My Top TV Moments (Part 2)

As I was away last week enjoying the delights of Southport I was a little rushed when it came to putting together a new post for this week. A couple of weeks back I wrote about my Top TV moments and looking back at my notes I see I had a few ‘moments’ left over so rather than consign them to the waste paper bin I think it’s time to welcome you to my Top TV Moments, Part 2!

24

24 was an action/espionage series which was shot in ‘real’ time, the 24 hour long episodes of each series covering a full 24 hour day. Kiefer Sutherland stars as special agent Jack Bauer of the CTU, Counter Terrorist Unit. Jack and his colleagues have to deal with various terrorist threats including in the opening season, plans to assassinate presidential candidate David Palmer. The show is full of twists and turns and other plots and villains emerge and unfold. Events are shown in real time and to emphasise this a digital clock is frequently shown with split screens depicting the various elements happening in the same time scale.

Bauer is a tough hombre who stands no messing and is perhaps similar to the Bruce Willis Die Hard character. A meme I saw on the Internet went like this ‘Jack Bauer threw a grenade and killed 50 terrorists. Then the grenade went off . . .’

Homeland

Carrie Matheson, a CIA agent who also suffers from a bipolar disorder has information that Al-Quaeda are planning a strike against the US using one of their own people. When Nicholas Brody, an army officer who has until recently been a captive in Iraq is rescued and returned to the US, Carrie believes this may be the man in question and he could have been programmed or brainwashed to act against his own country. The series builds the tension quietly and is a psychological drama rather than an action series like 24. Claire Danes as Carrie produces an outstanding performance as does Mandy Patinkin as Saul Berenson, Carrie’s mentor in the agency.

Happy Valley

A few years ago Liz and I spent part of the winter months in sunny and warm Lanzarote and to keep us occupied on those winter nights we took along the box set of Happy Valley. I have to say I wasn’t that interested at first. Sarah Lancashire who has long since moved on from the scatty part of Raquel in TV soap Coronation Street, plays Catherine Cawood a police sergeant in a small West Yorkshire town. She is divorced from her husband and the two of them are scarred by the suicide of their daughter Becky 8 years earlier. Becky had been raped and gave birth to a son Ryan who lives with Catherine and her sister, a recovering alcoholic and heroin addict. Plenty of drama in that set up alone but a kidnapping occurs and it turns out that Tommy Lee Royce, the man who raped Becky is involved. All in all, an outstanding production.

The Avengers

Not the comic book superhero Avengers but the 1960’s TV show about secret agents John Steed and Mrs Emma Peel. Steed was played throughout all the various incarnations of the Avengers by Patrick MacNee and Mrs Peel was portrayed by Diana Rigg. Mrs Peel was the leather jumpsuit wearing judo expert and together she and the charming bowler hatted Steed foiled various villains. The series was not in the same action packed mould as 24 or Homeland but had a slightly camp and comic edge to it. Mrs Peel drove a Lotus Elan as I remember while Steed preferred a vintage Bentley. When Mr Peel returned from being lost in the jungle Mrs Peel left the series to join him, handing over to Tara King, Steed’s new assistant. The two passed on the stairs to Steed’s apartment with Mrs Peel advising Tara to always stir Steed’s tea anti clockwise!

Department S

Department S was about an Interpol department that tries to solve cases that are particularly baffling. In the very first episode the team investigate an aircraft that lands at Heathrow having been missing for 6 days, although the passengers and crew have no recollection of what has happened. Department S consisted of three investigators, Stuart Sullivan, novelist Jason King and computer expert Annabelle Hurst. Jason King played by the flamboyant Peter Wyngarde was the real star and his stylish clothes preempted the fashion trends of the early 70’s. Wyngarde loved the part and I read somewhere that he even invented Mark Caine the hero of Jason King’s novels. Wyngarde later starred in a spin off series Jason King.

Across the Lake

Across the Lake was a BBC film made in 1988. It starred Anthony Hopkins as speed king Donald Campbell in the final days of his life as he tried to raise the water speed record to over 300 miles per hour. Hopkins gives a lovely performance as Donald Campbell, a man who believed himself to be living in the shadow of his father, record breaker Sir Malcolm Campbell. He decided to take his old Bluebird boat, update her and try to break the 300 mph mark on Coniston water in the lake district. The jet boat flipped over and Campbell was killed. His body was not found until 2001.

The film shows the unglamorous side to record-breaking. Waiting in poor weather, the endless delays, the mechanical issues, the press waiting for something to happen. Something drove Campbell onwards in his pursuit of records. He was short of money and had sold all sorts of rights to his name, his films of record-breaking and so on. This was all before the days of big time sponsorship in the speed and motor racing industry and Hopkins shows us a Donald Campbell undefeated, perhaps even a little desperate but still with considerable style.

The record-breaking team disperse for Christmas and then return after the holidays. They begin their preparations again until a fine January morning appeared. Campbell powered up his speedboat and did a run of 297 mph but lost his life on his second run.

Spend, Spend, Spend

Vivian Nicholson was a british woman who became famous after telling the press she was going to spend spend spend when her husband won £152,000 on the pools in 1961. Lavish spending depleted their fortune quickly and after her husband was killed in a car crash Viv was declared bankrupt. Nicholson wrote her life story with author Stephen Smith and a copy of the book was given to TV writer Jack Rosenthal who dramatised the work for the BBC’s Play for Today. The episode was broadcast in March of 1977 and stars Susan Littler as pools winner Viv Nicholson. The film tells the story of a hard working class life in Yorkshire that is transformed when she and husband Keith, played by John Duttine, win the huge amount. Three years later Keith was killed in a car accident and Viv was declared bankrupt. The film tells the story of their early life together and their inability to deal with their huge fortune.

The Magic Boomerang

There are a series of TV adverts on at the moment for ‘Quick Quid’, a loan company which invites you to apply for a quick loan (as long as you don’t mind paying their incredible interest rates that is!) There are various versions of the ad but they all go a similar way; the boiler has conked out or the car has broken down and some hapless member of the public has no money to pay to get it sorted. Suddenly that’s the clue for time to freeze while the person calls up ‘Quick Quid’ and arranges a loan. In the Magic Boomerang, a 1960’s black and white show from Australia, a young lad comes across a magic boomerang and finds that time freezes for everyone except him, just like those aforementioned adverts, while the boomerang is in the air. I remember running home from school years ago just to watch it.

Whatever Happened to The Likely Lads

The Likely lads was a TV sitcom from the 1960’s about two young Geordie lads. The follow up colour version, Whatever Happened to The Likely Lads, aired in the 1970’s and followed the antics of those same two lads. Rodney Bewes played Bob who is now happily married to Thelma and James Bolam played Terry, still footloose and fancy free. Each is jealous of the other in their own way and together they comment on the changing nature of life from pubs closing down to high rise flats but in particular their working class roots. Bob is constantly tormented by Terry as he is keen to become part of the middle class; he has a white collar job and a new house on a brand new housing estate. Terry however constantly laments the changing attitudes of the 1970’s.

Writers Dick Clement and Ian La Frenais had planned a new series meeting up with the pair in their later years but James Bolam declined to be involved. The two actors apparently fell out after making the feature film version in 1976. After the death of Rodney Bewes in 2017 James Bolam denied rumours of a rift between him and Bewes saying “I think that Rodney wanted to do some more Likely Lads and I never did . .” Such a pity, I would have loved to see the pair together in later life.

Fawlty Towers

After the success of the Monty Python series and before the appearance of the Python films, the various members of the Python team set about various other personal projects. John Cleese began writing the sitcom Fawlty Towers based on his experiences staying in a small hotel, actually the Gleneagles Hotel in Torquay, where he stayed while filming for Monty Python. He co-wrote the sitcom with his then wife Connie Booth although they had divorced by the time of the second series. The series is about hotel owner Basil Fawlty played by Cleese and his wife Sybil played by Prunella Scales. Other characters are the waitress played by Connie Booth and Manuel, a spanish waiter played by Andrew Sachs.

Only two series of six episodes each were made and the initial reception was only lukewarm but as the series gained popularity, critical acclaim began to follow. The show has won many plaudits including being ranked first on the BFI’s list of the top 100 British television Programmes and was named the greatest ever sitcom by a panel of comedy experts for the Radio Times magazine.


Floating in Space is a novel by Steve Higgins set in Manchester, 1977. Click the links at the top of the page to buy or for more information.

My top 10 TV Moments

OK, 10 favourite TV moments. When I thought of that idea I had one particular TV moment in mind and thought I could easily come up with 9 others. I did but they are not exactly TV moments as such, they are more TV episodes or theme tunes or just generally TV stuff. Anyway if you have a spare few minutes stick with me and let’s see what I did come up with. They are in no particular order but I did save my absolute favourite until the end.

