Tag Archives: thunderbirds

Back to the 1960s

Posted on by Steve Higgins

The 1960s seem like a long way off these days. We moved into the 1970s 54 years ago but even so, the 1960s were a revolutionary time in terms of music, the cinema and of course TV. This last Sunday afternoon after a gruelling session of blog writing, I settled down in front of the TV with a cup of tea and a cheese sandwich and what did I find? Well, a whole stack of TV shows from the 1960s still bringing in viewers today in 2024.

So, what did I watch? Well, time to settle back for some serious TV viewing.

Columbo

Columbo, as you probably know, differs from other TV detective shows by showing the viewer exactly who the murderer is and how he, or she, did it. The whole point is not who did it, but how Columbo catches them. The essence then of a great episode comes in the clever way Columbo nails his man, or woman. Sometimes that moment is a bit of a non starter, other times it’s nothing short of brilliant. Sometimes, even if that final moment is not so great, it’s still been a great episode.

The Columbo of the early series is an absent-minded quirky fellow although in later episodes, Peter Falk who plays the detective, seems to downplay that quirky element. The later episodes are still pretty good though and among various episodes on TV today was Any Old Port in a Storm with Donald Pleasance as the guest murderer. Pleasance plays Adrian Mancini, the part owner of a wine producing business. He is something of a wine snob and he has just been voted ‘man of the year’. That was the good news; the bad news is that his half brother is threatening to sell the business. That of course doesn’t go down well so Adrian in a fit of anger bumps him off. A whack on the head didn’t quite do the job so Adrian leaves him to suffocate in his wine cellar. Unfortunately, it happens to be a really hot day which eventually leads Columbo to the clue that bags the culprit.

That was an episode from 1973 but the original Columbo pilot first aired in 1968.

Thunderbirds

Thunderbirds was about a secret organisation called International Rescue that had a small fleet of highly advanced machines and equipment with which to perform rescue operations. Millionaire ex-astronaut Jeff Tracy was the head man and the organisation was secreted in his island home. His five sons were the Thunderbird pilots, John, Scott, Virgil, Gordon and Alan, all named after US astronauts of the 1960s. The genius behind the Thunderbird craft was Hiram Hackenbacker, known as ‘Brains’. Thunderbird’s nemesis was a secret agent known as the Hood because of his talent for disguise and in many episodes the Tracy brothers had to ask their London agent, Lady Penelope, to track him down and sort him out.

Lady Penelope Creighton-Ward lived in a huge mansion somewhere in southern England and her manservant and chauffeur was Parker, a reformed safecracker. The head of ITV Sir Lew Grade saw the first episode and was so impressed that he asked for the episodes to be extended from 30 minutes to a full hour, less TV adverts of course. Gerry wanted Fenella Fielding to voice Lady Penelope but in the end, his wife Sylvia took on the role.

One other thing, I know Thunderbirds sounds pretty sophisticated from those last two paragraphs but it was actually a puppet series aimed at children. The great thing about it and really, the secret of its success, was the highly intelligent scripts which treated its audience of children not as kids but as intelligent young adults.

Two scripts that spring to mind were one called The Cham Cham about a code transmitted on a musical melody and another where Parker was called upon to break into the Bank of England. Later in the episode someone is trapped inside the vault and Parker is asked to break in again to rescue the man before the air is used up in the vault. Parker though thinks that his old mate, a bank robber recently released from prison, is about to complete his life’s ambition to break into the bank and so he tries to slow down his and Penelope’s drive into London. Everything of course comes right in the end though.

Time for a fresh cup of tea and I’m ready for the next programme.

Batman

We are probably all familiar with the modern Batman films which all have pretty grim and dark overtones. Tim Burton directed the first modern Batman film in 1989 which starred Michael Keaton as Batman and Jack Nicholson as the Joker. Back in 1966 however there was a TV series produced by William Dozier which starred Adam West as Batman and Burt Ward as Robin.

