Tag Archives: cinema

Film Connections #9 (Fairbanks to Brando and Back Again)

Posted on by Steve Higgins

Time for another film connections post, in which I link films and cinema personalities together and tell a few interesting stories along the way. This week, I hope to connect Douglas Fairbanks to Marlon Brando — and maybe even back again.

During Hollywood’s silent‑film era, Douglas Fairbanks was arguably its greatest star. In 1922 he released his lavish version of Robin Hood, the first film ever to have a Hollywood premiere, held at Grauman’s Egyptian Theatre. The production featured enormous sets, including a castle and an entire town built at Fairbanks’ studio on Santa Monica Boulevard, expanded on screen with hanging models and matte paintings.

Fairbanks, who performed many of his own stunts, famously rode down a huge curtain at Nottingham Castle, made slightly easier by a concealed slide. The film was directed by Allan Dwan, one of early cinema’s great pioneers.

Fairbanks, Mary Pickford, Chaplin and DW Griffiths who together created United Artists.

Among the cast was Alan Hale as Little John, a role he reprised years later in the 1938 Technicolor version starring Errol Flynn.

Flynn’s The Adventures of Robin Hood featured Olivia de Havilland as Maid Marian and Basil Rathbone as Guy of Gisborne, who serves as the film’s main villain. The Sheriff of Nottingham, the traditional arch enemy of Robin is portrayed in this film as more of a comic figure. Much of the film was shot in California’s Bidwell Park, standing in for Sherwood Forest, with additional scenes filmed at the Warner Ranch in Calabasas.

The film began under director William Keighley, but producer Hal B. Wallis later brought in Michael Curtiz, who had previously made several films with Flynn, including Captain Blood, the film that made Flynn a star.

The highlight of The Adventures of Robin Hood is the climactic duel between Robin and Sir Guy, culminating in the famous moment when their shadows dance along the castle walls.

Olivia de Havilland and Errol Flynn later admitted they were in love during filming, but Olivia declined to pursue a relationship as Flynn was married to actress Lili Damita. Olivia’s relationship with her sister Joan Fontaine was far less affectionate. Their childhood rivalry carried on into adulthood: when Joan won an Oscar for Suspicion, she rejected Olivia’s congratulations, and when Olivia later won her own Oscar, she returned the favour. They reconciled in later years, only to fall out again over their mother’s medical treatment.

My favourite of Joan’s films, and perhaps her most well‑known, is Rebecca, directed by Alfred Hitchcock.

Released in 1940, Rebecca was Hitchcock’s first Hollywood film. In Monte Carlo, a shy young woman (played by Fontaine) meets the English gentleman Maxim de Winter and believes he is about to jump off a cliff. They later fall in love and marry, but the new Mrs de Winter (her name is never revealed) feels overshadowed by Maxim’s late wife, Rebecca. Olivier apparently wanted his own wife, Vivien Leigh, for the role, but Hitchcock chose Fontaine.

In 1956 Laurence Olivier announced he would direct a film version of Terence Rattigan’s The Sleeping Prince, retitled The Prince and the Showgirl. That same year Marilyn Monroe, newly married to Arthur Miller, arrived in England to make the film. Her production company, Marilyn Monroe Productions, had purchased the rights to Rattigan’s play, and she and Olivier would co‑produce.

Just as in Rebecca, Olivier wanted Vivien Leigh for Marilyn’s part, and tensions arose early. Marilyn looked to her acting coach, Paula Strasberg, after every take rather than to Olivier. He banned Strasberg from the set but soon had to readmit her. Marilyn was nervous and frequently late while Olivier and the rest of the cast were punctual. It was not a smooth shoot.

The fundamental clash was their acting styles. Olivier was classically trained and dismissive of the Method, the technique Marilyn had embraced. Yet in the finished film which I watched recently, Marilyn comes across far better than Olivier.

Marilyn studied the Method at the Actors Studio in New York under Lee Strasberg. The technique, rooted in the work of Konstantin Stanislavski, encourages actors to draw on their own emotional experiences to inhabit their characters fully.

Another famous Method actor (perhaps the most famous Method actor ever) was James Dean. His breakthrough came in 1955 with East of Eden, directed by Elia Kazan. Dean had also studied at the Actors Studio and, after theatre work and television roles, was cast in East of Eden while performing in the play See the Jaguar.

Kazan had previously directed Marlon Brando in A Streetcar Named Desire and On the Waterfront. Streetcar, based on Tennessee Williams’ play, was set in the Deep South. Kazan had directed the Broadway production and used the same cast for the film, with one exception: Vivien Leigh, who had played Blanche DuBois in the London stage version, was brought in for the film because of her star status.

In the story, Blanche, a former Southern belle, moves in with her sister Stella and Stella’s husband, Stanley Kowalski, after losing her home to creditors. Blanche finds Stanley loud and rough, and at one point he explodes in a drunken rage. Blanche and Stella hide from him, only for Stella to return to Stanley’s arms after his famous calls of “Stella!”

Brando was one of the great screen actors, but like Richard Burton, he sometimes questioned whether acting was a suitable profession for a man. Burton nevertheless gave his all to every role, knew his lines, and delivered superb performances. Brando, especially later in life, often did not. He refused to learn his lines and relied on “idiot boards” placed just out of shot.

When The Godfather was being cast, Warner Bros. refused to consider Brando, viewing him as too difficult. Director Francis Ford Coppola, however, was determined to have him as Don Corleone. The studio eventually agreed, but only if Brando accepted a reduced salary, posted a financial bond against potential misbehaviour, and completed a screen test.

Coppola filmed the test at Brando’s Mulholland Drive home. In the footage, which can be found online, Brando stuffed his cheeks with cotton wool, slicked back his hair, and muttered vague Italian‑sounding phrases. The studio was impressed, and Brando was cast.

Filming took place in and around New York in 1971, and the film was released in 1972. Brando won the Oscar for Best Actor but boycotted the ceremony, sending Sacheen Littlefeather to decline the award on behalf of Native Americans.

Earlier I wondered whether I could link back from Brando to Fairbanks. Here’s the admittedly thin connection.

In 1967 Brando starred with Sophia Loren in A Countess from Hong Kong, a romantic comedy written and directed by Charlie Chaplin. The film was a box‑office failure and turned out to be Chaplin’s last.