TV Moment 10

The TV show the Prisoner was produced back in 1968 and was the brainchild of its star actor Patrick McGoohan. McGoohan was fresh from the hit TV show Danger Man and he wanted to make a series about a spy who had resigned from the secret service but refused to give up his secrets. Episode number 1, Arrival, set the scene for the cult series. McGoohan, playing an unknown spy, resigns from the secret service by slamming his resignation letter down on the desk of his boss and drives back home in his Lotus 7. As he packs his belongings, he becomes aware of his home filling with gas. He slumps down unconscious and when he awakes he finds that he is in the mysterious ‘village’.

The series was filmed in the Welsh village of Portmerion. I visited the village in 1986 but when I returned a few years later they tried to charge me just to enter the village and look around. As this is against all the rules of a card-carrying tightwad like myself, I had to decline.

TV Moment 9

Do you ever wonder what happened to all those great TV western shows? Back in the sixties when I was a mere schoolboy my old dad and I regularly watched series like Branded, Bonanza, The Big Valley and many others. One of the very last western series was Alias Smith and Jones. The show was about two cowboy outlaws, Kid Curry and Hannibal Hayes. The Kid was the fastest gunslinger around and the producers used a very simple editing trick to show this. The other guy would be shown drawing and they would then cut quickly to the kid whose gun was already out of his holster and cocked, already to fire.

It was a great show but fizzled out when Pete Duel who played Hannibal Hayes committed suicide. They carried on with another actor playing Hayes but it was never the same afterwards. The show ran from 1971 to 1973.

TV Moment 8

I’ve always been a big fan of Star Trek especially the original series with Kirk, Spock and McCoy. Everything else is just a pale imitation of the original and it’s no surprise to me that the recent Star Trek films have centred on the original characters. The very best Star Trek episode ever, and it’s not just my choice, this particular episode was voted the best ever episode by Star Trek fans and also by Empire magazine, has to be City on the Edge of Forever. In this episode the Enterprise has been buffeted by waves of temporal energy and Doctor McCoy is called to the bridge to deal with casualties. This being Star Trek the antidote for any wound or disease is the wonder drug of the future, cordrazine. McCoy however accidentally injects himself with a full hypo of the drug and goes completely crazy. He escapes to the transporter room, beams down to a nearby planet where he encounters a time portal and jumps through it thereby changing the whole of time. Captain Kirk decides the only way to change time back to normal is to try and enter the time portal in the same fashion, locate McCoy and reverse whatever damage he has done. It turns out McCoy has saved social worker Joan Collins from death in a car accident which in turn has various effects, one of which delays the US entry into World War 2, enabling the Nazis to complete their atom bomb and win the war. Kirk who has fallen in love with Miss Collins has to decide what must happen, does he save her or let her die? Look it up on YouTube, it’s a great episode!

TV Moment 7

I’ve always been fascinated by the concept of time travel and another of my favourite TV shows was The Time Tunnel. The series was produced by Irwin Allen and featured two American scientists ‘lost in the swirling maze of past and future ages, during the first experiments on America’s greatest and most secret project, the Time Tunnel. Tony Newman and Doug Phillips now tumble helplessly toward a new fantastic adventure, somewhere along the infinite corridors of time’ as the opening blurb used to go. In my very favourite episode Tony and Doug arrive in Honolulu on the day of the attack on Pearl harbour. Tony lived here as a child with his mother and father and on the day of the attack, his father disappeared. The two try to warn Tony’s dad about the attack but they are not believed but they do solve the mystery of his death finding that he was fatally wounded in a control centre hit by Japanese bombs.

TV Moment 6

I might as well stay with the subject of time travel and tell you about another great TV series, Doctor Who. Doctor Who has been running since 1963 and the very first episode was broadcast on the fateful day of November 22nd of that year. When actor William Hartnell decided to leave the series the writers came up with the idea of the Doctor ‘regenerating’ in order to introduce another actor into the role. My favourite Doctor, and it’s hard to nominate one because I like them all, is probably the 1980’s version played by actor Tom Baker. Tom’s assistant back then was Sarah Jane Smith played by actress Elizabeth Sladen. She stayed with the Doctor until 1976 when he dropped her off supposedly in Croyden before he went off back to his home planet of Gallifrey. Sarah Jane returned in 1983 for the series’ 20th anniversary episode The Five Doctors.

The series was cancelled in 1989. There was the possibility of a reboot of the series in 1996 but only a one-off TV film was made. In 2005 the BBC began to produce the series once again with Christopher Eccleston in the lead role. David Tennant became the 10th Doctor after Eccleston left. In that second season of the new series Sarah Jane returned in an episode called ‘School Reunion’. It was wonderful to bring back Sarah Jane after so many years and showed that the new producers of the show were respectful of the series’ long history. Not only that, Sarah Jane has long been my favourite of the Doctor’s companions.

TV Moment 5

Andy Williams had a hugely popular TV series in the 1970’s and one of my favourite parts in it was a comedy sketch with Andy and a bear (OK, a guy dressed in a bear outfit) who always asked Andy for some cookies and then they went into a different comedy routine every week. Sounds a little crazy I know but I loved that show and Andy’s music ever since. I loved the bear sketches so much that I wrote a fan letter to Andy Williams care of Desilu productions in Hollywood California, who were mentioned on the credits of his show. Months later, a large envelope arrived and inside was a picture of Andy and the bear. ‘To Stephen from Andy and friend’ was the inscription.

I think it says a lot about Andy Williams, that he should make such a gesture for a faraway English schoolboy. Thanks Andy, I loved that picture so much!

Andy_Williams

TV Moment 4

That leads me smoothly onto this next section because Moon River sung by Andy featured in a great episode of Sex and the City. Sex and the City is a comedy/drama about sex and relationships and the episode in question was the one where Mr Big decides to leave New York as he has bought a vineyard in the Napa valley. Season 4 of Sex and the City was the season where all the elements of this great show seemed to just come together to produce some outstanding TV. Carrie, played by Sarah Jessica Parker gets involved with former beaux Aiden played by John Corbett. Aiden is reluctant to get involved again with Carrie as she cheated on him last time around with the super cool Mr Big played by Chris Noth, however Aiden decides to take another chance and the two embark on a new relationship. Miranda’s mother dies and although she tries to keep everything to herself, she is happy to see her friends at the church for the funeral. Miranda still has time though to help former boyfriend Steve with his testicular cancer problems.

Later Aiden realises Carrie does not want to get married and they split up. Its hard to compress a whole season into this short paragraph but if you ever see season 4 going cheap on DVD, it’s well worth getting it.

TV Moment 3

I’ve already written a blog post about my favourite TV detective, Columbo. I love so many of the episodes it’s hard to pick my favourite but it’s probably ‘Murder by the Book‘, starring my favourite murderer, Jack Cassidy. In this 1971 episode, Jack plays a writer, actually part of a writing double act who together produce a series of novels about ‘Mrs Melville’ who is an amateur detective. The thing is, Jack’s partner wants to ditch the partnership but Jack is not happy about it. He is so unhappy he decides to, yes you guessed it, bump off his co-writer. He does it in a rather ingenious way which foxes Columbo but not for long and to cap it all, the episode is directed by none other than Steven Spielberg!

TV Moment 2

Way back in my school days Monty Python was on TV late on -I think- a Thursday night. It was certainly a week night and it was certainly late as I had a running argument with my Mum about staying up to watch it. The next day talk at school would be all about the latest episode and if you had missed it, which happened to me quite a few times when I lost that long running argument, you were just socially dead for a day.

Deciding on a favourite sketch is a difficult if not impossible task. I loved the Superman/Bicycle Repair Man sketch, thought the Dirty Fork sketch hilarious, the Lumberjack Song broke me up but the one I’ve chosen here is the ‘Is this the right room for an argument’ sketch. Enjoy.

TV Moment 1

MASH was a sitcom that ran for 11 seasons and an incredible 256 episodes. In case you didn’t know MASH stands for Mobile Army Surgical Hospital and is set in the Korean War. The series follows the exploits of the doctors and nurses of the MASH, in particular Hawkeye played by Alan Alda and Trapper John played by Wayne Rodgers. The episodes feature a mixture of comedy and drama expertly mixed together by the writers and performers.

My favourite ever MASH episode was one called ‘Sometimes you Hear the Bullet.’

Hawkeye’s friend Tommy comes to visit the 4077th MASH. He’s a former journalist who wants to write the story of the Korean War from the point of view of the soldier, not the journalist which is why he has not enlisted as a war correspondent. He stays with Hawkeye for a while and the usual zany humour ensues. Tommy then has to return to the war. A side story is one where a wounded young lad (played by future film director Ron Howard) admits he is under age but joined up to prove to his girl that he was a man. In one scene he tells Hawkeye that he is out to get him some ‘gooks’ and Hawkeye replies calmly that another word for gooks is people.