The suave Alan Napier played the part of Alfred, the butler to Bruce Wayne (Batman’s alter ego) and numerous guest stars played the villains. Frank Gorshin was a memorable Riddler, Burgess Meredith (remember him as the trainer in the Rocky films?) played the Penguin and Cesar Romero who refused to shave off his moustache played a rather manic Joker. Julie Newmar and Eartha Kitt both played Catwoman. George Sanders and Vincent Price also appeared as guest stars and even Hollywood director Otto Preminger appeared on the show as Mr Freeze. Anyway you look at it, that is an impressive cast list.

The episodes were all two parters and in the UK were aired on Saturday and Sundays; the Saturday episode always left the Dynamic Duo in some impossible situation and the Sunday one showed how they would escape and track down the villains. The series was very light hearted unlike the modern Batman films and in fact played rather like a live action cartoon series.

The series ran for three seasons and a feature film before being cancelled. In the UK episodes are currently being broadcast on the Talking Pictures channel.

Mission Impossible

The TV show was created by producer Bruce Geller and concerned a team of special agents known as the Impossible Missions Force. They are a US government agency which takes on hostile foreign governments, South American dictatorships and criminal organisations.

In the first series the team is led by Dan Briggs played by Steven Hill but he was replaced for season 2 by Peter Graves in the part of Jim Phelps. Other regular team members were Leonard Nimoy, Martin Laudau and his wife Barbara Bain, Greg Morris and Lesley Anne Warren. Each played a team member with a particular skill, for instance Laudau and Nimoy played agents with a talent for impersonation and disguise, Greg Morris played an electronics expert and so on.

Mission Impossible ran for 7 seasons and was cancelled because, according to Wikipedia, the producers at Paramount found they could make more money by syndicating the existing series rather than making new ones.

A revival series was made in the 1980’s also starring Peter Graves. To save money the series was not filmed in Hollywood but in Australia but it only lasted two seasons and was largely unsuccessful.

A great feature of the series was the opening title sequence which involved a match being struck and then lighting a fuse shown over quick clips of the upcoming episode to the sound of the iconic theme tune written by Lalo Schifrin. Next would be Jim Phelps listening to his tape recorded instructions which after being played would then self-destruct. Phelps would then look through his agents’ files complete with photos and choose who he wanted for the mission. Sometimes a guest star would play one of the agents who would be introduced by Jim checking out his dossier. A team briefing would then take place and the mission would get under way.

The IMF used a great deal of gadgets to accomplish their missions; secret listening devices and other electronic hardware as well as incredible masks and make up to impersonate people. One particular episode that I remember was when the team had to retrieve some stolen gold from a South American dictator’s safe. They did it by drilling a small hole in the safe, heating it until the gold melted and ran out down the small hole then a little gadget sprayed the interior of the empty safe to cover the hole. Mission Impossible was staple viewing in our household in the late 1960’s and it was nice to see once again on UK TV.

From Russia with Love

I’m perhaps cheating a little here because this is a film rather than a TV show but what the heck, it popped up on ITV so I thought I’d watch it. Just lately there seem to be James Bond films popping up on TV almost every week. This film was the second in the Bond series, made in 1963 and it’s probably one of the very best. There are no super villains trying to take over the world and the plot is actually pretty sensible. SPECTRE -the Special Executive for Counter Intelligence, Revenge and Extortion- decide to offer British Intelligence a Soviet Lektor decoding machine but the catch is, the lovely Soviet consulate clerk chosen for the mission and based in the Soviet embassy in Turkey will only offer it to Bond himself.

Sean Connery played James Bond of course and the Soviet clerk was Tatiana Romanova played by Italian actress Daniella Bianchi. A great Bond villain was former Soviet agent now a part of SPECTRE, Rosa Klebb played by Lotte Lenya. The best performance though was by Robert Shaw who plays Red Grant, the killer specially trained to eliminate Bond. Bond and Grant have a hugely exciting fight in a railway carriage towards the end of the film which underlines the serious and gritty nature of the film. I don’t think I’m giving anything away when I tell you Grant wasn’t successful but Rosa Klebb nearly gets Bond with a concealed knife in her shoe.