Chaplin had been heavily criticised after World War II for supposed communist leanings, and in 1952, when he left for a visit to England, the US Attorney General declined to renew his re‑entry permit. Chaplin did not appeal. Instead, he sent his new wife, Oona, to settle his affairs and moved permanently to Switzerland.

In 1972 Chaplin was invited back to Hollywood to receive a special Oscar for his contribution to cinema. It was an emotional return, and he was visibly moved as he accepted the award.

In the film Chaplin, directed by Richard Attenborough, we see Chaplin returning to the USA and taking a sentimental drive past his old studio lot, then the headquarters of A&M Records.

As he drove through Hollywood, I’m sure Chaplin might have thought for a moment about his best friend, Douglas Fairbanks, his partner in United Artists who, back in 1922, made his memorable version of the Robin Hood story.

What to do next: Here are a few options.

Share this post on your favourite social media!

Hit the Subscribe button. Never miss another post!

Listen to my podcast Click here.

Buy the book! Click here to purchase my new poetry collection.

Click here to visit Amazon and download Floating in Space to your Kindle or order the paperback version.

Click here to visit amazon and purchase Timeline, my new anthology.

Snips, Additions and (Directors’) Cuts

Posted on by Steve Higgins

I really do hate it when the TV people decide to cut out a scene from a film, especially one of my favourite films. On the other hand, it’s always interesting to see a director’s cut of a film when previously cut scenes have been added back. I think that explains the premise of this week’s post but stay with me and hopefully it should soon become clear.

I’m going to kick off with the film Young Winston. I’m a great fan of Winston Churchill and I’m not amused about current plans to remove him from UK banknotes, but getting back to the film, Young Winston is a wonderful dramatisation of Churchill’s own book, My Early Life. I read the book many years ago and first saw this film at the cinema where I greatly enjoyed it and I remember it coming to television some years later.

The film details Winston’s early life and we see him at school and later in the army and the rather cool relationship he had with his parents is gradually revealed. The film finishes with a poignant dream sequence which I remember reading somewhere was based on something Churchill either said or wrote. In the dream, a much older Winston meets his father, Randolph but Randolph is not the unwell man of his later years but restored to full health. He asks Winston about great events and Churchill answers telling of the two World Wars. ‘Did Joe Chamberlain ever become Prime Minister?’ asks Randolph. ‘No,’ answers Winston, ‘but one of his sons did, Neville’.

Winston mentions that he has resigned his commission in the army. Randolph looks about at the many paintings and asks Winston if this is what he does. Winston answers that painting occupies much of his time. Randolph thinks for a moment and then tells Winston to ‘do the best you can’ and we see the sleeping Churchill smile at the thought.

I’ve always liked this final sequence but when I bought my VHS copy back in the 1980s the scene was omitted. Likewise, every time in recent years, since I first watched the film on television, this scene has always been removed. I’d love to know why. Perhaps the producers thought the film too long or perhaps preferred the new ending in which Winston talks briefly about his marriage and living ‘happily ever after’. After a search on the internet, I came across a post which claimed that Carl Foreman, who wrote and produced the film, found that US audiences occasioned so little reaction to the scene that he promptly had it cut. What reaction was he expecting to see I wonder?

Another film I’ve always rather enjoyed is Notting Hill. It was written by Richard Curtis and stars Julia Roberts and Hugh Grant. Grant plays William Thacker who owns and runs a bookshop in Notting Hill. Enter film star Anna Scott played by Julia Roberts who picks up some books in the bookshop. Not long after this she collides with Thacker in the street and he spills coffee all over her. They return to Thacker’s home only a few doors away where she cleans up and later Anna invites William to her hotel and consequently a romance ensues.

Thacker shares his home with Spike, a slightly oddball Welshman. In fact, Thacker describes Spike to a hotel receptionist by asking him to envisage the stupidest man he has ever met and then double it.

Anyway, I was watching this film not long ago. It was late evening and the film began at 9pm I think which of course is watershed time and we are all aware of things like bad language which of course is something which can be broadcast after 9.

In a really funny sequence Spike asks William to choose which T-shirt he should wear on a date and models about three shirts. William vetos them all due to rude or sexist phrases. He chooses a last one which says ‘LOVE’ on the front. Happy, Spike turns away but as he leaves we see written on the back of the t-shirt  the phrase ‘fancy a f#ck?’ Now I’ve always found that particular sequence rather funny but this time it was cut out. Why? It was after 9 (well, I think it was anyway) and although rude, it kills me every time. Do TV channels cut down films to fit their available time slots? If I was a director and that was my film I would be very upset indeed if some unknown TV editor had randomly chopped up my film just to fit it in a particular broadcast slot.

Let’s go the other way with this next example. I must have first seen Aliens on TV. I’ve always thought that it was as good, if not better than the Ridley Scott’s original Alien. In Aliens, astronaut Ripley played by Sigourney Weaver is adrift in a space lifeboat. I do love the opening of the film: The music gradually fades in as we come across a lifeboat drifting through space. Yes, the lifeboat holds astronaut Ripley, sleeping soundly in suspended animation after her adventures in the previous movie, Alien.

Later we see Ripley facing a committee where it is revealed that the spacecraft Nostromo, which Ripley self-destructed, caused a loss of over 64 million adjusted dollars. Another committee member advises that LV426, the planet where the Nostromo landed was ‘a rock’ with no indigenous life forms. I can feel Ripley’s frustration when she says, “Did IQ levels just drop while I was away?” She tries to tell the group about a derelict alien vessel containing alien eggs but the meeting ends and Ripley’s story is not believed.

Anyway, the upshot of all this is that Ripley joins a motley crew of space commandos on a mission to help the colonists of LV426 with whom all contact has been lost. On the planet the soldiers gain entry to the colonist’s base camp and we meet one of the survivors, a young girl nicknamed Newt, to which Ripley goes to extraordinary lengths to rescue from the aliens.

Why is she so keen to rescue Newt? Well, that is explained in a later director’s cut of the film in which it is revealed that Ripley’s daughter has died of old age. I know that sounds confusing but remember, Ripley has been in suspended animation for 75 years. She is still saddened by the news of her daughter which she has only just been told about and it is this loss that spurs her on to help Newt.

Now for me, this director’s cut is a much better version of the film and in fact, every time I have seen Aliens on TV recently, it is this new version which seems to be the accepted ‘cut’.