Hawkeye and Trapper plan to steal Major Frank Burns’ Purple Heart- he’d had an accident and because it happened in a war zone, he is eligible for the award -and pass it on to the young lad so he can impress his girl back home. Anyway, later in the episode, Tommy the journalist returns to the MASH, only this time he is seriously wounded. He was planning on writing a book called ‘They Never Hear the Bullet’ but this time he heard the bullet. ‘Never mind’ says Hawkeye, ‘just change the name. Sometimes you hear the bullet, it’s a better title anyway.’ Tommy is anaesthetised and Hawkeye gets to work. Sadly, Tommy dies on the operating table. Colonel Blake has to remind Hawkeye about the queue of wounded and Hawkeye, tragedy etched on his face (an outstanding performance by Alan Alda) has to carry on with his next patient. Every time I watch that episode, I sob my heart out, just as I did years ago when I first saw that episode on my Mum and Dad’s old black and white TV.

I couldn’t find the episode on YouTube so here’s a clip of Alan Alda who played Hawkeye, talking about the episode.


Steve Higgins is the author of Floating in Space, a novel set in Manchester, 1977. Click the links at the top of the page to buy or for more information.

 

 

Remembering Apollo 11

image By NASA –

I’m not one for writing topical blog posts. I pretty much write about whatever comes into my head but this week it’s the 50th anniversary of the Apollo 11 moon landing, something that made a deep impression on me as a 12 year old boy in June, 1969.

There have been lots of anniversary programmes on TV about the moon shots and Apollo 11 and for me who was once obsessed by the Apollo missions they were all pretty interesting.

One was a programme I have seen before about Neil Armstrong which involved his friends and family talking about the late astronaut. Armstrong was a quiet man who took lessons at his local aerodrome and learned to fly before he could drive. He joined the US air force and became a pilot in the Korean War before returning home to study aeronautics at university.

Later he joined NASA and became an astronaut and apparently the first his family knew about it was when NASA introduced its new trainees on the television news.

Armstrong was a talented pilot who went from testing aircraft like the experimental X15 to become part of the manned spaceflight program and later from being an unknown astronaut to perhaps the most famous man in the world. Everyone wanted to meet the first man on the moon and perhaps get his autograph.

Later on he declined to sign autographs when he found that people were selling them on.

Armstrong resigned from NASA in 1971 and decided to take up a professorship at the University of Cincinnati.

He seemed reluctant to talk about Apollo 11 and I even remember back on the 25th anniversary, the BBC ran a documentary in which Buzz Aldrin did most of the talking, explaining how Neil landed the Lunar Module Eagle on the moon’s surface.

On the way down the Eagle’s computer kept throwing up ‘1201’ and ‘1202’ program alarms. Neither Armstrong nor Aldrin knew what that was but the controllers at mission control knew. The on-board computer which had less memory that a modern mobile phone, could not deal with all the data is was receiving. Armstrong switched over to manual flight, hopped the lunar lander over a rocky area then finally dropped down safely onto the lunar surface with only a scant few seconds of fuel remaining.

Anyway, getting back to July, 1969, I don’t know if you can imagine the excitement of a twelve year old boy, getting up for school one morning to find the TV on and Neil Armstrong walking on the moon when the usual TV broadcast at that time would have been the test card!

Those black and white ghostlike TV images enthralled me that July morning and how my Mother eventually managed to pack me off to school I do not know. Back then I was glued to the BBC transmissions about the Apollo programme and I was a great fan of James Burke who gave us concise updates on what was happening in space and at mission control.

Another BBC programme I saw recently was one about the BBC broadcasts of those days and James Burke himself looked back at film from the late sixties. Video tape was apparently in short supply at the BBC back then and most of his broadcasts were deleted but many of the filmed inserts, broadcast presumably when not much was happening live, were really interesting.

In one, Burke gets inside the cramped command module and shows us just how small it actually was. Apparently in zero g: weightlessness, it appeared bigger because then one could float off into a corner that was normally inaccessible and go to sleep.

In another Burke goes aboard a NASA plane which makes a steep descent creating a few moments of weightlessness which was important for astronaut training.

I often think about that day in 1969, watching the Apollo 11 crew on the moon. The images looked ethereal and ghostly as the two astronauts bobbed about in the low gravity of the moon. I used to wonder just what it was like for Aldrin and Armstrong and what it was like also for Mike Collins, waiting patiently orbiting above in the Command Module Columbia.

Collins must have been the loneliest man in the world just then.

Later in the Apollo program, the TV pictures improved enormously but it was the pictures and cine film that the astronauts brought back which were really amazing.

You might be forgiven for thinking that with the moon landing being 50 years ago, manned space exploration has gone on to bigger and better things. Not so. The Apollo program was incredibly expensive: 25.4 billion dollars according to a quick search on Google: Money that of course the US government could well use elsewhere and after Apollo 17 the moon landing programme was shut down.

Still, think about the spin offs in technology, not only rocketry but computers and electronics and so on. I once read that the secret to the US winning the space race was computer technology and that many calculations done by the Soviets were done by teams of mathematicians using abacuses!

The space race was also part of the cold war and although the Soviets seemed to excel in the early part of the 1960’s, it was the USA that finally put a man on the moon and that man, the first man, was Neil Armstrong who went from relative obscurity to the most famous man in the world. The only other person I can really think of with a similar fame was Charlie Chaplin, whose films, in the days of silent films, went all the way around the world.

One interesting thing to finish with: On one of the BBC documentaries, one of Armstrong’s friends, or perhaps it was his brother, remembered Neil as having a regular dream when he was a child.

Armstrong dreamt that he could float in the air by holding his breath! Quite an interesting dream for a future astronaut!


Floating in Space is a novel set in Manchester, 1977. Click the links at the top of the page to buy or for more information.

Rooms, Film sets and Homes from the Corners of my Mind . .

Film sets? Rooms? What exactly is this guy going to write about rooms you might think? Well, this idea about rooms might take me a while to explain so here we go.

I’ve always been interested in really exciting rooms, usually those seen on a film where the room in question has been designed by some really top designer and put together by some award-winning prop guy and set dresser but the first room that comes to mind is one from my comic book days.

Back in the 1960s some British comics started to reprint American super hero comic strips. They did it by combining various super hero comic strips into one comic. The one that comes to mind was called Marvel after the producers of such comic books as Spiderman, the Hulk and so on.

One strip that I really loved was the new super hero Daredevil. Now he, believe it or not, was a blind guy but had this ‘radar sense’ that enabled him to see in a way that no sighted person could. In the first Daredevil strip I ever read there was a cutaway drawing showing Daredevil’s flat (apartment to you US readers) and its secret ‘underground lair’ when Daredevil got his kit off and exercised in a personal gym where he honed his gymnastic skills which as you know, are required by all costumed crime fighters. It was probably the idea of the concealed rooms that interested me as a child, I always loved that in the sci fi of the 1960s.

Image courtesy berkeleyplaceblog.com

Batman too had his underground lair; it was the Batcave and there was a great moment in the 1960’s TV series when Bruce Wayne would say to his young ward Dick Grayson ‘to the Bat poles!’ Robin alias Dick would flip the switch on the bust on Bruce’s desk and the two would leap onto the bat poles in the now opened secret compartment and slide down to the Batcave.

Another underground lair was that of Doctor No, the first villain in the James Bond film series. The doc had these amazing quarters with a glass wall looking out under the ocean.

‘A million dollars’ says the doc to James Bond as he quietly enters the room.

‘You were thinking of how much it cost?’ He goes on.

Actually, I wasn’t as I knew it was a film set but it was pretty cool.

The next great room and location that comes to mind was that of Ernst Stavro Blofield in my favourite Bond movie, On her Majesty’s Secret Service. Blofield has a mountain hideaway on top of a peak in the French Alps, or was it the Italian Alps? Either way Piz Gloria was an actual skiing lodge that had just been constructed and had been lent to the film crew. The interior, which I always rather liked, particularly Blofield’s inner sanctum was really cool and presumably designed by the production designer Syd Cain.

Another room I always liked was Joe 90’s dad’s house from the TV series Joe 90. It was a very comfy old-fashioned farmhouse where Joe and his dad, professor -I nearly said professor 90 but I don’t think it was. Anyway, the two of them lived there assisted by their housekeeper until Joe went off on his secret missions. Their front room was remarkably similar to the one owned by Barnes Wallis in the film The Dambusters. Wallis’ home was a typical 1940’s English farmhouse and it all looked pretty comfortable to me.

Remember the Beatles movie Help? In the film there is a great shot of the four Beatles walking up to their respective front doors along a typical row of English terraced houses.

They turn their keys, open their doors and they each step into: -Cut to interior shot- One ultra-modern long room and we see the Beatles step inside and settle down. John has a settee or couch sunk into a low area which he has to step down into and down there, or so I imagine, he has a TV and stereo and all the mod cons of the mid-1960s. I loved that little space and if I had a big enough house it would be great to recreate it. Then again, I can just imagine coming home late at night after a few beers at the pub, walking into it in the dark and breaking my neck!

