(Slightly Less Than)10 Great Albums

I can’t say I had any great interest in pop music until my brother and I received a record player for Christmas 1972. I always rather liked Olivia Newton-John but to be fair, my interest in her was based more on her looks rather than her singing. The very first singles I ever bought were two 45s by Olivia. Both had dropped out of the charts and my local music shop were selling them for half price so I picked up The Banks of the Ohio and What is Love for a grand total of 48 pence.

That was the start of my music collection although back then I always went for singles rather than albums which of course makes this post so much harder. Anyway, I did buy a few albums. I bought quite a few by Olivia although I can’t really say they are ones that I have loved ever since. One of the first albums I did buy was Goodbye Yellow Brick Road and that is one album I still play today.

Goodbye Yellow Brick Road by Elton John.

Goodbye Yellow Brick Road was released on October 5th, 1973, two days after my 17th birthday. I’m not certain when I bought it although I reckon it was probably the following year. Numerous singles were released from the album, notably the title track and Candle in The Wind, a song about Marilyn Monroe. Another hit was Saturday Night’s Alright for Fighting. Interestingly a big hit in the USA was Bennie and the Jets which was seen as a soul track in the USA and Elton was even invited onto the US show Soul Train to perform the song. In the UK the song was on the flip side of Goodbye Yellow Brick Road.

I saw a TV show about the making of this album on the Sky Arts channel a while ago and Elton’s guitarist Davey Johnstone told some interesting stories. Elton and his band had wanted to record in Jamaica but the facilities at the studio were basic and rudimentary so they flew to the Château d’Hérouville near Pontoise in France, where they had recorded previously for Elton’s album Honky Château . One rather surprising thing was that when Elton and his band arrived at the studio they had no songs written. Elton composed all the songs from the album while at the studio. In some cases he wrote the music, ran through it with his band and then they went into the studio and recorded. As usual Bernie Taupin wrote all the lyrics. Dee Johnstone was on bass guitar and Nigel Olsson was the drummer.

Singer Kiki Dee helped with backing vocals as did the other band members. Davey mentioned that Elton was notoriously difficult to be with when he didn’t have much to do so when everything had been recorded he left and the rest of the band got on with recording the backing vocals without Elton ‘getting on their nerves’. Presumably then Gus Dudgeon, the producer made the final mix.

I still have my original vinyl album as well as a double CD version. I lost interest in Elton in later years and I never liked his work throughout the 1980s but Goodbye Yellow Brick Road remains one of my favourite albums and something that I play frequently on long car journeys.

Favourite track: Difficult but I’d go for The Ballad of Danny Bailey.

Band on The Run by Paul McCartney and Wings.

I can’t say I’ve ever been a really big Beatles fan. Don’t get me wrong, I do like the Beatles. A few years ago I decided I was going to buy all the Beatles albums on CD but the more I bought, the less I liked them. The Beatles classic hits are wonderful of course but I found that there is a lot of other stuff on the Beatles’ albums that I just didn’t like so I just stopped buying them. In 1974 I went to see Paul McCartney and Wings at the Free Trade Hall in Manchester. Their tour had been in part to promote their album Band on the Run which had been released a few months before in November of 1973. A number of tracks had been hit singles but I’ve always particularly liked the title track Band on the Run.

Just like Elton John, McCartney wanted to record an album in an exotic location and found that his record company, EMI, had a studio in Lagos, Nigeria. Prior to leaving, McCartney and guitarist Jimmy McCullough had an argument and McCullough quit the band. Danny Seiwell the drummer also left the group on the day before the band flew to Lagos. This meant that McCartney himself would play the drums and lead guitar with his wife Linda on keyboards and Denny Laine on rhythm guitar.

The studio in Lagos was disappointing. It was a ramshackle establishment and there was only one tape machine and the control desk was faulty. Even so, the band stayed in Lagos and began to record. Lagos had just experienced a civil war and corruption and crime was commonplace. One night Paul and Linda went for a walk and were mugged at knifepoint and as well as losing valuables they also had a bag of demo tapes and lyrics stolen. On another occasion McCartney keeled over gasping for air. Everyone thought he was having a heart attack but the eventual diagnosis was a ‘bronchial spasm’.

