bag of his effects, clothes and spectacles and so on. The sight of these few simple items reduced Hilda to tears -and many viewers along with her. Those were the days when simple observations like that, some sad, some funny, took the series to ever higher dramatic standards.

Doctor Who.

Another Christmas broadcast that was pretty enjoyable was this year’s Doctor Who special which reunited the current doctor with the original, recreated by actor David Bradley and linked together their regenerations. Just to explain, Doctor Who is the UK’s longest running sci-fi show and one aspect that has helped it continue is that when the lead actor leaves the show, the doctor ‘regenerates’ into a new personality, and of course, a new actor. In this case, Peter Capaldi is leaving and Jodie Whittaker is the new and controversial female doctor. Sound a bit weird? Well, sounds very odd to me. It’s rather like those things you hear on the Internet where people call for a black or even a female James Bond. Bond of course is a white, upper class male and that is the only way to play him. A female Doctor Who? How that will work out is anybody’s guess but this year’s Doctor Who was a good episode, if a tad wordy which is the main problem for me with the modern version of Doctor Who.

Sarah Millican.

Sarah Millican, just for those who have never heard of her, is a Geordie comedian and on Christmas day Liz and I watched three of her stage performances back to back on one of the Freeview channels. Sarah isn’t for me a laugh out loud kind of comedian but she is amusing. She is one of those observational comedians, the ones who take nondescript things and make them into funny monologues. Think Peter Kaye and Garlic bread or Michael McIntyre and bad breath. I tend to prefer my comedians to just tell jokes the old-fashioned way but no, that’s not the way comics work these days. One of the funniest moments in Sarah’s routine was one in which she overheard three older ladies talking about what they would do if they became men for a day. One of the women answered, ‘knowing my luck I’d get a Tuesday –and what can you do on a Tuesday?’

As I watched these three performances, all pretty amusing, I started thinking how I could make some of my blogs into a comic routine. (They call them ‘stand up’ comedians these days so I wonder how they would class Dave Allen, the comedian who used to sit on a stool with a glass of whisky nearby?) Anyway, take one of my posts like The day the Cat War Started perhaps. That might make a reasonable comedy monologue. Introducing the neighbours, then the cats, then the confusion of the cats I was supposed to be feeding while my neighbours were away. Possible career change? Well, perhaps not!

There’s Something about Mary.

A great deal of this Christmas and New Year TV I haven’t watched ‘live’ as it were, I just pressed the record button and kept them for a quieter day so I have yet to see 50 years of Star Trek and a couple of Star Wars documentaries from BBC4 but I did watch ‘There’s Something about Mary‘ on New Year’s Eve as we declined to venture out in the face of a major rainstorm. We could have gone out later I suppose but by then the fire had been lit, the wine had been poured and the cheese was warming. The TV guide mentioned something about this film being a ‘movie classic’. Now to me, a movie classic is something like ‘All About Eve’ with Bette Davies which was shown on TV over Christmas but, sadly, I neglected to record, or ‘Lawrence of Arabia’ which I mentioned in a recent post. ‘Mary’ was mildly amusing with the occasional funny scene but was not, I must insist, a film which could now or ever be mentioned in connection with the phrase ‘movie classic’.

Harry Potter films and TV soaps seemed to be the main factor in this years TV schedule. I looked in vain to find a major new movie but the only one I could see was Spectre, the most recent James Bond film which was shown on New Year’s day. Pity really because I happened to be working then. Oh well, 50 Years of a Star Trek is still there on my hard drive so I look forward to the end of one of my late shifts when I might just start it up and relax with a glass of port.

The Intruder.