I could have gone on and talked about Star Trek, The Saint with Roger Moore and even The Avengers with Patrick MacNee as Steed and Diana Rigg as Mrs Peel.

Yes, in some ways the 60s are done and dusted but when it comes down to it, you only have to tune in to a few vintage TV shows to relive it all again.

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The TV Shows of Gerry Anderson

Posted on by Steve Higgins

Many years ago when I was still at junior school, one of my friends asked me if I had seen a new TV show about a flying car. I hadn’t but apparently it was really good and so I made a mental note to watch out for it. As a child I was pretty keen on TV. My dad used to call me ‘square eyes’ because I watched so much TV and as you might imagine I soon found the TV show my friend had told me about. It was a short puppet show about a special machine called Supercar that could not only fly but also dive under the sea. It was designed and built by Professor Popkiss and Dr Beaker and the test pilot was a guy called Mike Mercury. I loved Supercar and everything about it and even though I didn’t realise it then, I had become a huge fan of TV producer Gerry Anderson and his Century 21 Productions.

Gerry Anderson was born in 1929 and after the war earned a traineeship with the British Colonial Film Unit. Later he worked for Gainsborough Pictures and had various jobs, subsequently as a director. He and cameraman Arthur Provis formed a production company called AP Films after their two names and began producing TV shows for children. Their first project was in 1957 called The Adventures of Twizzle and was the first time Gerry worked with puppeteer Christine Glanville, musician Barry Gray and special effects supervisor Derek Meddings.

They followed up with more puppet shows, Torchy the Battery Boy and the first series I remember, Four Feather Falls, a cowboy show about a sheriff with magic guns.

Anderson married his wife Sylvia in 1960 and the two collaborated on Supercar, Gerry’s first sci-fi puppet show in 1960. The series marked the first time Gerry used the name Supermarionation to describe the process which enabled the puppet mouths to move in synchronisation with pre-recorded dialogue. All the characters in the shows had American accents so the shows could be sold to the USA and it was Sylvia who was responsible for the characters and their fashions while Gerry concentrated on other aspects of the shows.

The next series was Fireball XL5 about a spacecraft that was part of the World Space Patrol piloted by Steve Zodiac. The following show, Stingray was the first to be filmed in colour. Stingray was a submarine in the service of the WASP, the World Aquanaut Security Patrol and was piloted by Troy Tempest and his colleague ‘Phones’ who was a master at using sonar equipment. The duo discover an undersea kingdom where King Titan holds sway over his people, the Aquaphibians. Troy and Phones rescue the mute undersea girl Marina who joins them onboard Stingray. Most of the characters had sea related names like, Marina, Commander Sam Shore and his daughter, Atlanta. Atlanta was voiced by Lois Maxwell who played the original Miss Moneypenny in the James Bond films.

Stingray was probably my favourite of Anderson’s TV shows. I particularly loved the opening sequence in which Commander Shore exclaims ‘Anything can happen in the next half hour!’

Stingray was filmed in 1964 and the show fitted neatly into the expanding Anderson universe set, like all his sci-fi shows, 100 years into the future. Around this time AP Films developed a merchandising company responsible for licensing all kinds of items related to the shows, things like models and puppets and so on. I used to have a puppet of Venus, the space doctor from Fireball XL5 although I think I would have preferred a Steve Zodiac puppet. I had a Fireball XL5 rocket which could be fired into the air with a big catapult and as it came down, a parachute deployed to float it down gently. I also had quite a few Stingray models. One was a plastic kit I had to put together and another was a plastic Stingray shaped water pistol.

image courtesy flickr

There was also a comic which I absolutely loved called TV21 with comic strips of all the sci-fi Anderson shows. TV21 had a front page fashioned like a newspaper with headlines referring to the stories coming up on the inside pages.