After six weeks of recording, the band returned to the UK where the 8 track recordings were converted to 16 track and various overdubs added as well as orchestral arrangements.

Perhaps inspired by the cover for Sergeant Pepper, McCartney decided to create another noteable cover. This time Linda, Denny and Paul posed as prison escapees with various celebrities such as Michael Parkinson, boxer John Conteh and film actor Christopher Lee. Also included were TV personalities Kenny Lynch and Clement Freud.

According to Wikipedia, the album did reasonably well in the music charts then began to drop down a little. Later, buoyed by the success of two tracks released as singles, Jet and Band on the Run, the album began to rise up in the charts, hitting the top spot in the USA in June and in the UK in July.

The album sold 6 million copies and became EMI’s best selling album of the 1970’s.

Favourite track: Band on the Run.

Rumours by Fleetwood Mac.

Rumours was released in February 1977 after recording the previous year. The album was recorded with a background of relationship breakups and heavy drug use by the band members. I first came to be interested in Rumours as I loved the four singles from the album, two of which I bought as vinyl 45s. I’ve never been much of an album man but when more tracks were released as singles I thought it made more sense to buy the album rather than more singles.

The album was recorded first at the Record Plant in Sausalito which consisted of heavily soundproofed small wooden rooms and the band were not completely happy but Mick Fleetwood insisted they stay. John and Christine McVie had recently split up and would not talk to each other except for musical matters. Apparently it was only later than the group realised that many of the lyrics revolved around relationship issues.

After spending two months in Sausalito, the band decided to test some of the new songs by performing them in concert. Later, they returned to the studio, a different studio, to complete the recording sessions.

Favourite track: Go Your Own Way.

Jeff Wayne’s War of the Worlds.

Back in the late seventies when I used to work for a bus company, one of my colleagues was a guy whose name I can never remember. His nickname however was Clouseau as he was the image of Peter Sellers’ famous creation, Inspector Clouseau. Clouseau, my Clouseau, was a former disc jockey who talked non stop music. He ran a mobile disco and still dreamt of being a radio DJ. He was always giving me albums to take home and listen to and was always eager to get my opinion. Some of the music he gave was good and a lot of it just wasn’t to my taste but one album he insisted I take home and play was War of the Worlds and I loved it pretty much on first hearing it.

Jeff Wayne was a producer and musical director working with singer David Essex and he was looking for a new project, a story that he could give a musical interpretation to. His father suggested War of the Worlds and the idea caught Jeff’s interest. He acquired the musical rights to the story and even booked a recording date in advance to give himself a deadline to work to for creating the music. David Essex appears as an artilleryman as well as singing and Justin Hayward and Phil Lynott also sing. Jeff convinced Richard Burton to record the narration and the project was ready for the recording.

A prototype 48 recording system was used which apparently malfunctioned numerous times but the resulting double album was released in June of 1978. According to Wikipedia it was the UK’s 32nd best selling album of all time.

I still have my vinyl version plus the CD version. There have also been remixes, new versions and even a live concert.

Favourite Track: Forever Autumn sung by Justin Hayward.

I did mention earlier I’m more of a singles man rather than an album lover which is why I’ve only covered 4 albums rather than 6. I could add in various Greatest Hits albums from my collection to make up the 10 albums I mentioned in the title but I think I’ll save them for another post.

What are your favourite albums?


What to do next: Here are a few options.

Share this post on your favourite social media!

Hit the Subscribe button. Never miss another post!

Listen to my podcast Click here.

Buy the book! Click here to purchase my new poetry collection.

Click here to visit Amazon and download Floating in Space to your Kindle or order the paperback version.

Click here to visit amazon and purchase Timeline, my new anthology.

Concert Memories

I mentioned in last week’s post about, among other things, seeing Paul McCartney and Wings live on stage in 1975. Someone asked me what I remembered about the concert so this week I thought I’d talk a little more about music.

Seeing Paul McCartney and Wings at the Free Trade Hall in Manchester back in 1975 was probably just about the best concert I ever saw. I’d been into the Hall on my lunch break to buy tickets to see Kiki Dee and her band but while I was waiting, a sign went up saying that tickets for McCartney were now on sale so as well as getting tickets to see Kiki Dee, I bought tickets to see Paul as well.