One final film, and it’s not one that you will find in the TV guide. The Intruder was a DVD that appeared in my Christmas stocking and is one of those classic British films starring the wonderful Jack Hawkins and a whole host of familiar faces from British films of yesteryear. Set in the 1950’s, former army Colonel Merton played by Jack Hawkins returns home to find he is being burgled by one of his own former wartime platoon members, Ginger, played by Michael Medwin. Ginger runs off when he thinks Colonel Merton has called the Police so the colonel decides to track the man down. He visits his former army comrades and they each tell a story in flashback that builds up a picture of Ginger, his life and that of his comrades. It must have been strange to have lived through the intensity of war and then to return home to rationing and shortages and the near normality of post war Britain. The film, directed by Guy Hamilton who also directed some of the early James Bond films, captures all that perfectly.

Despite the host of cable and satellite TV channels available these days, it’s a shame that sometimes you have to crank up the DVD player to find something worthwhile to watch.

Steve Higgins is the author of Floating in Space, a novel set in Manchester, 1977. The book is available in Kindle or paperback formats. Click the icon below to go straight to Amazon.

Floating in Space

Adventures with a Hard Drive TV Recorder

Posted on by Steve Higgins

You may have read in a previous post about the numerous advantages, especially to a couch potato like me, of a hard drive TV recorder. Sometimes, I record things and completely forget about them until the day comes when I am free to sit down with a large cup of tea (mandatory for serious TV watching) a cheese sandwich, a chocolate digestive biscuit and see what television delights await me. Here are some recent highlights!

Rising Damp Forever

I do love a good documentary, especially ones about the making of a movie or TV programme. This last week I’ve watched a two-part programme about the TV sitcom Rising Damp. The documentary followed the story of how a play by Eric Chappell was seen by TV producers who then urged Chappell to make it into a TV series. The result was a sitcom that ran for four seasons and was one of the funniest things on TV in the late seventies. Leonard Rossiter’s performance as landlord Rigsby is nothing short of brilliant; a wonderful comic creation. Frances De La Tour played the spinsterish Miss Jones and the late Richard Beckinsale was a virginal long-haired student who shared a room with an African chieftain’s son played by Don Warrington.

A preview of the show billed the programme as a reunion of the cast members, however, if you know anything about Rising Damp, you will know that of its quartet of stars, Leonard Rossiter and Richard Beckinsale are no longer with us. Frances De La Tour is still alive as far as I know but did not appear in the documentary leaving Don Warrington to mostly chat with himself. The reunion appeared to involve Don, former directors, the former floor manager, a production assistant and the writer, Eric Chappell.

To be fair, the documentary was pretty interesting because I love anything like this, the back room story to a successful film or TV show, especially when we get to see the writer talking about his creation. Also appearing were some former guest stars, as well as Christopher Strauli who played the Richard Beckinsale part in the film version. When he first met Leonard Rossiter, the undoubted star of the show, Rossiter told him ‘We know this works as a TV show so if the film is a failure it’ll be your fault!’ No pressure then!

Among other things the programme revealed that De La Tour and Rossiter were poles apart in real life and did not get on well. Richard Beckinsale had just finished filming Porridge and had short hair so was forced to wear a long wig and the writer, Eric Chappell, based the show on a newspaper article about a bedsit tenant who pretended to be the son of an African chief in real life!

Beckinsale left the cast because he felt he was not being taken seriously as an actor and wanted to pursue more dramatic roles. Sadly, he died of an undiagnosed heart condition not long afterwards when he was only 31. Leonard Rossiter went on to star in the equally wonderful the Fall and Rise of Reginald Perrin but died during a stage performance of Joe Orton’s black comedy Loot.

Yes, remind me to dig out my box set of Rising Damp for my next rainy afternoon off.

The Secret life of Bob Monkhouse.

I have seen this documentary before and last week’s showing on BBC Four was a repeat but a very welcome one. Bob Monkhouse was a comedian who seemed to collect everything and the full extent of his collecting compulsion was only revealed after his death in 2003. He kept all his old scripts, all his old notes, even for things like The Golden Shot. He would make up small cards about the contestants with notes about their backgrounds. Then he would go through his joke notebooks which were indexed for subject and if the contestant was for instance a plumber, he would go down the list, look up plumber jokes and use it during the broadcast.