Did you ever watch the 60’s TV show The Prisoner? A secret agent resigns, returns home to find gas filling his house. He awakes, seemingly in the same room but when he opens the window, he finds himself in a village where he is apparently a prisoner. The Prisoner starred Patrick McGoohan and the show combines elements of intrigue, espionage and sci fi. It was filmed in the Welsh village of Portmerion where a long time ago I was able to visit number 6’s old house. The inside of it was of course not in Portmerion but was something assembled on a film set at Elstree or somewhere. It was small and compact and the door automatically opened as you approached.

Number 2, the administrator of the village had an ultra modern office with stylish 1960’s bubble chairs. I’ve always fancied one of those chairs: I can just imagine curling up in one and having a good read.

Another great setting was Hugh Grant’s house in the film Notting Hill. Notting Hill is an actual area of London and Grant’s house in the film was presumably an actual house. Notting Hill, and I have to say I have no actual experience of the real Notting Hill, comes over in the film as a busy, vibrant and exciting place to live. Hugh’s house is a terraced house, rather narrow but with lots of light and a rather cosy area on a landing by the stairs with a couch where Grant spends the night on one occasion in the film and looks to be a really great place to relax, maybe watch TV or write blogs and just generally have some private time.

Anyway, enough of films, it’s about time I told you about my favourite room. I had two and they were both at the first house I ever bought; my house in Didsbury, Manchester. There was a small front room which I decorated myself, slowly. There was a dado rail with different but matching wallpapers above and below, bookshelves, books and videos (VHS of course). I also kept one of the three bedrooms for myself as a music room and my stereo and records were all stored there along with a couple of comfy chairs and all the other toys, gadgets and cameras I had at the time.

Once, years later, I remember visiting the old place and I parked outside for a while feeling like an intruder. Years before, this had been my street and my house and if, back then I had glanced outside and seen a strange guy in a strange car just waiting, I might have been tempted to call the police. Times had changed, and now I was the intruder.

There was a time when I might have been tempted not to mention that story but I remember watching my favourite TV documentary of all time about the late actor, Peter Sellers. Sellers had a thing about dragging his ex-wife out and taking her on these regular tours of his old haunts, his old schools and old homes and so on. If a famous actor and comedian like Sellers did something like that then clearly parking outside my old house for a few moments can’t be so bad after all.

I enjoyed some happiness in that house but also a lot of pain and sadness too. I remember sitting there in my car and I tried to turn my mind to the happier times I had there.

Once, we had a sort of, well gathering there. I was tempted to say dinner party but really it was just a few people coming around for drinks and nibbles and things.

One guest was our solicitor, I’ll call him Phil (although his name was actually Pete!) Seriously, Phil was a really arrogant guy. In fact he had very bad eyesight and could hardly see his hand in front of his face. He rejected the use of a white stick and arrogantly pushed away anyone who tried to help him. He was a good solicitor and although he could be a bit of a pain I had a lot of respect for him.

He was sitting in the small lounge in my comfy chair when he got up to get a drink or some food or something from the other room. I was tempted to nip into the comfy chair but another guest pushed me aside and slipped into the seat. When Phil came back with a plate of nibbles he turned to sit back in the chair, obviously not seeing the girl sitting there and she slipped out of the seat just as Phil sat down again.

We were all killing ourselves laughing but Phil didn’t quite get the joke.

Later when he left, he once again declined any assistance. Pity really because the path from our front door to the street went towards the right at a 45 degree angle whereas Phil went straight ahead towards the privet hedge.

Never did get that gap in the hedge sorted.


Floating in Space is a novel by Steve Higgins set in Manchester, 1977. Click the links at the top of the page to buy or for more information.

 

 

F1 2019 and the Sky TV Era

The start of a new formula one racing season is always an exciting time. Drivers have settled into their teams, the testing of the new cars is over, the journalists are busy making their predictions and we, the fans and viewers, can finally settle down to watch the first race.

Photo by Ajeet Mestry on Unsplash

Great, but this year is the start of a new era in television. Live F1 has vanished from terrestrial TV and if you want to see the races and their qualifying sessions live you must now cough up £10 per month to subscribe to F1 on Sky and that’s on top of the charge for the basic Sky TV service. Just to rub that fact in, the very first advertisement shown on the first ad break on the qually show on terrestrial TV’s Channel 4 was an ad for Sky TV’s F1 coverage!

Today we are in a sort of elitist TV age where those willing to spend a great deal of money can see all the latest and trendiest TV shows whilst the rest of us have to make do with whatever the BBC, ITV, Channel Four and all the other Freeview channels can offer.

I have heard that Game if Thrones is something pretty exciting, in fact the other day one of my work colleagues told me she was ‘obsessed’ by the show. As far as I know it’s some kind of sci fi fantasy show with a liberal handful of sex thrown in but sadly, as it’s not available on terrestrial TV, I am not one of the lucky few who can watch it.

In a few years’ time we might get a rerun on the BBC but by then all the fuss and excitement will be over and some new show will be in the limelight. I can just imagine perhaps turning to that same work colleague and saying something about a Game of Thrones and her replying, ‘Game of what?’

Ah, the fickle nature of TV. Anyway, back to the F1 season and you might perhaps be thinking if this guy is so keen on F1 why not cough up the dough and subscribe to Sky? Subscribe? Pay for TV that traditionally has been free? My generation can of course remember the days of black and white TV, the days of only two or even one channel. TV to us is like free school milk, the NHS, the number 17 bus. TV is something one takes for granted and as for actually paying for it, surely that’s undemocratic, unBritish and simply unacceptable!

So what is happening then in the world of F1? Are Mercedes and Lewis Hamilton still at the top? Are Ferrari still challenging? Of course they are. The big story for me was the ninth place qualifying spot of Lando Norris in the McLaren. McLaren were once one of the giants of the sport but in the last few years they have slid down towards the back of the grid. Their relationship with Honda fizzled out but when they strapped a Renault engine to the back of their car they still found themselves under performing and that excuse of blaming the Honda engine was no longer acceptable. Either way, it was enough for star driver Fernando Alonso to throw in the towel and say ‘I’m off!’

Hopefully McLaren have started down the road which may one day return them to the winners circle. Another once great team, Williams are not looking good either. Paddy Lowe who contributed so much to the success at Mercedes has not been able to work the same technical magic at Williams and they have found fundamental issues with their new car, so much so that Paddy has had to take a break from the team for ‘personal reasons’.

Only Ferrari seem to have been able to keep their team viable across the changing vista of Formula one. Lotus, Brabham and many others have come and gone. Will Williams and McLaren be able to carry on? Only time will tell. Neither team finished in the points in Australia but at least the performance of McLaren was encouraging. Williams though were not looking good. During the interviews from the paddock the shouts of the fans praising F1 returnee Robert Kubica were quite evident. Kubica’s story is one of those great F1 success stories. Kubica, a rising star and Grand Prix winner had turned to rallying prior to the beginning of the 2011 season but was involved in a terrible crash in which his right arm was partially severed. Surgeons were able to sew the arm back on but the terrible injuries left Robert with reduced mobility in his hand. Now, many years later, Kubica is back on the F1 grid and with a few adjustments to his Williams steering wheel, he is back racing once again. Sadly, he is driving a car not worthy of his talents but with his feedback and the talents of the Williams engineers, maybe things can be turned around. Everyone loves a comeback story.

Valtteri Bottas took Mercedes back to the winners’ circle once again and brought home an extra point for fastest lap. That single point incidentally is something new for 2019, a point for the fastest lap. So, we might find that no longer will drivers decide to rest their engines on the final laps, in fact they will be putting the hammer down in an effort to bag that one extra point for fastest lap.

Getting back to Valtteri, the Finnish driver didn’t have such a good season last year so this win was exactly what he needed. The Ferrari’s took fourth spot for Sebastian Vettel and he didn’t look too happy about it but things could have been a lot worse.

The Red Bull team came home in third place with a great drive from Verstappen in their new Honda powered car. It looks as though Honda might be finally getting things together.

Yes, I may moan about Formula One and pay per view TV but I did manage to get to the 2pm Channel Four broadcast time without finding out who the winner was. I had steered clear of the Internet, no mean feat for cyber geek like me. I didn’t even look at my emails because that could have given rise to the possibility of seeing an e-mail about the event. I subscribe to a number of F1 web sites and their e-mail newsletters always have the winner’s name in the subject so e-mails and Internet were a no-no. TV news? No, kept well away from that too.

Yes, I managed to stay well away from the media and as a result the race was almost as enjoyable as watching it live.

Well, almost but not quite.


Floating in Space is a novel by author Steve Higgins set in Manchester, 1977. Click the links at the top of the page to buy or for more information.

Star Wars, Remakes and Dealing with Man-Flu

Our motorhome was looking a little forlorn lately, parked up on the drive all packed up ready to face the winter. The thing is, just lately the weather has been rather mild and Liz felt that we should perhaps unpack the motorhome and give it a winter drive out. So we set off for Southport, a small seaside town just a short 90 minute drive away. We parked up the motorhome, put on our glad rags and went off to dine and generally make merry.