I asked a girl from work to come to the concert with me but she declined. It turned out she was more interested in ballroom dancing than pop music so I dragged my brother along with me. While we were queuing to get into the venue a guy approached my brother and offered him £100 for his ticket. My brother who was and still is a pretty mercenary sort of guy was pretty keen on accepting the deal. I think I even remember him offering to go halves on the deal with me, £50 each. I had the tickets though and I declined. The young lad had told us he was Paul McCartney’s biggest ever fan and I remember thinking, perhaps rather meanly, that he might be McCartney’s big fan but unlike me, he didn’t have tickets to see McCartney in concert.

I hope my brother was glad I turned down the offer because seeing Paul and Wings that night was a fabulous experience. The band had just released Band on The Run and they performed all the hits from that album as well as many other songs. Part way through the evening the band left the stage and Paul sang alone a few of his best Beatle numbers including Yesterday, just him and his guitar and then his bandmates returned and played some more Wings hits. It was a fabulous night.

 

Back in 1975 I already had the Wings album Band on the Run, on vinyl. It was a great hit at the time and featured a cover with Paul and Linda and their other band member Denny Laine posing with various celebs including talk show host Michael Parkinson, comedian Kenny Lynch, actors James Coburn and Christopher Lee, MP Clement Freud and boxer John Conteh. A few years ago I bought a remastered CD version which in the tradition of film directors producing  DVD director’s cut film remixes, was a new version featuring outtakes and highly different versions of some of the songs. My copy has three CDs and there are other versions with even more CDs but to be honest, the original version was actually the best.

A few weeks after the Wings concert I took my friend Steve to see Kiki Dee, also at the Free Trade Hall, a venue that these days has been overshadowed by the MEN Arena. I say MEN Arena although the name of the Arena changes according to which organisation has paid to have its name up there. Originally it was called the Nynex Arena when it opened in 1995 then in 1998 it became the Manchester Evening News Arena. Today, according to the internet it is called the AO Arena, sponsored by God knows who.

Kiki Dee is probably most known for her duet with Elton John on Don’t Go Breaking My Heart, a 1976 hit for her and Elton. Her own musical performances are perhaps less popular and my favourite track of hers is I Got The Music in Me which was a hit in 1974. My copy of the single has ‘play loud’ in large letters on the disc which I used to think was an invitation to blast out the music but actually the single plays at a rather low volume so you have no choice other than to play it loud.

Back in 1976 when I went to see Kiki Dee, we had seats right at the very front and rather disconcertingly, right in front of me was a huge speaker actually about my size and I wondered if Kiki was taking that ‘play loud’ instruction a little too seriously. Just as the concert was about to begin, a guy armed with a huge stack of cameras came over, grimaced at me and returned a few minutes later with some concert staff heavies. It turned out we were in the wrong seats and we were shown to other seats in the section behind, which as much as I loved Kiki Dee, I was actually pretty happy about. Hope that photographer didn’t have hearing issues after the concert.

Another concert I went to was Michael Jackson at Roundhay Park in Leeds. That was back in 1988 when I was a coach driver. Actually, by the power of Google I see it was August 29th, 1988. I was a coach driver for a company called Charterplan. I wasn’t keen on the job but on that trip, I was happy to see that a fellow driver was a guy called Alex that I had known for years. After dropping off our passengers we decided to see if we could blag our way into the concert and eventually the security staff did let us in. The thing I remember most was a long, a very long introduction and Alex turned to me and said when is Michael going to appear? Just at that exact moment, Jackson popped up onto the stage propelled by either a rocket, compressed air or some sort of catapult. Alex wasn’t amused as he had missed Jackson’s spectacular entrance completely.

The other thing about that night was that another driver had estimated there were about 90 coaches in the coach park and there was only one exit so if one coach exited every minute then it would take 90 minutes for us all to get out. I was glad that I had told my passengers to get back to the coach ASAP and they did, all except for one guy. I waited and waited but he didn’t turn up so I pulled into the queue of buses trying to get out. The guy eventually turned up knocking on the door. He wasn’t happy but when he started to complain the entire front section of the coach gave him the slagging off of his life and he wandered shame facedly back to his seat. We were stuck in that queue for ages trying to get out. Alex told me later he had arrived home a full hour before me that night. I wasn’t amused.