The next project for AP Films was probably Gerry and Sylvia’s greatest success and it was called Thunderbirds. Thunderbirds was about a secret organisation called International Rescue that had a small fleet of highly advanced machines and equipment with which to perform rescue operations. Millionaire ex-astronaut Jeff Tracy was the head man and the organisation was secreted in his island home. His five sons were the Thunderbird pilots, John, Scott, Virgil, Gordon and Alan, all named after US astronauts of the 1960s. The genius behind the Thunderbird craft was Hiram Hackenbacker, known as ‘Brains’. Thunderbird’s nemesis was a secret agent known as the Hood because of his talent for disguise and in many episodes the Tracy brothers had to ask their London agent, Lady Penelope, to track him down and sort him out.

Lady Penelope Creighton-Ward lived in a huge mansion somewhere in southern England and her manservant and chauffeur was Parker, a reformed safecracker. The head of ITV Sir Lew Grade saw the first episode and was so impressed that he asked for the episodes to be extended from 30 minutes to a full hour, less TV adverts of course. Gerry wanted Fenella Fielding to voice Lady Penelope but in the end Sylvia herself took on the role.

Thunderbirds is probably my second favourite of all the Gerry Anderson series. The great thing about it and really, the secret of its success was the highly intelligent scripts which treated its audience of children not as kids but as intelligent young adults. Two scripts that spring to mind were one called The Cham Cham about a code transmitted on a musical melody and another where Parker was called upon to break into the Bank of England. Later in the episode someone is trapped inside the vault and Parker is asked to break in again to rescue the man before the air is used up in the vault. Parker though thinks that his old mate, a bank robber recently released from prison, is about to complete his life’s ambition to break into the bank and so he tries to slow down his and Penelope’s drive into London.

A successful feature film, Thunderbirds are Go, was made in 1966 and AP Films began a new life as Century 21 Productions.

The follow up TV series was called Captain Scarlet and the Mysterons. Captain Scarlet is part of an organisation called Spectrum in which all the members have code names relating to colours. The Mysterons have the power of re-animation and both Scarlet and Captain Black have been re-animated giving them powers of indestructibility. It wasn’t really my cup of tea but the puppets in the series made a step forward in having normal dimensions instead of large heads like the previous shows.

Two further puppet shows followed, Joe 90 about a young boy who becomes a secret agent by using the brain patterns of various people. His father, Professor MacLaine had designed a machine called the Big Rat (Brain Impulse Galvanoscope Record and Transfer -funny how all these old acronyms come back to me!) The Big Rat takes the brain pattern of a pilot for instance, feeds them to the professor’s young son -the Joe 90 of the title- and he is able to fly a plane.

The Secret Service was a mixed puppet/live action series about a secret agent who is shrunk down to a small size and the producers used puppets in normal sized sets. Stanley Unwin played the role of an eccentric vicar who is part of a secret organisation called BISHOP (British Intelligence Service Headquarters – Operation Priest). The series was cancelled after 13 episodes as Lew Grade didn’t think the inclusion of comedian Stanley Unwin and his gobbledegook language would work in the USA.

Gerry Anderson’s ambition was always to leave the puppet shows behind and move on to live action features and after a live action sci-fi film Doppelganger, Gerry began work on UFO. UFO was set in the 1980s and was about a secret organisation called SHADO (Supreme Headquarters Alien Defence Organisation). The Earth is under attack from UFOs and it is SHADO’s job to defend the world. The headquarters is based in the Harlington-Straker film studios with an outpost on the moon called Moonbase. Moonbase tracks the UFO’s with the help of SID (Space Intruder Detector) and launches their interceptors. Ed Bishop, previously the voice of Captain Blue in Captain Scarlet, played Ed Straker and Gabrielle Drake was the Commander of Moonbase.

I loved the series but the TV networks were unsure whether UFO was aimed at children or adults, presumably because of Gerry Anderson’s previous childrens’ shows. Anderson prepared for the second series in which the American networks had asked for more lunar based stories. Many new sets were built and then series 2 was cancelled. Gerry then offered the networks a new show, Space 1999, centred entirely on the moon.

In Space 1999, a series I never really liked, a nuclear explosion pushes the moon out of earth orbit and out into space and the series chronicled the adventures of those still living on Moonbase Alpha. Husband and wife team Martin Laudau and Barbara Bain starred in the show which ran for two seasons but during the production Sylvia and Gerry divorced.