The other thing about Monkhouse was that he was a serial TV recorder. He bought one of the very first home video recorders when the cost was similar to that of a family car, and he set about recording anything and everything. During the 1980’s he apparently had six video recorders in his home and many of his recordings are the only remaining recordings of various TV shows. He had recorded episodes of the Golden Shot thought to be missing and also the only known recording of Lenny Henry’s TV debut. All in all, Monkhouse amassed 50,000 video tapes and numerous other film and audio recordings, all of which were kept in a temperature controlled unit he had built in his garden which he called the ‘Boardroom’.

Despite a career as a TV star, Monkhouse had a hard life. He was married three times, had a disabled son and another who died from a drugs overdose. He worked hard on the TV show The Golden Shot and was then fired for supposedly plugging a brand name on the show. When Norman Vaughn and later Charlie Williams seemed to struggle with the pressure of the live broadcast, Monkhouse was asked to return and he hosted the Golden Shot until the end of its TV run before moving on to Celebrity Squares.

After his death Bob’s daughter donated his huge video and film collection to Kaleidoscope, a television archive company, dedicated to finding and rescuing ‘lost’ TV shows which were routinely wiped or not recorded at all prior to the 1980’s. Pity Bob wasn’t a Doctor Who fan!

The Magic Box

This is one of those movies rarely, if ever, seen on terrestrial TV. Made in 1951 for the Festival of Britain it starred the Manchester born actor Robert Donat with a whole host of stars playing minor and supporting roles. The technicolor photography by cinematographer Jack Cardiff is excellent and the story of British cinema pioneer William Friese-Green is told in flashback by director John Boulting.

Friese-Green thought his troubles were over when he finally produced a working movie camera but his obsession with the project led to a serious neglect of his photography business which collapsed into debt and bankruptcy. When he died he had only the price of a cinema ticket in his pocket. The Magic Box is something of a sad film but well made and a feast for classic movie fans. Even the portraits on the walls of Friese-Green’s studio were of famous British film stars.

The Persuaders.

Roger Moore and Tony Curtis star in this seventies action and adventure series.  Tony Curtis plays  New York entrepreneur Danny Wilde who teams up with Roger Moore as Lord Brett Sinclair to fight crime. Moore is perfect in the part. Pity he was so poor as James Bond! 

In my favourite episode, Danny and Lord Brett go camping and we see Danny getting up the next morning, emerging from his small one man tent. Lord Sinclair’s tent however, just across the way, is a massive tent worthy of an Arab prince. Danny wanders in to find Lord Brett in a huge fully fitted kitchen. He turns to Danny and remarks, ‘I’ve really enjoyed roughing it for once, Daniel!’

The Invaders.

I still have plenty of episodes saved on my hard drive, ready for viewing, of the 1960’s sci-fi series, the Invaders! Roy Thinnes plays architect David Vincent who becomes aware of an imminent alien invasion. As the narrator said in the opening titles:

The Invaders, alien beings from a dying planet. Their destination: the Earth. Their purpose: to make it their world. David Vincent has seen them. For him, it began one lost night on a lonely country road, looking for a shortcut that he never found. It began with a closed deserted diner, and a man too long without sleep to continue his journey. It began with the landing of a craft from another galaxy. Now David Vincent knows that the Invaders are here, that they have taken human form. Somehow he must convince a disbelieving world that the nightmare has already begun!