That is probably it for my concert memories. I have seen Barbara Dixon at the Lowther Pavilion in Lytham. I’ve also seen Justin Hayward and John Lodge in Manchester when they had just released their BlueJays album. They had three video screens above them and I could never work out which screen to watch or just to watch the stage.

Barbara Dixon came out after her performance and signed CDs and programmes for the audience. On stage she looked like a typical female rocker but when she appeared to sign autographs, she popped on a sort of old lady’s shawl and reading glasses and looked like a little old dear.

Those are my concert memories, what are yours?


What to do next: Here are a few options.

Share this post on your favourite social media!

Hit the Subscribe button. Never miss another post!

Listen to my podcast Click here.

Buy the book! Click here to purchase my new poetry anthology.

Click here to visit Amazon and download Floating in Space to your Kindle or order the paperback version.

A Week that was Too Good to be Forgotten

This week started off with a tune running through my head. That’s not unusual. I often wake up with a tune in my head. It’s usually a leftover from our local pub quiz where they have a great music round, ten tracks with points on offer for song title, artist and year of highest chart placing. As it happened the tune was nothing to do with the quiz and sadly I didn’t have any words to go on, just a bit of a tune which irritatingly, kept floating around my head.

Thursday is the night of the pub quiz. We like to dine out beforehand so we settled on the Moghul, an Indian restaurant in St Annes. We’ve not been for a few years but were happy to see that the long complicated menu has been slimmed down and the food was particularly nice. Eating poppadums with Liz reminded me of many years ago when my friends and I would go into the Plaza Café in Manchester after a night of drinking. The curries on offer there were of three varieties, mild, hot and suicide.

It always brings a smile to my face when I remember calling for ‘Three suicides please mate!’

Those were the days. My dining experiences nowadays are much more relaxed.

This week’s music quiz was interesting, although I didn’t exactly cover myself in glory. One of the tracks played was a cover version of the Beatles hit ‘Yesterday’. It had to be either from 1965 or 1968 and being something of a Beatles expert I mentioned to my fellow quizzers that as Yesterday was one of the later Beatles hits it couldn’t have been 1965. It had to be 1968.

It turns out that although the Beatles included the track on the album ‘Help’ released in the UK in August 1965, it was not released in the UK as a single (actually an EP) until the following year. As the recording was essentially a solo performance by Paul McCartney, the group initially vetoed its release as a single. That left Matt Munro free to release his version and claim chart success in October 1965, all of which shows I’m not so much as a Beatles expert as I thought I was which didn’t go down too well with my fellow quiz team members. No gallon of ale for us that week!

‘Yesterday’ is, according to Wikipedia, one of the most recorded songs in history and in fact has an entry in the Guinness book of records as such, having by January 1986 more than 1,600 cover versions recorded. Paul McCartney claimed the entire melody came to him in a dream and unable at first to come up with a proper lyric, he dubbed the song scrambled eggs until he could produce more suitable words.

Now I think of it, and I’m really not trying to compare myself to Paul McCartney but quite a lot of my writing, especially poetry has come to me in dreams. In fact I once dreamt an entire story which unfolded before my eyes like a film and when I awoke I jotted it down and later made it into a film script. Because of that I became pretty fascinated by my dreams and placed a notebook by my bed so I could record any profound thoughts or dreams I’d had when I awoke in the morning. After a few weeks of noting stuff down then going for a wash and making a brew then coming back to look at various garbled nonsensical notes, well I soon gave up the practice.

‘Yesterday’ by the way, won Paul McCartney an Ivor Novello award in 1965 and was ranked 13th in the Rolling Stone’s 2004 list of the 500 greatest songs of all time.

Prior to coming back to St Annes I spent my usual five days looking after my elderly Mum in Manchester. Her dementia seems to be getting worse and it’s hard to imagine that this old lady born on the day of the Wall Street Crash in 1929 was, only a couple of years ago, doing her own shopping and cooking. I used to call her up and say ‘can I get you any shopping in Mum?’ She would always reply ‘no, the day I can’t get to the shops is the day I’m finished.’

She used to trek slowly along pushing her little trolley over to the shops every single day. Always buying no more than she needed for that day then back again the next day. Today she endlessly repeats herself, asks for the breakfast she has already eaten and agonises about the Sunday lunch she will never make again. After a particularly stressful day the endless news reports about Brexit are a welcome distraction.