Here’s one final example. Spartacus was made in 1960. It was produced by and starred Kirk Douglas and was directed by Stanley Kubrick, whom Douglas brought in to direct after becoming disenchanted with the original director, Anthony Mann. The film is the story of a revolution, or at least a near revolution in ancient Rome. Spartacus, played by Kirk Douglas, is a slave who starts off a rebellion in a gladiator camp; the rebellion gets bigger and bigger until it threatens the entire fabric of ancient Rome. Laurence Olivier played the part of the Roman general and politician Marcus Licinius Crassus who uses the rebellion to further his own dreams of dictatorship. Peter Ustinov plays the gladiator school owner and Charles Laughton plays Roman senator Gracchus. Ustinov, Olivier, and Laughton are a wonderful trio, their performances superb, so much so that other actors who share the screen with them seem to pale in comparison.
Tony Curtis plays another slave who calls out famously; ‘I am Spartacus’ towards the end of the film, heralding a chorus of similar calls.

The film was restored in 1991 and 37 minutes of cuts were restored to the film including a scene where Anthony Hopkins had to dub the sound for a sequence involving Laurence Olivier who had died two years previously.

Which film cuts do you love, or hate?

What to do next: Here are a few options.

Share this post on your favourite social media!

Hit the Subscribe button. Never miss another post!

Listen to my podcast Click here.

Buy the book! Click here to purchase my new poetry collection.

Click here to visit Amazon and download Floating in Space to your Kindle or order the paperback version.

Click here to visit amazon and purchase Timeline, my new anthology.

 

The Espionage World of John le Carré

Posted on by Steve Higgins

The first thing that comes to mind when one thinks about spies and espionage is probably James Bond, perhaps not the version of Bond as written by Ian Fleming but more the version given to us by the producers of the Bond films and portrayed by a succession of actors like Sean Connery, George Lazenby, Roger Moore and latterly Daniel Craig.

The spy stories of John le Carré are really quite different. There are stories about people in offices who become greedy and pass documents and information to the other side for money. Perhaps they want better lives or they want money to impress women or for a thousand other reasons. They are set in seedy dull worlds where the jet setting glamour of 007 rarely intrudes.

John le Carré is actually the pen name of David Cornwell who began writing while serving with MI5 and later MI6 which was why he had to use a nom de plume. When his writing career took off with the great success of his third novel The Spy Who Came in From the Cold, John le Carré left the intelligence services to become a full time author.

He wrote a number of novels, all with a spying or espionage theme and many featured his famous spy, George Smiley. Smiley is an older man, a quiet and easy going but intelligent operative who plods along as he investigates and analyses information.

George only appears in the background to The Spy Who Came in From the Cold. Taking centre stage are Control, the head of the secret service and his Berlin agent, Alec Leamas. The secret service is known in John’s books as the ‘circus’ as it is based in Cambridge Circus in London and he introduces us to other elements of his secret world such as the ‘lamplighters’ and ‘scalphunters’ and many others, all nicknames for the various elements of the ‘circus’.

In The Spy Who Came in From the Cold, Alec Leamas is head of the Berlin Station and is recalled to London after the capture of one of his agents in East Berlin. Control has a new task for Leamas, that of discrediting the head of East German Intelligence, Mundt. The task calls for Leamas to pretend to become disillusioned by MI6 and offer himself as an informant.

In the splendid film version, Leamas is played by Richard Burton. He plays the part superbly. After leaving British Intelligence Leamas gets a job in a small private library where he becomes involved with a fellow librarian Liz, although her name was changed in the film version to Nan so as not to invite comparison with Burton’s real life wife, Elizabeth Taylor. Burton apparently wanted Liz Taylor to play the part of Nan but director Martin Ritt insisted on casting Clare Bloom.

When Leamas arrives in Europe to give his information he meets Fiedler played by Oskar Werner who is to interrogate him. Acting on information given by Leamas, he begins to feel that Mundt, the head of East German Intelligence, is actually a traitor but then the story is flipped on its head as we find that Leamas’ mission is actually to discredit Fiedler and protect Mundt, who actually is working for the west.

I was probably first introduced to Tinker Tailor Soldier Spy by the 1979 TV series starring Alec Guinness as George Smiley. In the story Smiley has retired but he is brought back into the intelligence fold after Lacon, the senior civil servant responsible for the service, asks him to investigate a story that has been brought to him by a missing agent named Ricki Tarr. The story concerns a ‘mole’ working for British Intelligence but passing information to the Soviet Union.

I read the book shortly afterwards but not long ago I picked up a paperback version linked to the recent film version in which Gary Oldman plays George Smiley.

The story was influenced by the defection of Kim Philby to the Soviet Union who was the original ‘mole’ at the heart of British Intelligence.

Smiley has to check out the story of Ricki Tarr and along the way interviews many former ‘Circus’ employees who left the service after the death of Control. Control was convinced of the existence of a spy at the centre of the organisation and sent agent Jim Prideux on a mission to Czechoslovakia. During that mission, Prideux was shot and captured and the circus went into meltdown.

Kathy Burke plays Connie Sachs, an old Soviet watcher who became convinced Soviet diplomat Polyakov was a spy but her idea was rejected by the new Circus leaders but Smiley realises Connie might have been on to something. There are various suspects for the mole and they have all been given code names by Control; Tinker, Tailor, Poorman and so on. Control expected Prideux to come back with a code word but he did not and by the time he was exchanged and returned to the UK, the poorly Control had passed away.

Control had given another name to the mole; he called him Gerald and Smiley realises that Gerald must have been planted in the circus years ago by ‘Karla’, the head of Soviet Intelligence. Smiley had once tried to recruit Karla as a British agent but Karla, played by Patrick Stewart in the TV series took Smiley’s offered cigarettes and lighter but declined Smiley’s offer. Why? Smiley thought it was because Karla had an ace in the hole, Gerald, already burrowing into British Intelligence.

Another element in the story is the unseen Ann, Smiley’s wife. She has had various affairs and Smiley has left her but on the night of the Prideux shooting it appears she was with Bill Haydon played by Colin Firth in the film. Who then is the mole?

The mole of course is unmasked at the end of both the book, the TV series and the film. The book, although interesting, moves slowly along and both the TV series and the film emulate the book’s slow pace. I’m not sure I particularly cared for the film but the book was an enjoyable read and it’s interesting how the author holds on to all the various elements of the story and is still able to throw a little spanner into the works with the suggestions about Ann’s dalliance with Bill Haydon.

All of John le Carré’s books are rather slow moving stories that simmer along gently and one other book I tried to read recently, Our Kind of Traitor, was one I put down permanently as I really didn’t have enough interest in the story to continue.