The Man From Uncle

Time to open channel D because over on the True Entertainment channel, free view 61, they are showing my school boy 1960’s favourite The Man from Uncle. Yes, Robert Vaughn and David McCallum are back in action fighting the agents of the criminal organisation, Thrush. The last episode I caught was called Discotheque and involved a disco, quite unlike any I have ever visited – everyone wore a shirt and tie and there were mini skirted dancing girls in cages. Secret Agent Napoleon Solo’s oxy-acetylene torch-cum cigarette lighter put James Bond’s gadgets to shame and the lady strapped to a moving channel heading towards a cylindrical saw, provided a great finale. Eventually, super smooth agent Solo, helped ably by colleague Illya Kuryakin, foiled a plot to spy on head of Uncle, Mr Waverley, or was it to obtain secret Thrush files? I forget now but I loved it all anyway.

Love those opening titles with that fabulous theme by Jerry Goldsmith!

Press that pause button, time for another cuppa!

If you liked this post, why not try my novel, Floating in Space? Click the links at the top of the page for more information.

What your Mother never told you about Jason King’s tie

Posted on by Steve Higgins

Like many people I’ve got reminders and bookmarks all over my digital life both on and off the internet. I got hooked on e-bay some years ago, had a big buying spree then gradually settled down and instead of buying anything and everything began to for look for things I’m interested in. I get e-mail alerts about many things; books, motor sport memorabilia, and so on and a while ago I got an alert about a DVD box set I’d fancied for a long while. It was Department ‘S’, the TV series that introduced Jason King (remember him?) to the world. Department S was made in 1969 and was produced by ITC, a company founded by TV mogul Lew Grade and the show was the brainchild of Monty Berman and Dennis Spooner who together made a string of action and adventure series in the sixties and seventies like The Saint, Randall and Hopkirk, The Baron, The Champions and a spin-off from Department S, Jason King. All these series were shot like feature films on 35mm film and that is the reason why they look shiny and new today, available on DVD box sets.

Jason King

Jason King

Jason King was played by Peter Wyngarde and Wyngarde used all his own clothes in his portrayal of the character. In the late sixties and early seventies ties were becoming bigger, trousers and jacket lapels were flaring and Peter Wyngarde brought this all to the TV screen with his characterisation.

I was a school kid in 1969 and we kids all loved Jason King and his flamboyant outfits and we went out of our way to get a giant tie knot, just like the one Jason had in ‘Department S.’ Most of the kids got the big knot by tying their ties way down at the fat end of the tie making their ties short but at least with a big knot. I got some help with my tie from an unexpected source: my Mum!

We were watching Department S one day and I was wishing out loud for a big fat tie like that and she said to me “You could make one yourself. It’s easy.”

“Easy?” I said. “How?”

“Well, all you need is another tie to go inside the first one and make it bigger.” Sounds good I thought but how do you get one tie inside another? My Mum showed me how with a big safety-pin! What you had to do was get your second tie, the one that needs to go inside the other, pin the safety-pin to it and then you can thread it through the other one, manipulating it along with the safety-pin which you can feel through the material.

I dug out an old tie and threaded it through my school tie, took out the safety-pin and then tied my tie in the usual way. Result; one huge knot that Jason King himself would be pleased with.

The next day I went into school wearing my new fashionable tie and half the school –or so it seemed to me- were stunned by my trendy new school tie. Where did I get it from? How did I get such a knot? Did I tie it in a special way?

I remember once after games, getting changed in the changing rooms and everyone turned to watch as I fastened my tie. There was me, fastening the tie in the mirror with all my school mates watching. I had become a sort of mini school celebrity: The kid with the trendy tie!

“Here it comes,” said someone as I made the final tie of the knot, “Super knot!”

Well, my fifteen minutes of fame came, went, and vanished as other people worked out how to make their own special ‘super knots.’ Jason King went on to star in his own spin-off TV series then he too vanished into TV’s Golden past. Fashion moved on and in the eighties ties went the other way; narrow thin ties were the norm. Trousers lost their flares, jacket lapels slimmed down once again. ‘Penny round’ shirts were forgotten but then, that’s the great thing about DVDs: pop your disc into the machine and you can experience it all again!

If you liked this nostalgic look at Jason King you’re sure to like my book. Look out for Floating in Space at amazon!

Floating in Space