Sometimes I feel that she has died already but her body refuses to go and that like the Dylan Thomas poem some inner force she possesses rages foolishly against ‘the dying of the light’.

It’s always a relief to hand over caring to my brother and get back to St Annes.

This last week I too felt a little like Paul McCartney although instead of humming the tune to ‘Yesterday’ and trying to think of better lyrics I kept humming the tune which had annoyed me all week. I hummed it to Liz but it didn’t ring any bells with her either.

Now one thing that is important to do in these situations is not to say anything to yourself like ‘Dammit, I just can’t remember what that tune is!’

A statement like that sends a clear message to your brain that you can’t remember so you may as well not bother. The best thing to say to yourself is this: ‘I can’t recall the title of that tune presently, but It will come to me later!’ That is a much more positive message to send to your brain and one which according to all the positive thinking books I used to read years ago should provide much more positive results, eventually.

A few days later I had a few actual words. Something, something, blah blah forgotten. Now I was getting somewhere! Then I had a brainstorm, it was too good to be forgotten!

A quick lunge to our good friend Google and I finally had it: Too Good to be Forgotten by the Chi-Lites! What a cracking soul track.


Floating in Space is a novel by Steve Higgins set in Manchester, 1977. Click the links at the top of the page to buy or for more information.

Will the Real Fifth Beatle Please Stand Up?

The story of the Beatles is a story that envelops anyone who is interested in music. A whole generation grew up with them and watched them morph from mop tops to hippies and beyond. That same generation was shattered when John Lennon was killed and saddened when George succumbed to cancer. The Beatles have always been there and have always been a part of our lives. It seems to me that there is always something in the media about the Beatles and one thing that comes up time after time is the mysterious fifth Beatle. The fifth Beatle is a sort of honary title bestowed either by the media or the Beatles themselves. We all know who the Beatles were; John, Paul, George and Ringo, so who was the fifth Beatle? Here are a few of the contenders.

beatlesStuart Sutcliffe.
Stuart was a great friend of John Lennon’s and John invited him to join the band despite his lack of musical talent. In fact he couldn’t even play the guitar properly which dismayed Paul McCartney no end. However, John was the creator of the band and the leader. John and Stuart met at Art College in Liverpool where Stuart had a reputation for being a talented artist. Stuart later went to Hamburg with the Beatles where they had a long term gig as the resident band at a club in the Reeperbahn district. There he met and became involved with a young photographer called Astrid Kirchherr and stayed with her when the rest of the Beatles returned to the UK. Sutcliffe enrolled in Hamburg art college to further his artwork. Astrid was a stylish influence on the Beatles and encouraged them to abandon Brylcream and try the now famous mop top haircut which was popular at the time with students in Hamburg. She was studying art and photography and took many famous photos of the group.
Sutcliffe began to experience severe headaches and after one such episode in 1962 he was rushed to hospital. He died on the way there, the cause of death later diagnosed as a cerebral haemorrhage.

Picture courtesy Wikipedia

Picture courtesy Wikipedia

Brian Epstein.
Brian Epstein was the manager of his family’s music store in Liverpool city centre, NEMS. Epstein worked hard to make the store a success and it became one of the biggest music stores in the North of England. The story goes that a local music fan came into the store and ordered a copy of ‘My Bonnie’ which the Beatles had recorded with Tony Sheridan in Germany. Epstein was curious and made enquiries about the group, later going to see them at the Cavern in Liverpool. Some have dismissed this story, as Epstein was bound to be aware of the Beatles through the local magazine Merseybeat which was on sale in NEMS and featured the Beatles in their second edition. Whatever the original facts are, Epstein liked the Beatles immediately, watched their performances several times at the Cavern and eventually approached them with an offer to be their manager. Brian Epstein went on to manage the Beatles until his death in 1967. His management of their business lives was not too successful as he was perhaps, like everyone, not prepared for the whirlwind global stardom into which the Beatles were catapulted. Marketing and licensing opportunities were lost and other artists that Epstein managed felt that they were overlooked as Brian concentrated on the Beatles.
Brian Epstein died in August 1967. The coroner recorded his death as an accidental overdose.