John le Carré wrote 26 novels. In later life he was disillusioned with the UK over Brexit and in fact he was so upset that he decided to become an Irish citizen. He died in 2020 aged 89.

What to do next: Here are a few options.

Share this post on your favourite social media!

Hit the Subscribe button. Never miss another post!

Listen to my podcast Click here.

Buy the book! Click here to purchase my new poetry collection.

Click here to visit Amazon and download Floating in Space to your Kindle or order the paperback version.

Click here to visit amazon and purchase Timeline, my new anthology.

The Police

Posted on by Steve Higgins

I’ve given myself a theme this week, that of writing about the Police. Being British I’m going to try and focus on the British Police but I’ve added a few paragraphs about the US Police too.

The Police in TV and Film

I have to say that I’ve struggled to think of films about the UK Police without resorting to Google although there are quite a few TV shows I could mention. The obvious one that comes to mind is Dixon of Dock Green.

Dixon of Dock Green ran from 1955 to 1976 starring Jack Warner as Police Constable George Dixon. Dixon was the traditional ‘Bobby’ who patrolled a regular beat in London, working out of the Dock Green Police Station in London’s East End. The show was inspired by the film The Blue Lamp in which Jack Warner originally played the character of George Dixon.

In the TV show Warner famously introduced each episode by saluting and saying ‘evenin’ all’ to the camera. He also ended each episode by saying a few philosophical words about that night’s episode before wishing his audience a ‘good night’.

The Bill

A much more recent show was The Bill which started out as a one off ITV drama in 1984 which so impressed ITV executives that they commissioned a series. The idea was to look at a day in the life of a police station and show the sort of situations encountered by officers on the beat. I first remember the show as being on a few times a week in a 30 minute format which was later extended to an hour. The 30 minute shows were self-contained episodes but when it was updated to an hour it became a serial show with each episode following on from the last. The show was cancelled in 2010 after 26 years.

Hill Street Blues

Moving away from UK TV to the USA, one of my favourite TV Police shows was the Hill Street Blues. It was similar to The Bill but set in a fictional US Police Station. Each episode began with a briefing and roll call to start the day’s shift although in later episodes this was replaced with one of those ‘previously. . .’ sequences.

The show won a total of 26 Emmy awards during its run of 146 episodes between 1981 and 1987.

The theme tune was written by Mike Post and became a major chart hit reaching 25 in the UK charts and no 10 in the USA.

As I said earlier, I can’t think of any films featuring UK policemen, certainly not uniformed ‘Bobbies’. Even American films tend to focus on plain clothed detectives but here are two particular favourites, both from the 1970s.

Serpico

Al Pacino stars in the true story of Serpico, a New York City cop who tried to fight the culture of bribery and corruption in the NYPD in the 60’s and early 70’s. This 1973 film is directed by Sidney Lumet and is shot in a gritty natural style. It starts with Serpico being shot in the face and then on his way to hospital it flashes back to tell the story of rookie cop Frank Serpico and his graduation to detective and his refusal to take bribes. It is shot and acted in a very natural documentary style and the film portrays Serpico’s ongoing disappointment with his superiors and those he trusts to look into the situation very well indeed. A brilliant example of 70’s moviemaking at its best.

I have Serpico on DVD and one thing I love about DVDs are those special versions with extended features, documentaries and so on. On the DVD of Serpico there is an interview with the producer Dino De Laurentiis where he tries to explain the character of Serpico this way; he and Serpico go to a screening of a film in New York. They are checking out possible directors or something, anyway, the theatre is empty and ignoring the no smoking sign, De Laurentiis decides to light up. ‘Wait a minute’ says Serpico, ‘you can’t smoke in here.’ De Laurentiis replies ‘what does it matter? There is no one here but us.’

Serpico points to the no smoking sign and replies ‘Look, you just can’t smoke here’ and makes the producer put out his cigarette. That, says Dino on the DVD, was when he began to understand what Serpico was about. There were no grey areas with him, everything was black and white.

The French Connection

The French Connection still feels electric even decades later. The movie throws you right into the gritty streets of 1970s New York, following tough, reckless detective Popeye Doyle, played brilliantly by Gene Hackman. What makes it so gripping is how raw and real everything feels; the shaky handheld camera work, the chaotic energy and of course that legendary car chase scene that practically rewrote the rules for action movies. It’s not a polished Hollywood crime story where the hero is clean-cut and noble; Doyle is obsessive, messy and sometimes hard to like, which somehow makes the whole thing feel more authentic. Directed by William Friedkin, the film has this tense, documentary-style vibe that keeps you on edge the entire time and you can really see how much influence it had on modern crime thrillers.

The Police (the Pop Band)

The Police were one of those bands that somehow managed to sound completely different from everyone else at the time. They showed up in the late 1970s when punk rock was taking off, but instead of sticking to straight punk, they mixed in reggae rhythms, catchy pop hooks and really polished musicianship. The band was made up of Sting, Andy Summers and Stewart Copeland and together they created huge hits like Roxanne, Message in a Bottle and Every Breath You Take. Even now, those songs are instantly recognizable, certainly for me anyway, the second they come on.

What made the band especially interesting was how talented each member was individually. Sting brought the distinctive vocals and songwriting, Andy Summers added those atmospheric guitar sounds and Stewart Copeland’s drumming gave the music a ton of energy and personality. Their music turned them into global superstars, though behind the scenes the band members famously clashed with each other. They eventually split up in the mid-1980s and Sting moved onto to a successful solo career. They reunited for a tour in 2007 reminding everyone just how influential and timeless their songs really are.

The UK Traffic Police

I thought I’d finish with a few words about my own experience of working with the Police. I started work for the Highways Agency in 2006 as an operator and later deputy manager in the North West RCC (Regional Control Centre) and I worked closely with the Police. Here’s the thing that struck me almost straight away, I always thought the Police were just the Police. Well, how wrong was I because the Police are actually a number of separate forces. In fact, there are 45 regional police forces in the UK and 3 special forces. The 3 are the British Transport Police, the Civil Nuclear Constabulary and the Ministry of Defence Police. The forces that I used to work with in the north west of England were Lancashire Police, Cumbria Police, Merseyside Police, Cheshire Police and Greater Manchester Police. All of them had different ways of working and even different computer systems. We at Highways used a system called Command and Control, similar to that used by Cheshire Police. Cheshire Police headed the NWMPG (North West Motorway Patrol Group) and as their system was similar to ours, they could send incidents to us electronically.