Gerry returned to producing more TV shows for children like Terrahawks and Space Police but even though new technology and techniques helped with the puppetry and filming, without Sylvia and her characterisations, those productions were a little lame.

In the 1990s Gerry produced a new series of Captain Scarlet replacing the puppets with computer animations.

Gerry Anderson died in 2012 aged 83 while Sylvia lived to be 88. In 2015 she made a guest appearance in an episode of a new animated series of Thunderbirds are Go as Great Aunt Sylvia, a relative of Lady Penelope. She died in 2016.

The two left behind a legacy of some much-loved television shows but what was the secret of the success of Gerry and Sylvia’s original productions? Personally, I think there were a number of elements: Outstanding and intelligent scripts that treated the younger viewers as young adults. The fabulous music and theme tunes of composer Barry Gray. The wonderful characters created by Sylvia. The special effects from Derek Meddings who went on to work on the James Bond films and of course Gerry Anderson who brought all those elements together.

This year, 2023, Thunderbirds can be seen on the Talking Pictures TV channel, 58 years after it was first seen on TV.

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Cillit Bang, Doctor McCoy and the Launch of Thunderbird 3!

Posted on by Steve Higgins

You might be thinking, and believe me I can understand it if you are, what have Cillit Bang, Doctor McCoy and the launch of Thunderbird 3 got in common? Well it is simply this; together they are three small mysteries that have annoyed me for a while and in the case of Thunderbird 3, a very long time. Please read on . . .

Cillit Bang
A cleaning company has just created a new household cleaner. It works in the kitchen: It works anywhere! It washes away dirt and grime so what should we call it?
INTERIOR. DAY. A PLUSH HI TECH MARKETING OFFICE. A MEETING IS IN PROGRESS. AT THE HEAD OF THE TABLE IS THE HEAD OF MARKETING. HE ADDRESSES THE GROUP OF EAGER YOUNG MARKETEERS.

HEAD OF MARKETING.
Ladies and gentlemen, you know all about the product. We are getting ready to sell to the public as soon as possible. We already have contracts to sell to the major stores and supermarkets, all we need is a name!

YOUNG STAFF MEMBER #1
What about Flash? It cleans your kitchen in a flash and-

HEAD OF MARKETING.
Good but that name has been used already!

YOUNG STAFF MEMBER#1
Sorry sir.

YOUNG STAFF MEMBER #2
What about Super Clean. It’s no ordinary cleaner: it’s a Super Cleaner!

HEAD OF MARKETING.
Not bad but I’m looking for something really special.

YOUNG STAFF MEMBER #3
I know I’m new here (COYLY) But what about Cillit-Bang!

FACES FALL ALL AROUND THE TABLE. SOME STAFF MEMBERS HOLD THEIR HEADS IN THEIR HANDS. OTHERS OPENLY MOUTH ‘OH MY GOD!’

HEAD OF MARKETING.
That’s brilliant. Just what we want.

THE WHOLE OFFICE APPLAUDS.

OK, that’s just a fantasy, just an idle musing that came to me a few weeks back under the hot Lanzarote sun while I pondered about whether to take another dip in the pool. The thing is though, why did they really call it Cillit-Bang?

Doctor McCoy in Star Trek

Dr McCoy Star Trek

Picture courtesy Wikipedia

I have always been a fan of Star Trek, well, the original one anyway. You know the one, Captain Kirk, Mr Spock and Doctor (Bones) McCoy. (Proper Star Trek, not those wishy washy Next Generation people!) Kirk was played by William Shatner, Spock by Leonard Nimoy and McCoy by DeForest Kelley. DeForest did you say? Yes, DeForest, that was his name. I’ve often wondered how he got a name like that, perhaps it was something like this;

INTERIOR. DAY.THE SCENE:THE SUBURBAN HOME OF THE NEWLY WED KELLEYS.

MRS KELLEY
You know, we ought to think about names, there’s not long to go now.

