My brother and I usually go out into Manchester every few weeks. We get something to eat and have a few beers and a good natter. It’s always nice to visit our old haunts in Manchester and to find new ones. There always seems to be a new venue popping up and the only flip side to new venues in Manchester seems to be the extraordinary prices they like to charge for food and drink. Maybe, being the fully paid up tightwad that I am, I should stick to the old, less trendy and cheaper places that I know.
Of course, just lately with Manchester and the whole world dealing with a major pandemic I can’t see any new venues popping up, in fact, it looks like things might go the other way, with places closing down. Pubs, bars and restaurants have been the hardest hit during the pandemic and with the new restrictions, like the 10pm closing times, many more venues will sadly close.
These days, rather than go out into Manchester, my brother will come round to visit and we watch something on TV together while we chat.
Years ago, when I was a schoolboy, I was never that good at mathematics. In particular I was always frustrated by the particular rules that we had to remember. You know the ones I mean, the sum of the sides of a triangle equals the hypotenuse and stuff like that.
Here’s one rule that I have discovered myself. The sum of all the new TV channels does not necessarily equal anything worthwhile watching. Back in the old days when things were black and white and there were only 2 channels, there was actually something usually worth watching. Still, perhaps I’m looking back with rose tinted spectacles. I’m sure there was rubbish on the TV back then; maybe we just don’t remember it.
Anyway, with a chilli on the go in my slow cooker and a few bottles of Becks chilling in the fridge and nothing looking interesting to watch on TV, I dug out an old VHS copy of the Errol Flynn film Gentleman Jim.
I’m not sure how true to life this film was but it supposedly told the story of Gentleman Jim Corbett and his fight with John L Sullivan ‘himself’. John L was, according to Wikipedia, the first world champion of gloved boxing, reigning until Gentleman Jim defeated him in a bout fought under the new Marquess of Queensbury rules in 1892.
Looking at John L Sullivan’s picture on the internet it’s surprising just how authentic Ward Bond, who played him in the film, actually looked. My brother and I both remarked that our dad, who died in 2000, twenty years ago this November, loved this film. He liked both Errol Flynn and was a great boxing fan. His favourite boxer was Rocky Marciano, the undefeated champion who was sadly killed in a plane crash not long after ‘fighting’ Mohammed Ali in a TV computer bout. I remember my dad being outraged at the result which gave the win to Ali. Funnily enough, the version shown in the USA gave the result to Marciano which would have pleased dad enormously.
In my favourite Hollywood book Bring on the Empty Horses, David Niven paints an excellent portrait of Flynn. You always knew where you were with Errol, wrote Niven -he always let you down.
Flynn hailed from Tasmania, an island state of Australia. In Australia he became involved in a film production called In the Wake of the Bounty, a documentary film about the mutiny on the Bounty that featured reconstructions with Flynn as Fletcher Christian. After this he made his way to the UK where he became an actor and spent many years in repertory in Northampton. He was fired from Northampton rep but was spotted by producer Irving Asher and given a part in a film made at Teddington Studios in 1934. The film was Murder in Monte Carlo which has since been lost but apparently Asher, who worked for Warner Brothers, sent word to Hollywood recommending Flynn for a contract. After a successful screen test Flynn was given the starring role in the swashbuckling adventure, Captain Blood after Robert Donat turned down the role. The film was a great success and made stars of Flynn and co-star Olivia de Havilland.
David Niven recounts many tales about Flynn. The two shared a house together in Hollywood after Flynn separated from wife Lilli Damita, ‘Tiger Lil’ as Flynn used to call her.
During the making of ‘The Charge of the Light Brigade‘ which Warner brothers decided to set in India rather than the Crimea, Flynn, the new star started to get a little big headed. One big brute of an extra decided to waggle a lance under the behind of Flynn’s horse to teach Flynn a lesson. The horse consequently threw Flynn off. He got up, dusted himself down and proceeded to teach the big guy a lesson of his own by beating him into a pulp.
Flynn had a yacht named the Zaca and weekends on the boat included sailing trips full of wine, women and song. Many young girls appeared on the boat, none of whom produced any ID which was unfortunate for Flynn as he was later charged with statutory rape. The accusing girls appeared in the courtroom wearing school uniforms and in pigtails but happily for Flynn the court saw through that and he was acquitted, although the image that the press painted of him was not one that he was happy with.
In later life Flynn was bankrupt and became a floating shadow of his former self, sailing the seas in the Zaca. Later he made a great Hollywood comeback playing his great friend John Barrymore in ‘Too much Too Soon.’
In Bring on the Empty Horses, Niven describes a poignant moment after writing his chapter on Flynn. Niven, living then in the South of France, took a walk along the coast and came across something sadly familiar. It was the abandoned remains of the Zaca lurking quietly in a boat yard.
Gentleman Jim was made in 1942 and was one of Flynn’s favourite films. He took extensive boxing training taking lessons from Mushy Callaghan, a former welterweight champion who worked as a stuntman and boxing advisor after retiring from the ring. During the film Flynn collapsed from a mild heart attack. He had just failed the medical to join the army having suffered from malaria in his younger days as well as having a heart murmur. The production was closed down for a week while Flynn recovered. After the war Flynn was often criticised for not joining the forces but Warner Brothers would not admit that their star, visually a picture of health and vitality, suffered from health issues.
The film is a lot of fun and it was interesting to watch the scenes of John L Sullivan in training. Training in those days apparently consisted of chopping down trees and swigging bottles of beer. Jim Corbett, in a crazy way anticipating the style of Ali many years later, beats Sullivan by his speed and footwork. Alan Hale plays the Irish American head of the Corbett family whose antics in trying to control his brawling clan are always amusing and Alexis Smith plays Flynn’s love interest. Over on Wikipedia Smith is quoted as telling Flynn to takes things easy ‘don’t you want to live a long life?’ Flynn replied that he was not interested in the future, just the present.
By the end of the 1950’s Errol Flynn no longer had a contract with Warner Brothers and his attempt to co-produce a film about William Tell had ended in financial disaster. He was involved with a young girl, 17-year-old Beverly Aadland and in a severe financial state. His health had suffered after decades of alcohol and possibly drug abuse. Beverly was with him when he died in 1959 aged only 50 after a meeting to arrange the leasing out of the Zaca.
I’d not seen Gentleman Jim for many years and I enjoyed it immensely. The chilli was another story though. I’d made an outstanding chilli about a month ago and this latest one was a little tame, not quite right. Pity but at least Errol Flynn still has the power to entertain and that scene where John L Sullivan hands over his world championship belt always brings a tear to my eye.
Pingback: 10 Things I Can’t Live Without | Letters from an unknown author!
My favourite Flynn….
Gentleman Jim is a great Flynn movie. My favourite is probably The Sea Hawk!
I haven’t seen the Flynn boxing movie. Chopping wood and swigging beer to train, that cracks me up. Niven’s book sounds interesting.
LikeLiked by 1 person
His autobiography, The Moon’s a Balloon, is good but Bring on the Empty Horses is even better. It’s all about the golden age of Hollywood
LikeLiked by 1 person