GMP had an entirely different system so they could not send a job to us except by actually picking up the phone and telling us about the incident. What they tended to do was send the job to Cheshire Police who would manually input the job on their system and then send it to us at Highways. Kind of long winded but it worked as long as the Cheshire operators checked their GMP screens to update us, which when they were busy, didn’t always happen.

When I was in training I spent a day at both the Cheshire and GMP control rooms. Cheshire were very friendly and helpful but it wasn’t the case over at GMP. They had a bunch of mature ladies who manned the ERTs (Emergency Roadside Telephones) which were due to be taken over by Highways so that those ladies refused to speak to us as to their minds we were stealing their jobs. Instead, I spent an afternoon sitting with the officers manning the ANPR (Automatic Number Plate Recognition) cameras which were being used at Manchester Airport, catching drivers with no MOTs or insurance and even stolen vehicles.

Some days afterwards I went out with Cheshire motorway police. Their officers were rude and bad mannered and no help at all but the next day I went on the road with a GMP officer. He was a very friendly guy. I met him at his outstation in Salford and after a brew and a chat we went off to patrol the M60, M62 and M602. Interestingly, despite the officer being friendly over a cup of tea, when he went on duty he went straight into professional mode and focussed fully on his job. No chit chat, no jokes. He spotted at least three people not wearing seat belts and pulled them over. Why would you not wear a seat belt, especially on the motorway?

At one point we had a call to put on a rolling road block for another officer on the M602 who was trying to retrieve some debris in the carriageway; cycles that had fallen off the back of a car and were causing problems stuck in lane 2. We headed to the scene, spotted the other officer on the opposite side and turned round at the next junction. As we headed to the exit ramp I looked over at his speedometer and saw we were doing 120 mph. Vehicles on the roundabout moved quickly out of our way and we turned, pulled onto the other side of the road, stopped the traffic and the debris was removed.

That was a heck of an interesting day and a real eye opener for me.

What to do next: Here are a few options.

Share this post on your favourite social media!

Hit the Subscribe button. Never miss another post!

Listen to my podcast Click here.

Buy the book! Click here to purchase my new poetry collection.

Click here to visit Amazon and download Floating in Space to your Kindle or order the paperback version.

Click here to visit amazon and purchase Timeline, my new anthology.

Film Connections #8

Posted on by Steve Higgins

As regular readers will know, I am a great fan of classic cinema and I do love making these posts in which I try to tell a story by linking together various films, actors and directors. My last connections post ran a lateral course linking the film Pygmalion to Star Trek; The Motion Picture. This week I’ve worked out a very roundabout connection from Greta Garbo via Frederick March, James Mason, Alfred Hitchcock and Ingrid Bergman, right back to Garbo again.

At first glance, Greta Garbo and Ingrid Bergman seem to belong to different emotional climates; Garbo, distant and enigmatic, Bergman, luminous and searching, her humanity worn closer to the surface. The threads run from the migration of talent across studios and continents and in the way both women, in very different ways, redefined what it meant to be a star of the cinema.

Greta Garbo was one of the first stars of the silver screen. She was born in Stockholm, Sweden on the 18th September 1905. She is best known for her beautiful but melancholy screen persona. In 1924 she was spotted in a Swedish film by Louis B Mayer the head of MGM and the following year he brought her over to Hollywood.

Greta Garbo

In 1930 she made the successful transition from silent pictures to the ‘talkies’ with her first sound picture Anna Christie which was promoted with the phrase ‘Garbo Talks!” The film was a great success and her career in the cinema continued until her last film in 1941, Two Faced Woman. She signed for various pictures afterwards but all the projects either never came to fruition or she dropped out for one reason or another. Billy Wilder asked her to star in Sunset Boulevard in 1949 but she declined.

In one of David Niven’s books, Bring on the Empty Horses, the author relates how he asked Garbo why she stopped making films and she thought for a moment and then replied “I had made enough faces”.

In 1935 Garbo starred in the screen version of Anna Karenina directed by Clarence Brown. Among her co-stars was Fredric March.

March began his career as an extra in silent movies. He made his stage debut in 1929 and not long afterwards signed a contract with Paramount Pictures. He made numerous films but in 1937 he played the part of drunken movie star Norman Maine in the film A Star is Born. Maine helps aspiring star Esther Blodgett, played by Janet Gaynor up the ladder to movie stardom. The film was shot in Technicolor and became one of the first colour films to be nominated for an Academy Award.

A Star is Born is a film that has been remade a number of times and all the remakes have been musicals, including the most recent one produced in 2018 which starred Lady Gaga. My favourite though was the 1954 version with James Mason and Judy Garland. Judy Garland plays the part of Esther Blodgett who is heard singing by the boozy Norman Maine, this time played by Mason. He takes her along to the studios and after introducing her singing voice to the studio boss, gets her a breakthrough role in a new film.

Esther, now known as Vicki Lester, becomes a big star and of course falls for Norman Maine. The two marry but will their marriage survive Maine’s alcoholism and failing career?

James Mason was born in Huddersfield in 1909. He became a stage actor and was later hugely successful in British films. In 1949 he moved to Hollywood and after the success of his starring role in the film The Desert Fox about German General Rommell, he was given a seven-year contract with 20th Century Fox.

It was in 1954 that Mason was asked to be Judy Garland’s leading man in A Star is Born. Cary Grant had been offered the part but turned it down.

Both Cary Grant and James Mason starred in the 1959 picture North by Northwest directed by Alfred Hitchcock. Mason stars as a suave but ruthless secret agent who mistakes Roger Thornhill (Cary Grant) for a man known as George Kaplan who Mason suspects is a government agent tailing him across the USA. As the film unfolds, we see that George Kaplan is actually a fake identity created as a decoy.

After a murder in which Thornhill is wrongly supposed to be the murderer, he escapes on board a train to Chicago where he meets Eve Kendall played by Eva Marie Saint who helps him get away.

North by Northwest is one of my personal favourite films. Apparently, Hitchcock had engaged screenwriter Ernest Lehman to work on a story adaption but he couldn’t work out what to do and offered to quit. Hitchcock replied that he enjoyed working with Lehman and that the two should just work out an entirely new story. North by Northwest was the result.

Cary Grant appeared in four of Hitchcock’s films. Suspicion (1941), To Catch a Thief (1955), North by Northwest (1959) and most importantly for this post, Notorious (1946).