MR KELLEY
Yes, you’re not wrong. Remind me, when is the little one due?

MRS KELLEY
Well, my due date is January 20th.

MR KELLEY
Well, what about Woodrow, you know after the President?

MRS KELLEY (WITH HARDLY A HINT OF ENTHUSIASM.)
What! Woodrow?

MR KELLEY
Well, only a suggestion.

MRS KELLEY
Edward is a thought. I’ve always liked Edward.

MR KELLEY
Edward? Edward Kelley? Don’t know, Edward Kelley. Sounds a bit ordinary . . .

MRS KELLEY
We could name him after you, Ernest David.

MR KELLEY
Yes but then he’d be Ernest David Kelley Junior. I’ve always hated that junior stuff! I want something memorable, something that invokes, you know, the forest or something.

MRS KELLEY
The forest? What are you on about?

MR KELLEY
Well, remember that time in the forest when we were camping and we both, you know . .

MRS KELLEY
Oh my giddy aunt! I’ve never heard anything like it in my life!

MR KELLEY
Look, let’s be straight; we once did it in the forest. So what? Couples have to do it somewhere, it’s only natural. In fact, tell you what, what about Deforest?

MRS KELLEY
Deforest? Are you bonkers? Are you out of your tiny mind?

MR Kelley
It’d be a private joke, you know, me and you against the world and we’d always remember that special time. You know, when we did it in ‘de forest!’

MRS KELLEY
Are you on mind altering drugs or what? I was reading only the other day they reckon that by the 1960’s mind altering drugs could destroy western civilisation. Sure you’re not on them already?

MR KELLEY
OK, so what have you got?

MRS KELLEY
So Ernest David is out?

MR KELLEY
Absolutely.

MRS KELLEY
OK, DeForest it is but I want it with a capital F.

MR KELLEY
It’s a deal!

Thunderbird 3The Launch of Thunderbird 3.

Did you ever watch Thunderbirds, the 1960’s sci-fi show? I’m talking about the original, not the 21st century computer animated version, because something has been annoying me ever since I first saw the show as a schoolboy, and it’s this:
Alan, as you probably know, is the pilot of Thunderbird 3, the space ship, and Thunderbird 3 launches from underground, blasting off right through the circular opening of the Round House. Now to access the craft, Alan sits down on the settee in the Tracy Island main house. His Dad, Jeff Tracy, flicks a switch and Alan and the settee drop down into an underground complex. OK? With me so far? Well this is where the problem arises. As Alan and the settee drop down on a sort of hydraulic pole, just behind him we see another settee, being pushed up towards the lounge on another hydraulic pole,  where it pops into the vacant slot where Alan’s settee was moments earlier. However, as Alan’s settee is going down on the first hydraulic pole, and the alternate settee is on a second hydraulic pole to his rear, there is no way that second settee is going to pop into the vacant slot left by the first. Also, what if Alan was watching TV when the call came in and he goes off on the departing settee with the remote control? It could be halfway to trajectory insertion when Jeff wants to switch over to Sky Sport and he says, “Who’s got the remote?” Not only that, imagine if Alan was on his way to an emergency launch which came in while Grandma was in the kitchen making everyone a cup of tea and a slice of toast?

THE SCENE. INTERIOR. DAY. TRACY ISLAND LOUNGE.

JEFF TRACY
This is a job for Thunderbird 3.

ALAN TRACY
OK Dad. Ready for launch.

JEFF TRACY
Off you go Alan.

ALAN TRACY
Bye Dad, tell Grandma I’ll have a brew later.

JEFF TRACY
Look Alan, those tea bags don’t grow on trees you know. We have them imported from the UK.

ALAN TRACY
Gee whizz Dad, never thought of that. Only thing is, that rocket on collision course with the sun, don’t you think that has to take priority?

JEFF TRACY
Well . . . Sometimes I fancy an extra cuppa anyway so I guess I could always finish yours off. Hot diggedy dog Alan, you’re right. Off you go and I’ll sort your brew out.

ALAN TRACY
Thanks Dad.