It just so happened that this particular night turned out to be the coldest in modern UK history. Well, at least it was in Scotland so it was lucky we weren’t staying there. Southport was much warmer and our heater worked a treat. However, having to get underneath the van in the cold and rain and empty the water system wasn’t so nice, in fact I reckon that’s where I caught a chill which was soon to develop further into a major man-flu episode.

A couple of days later I was back at work. On the first day I felt fine and I wasn’t too bad when I went in on the second day but by the end of the shift I was coughing and sneezing like nobody’s business. By day 3 I was feeling so poorly I had to throw a sick note in. Anyway, home on a cold day with no energy to do anything except cough and sneeze, what was there to do but watch TV.

On a Sunday on UK TV there is always a choice of Columbo episodes because they are shown on two rival channels, ITV3 and 5USA. Which one should I watch though? Luckily, the first one started on 5USA at one o’clock and the other over on ITV3 at five past. Just enough time to start the first one, see if it was a good one then quickly check out the other one to see if that was more interesting . The 5USA one was the one for me, a classic 70s episode guest starring Robert Culp as the murderer.

A couple of hours and a hot lemon drink later Columbo had his man and it was time for a change of channels. I switched over to ITV2 to watch the first Star Wars film. I’m tempted to call it Star Wars 1 but just to confuse you, the first Star Wars film was actually the fourth episode in the series. The second and third films, all made in the late seventies are all actually pretty much more of the same thing although not quite as good as the original.

Later on writer and director George Lucas decided to make episodes 1, 2, and 3 which were actually films 4, 5, and 6. Now those latter three films were, and I don’t want to put too fine a point on this, a load of old tosh. Even if I was on my last legs I wouldn’t sit and watch any of those movies. In 2015 JJ Abrams was tasked to make a new movie following on from episode 6 which reunited the original cast of Carrie Fisher, Mark Hamilton and Harrison Ford (who I must nominate as one of the worst movie actors ever along with the equally dismal Richard Gere.)

The result seemed to me pretty much a remake of Star Wars 1 (I mean 4). It was the usual thing, droids on an unknown planet with info which the Empire wanted, or maybe the new Empire wanted because the original Empire had been defeated in the previous Star Wars film. The droids and their human helpers escaped in Harrison Ford’s old ship the Millennium Falcon and then, well, I don’t know what happened then because I either mentally or physically switched off!

Getting back to Star Wars 1, or episode 3 or whatever, I’d not seen the film for a long while and I enjoyed the sending of the droids to seek out Obi Wan Kenobe, the appearance  of Luke Skywalker, the hiring of Hans Solo and his Millennium Falcon and the trip to the rebel alliance planet, Alderon. The truth is, just like when I watched Star Wars 7, I actually got a bit bored with the whole thing and decided to change channels. Star Wars isn’t a bad film but like all the rest in the franchise they seem to flatter only to deceive.

Over on the Paramount film channel they were showing a bunch of Steve Martin films and the first up was Roxanne. While not exactly brilliant it was actually a pretty good film and despite the continual coughing and spluttering I still managed to enjoy the proceedings. Roxanne was based on the 1897 play Cyrano De Bergerac and it’s about, as you may have guessed, a man with a big nose.

(Short break here while I sort out another hot lemon drink this time with a small shot of -purely medicinal- whisky.)

Paramount decided to follow this up with ‘The Out of Towners’, which was a remake of a 1970 Neil Simon film. Sadly, the Out of Towners wasn’t that great a film and I can only hope the 1970 original was much better. The fact is, it’s hard to understand the motivation behind remaking a very average film. Do they hope to make a better version? Do they think with better actors and updated film making techniques the film will be better or funnier? The fact is that if you remake an average film you will still get an average film as the result. Not long ago I saw the new version of Flight of the Phoenix. It was OK, although I switched channels after about thirty minutes. Then again, the original version starring such heavyweight actors as James Stewart, Richard Attenborough, Hardy Kruger and Peter Finch wasn’t that brilliant either although I have watched that version through to the end.

Still, does that mean we should only remake classic films? I can’t really imagine any new version of Casablanca, for instance, bettering the original. Who could take the place of Bogart? Who could replace Ingrid Bergman? Yes, there is always the chance a mediocre movie could be remade better, I suppose.

A lot of film franchises are pretty much just a series of remakes. That is true of the Star Wars series as I have already mentioned but take a look at the Rocky films. Rocky 2 was pretty much another version of Rocky and while Rocky was a great movie, Rocky 2 was just, well, Rocky 2. Towards the end of the series Rocky star Sylvester Stallone made Rocky Balboa which was a fitting end to the series. Rocky has retired and is running his small Italian restaurant. His wife has succumbed to cancer and then he gets the chance to be involved in a computer fight with the current champion Mason ‘the line’ Dixon.

I did wonder when I saw the film whether writer and director Stallone was inspired by the 1970s computer fight between Muhammad Ali and Rocky Marciano. My dad, a great boxing fan and a great fan of Marciano was outraged by the fight as the result was a win for Ali. My dad loathed Ali even to the extent of always referring to him by his former name of Cassius Clay. When I looked up the fight on the internet I discovered that only European viewers saw Ali win the fight. American viewers saw a version in which Marciano emerged as the victor in the 13th round. I know which version my dad would have prefered.

Getting back to remakes, after a short pause for another whisky and hot lemon: Which films would be good candidates for a remake? Well, there are two that I can think of. The first is Desperately Seeking Susan, an 80’s film starring pop singer Madonna in a small role, that of an independent young girl who travels the country but keeps in touch with her friends using the personal ads in a newspaper. Step in bored housewife Rosanna Arquette who follows the personal ads, even to the extent of watching Madonna from afar when she meets with her boyfriend. There is a lot more to it of course, memory loss, mistaken identity and stolen jewels but it’s a great film and here’s the thing; substitute personal ads with modern-day social media and the film is perfect for a 21st century remake! Casting might be an issue though, after all, who could replace Madonna?

One last film that I’d remake: Capricorn One. Now you may remember in an earlier post I wrote about watching an old VHS tape of the film and finding, sadly, that the tape ran out before the end. Now the more I thought about the film it made me remember that I had the full film on VHS somewhere and after a long and dusty search of my mother’s house I finally found it, a proper VHS shop bought, full version of Capricorn One. If you haven’t seen the film and I have to say, I haven’t noticed it on the TV schedules for a long time, the film is about the first manned voyage to Mars. On launch day the crew are removed from the spacecraft and it blasts off without them. They are then taken to an abandoned air force base and find that the plan is to fake the mission using a TV studio.

Why, you may ask? Well this is where the film falls on a little shaky ground. The space missions are in danger of losing funding from the government and as the life support system has been found to be faulty, this would be a good reason for the program to be cancelled. To prevent this, this fake mission is the course of action chosen by the top brass at NASA to keep the Mars program going.

Yes, not sure that NASA would really do that sort of thing. Perhaps if they threw in something else, some sort of conflict between Russia and America where winning the Mars race was of vital political importance, well then perhaps it would be more believable.

Later on during the mission Elliot Whitter, a member of staff in mission control, discovers that the TV signals supposedly coming in from the spacecraft are coming in ahead of the spacecraft telemetry. Of course they are! They are being beamed from a TV studio out in the desert. OK, this guy has to be got rid off so how do the NASA people do it? Nab him on his way home? Grab him somewhere at Mission Control? No, they wait until he is in the middle of a pool game in a bar with his best mate, a TV news journalist played by Elliot Gould. The journalist takes a call at the bar and when he returns, two minutes later, his mate has vanished! Something fishy going on here thinks the journalist.

Although the TV journalist eventually solves the case there is no real link as to how he does it, just guesswork really so in the remade version maybe Elliot Whitter made a computer disk that leads to the TV studio at the abandoned air force base, the TV journalist gets hold of it, finds the astronauts who are now virtual prisoners and hey presto we have a proper ending to the film.

Don’t miss Capricorn One if it ever gets shown on TV because it really is a great film despite me criticising it. And if any wily film producer is thinking about a remake, my updated re written script is available, whenever you are!


Floating in Space is a novel set in Manchester, 1977. Click the links at the top of the page to buy or for more information.

A Completely Inaccurate and Unreliable History of TV and Film Time Travel!

I think I’ll start this post with that fabulous time travel film Back to the Future. If you have never seen it, (shame on you) the film concerns young Marty McFly who helps his friend Doc Brown with a time travel experiment. The time machine is a 1985 DeLorean sports car which morphs through time when it reaches the magical speed of 88 mph. The experiment goes horribly wrong when a gang of Libyan terrorists whom the Doc has double crossed in order to get some vital nuclear supplies for his car/time machine arrive and shoot the Doc apparently dead.

Marty escapes in the DeLorean, accidentally hits the time travel switch (the flux capacitor) and zooms back to 1955 when he speeds up to 88 mph.
There Marty has to enlist the help of Doc Brown’s younger self, get his parents’ romance back on course after accidentally knocking that off target, and get himself back to 1985 in time to prevent the Doc being murdered by terrorists.