I’m sure I’ve seen Notorious but it’s not a film I can really remember even though when I looked it up many people say it’s one of Hitchcock’s best ever films. Cary Grant plays a government agent who is on the trail of Nazi Claude Rains. Grant enlists the help of Ingrid Bergman who plays the daughter of a war criminal. Grant and Bergman fall for each other but Ingrid Bergman’s character has to seduce Nazi Alexander Sebastian played by Rains.

Ingrid Bergman in Casablanca

Ingrid Bergman came to Hollywood in 1939. She was invited by Hollywood producer David O Selznick to star in an English language remake of one of her earlier Swedish films Intermezzo. Bergman expected to be in Hollywood for this one film and then return to Sweden but the huge success of Intermezzo made her a star and more Hollywood films followed. Her husband and daughter came to Hollywood to join her and later they both applied for American citizenship.

Ingrid made a number of classic films in Hollywood including Casablanca, Spellbound and Notorious.

In 1949 she wrote to the Italian director Roberto Rossellini telling him how much she admired his films and expressing her wish to work with him. Rossellini cast her in Stromboli and she flew to Italy to begin work. While she was there, she fell for Rossellini and began an affair with him, becoming pregnant with his child.

This caused a huge scandal back in the USA. Bergman herself thought that because she had played a nun in The Bells of St Mary and a saint in Joan of Arc these roles seemed to make what she had done appear much worse. Ingrid went through a much publicised divorce and custody battle before marrying Rossellini in 1950.

Ingrid was born in August 1915 in Stockholm which brings us back full circle to Greta Garbo who was born ten years earlier also in Stockholm. Two wonderful actresses separated by only a decade.

(All pictures reproduced via creative commons.)

What to do next: Here are a few options.

Share this post on your favourite social media!

Hit the Subscribe button. Never miss another post!

Listen to my podcast Click here.

Buy the book! Click here to purchase my new poetry collection.

Click here to visit Amazon and download Floating in Space to your Kindle or order the paperback version.

Click here to visit amazon and purchase Timeline, my new anthology.

More Film Connections (Part 7)

Posted on by Steve Higgins

Usually in these Film Connections posts, I tell a sort of circular story starting with an actor or director and then find a link to another film or personality and then another until I work back to whoever I started with. This week I decided to be a little more lateral and try and link Pygmalion, the 1938 film to the first Star Trek film from 1979. I like to be different now and again but not only that (confession alert) I struggled to find a link back to Pygmalion. (Actually I did find a very tenuous link and I’m not sure as I write this that I’m going to share it but we’ll see how things go).

Pygmalion

Pygmalion is a famous play by George Bernard Shaw which was made into a film in 1938 with a script adapted by Shaw himself. Leslie Howard starred in the film as Professor Higgins. Higgins is a linguist who boasts that he can make Eliza Doolittle, a cockney flower seller, into a lady. Doolittle was played by Wendy Hiller.

Professor Henry Higgins actually makes a bet that he can take Eliza Doolittle, a Cockney flower seller with a seriously strong accent, and pass her off as a refined lady just by teaching her how to speak “properly”. What starts as a kind of experiment turns into a full-on transformation, with Eliza learning manners, speech, and confidence, but she also begins to question how she’s being treated. Is she a person or just Higgins’ project? Things get tense after her big high-society debut goes off without a hitch, because suddenly the question isn’t whether she can fit in, but where she actually belongs and whether Higgins deserves any credit (or forgiveness) at all. It’s witty, a bit biting and surprisingly emotional under all the clever dialogue.

Interesting fact #1: Wendy Hiller speaks a controversial line in the film – “not bloody likely” making her the first person to swear in a British film. It’s a controversy that’s almost laughable today considering the language used in modern films. Have you ever wondered who the first person to use the F word in a British film was? (Answer at the end of the post).

Interesting fact #2: The film was edited by future director David Lean.

My Fair Lady

The musical version of Pygmalion was created by Alan Jay Learner and Frederick Lowe. They worked for a long time on the musical, even while trying to get permission from GB Shaw’s estate for the musical rights to the play. Eventually they succeeded and the production opened on Broadway after a four week try out in Philadelphia. Rex Harrison played Higgins with newcomer Julie Andrews as Eliza. The play used many scenes written by Shaw especially for the 1938 film version. When Jack Warner acquired the rights to the film, he decided he wanted a famous name to play the part of Eliza and Julie Andrews was dropped in favour of Audrey Hepburn. Audrey played a good part but personally, I’ve always thought it was a tragedy that audiences never got to see and hear Julie Andrews in such a wonderful role.

Interesting fact #3: Hepburn’s singing voice was dubbed for the film by Marni Nixon.

The Sound of Music

The Sound of Music was based on the stage musical version with music by Richard Rodgers and Oscar Hammerstein. The story was based on the real-life story of the Von Trapp family singers which was originally written in book form by Maria Von Trapp. Maria was a nun who takes a job as a governess with the Von Trapp family and later falls for their widowed father, Captain Von Trapp.

In the film version Christopher Plummer played the part of the captain and Julie Andrews starred as Maria. It was Julie’s second film after her film debut in Mary Poppins in 1964. The screenplay was written by Ernest Lehman and he particularly wanted Robert Wise to direct. At first William Wyler was assigned to direct but when he wanted a delay to complete another film, Lehman was able to get Wise to join the film. He and Lehman worked closely together to bring the story to the screen.

Personally, I’m not a great fan of musicals but I’ve always loved this film, in fact I watched it only the other day to prepare for this post. The songs are really wonderful and the story of the family and their later escape from the Nazis in Austria is really well told. Julie Andrews plays a great part but then so do all the actors including Christopher Plummer. I’ve heard both of them in interviews making a little fun of the film but I’m sure they must have been proud of it really. Four weeks after its release, the film became the number one box office hit in the USA. According to Wikipedia, by November 1966 The Sound of Music was the highest grossing film in history up to that time.

Interesting fact #4: Marni Nixon, the woman who dubbed Audrey Hepburn’s singing in My Fair Lady plays the part of a nun in The Sound of Music.

Star Trek

The director of The Sound of Music was Robert Wise who, like David Lean, was originally a film editor before turning his hand to film direction. In fact, he was an editor on that great film classic Citizen Kane. Another film he directed, one radically different to The Sound of Music, was Star Trek; The Motion Picture.