George Martin.
Brian Epstein made many attempts to get his band a recording contract with little success. One record producer famously told Epstein that ‘Guitar groups are on the way out!’ Epstein persevered and managed to get George Martin, a producer for the EMI label Parlophone to record the Beatles. Martin, who had previously worked on comedy records with stars like Peter Sellers, was reportedly not completely impressed with the Beatles’ music but more so with their wit and banter. Drummer Pete Best did not impress Martin either and he engaged a session drummer to work with the Beatles on their first recordings. That was to have important repercussions for Pete and the band later.

John Lennon and me . .

John Lennon and me . .

George Martin paired his formal musical expertise with the Beatles raw talent and in fact either wrote or performed many of the orchestral arrangements on their recordings. The violin quartet on ‘Yesterday’ was one of Martin’s ideas.
He died at the age of 90 in 2016.

Pete Best.
Pete Best joined the Beatles in 1960 on the eve of their departure for Hamburg. He became a popular member of the group, especially with the fans and was noted for his James Dean-like moody good looks.
His mother Mona, had bought a large house in Liverpool that was formerly the West Derby Conservative club and she modelled the basement into a coffee bar which opened in the early sixties as the ‘Casbah’ and Pete played there regularly with his group the ‘Black Jacks’. Paul McCartney spotted Pete there and convinced him to join the Beatles in Hamburg.
On New Year’s Day 1962 the Beatles, including Pete on the drums, recorded fifteen songs as part of an audition for Decca. Decca ultimately rejected the Beatles but Epstein bought the tapes and managed to get George Martin from Parlophone to listen to the tracks. He liked them, offered a possible recording contract to Epstein but wanted to record the Beatles himself first. In June of 1962 the group went to Abbey Road studios to play in the recording studio for George Martin. They played a number of songs but then Martin decided he wanted a session drummer to stand in for Best. Later, the Beatles learned that at the next recording session, planned for September of 62, the engineers still wanted a session drummer so they decided that it was time to replace Best. Their new drummer, Ringo Starr, was also replaced by a session drummer and George Martin has said he was surprised that the group wanted to get rid of Pete. Pete at the time, was the most popular Beatle with the fans. Whatever the ins and outs of the issue, whether it was Pete’s drumming, the fact that he was a bit of a loner and spent little time with the others, or just didn’t fit in well with them, we will never know for sure. The three other Beatles, Lennon, McCartney, and Harrison tasked Brian Epstein with giving Pete Best the sack. He was out and Ringo Starr was in.
Pete Best had missed out by a whisker on global fame and fortune on a massive scale.

beatles-alternate-album-cover-a-hard-days-night-mono-33.gifDerek Taylor.
Taylor was a journalist who worked for newspapers in the North West. He wrote a review of the Beatles in concert and gradually became a trusted insider and confidante of the group. Later, Brian Epstein asked him to become their press officer. He left the Beatles after their US concert tour in 1964 but returned in 1968 to become the press officer for the Beatles’ Apple Corps. In the late seventies Taylor collaborated with George Harrison on his memoir, ‘I, Me, Mine.’

Derek Taylor died in 1997 while still working for Apple on the Beatles’ Anthology book.

Neil Aspinall.
Neil Aspinall was the Beatles’ road manager and personal assistant and surprisingly, he was originally employed by Pete Best on behalf of the band. Neil drove the band up and down the UK to various gigs in a small Commer van for which he paid £80. Aspinall was a great friend of Pete Best and offered to resign from his work with the Beatles in sympathy with Best’s sacking but Best apparently felt Aspinall should carry on. Later, Aspinall became manager of the Apple Corps when Brian Epstein died. He was the executive producer for the Beatles’ Anthology.
He died in New York in 2008.

Murray the K.
Murray the K was a New York disc jockey in the early sixties. When the Beatles first went to the USA in 1964 Murray was an instant hit with the band. He accompanied them to various events in the US and even broadcast his radio show from the Beatles’ Plaza hotel suite. He claimed to have been named the fifth Beatle by either George Harrison or Ringo Starr and his radio station WINS built him up as the ‘Fifth Beatle’ in their publicity.


If you liked this post, why not try my book, Floating In Space? Click the links at the top of the page for more information or click here to go straight to my Amazon page.