In Back to the Future 2, Crispin Glover, who played Marty’s dad, failed to agree terms with the producers so was not in films 2 or 3. Instead a look-alike actor was used prompting Glover to sue the production company. His legal challenge failed but next time you watch 2 and 3, that’s why Marty’s dad isn’t in the film much!

There are some great little touches to the film too, some you may not even have noticed, for instance, when Marty leaves 1985 and goes back to the past, he departs from the Twin Pines Mall. There, in 1955 he hits a pine tree and later arrives back in 1985 at the Lone Pine Mall!

In the final film Doc Brown gets accidentally flipped back to 1885 and Marty has to time travel back there to save the Doc. How does he know the Doc is in 1885? Well, the Doc arranges for a courier service to deliver a message to Marty at the exact time and spot where he disappears and flips back to 1885. Of course as Marty rescued him and brought him back to the future, then he wouldn’t have been there to write the message for the courier, well wouldn’t he? Maybe he wrote the message before departing!

Funnily enough, that is a similar situation in one of my favourite of the rebooted Doctor Who episodes, Blink. The doctor, played by David Tennant, gets stuck in the past courtesy of the Weeping Angels, aliens who appear frozen when watched but otherwise move in the blink of an eye. However he manages to add some special video links to a future DVD so people in the present can pick up his messages and help him.

Blink is possibly the most beloved episode of the modern Doctor Who era, with an oddball mystery that is intriguing and a slightly off beat approach to the show’s usual format, focusing mainly on a new character named Sally Sparrow instead of David Tennant’s Doctor. Sally is played by the now famous Carey Mulligan, and her portrayal of a normal young woman who has to solve a crazy time mystery when her friend is transported to the past by a living angel statue won her plenty of fans among the Doctor Who faithful.

Really though, the best Doctor Who episodes were back in the 1980’s with Tom Baker as the Doctor and Elizabeth Sladen as assistant Sarah Jane Smith. A great episode was Pyramids of Mars, which combines sci- fi with the mystery of Egyptian tombs and artefacts. The Tardis materialises back at Unit headquarters in the UK. (UNIT by the way, is a military organisation the Doctor worked with in the 1980’s.) However, they are not at the current time period but have arrived earlier, in 1911. A great country house is there and it appears that a mysterious Egyptian has taken over the late Professor Scarman’s estate and there are many strange goings on. Later the Doctor finds that an ancient alien called Sutekh, imprisoned thousands of years ago by another alien, Horus is trying to escape captivity and wreak death and destruction on the universe. The Doctor, naturally, foils his plans.

Doctor Who is the world’s longest running sci-fi show having been first broadcast on the 22nd November 1963. Not many people watched the show that day as most people were desperate to find out about the Kennedy assassination and so it was repeated again the following week. William Hartnell, the original doctor, left the show in 1966 and the role passed to Patrick Troughton. The producers came up with the ingenious idea of having the doctor, an alien from the planet Gallifrey, regenerating into another body making it easy to reboot the series every time the lead actor left.

Star Trek, although not really a time travel programme actually had quite a few episodes which involved time travel. The fans’ firm favourite, an episode voted the best ever Star Trek episode, was City on the Edge of Forever. The crew of the Enterprise arrive at a distant planet searching for the source of some time displacement. The source is a time portal, left among the ruins of an ancient civilisation which although abandoned, still emits waves of time displacement. In the meantime, Doctor McCoy is suffering from paranoia brought on by an accidental overdose of the wonder drug cordrazine which any Star Trek fan will tell you can cure any known Galactic ailment. McCoy in his crazed state bumbles through the time portal, back to 1930’s America (handy for that old 1930’s set on the Paramount back lot) and changes history. Kirk and Spock are forced to also go back in time, stop McCoy from changing history and restore things to as they were. Joan Collins plays a charity worker at the core of events; does she have to die in order to restore things to as they were?

In the Star Trek movie world there was another great time travel film, Star Trek 4 in which earth is threatened by a space vehicle causing havoc with the world’s weather. It turns out that the aliens are sending signals in whale-speak so the crew travel back to the 1980’s in order to find a hump back whale which can respond to the aliens. Sounds a bit mad when I put it like that but actually Star Trek 4 was one of the best Trek films. Highlights included Mr Spock diving into a giant pool and mind melding with a whale and later asking a punk rocker to turn down his ghetto blaster.

I must of course mention the sixties show the Time Tunnel the Irwin Allen show about two American scientists ‘lost in the swirling maze of past and future ages, during the first experiments on America’s greatest and most secret project, the Time Tunnel. Tony Newman and Doug Phillips now tumble helplessly toward a new fantastic adventure, somewhere along the infinite corridors of time’ as the opening blurb used to go.

The Time Tunnel starts off with a Congressman coming to investigate the growing budget of the time tunnel complex and threatens to close things down unless he sees results. Scientist Tony Newman decides he must therefore travel back in time to prove that the tunnel really works and save the project. Tony ends up on the ill-fated liner Titanic. His colleague Doug follows him back to 1912 and the control room struggle to shift the two in time before the ship sinks. Unable to return the duo to the present,  the technicians struggle every week to shift the duo to somewhere new just in the nick of time. One episode that I particularly remember was when the pair land in Pearl Harbour, just before the Japanese attack in 1941. Tony meets himself as a young boy and finally solves the mystery of the disappearance of his father in the attack.

I’m at the point of running out of time travel TV shows but here is one great time travel movie, 12 Monkeys. I didn’t like it the first time I saw it then some time later I saw part of the film again and thought, hey, maybe this film isn’t so bad. The third time I saw it all the way through and did enjoy it although it can be a little hard to follow. 12 Monkeys was inspired by the French short film La Jetée made in 1962 and it goes something like this; Bruce Willis plays prisoner James Cole who lives in a post apocalyptic society in the year 2035 where people are forced to live underground after a deadly virus was released in 1996 which wiped out most of humanity. The virus was released by a group known only as the 12 Monkeys and Cole is selected to be sent back into the past to try and find the original virus so scientists can perfect a cure. Cole is plagued by a vision which constantly returns to him in which a man is shot dead on a railway station and as the film reaches its final moments, this tragic vision is finally explained.

I’ve tried to keep this post pretty much research free so no doubt numerous errors and omissions will be evident. What was your favourite time travel film or TV episode?


Floating in Space is a novel set in Manchester 1977. Click the links at the top of the page to buy or for more information.

Cary Grant, Peter Sellers and Home Movies.

The BBC does do a good documentary and the other day I settled down to watch a documentary about the film star Cary Grant; Becoming Cary Grant.

Grant was the smooth talking and sophisticated star of many a Hitchcock film, indeed the documentary revealed ‘Hitch’ to be his favourite director. Grant and Hitchcock were both immigrants from the UK.

Cary Grant was born Archibald Leach in Bristol in the south of England. He had a rather sad childhood during which his mother disappeared. Various explanations were put to the young Archie including the lies that she had gone on holiday and later that she had died. In fact his father had his wife committed to an asylum where she languished until her rich and famous son returned to her much later. In fact, Grant did not learn that his mother was still alive until he was thirty-one years old.

Archie’s father remarried but Archie was not included in the new family. Instead he was sent to live with his grandparents. At school he developed a love of theatre and spent much time helping and later working at small theatres in Bristol. When he was only 11 he began working with a small troupe known as the Pender Troupe and when they went to undertake a new tour in the USA, the young Archie went with them, following in the footsteps of other performers like Charlie Chaplin and Stan Laurel.

In the USA, Archie toured the vaudeville circuit with the Pender Troupe and decided to stay on in the USA when the troupe returned home. He and some others formed their own troupe and Archie spent a lot of time doing various acts like stilt walking and unicycle riding. Gradually he moved on to better roles in various theatre productions and even had a screen test in the early 1930s, which was shown on the documentary. Archie, now using the name Cary Grant comes over as a loud-voiced individual, making many faces for the camera. Of course, as a vaudeville actor he was used to talking loudly and making exaggerated expressions but he soon learned to tone down his performance for the cameras.

The documentary uses text from Grant’s unpublished autobiography and it is clear an experience in later life had a great effect on him. Grant took part in a form of psychoanalysis using LSD which enabled him to confront issues from his early life which the actor felt had unduly affected his relationships as an adult, particularly with women, in fact he was married five times.

The film was interesting but focused mainly on the unpublished autobiography and many of his friendships and relationships that I have read about in other books were not even mentioned. A great part of the film also was Grant’s collection of home movies which were used throughout the film although many times what we were seeing was not properly explained. Towards the end of the film Grant’s daughter was interviewed and visits Cary’s old home. In one scene we see her visiting the patio shown in a earlier shot on one of Cary’s home movies. More interviews and perhaps some more location footage would have benefited this film enormously. Still, it was interesting and can be found on the BBC i-Player if you missed the original broadcast.

The Peter Sellers Story: As He Filmed It.