Star Trek was a TV series that lasted three seasons from 1966 to 1969 before its cancellation. It had a huge fan base and producer Gene Roddenberry tried to get the series resurrected. A cinema version was planned for the mid 70s but this was cancelled in favour of a new TV series to be known as Star Trek Phase Two. After the huge success of Star Wars, Paramount decided to change tack again and focus on a film. The basis for the film was apparently the pilot episode of the planned TV series, expanded for a cinematic film. The resulting film was good and I have always enjoyed it but it moves along at a very slow pace and does not have that something that made the TV shows tick over so well. The crew from the original show are gradually introduced. Kirk is given command of the enterprise once again, Doctor McCoy refuses to have his atoms scrambled in the transporter, Mr Scott once again takes over control of the engines and Mr Spock leaves the planet Vulcan to have his science officer status renewed. I can sum up the story by quoting Admiral Kirk; “Scotty, an object of unbelievable size is heading towards earth. Enterprise is the only starship in the area. Ready or not, she launches in 12 hours!” Or something like that.

Interesting fact #5: William Shatner who played Captain James T Kirk was great friends with Christopher Plummer and the two appeared together in Star Trek VI in which Plummer played a one-eyed Klingon general. I’ve always thought it was the absolute worst of the Trek films but having said that, it apparently won an award for the best science fiction film of the year.

Linking back to Pygmalion

If you do a search on Google for a possible link to Star Trek, the results come up for an episode of Star Trek Voyager (episode 22, season 5, Someone to Watch Over Me) in which the Doctor (the holographic Doctor who is not a real person but a computer program) decides to nurture Seven of Nine in the ways of human relations and love. Seven, in case you have never watched Voyager, is actually Annika Hansen who was captured by the Borg as a young girl and assimilated into the Borg Collective. (The Borg are an alien race by the way). Now the Voyager crew have freed Seven from the Borg, she’s not very good at person-to-person general relationships (neither would you if you had been trapped in the Borg Collective for years) so the Doctor becomes a sort of Professor Higgins to Seven’s Eliza.

That’s such a thin link back to Pygmalion I might as well not have mentioned it!

Just to finish with, I wondered earlier about the first person to use the ‘F’ word in a British film. According to Google, it was Marianne Faithful in that unforgettable (sarcasm alert) 1967 film ‘I’ll Never Forget What’s ‘Isname’ directed by Michael Winner.

1967? I wasn’t expecting that!

What to do next: Here are a few options.

Share this post on your favourite social media!

Hit the Subscribe button. Never miss another post!

Listen to my podcast Click here.

Buy the book! Click here to purchase my new poetry collection.

Click here to visit Amazon and download Floating in Space to your Kindle or order the paperback version.

Click here to visit amazon and purchase Timeline, my new anthology.

5 British Rom-Coms

Posted on by Steve Higgins

My original idea for this post was to write about 90s British films but then I realised some of those 90’s films were actually from the 2000’s. I then changed tack to a blog about films written by Richard Curtis but that meant cutting out a few films that I really wanted to include. Then I thought what about films with Hugh Grant? Great but although many of the films below feature Hugh, I’ve got a personal favourite in which he doesn’t star. That of course has led to the final incarnation of this post, 5 British Rom-Coms.

4 Weddings and a Funeral 1994

I’ve always rather loved this film. In a way I tend to think of it as a sort of modern Ealing Comedy, or at least the sort of film that Ealing would be making were they still in business. The only difficulty in that respect is the rather liberal use of the ‘f’ word that the film can really do without. In the USA, or so I have read, the version screened over there has the ‘f’ word substituted by the slightly less alarming word bugger.

The plot is pretty simple. It’s about a group of friends who only seem to meet regularly at weddings. At the first wedding Charles, played by Hugh Grant, meets Carrie and falls for her only to find she is about to return to the USA. Happily he meets her again at another wedding and, sadly for Charles, he meets her again at yet another wedding, this time one in which she is the bride.

The happiness of constant weddings is shattered by the death of one of Charles’ friends but this being a rom-com, things all work out in the end. Carrie is played by Andie McDowell and the supporting actors who appear at each wedding are all well known to fans of British film and TV.

Four Weddings and a Funeral is the movie that brought fame to writer Richard Curtis and actor Hugh Grant, as the announcer mentioned last time I saw this film on the television. Strangely, he didn’t mention Mike Newell, who directed the film. Funny how the credit from a successful film doesn’t always get spread equally around.

Notting Hill 1999

Written again by Richard Curtis and starring Hugh Grant, Grant this time plays William Thacker, the owner of a bookshop in London’s Notting Hill. One afternoon at the bookshop, Hollywood film star Anna Scott played by Julia Roberts comes into the shop to browse. Not long afterwards William accidentally walks into her and spills takeaway drinks all over her. He invites her back to his place just across the road where she cleans herself up.

On another occasion the two go out for a date but William’s oddball flatmate Spike played by Rhys Ifans, happens to mention the film star’s presence to his mates at the pub and the flat is soon swamped by reporters. Anna is not amused and the two fall out and seem to go their separate ways.

There is a really lovely sequence here in which William walks along the Portabello Road and the scene transforms into winter, then autumn and finally summer showing the passage of time in a really unique way. Later, the two manage to sort things out just before Anna leaves for the USA.

Over on Wikipedia it was interesting to find that according to a 2018 interview High Grant gave to GQ magazine, the idea came to Richard Curtis after one of his friends became involved with an unnamed ‘big star’. The film was shot on location in Notting Hill and the blue door to William Thacker’s place in the film was actually a property owned by Richard Curtis.

Julia Roberts was the producer’s only choice for Anna Scott although personally, just like Andie McDowell in 4 weddings, I’ve never found her remotely attractive.

The film won a Brit Award for its soundtrack.

Sliding Doors 1998

This was a film written and directed by Peter Howitt. Howitt is probably best known for playing the part of Joey Boswell in the TV comedy series Bread. This is a really super film which is about a girl, Helen Quilley, who gets fired from her PR job. Helen, played by Gwyneth Paltrow, heads off for home. She goes to the tube station but is only seconds too late and misses her train. The film then rewinds a few minutes and when it replays, Helen manages to catch the train. The film then sets off in two separate directions with two differing storylines. In one she arrives home to find her boyfriend in bed with another woman. In the second she arrives home later and the boyfriend manages to cover up his two timing activities.

The film was made in 1998 but still looks fresh and contemporary. The only jarring things -from a 2026 point of view- are people still smoking in pubs and offices filled with huge computer monitors. It’s a lovely film and one I tend to watch quite a lot on DVD.