JEFF PRESSES A SWITCH AND THE SETTEE DROPS AWAY ON ITS HYDRAULIC POLE INTO THE CAVERNOUS SECRET WORLD BENEATH THE TRACY HOME.

JEFF TRACY
Right, that’s that. Think I might have a gander at Sky Sports. Where the heck is the remote? Grandma! Grandma! Where has the old biddy got to? Bet she’s got the damned remote, she’s always watching daytime TV.

JEFF GOES OFF STAGE RIGHT TO LOOK FOR GRANDMA.

GRANDMA ENTERS STAGE LEFT WITH A TRAY OF TEA AND TOAST.

GRANDMA
Jeff! Alan! Now where have those two got to? Where have they moved the settee to? Sure it used to be just hereeeeeeeeeeeeeee!

Yes, when you look closely, that Thunderbird 3 launch procedure is a major health and safety issue!

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What happens when classic TV gets remade?

Posted on by Steve Higgins

. . . Or perhaps more importantly, why does classic TV get remade? Why not just let sleeping TV classics lie? What! When there’s more money to be made! The thing about classic TV is that people know what it’s about. When they made Mission Impossible into a movie with Tom Cruise we all knew that somewhere in the movie Cruise would get to listen to a recording giving him some impossible mission with the reminder that ‘if any of your people are caught or killed, the secretary will disavow knowledge of your actions!’ The PR man’s job is half done already, done by the collective TV memory of millions of people who watched the TV series.

Recently movie producers did the impossible, re created (re-imagined to use movie-speak) Kirk, Spock, and Scotty from the original Star Trek. The first was a pretty good movie, the second, Into Darkness, I wasn’t so keen on. Someone must have liked it though because director JJ Abrams has now been recruited to inject new life into the Star Wars franchise.

Every day the more visible you are on the internet the more stuff comes into your inbox. Some of it is unwanted, TAG_Teaser_Email_05_asome of it is junk but occasionally you get something pretty interesting. I recently received this picture to the left and a week later the video link below. Looks like there is a new version of Thunderbirds in the offing.

As a school kid I was brought up on Gerry Anderson’s TV productions. I vaguely remember Four Feather Falls, a cowboy puppet show, but then came Supercar, Stingray and Thunderbirds, all part of Gerry’s vision of the future. What was great about Gerry’s TV shows was that they were aimed at kids but all had a serious adult perspective. They didn’t look down at kids, they treated children more as future adults. Supercar, Stingray and Fireball XL5 were all thirty minute shows but Thunderbirds was a full hour and many of the episodes were serious and complex.

One episode entitled the ‘cham cham’ was about a musical code written into a song and it was up to Lady Penelope, the Thunderbirds London agent, to get to the bottom of things. Another Lady Penelope episode that comes to mind was ‘Vault of Death’ in which an employee is trapped in the vault of the Bank of England and the international rescue guys try to save the man before the oxygen runs out. Of course it is Parker, Penelope’s chauffeur, manservant, and former safe cracker who manages to open the vault with a hairpin!

Scott Tracy Thunderbird 1 pilot

Scott Tracy Thunderbird 1 pilot

Sylvia Anderson, Gerry’s wife, was the voice of Lady Penelope and Sylvia always had a credit on the shows for characterisation. It was always the characters that brought the shows to life, not just the incredible Thunderbirds craft launching from under the swimming pool or other hidden places. Gerry and Sylvia went on to make live action shows like UFO and Space 1999 before they had an acrimonious split. Later Gerry tried for a comeback children’s show with Terrahawks but without Sylvia’s characterisations the show didn’t really hit the mark.

Anyway, I do wonder how the guys from this new series targeted me. I must have left something somewhere, some random cookie in cyberspace that let the marketing people know that I used to watch Thunderbirds years ago. Well, I’m not ashamed to say that I did and I also subscribed to the Gerry Anderson comic TV21 and built a plastic kit version of Thunderbird One. Hope the new series lives up to the old one, although I seriously doubt it. Anyway, if today’s kids don’t enjoy the new Thunderbirds, they can catch the classic original on DVD!

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