A similar and much superior film to the Cary Grant documentary is this one, The Peter Sellers Story: As He Filmed It, made by the BBC Arena team in 1995. It was created largely from cine film shot by Sellers himself, who was a lifelong camera enthusiast. If I remember correctly, Sellers’ widow, Lynne Frederick had died and left behind a lot of Sellers’ effects, including his home movies which is how the film came to be made.

Normally, I’d say that you have to be interested in movie people and how movies are made to like this documentary but this film is so special I don’t think that rule applies.

The original film was in three parts and began with Sellers’ early days, and his early films. The first cine films we see are black and white movies and as Sellers’ career takes off, his cine equipment also improves and he upgrades to colour and then on to sound. His own images show his young self as a sort of ‘spiv’, a Flash Harry sort of character with his double-breasted and shoulder padded jackets. An uneasy relationship with his mother emerges, as does a rather spoilt and volatile personality. His first wife talks about their early days and their life together and friends like Spike Milligan talk happily about successes like the Goon show and their beginnings in show business. Milligan had a 8mm camera and Sellars a 16mm one. Of course ‘Peter was richer,’ comments Milligan. ‘Richer by 8 millimetres!’

Sellers’ cine film is blended with interviews from various people who played a part in Sellers’ life.

A fascinating section concerned Casino Royale, the spoof James Bond film. Various directors were involved but Joe McGrath shot one segment with Peter Sellers and Orson Welles. McGrath was a TV director relishing the move into feature films, that is until Sellers told him he didn’t want to be in the same shot as co-star Welles. A heated debate ensued which became physical. Sellers said he was going off to calm down. He never returned and if you ever see the completed movie, you’ll understand why Sellers’ character abruptly disappears too!

Sellers claimed to have no personality of his own and ‘borrowed’ them from the characters he impersonated. It’s interesting to watch the TV interviews included in the film where Sellers seems to mimic the Yorkshire tones of Michael Parkinson and again, in other snippets he is taking on the accents and style of his interviewers.

The film overall has a sort of melancholy feeling which I feel accurately represents Sellers’ persona. He was a sad character, disappointed in his life and loves. He was not happy with his last wife, Lynne Frederick and he even junked many of his cine films prior to his death as they didn’t seem to match his expectations. The mood of the film is further enhanced by a wonderful soundtrack full of sad saxophones and jazz tones.

There are some that put down documentaries that are full of so-called ‘talking heads’ but personally, if the talking head has something interesting to say, I like to hear them. However, in 2002 the BBC re edited the film by taking the soundtracks from the ‘talking heads’ and combined them with Sellers’ self filmed visuals. The result is now available as a BBC DVD. The original is much better though.

If you are interested the original is available in three parts on vimeo.

Part One

Part Two

Part Three


Floating in Space, a novel by Steve Higgins and set in Manchester, 1977 is available from Amazon as a Kindle download or traditional paperback. Click the links at the top of the page to buy or for more information.

Ally Mcbeal, Eddie the Eagle and my TV Hard Drive

Looking back at some of my previous posts I see that back in April I was waxing lyrical about the onset of spring, the lengthening of the days and how nice it was to finish a night shift and find myself greeted by daylight as I left my workplace.

This week I was back on the night shift again but as I climbed into my car I had to crank up the heater for the first time in many months. I always think that September going into October is a sad time of the year. The days get shorter, the weather is colder and it is time to start wearing my fleece to work.

Being back home after three weeks in France is frankly, something of a let-down. The washer is humming away cleaning our holiday gear. I’m thinking about where I can put all that unnecessary stuff I bought at the brocantes and vide greniers we visited. The prospect of returning to work is no longer looming on the horizon, the moment is actually here. There was a time, I remember sadly, when I actually loved my job and looked forward to going back to work. Alas, those days are gone.

My car, my trusty Renault Megane convertible is a veritable hive of CDs. The glove compartment is full of them as are the pockets in the driver and passenger doors. Down in the passenger footwell there is a box of CDs which is interchangeable with one in the boot. When I get fed up with the selection I swap them round and the box I am tired of goes in the boot and the other one comes into the front. When I am tired of both boxes, I take them back home and make up a new selection.

Today, going back into work I had a good search through them for something new to listen to. Radio adverts are just not on my agenda. TV adverts, OK I can live with them, you can pop into the kitchen and make a cup of tea, yes, OK but radio ads: Not on my watch as they say. Anyway, the CD I decided to listen to was an album of songs from the TV show Ally McBeal, mostly by Vonda Shepard but with a sprinkling of guest singers. Ally McBeal was a comedy drama that aired back in the nineties and it’s surprising that it hasn’t turned up on some random Freeview TV channel yet. Ally McBeal played by Calista Flockhart was a Boston Lawyer and the show focussed on the antics of Ally and her colleagues not only in the courtroom but also in the local bar, which is where the music comes in. There were a heck of a lot of songs sung in that bar.

Music played a major part in the show and Vonda Shepard covered some classic pop tunes all slotted in carefully with lyrics that corresponded to the storyline of the show. One of my absolute favourites was Vonda’s cover of Gilbert O’Sullivan’s ‘Alone Again (Naturally)’ a hit single for O’Sullivan from 1972.

Gilbert O’Sullivan featured regularly in the music charts until the 1980’s when he began a legal battle with his music publisher Dick James regarding royalties and the ensuing legal contest stopped him from releasing his music.

In Ally McBeal, John Cage and Richard Fish were the co-owners of the law firm where Ally works. Cage was an oddball attorney nicknamed ‘the biscuit’. I loved his odd ways, his ‘taking a moment’, his antics in the communal toilet area and his invocation of the spirit of Barry White when he needed a confidence boost. Richard Fish was another oddball lawyer and also part of the firm was Billy, Ally’s former boyfriend and his new wife Georgia. Legal cases were up there in the foreground, actually the background and in the background, actually the foreground, if you see what I mean, were the loves and lives of the cast.

One thing that was important on returning home from holiday was checking the hard drive on my TV recorder and finding out just what was lurking there. What had recorded and what had failed.

There was of course three weeks of our favourite soap, Coronation Street lying in wait so we decided to have a duvet day, actually two duvet days of non-stop soap action. In some ways Corrie is best watched just like that. Fast forward through the adverts and no waiting between Friday night’s cliff hanger episode and the Monday night follow-up.

Some things seem to sort of leap out when you watch a soap in that fashion. One storyline involved Sean Tully, one of the Street’s gay characters. Sean packed his job in at the local factory in favour of a new job and new flat in the city centre. It turned out though that his job had fallen through, then he returned to live with friends who had to give him notice due to some new arrangements. Then it was revealed Sean had lost his job and now was actually homeless. Sean endured a few weeks of living rough in a tent and trying to conceal the shame of his new position from friends but suddenly, the way it is in soaps, his old friend Billy offered him a room at his house, he got his old job back and hey presto, all is well again.

It was nice that the soap tried to show a little of what life is like for the homeless but couldn’t they have carried the storyline on a little longer, like things are in, you know, real life?

Then again there was the storyline when poor old Rita started losing her memory and was diagnosed with dementia. Luckily there was that quick lifesaving operation and Rita’s brain power and memory were restored just like it never happens in real life. And there was the one about young Simon who had become violent towards his mother. Luckily, he quickly grew out of that phase. Oh well, that’s soaps for you.

Also there on my hard drive were two formula one Grands Prix. The Belgian Grand Prix from the impressive and historic Spa Francorchamps and the Italian race from the equally historic Monza. There was a time too when I would have hungered to watch those races. As it is, Formula One still has its moments and I do still love the sport but not like the days when I bought a shed load of racing magazines every week and hungered for every snippet of racing information I could find.

While in France I subscribed to Radio Five Live’s F1 podcasts. Now the podcasts are not quite what I had thought they were going to be. I thought they might be an audio version of the race highlights with the commentators breathlessly describing the race track action in the way Murray Walker used to do in the old days. (Murray, for those of you who have never heard of him, was a BBC commentator who was once described as a man who talks like his trousers are on fire -in his quieter moments!)

No, the podcasts were not like that. They start off, unlike the TV highlights show on Channel 4, by telling you the results, and just how they came about. Then there are 30 to 50 minutes of driver interviews and endless discussion about what happened, why it happened and why didn’t something that didn’t happen, not happen. Yes, interesting but maybe the production team assumed we listeners had watched the race on TV. Actually we hadn’t, or at least I hadn’t, which is why I was listening to the podcast in the first place.

There were some exciting elements to those races, Hamilton and Vettel colliding at the first corner at Monza and Hamilton hunting down Raikkonen’s Ferrari and just pipping him for the win. Still, watching those races a few weeks after they had happened just wasn’t my cup of tea.

Anyway, soon it was time to go back to work but before that we sat down one evening after our tea looking for something to watch. Nothing was on TV (naturally) so once again I scanned through the hard drive and came across a film I had recorded about Eddie the Eagle.

In 1988, Eddie became the first skier to represent Britain in Olympic Ski jumping since 1928. The film describes Eddie’s life as an Olympic obsessed youngster and his progression to ski jumper. He self-trains in Germany where the seasoned skiers belittle him. However by grit and determination, Eddie qualifies for the Olympics in Calgary despite resistance by the Olympic team for his amateur and uncouth appearance. Eddie turns the tables on everyone by his determination and humour and in fact becomes the star of the Olympics, feted by the world’s press.

The film is an enjoyable and affectionate portrait. I’m not sure just how accurate or true it is but I enjoyed every minute of it and if I had been there at the Olympics, I would have been cheering for Eddie myself.

Well, that first night shift was hard. Not actually hard in itself just hard to endure, sitting there wishing I was back in my rented villa tapping away on my laptop trying to finish a new blog post so that I could hurry out for a dip in the pool, after decanting some vin rouge to breathe, of course.

When I finished at 6 am it was still dark and rather cold. As I pulled away from the car park I turned up the heat and switched on the CD player. Vonda Shepard was singing another of my favourite songs, a cover of the Dusty Springfield’s hit, I Only Want to be With You . .


Floating in Space is a novel by Steve Higgins set in Manchester, 1977. Click the links at the top of the page to buy or for more information.

 

10 Famous and Not So famous Cars!

The Batmobile.

No, I’m not thinking of the one that locks up in a sort of caterpillar way, although I’d love to have a car that does that. Nor am I thinking of the one that resembles a tank. Just in case I’ve lost you here I’m talking about the comic strip hero Batman and his motor car, the Batmobile. Batman has progressed from comic strip to TV to the big screen but my favourite Batmobile is the one from the 1960’s TV series starring Adam West as the Caped Crusader and Burt Ward as Robin, the Boy Wonder. The dynamic duo regularly leapt over the doors into the car ready for a quick getaway in their pursuit of the dastardly villains of the 1960’s such as the Penguin, the Joker and so on. I used to have a Corgi model version if I remember correctly.

John Steed’s car

Patrick MacNee played the debonair John Steed in TV’s the Avengers and his car throughout much of the series life was a vintage Bentley. Steed, just like the dynamic duo, had a habit of leaping over his car doors. Must have scuffed those leather seats with his shoes though, I wouldn’t be happy about that. If you have ever read the original James Bond novels, you’ll know that Bond’s personal car was a Bentley, although it can’t have looked too good after Hugo Drax forced him to crash in Ian Fleming’s novel Moonraker. If you are thinking well, I saw the film and I don’t remember that bit, I think it’s fair to say that the books are usually pretty different to the films!

The Saint’s Volvo.

Simon Templar alias the Saint, played by Roger Moore, drove a white Volvo P1800 with the registration plate, ST1, which by my reckoning, if that was a real plate, would be worth quite a few bob today. In fact, if I had that few bob I might be tempted to buy it for myself. ST1, yes, that’d look pretty good on my old Renault Megane!

James Bond’s Aston Martin.

One of the memes I use frequently on Twitter is one of Sean Connery, exclaiming ‘ejector seat? You’re joking!’ to his technical colleague Q in the James Bond film Goldfinger. Bond’s Aston Martin DB11 had a variety of gadgets ranging from the aforementioned ejector seat to rotating number plates, forward facing machine guns (just the job to deal with road rage issues) and oil and smokescreen ejectors to fend off any following bad guys. In a later Bond film, Die Another Day, Bond, this time played by Pierce Brosnan, had an invisible car. Pity Brosnan didn’t reprise the ‘you’re joking’ line in that film which was Brosnan’s last outing as 007.

Steve McQueen’s Car.

The movie Bullitt was a classic cop film. OK, the plot was a little complicated but the car chase was the classic movie car chase of all time. McQueen drove a Ford Mustang 390 GT. Its 6.4 litre engine making a throaty roar as McQueen gunned his car in pursuit of the bad guys. I used to think his car was a Ford Cougar which is why I got all excited when I once used a hire car and was told over the phone it was a Ford Cougar. It turned out to be a different car altogether, a Ford Kuga!

‘Back to the Future’ 1981 DeLorean DMC-12

In the Back to the Future time travel trilogy, Marty McFly ends up back in the 1950’s courtesy of the time machine installed in the car by wacky inventor Dr Emmett Brown. The car warps into the past, or future, whenever the car’s time circuits are activated and the car hit 88mph. That of course happens to Marty McFly early on in the movie and he ends up back in 1955. There he meets a younger version of Doc Brown and he agrees to help Marty return Back to the Future. A great film and a pretty nice looking motor for the mid 1980’s. I particularly liked the gull wing doors.

‘Smokey and the Bandit’ 1977 Pontiac Trans Am

Still on the subject of films, ‘Smokey and the Bandit’ was the second highest grossing movie of 1977, second only to Star Wars. It’s about a trucker known as ‘the Bandit’ who is paid a large amount of dollars to get 400 cases of Coors beer across the state boundary from Texas into Georgia. I don’t exactly know much about US State boundaries or whether it was illegal or not but anyway, Burt Reynolds plays the ‘Bandit’, who recruits fellow trucker ‘the Snowman’, to drive the beer truck while the Bandit himself drives a Pontiac Trans-Am to lure any ‘smokies’ or police, away from the beer laden truck. Along the way the Bandit picks up the lovely Sally Field and finds himself being pursued by Texas Sheriff Buford T. Justice. Sounds pretty simple doesn’t it? A Guy, a fast car, a lovely girl and a whole load of fun filled action packed car chases. It’s a great film and that Pontiac is a great looking motor car.

Number Six’s Lotus 7.

Remember The Prisoner from the late 60’s? Well if you don’t, it was a sci-fi fantasy-espionage TV show starring Patrick McGoohan. McGoohan stars as ‘Number 6’, a British agent who resigns and is kidnapped from his home, waking up in in the mysterious ‘village’ where the man in charge, Number 2, wants information. The opening sequence shows McGoohan driving around London in the rather lovely Lotus 7 and then back to his London flat where his mysterious abductors pounce. I’ve always rather fancied a Lotus 7, although I do like my creature comforts such as my CD player and my air con. Doesn’t look like there is much room in the Lotus for all my CD’s either!

Starsky and Hutch  Ford Gran Torino

Cast your mind back to the year 1975. Remember the TV cop show Starsky and Hutch? Well if you don’t then maybe you caught the movie version released in 2004. I say movie ‘version’ because the film is a sort of tongue in cheek comedy version of the TV show. Actually, neither the film nor the TV show were that great in my opinion but I did like their car which was a Ford Gran Torino in a rather lovely shade of red with white flashes down the side. Not sure if the car was much use during covert shadowing operations but hey, it looked fantastic!

My Car

If you are a big fan of film noir, you’ll have probably noticed that a lot of Los Angeles based detectives and their New York counterparts too, have a habit of parking up and leaving their cars with windows open and without any attempt at putting the roof down or locking up. If I left my car like that when I visit the council estate where I used to live I’d be lucky if my car was still there when I returned. Or if it was still there, then I’d be lucky to see the wheels still attached. TV detectives like Simon Templar for instance, also rarely lock their cars or even carry any keys for that matter. Anyway, as I’ve mentioned my car I might as well tell you more. My car is a Renault Megane convertible. I’ve always wanted a convertible and so in a way, this car is a lifelong dream. I probably would have preferred a Porsche or a Chevrolet but what the heck, I love my Renault. It’s nice to drive, supremely comfortable, well, for me anyway. Liz hates it as because of her back problems she needs a more sit up straight seat; for me, the slightly reclining position is perfect. One negative comment about the Megane: I always feel slightly embarrassed when a bulb blows because I have to take it to the garage to have another fitted. Why is fitting a light bulb so difficult in cars these days?

Just recently the weather in late April in the UK has warmed up and the other day it was time to take a drive with the ‘hood down’ as they say in American films. I do love the process of dropping the roof, hearing the smooth whine of the electric motor as the windows drop and the roof folds away into the boot. Whenever I do that I always hear the theme tune to Thunderbirds in my head and feel just a little like Scott Tracy as he slides his way from the lounge on Tracy Island over to Thunderbird 1. One interesting observation came to me today on the way to work. It was a lovely sunny afternoon and I motored along serenely with my hair ruffling ever so slightly in the breeze, the sun was warm on my head and shadows flickered lightly across my tinted lenses. I noticed a number of convertibles out on the road, some slightly more glamorous vehicles than mine, others not quite up to scratch. One thing they all seemed to have in common was that in all cases the driver was a middle aged follically challenged man wearing tinted lenses or sunglasses. Some would say that is a description that rather resembles me; surely not! Then again, perhaps certain people of a certain age and certain disposition lean towards a certain motorcar of the more open to the elements type. Oh well. . .

Now, I’m a little stuck for a video here but I did find this one, a sort of test video with my then new camera!


 Floating in Space is a novel set in Manchester, 1977. To find out more click the links at the top of the page or click here to go straight to Amazon.