Bridget Jones Diary 2001

This film was based on the book by Helen Fielding and had a script written by Fielding, Andrew Davies and once again, Richard Curtis. American actress Renee Zellweger played Bridget with a very impressive British accent with her love interests played by Hugh Grant and Colin Firth.

Bridget works in publicity for a publishing company. She is 32 and worried about her weight and confides all her worries as well as her fantasies to her diary. At her mother’s Christmas party, she meets barrister Mark Darcy, a neighbour from her childhood, who she finds arrogant and rude. At work she flirts a lot with her boss Daniel Cleaver played by Grant and begins an affair with him only to find that he is a serial cheater.

Who will Bridget end up with, the slimy but nice Daniel or the boring but nice Mark? One of the film’s highlights is a drunken street fight between Daniel and Mark which plays out pretty much how two upper/middle class twits would be expected to behave.

Three sequels were made to the film, the last one was Mad About the Boy in 2025 but personally, I think the original was the best.

About a Boy 2002

This is still a rom-com but considerably darker than the other films on this list. Hugh Grant plays someone slightly different to his usual film persona. Will Freeman is a young man in his 30s who lives a rather aimless life. He does not go out to work, instead he has ample funds because of regular royalties due from a popular tune which was written by his late father. His one aim in life is to meet women and he happens to come across a young mother and feels that young single parent females would be good for him because they are mostly on the lookout for a new man. To achieve this aim he joins a group for single parents where he is the only man and after spinning a yarn about being deserted by the mother of his only child, ‘Ned’, he feels warmed by the sympathy vote of the whole group and quickly gets involved with an attractive young mother called Suzie.

Through various circumstances, this leads him to meet Marcus, the son of one of Suzie’s friends and the two begin a friendship of sorts which begins to bring a new meaning to Will’s life.

Overall, the film is perhaps a little slow and rather dark in a way but still a great film based on a book by Nick Hornby.

What to do next: Here are a few options.

Share this post on your favourite social media!

Hit the Subscribe button. Never miss another post!

Listen to my podcast Click here.

Buy the book! Click here to purchase my new poetry collection.

Click here to visit Amazon and download Floating in Space to your Kindle or order the paperback version.

Click here to visit amazon and purchase Timeline, my new anthology.

 

5 Screen Portrayals of Real People

Posted on by Steve Higgins

I did a post on this subject a while ago and I thought it’s time for a follow up post. My original highlighted 8 screen portrayals but this time I thought I’d focus on just 5.

Glenn Miller

The Glenn Miller Story was a film that I first saw on TV back in the 1960’s. Sadly, as much as I loved it then, when I see it these days it is a little disappointing. James Stewart was far too old to play Glenn Miller, at least in my view.

June Alyson played Glenn’s wife and she elevated the use of the word ‘annoying’ to a new level with her constant beginning or ending of a phrase with ‘Honestly!’ I imagine the scriptwriter was fairly pleased with himself, coming up with a cute bit of business like that. Wrong! If I had been Glenn Miller and June Alyson my wife, I would have been sorely tempted to employ some appropriately placed Gaffer tape to remedy that situation.

One odd moment in the film comes when Glenn comes home from work and his wife takes him upstairs and says, ‘look what just arrived’ and guess what had arrived: two children who seemed to have arrived in time honoured fashion via the unseen stork. Of course, they may have been adopted, I really don’t know because it wasn’t really explained very well but it was a little bit like one of those moments in old episodes of Blue Peter, the children’s TV show, where Valerie Singleton or John Noakes would say, ‘and here’s one I made earlier!’

I must have mentioned in previous posts about how I used to have a cassette tape recorder and how many times I used to drag my poor brother into performing the skits and plays I used to write. One time we did a skit on the Glenn Miller story and there was me in my best American accent drawling, James Stewart style, ‘that sound, that certain sound, I need to find that certain sound and I’m gonna keep on looking till I find it.’ Throw in my brother blowing a fart down a cardboard tube and cue me as James Stewart: ‘That sound, that certain sound: That’s it! I’ve found it!’

I feel a little mean trashing a film I’ve always loved but it’s like a lot of things that I used to love years ago, they don’t always hold up when you see them again years later. James Stewart was, as I mentioned earlier, a little too old to play Miller and to be honest, Stewart just played Miller like he played every other character in every other film he was ever in.

The Glenn Miller Story pops up on TV every now and again and despite me not appreciating various elements of the film, I still love the music and it’s nice to see the guest stars in the film, people like Louis Armstrong, Gene Krupa the fabulous drummer, bandleader Ben Pollack and the Modernaires, a vocal group who worked with Miller’s band as well as many others.

David Frost and Richard Nixon

In the film Frost/Nixon, Michael Sheen plays the part of David Frost and Frank Langella portrays Nixon. Sheen is perfect as Frost and Langella is pretty good too as Nixon. The film is about Nixon in his later years as he seeks to defend his legacy as President of the USA. Back then, Frost was a jet setting TV interviewer and personality and he sets up a deal to make a series of interviews with Nixon. Unable to find financial backing, Frost is forced to broker the deal with money from various backers and is worried that the project will fail financially.

Frost’s team are worried about something different; they feel that Frost is not serious enough to actually challenge Nixon about his actions as President and are concerned that the broadcasts will actually vindicate Nixon of any wrongdoing during Watergate.

In the final interview though, Frost manages to pressure Nixon into making the famous admission that he acted illegally when he famously says “when the President does it, that means it’s not illegal!”

I’ve always been fascinated by Nixon and Watergate and for me this was a wonderful film. I love the moment when Nixon, just as he and Frost are about to go on air, turns to Frost and asks “did you do any fornicating last night?”

Douglas Bader

Kenneth Moore played the part of World War II flying ace Douglas Bader in the film Reach For The Sky. Bader was a famous figure from the battle of Britain who rose to the rank of Group Captain despite losing both his legs in a flying accident in 1931.

His story was told in the 1956 film which was based on a biography of Bader by author Paul Brickhill.

The film is one of those that I first saw as a child and like The Glenn Miller Story, I’m not sure if it really works today. Moore plays a good part as Bader. As a young cadet he and his colleagues are told not to do low level aerobatics as it is too dangerous. Bader however disregards this after a passing remark from a civilian pilot. He takes off, gives the civilians something of a show but his wing tags the ground and his plane flips over and crashes. Doctors have no choice but to amputate his legs, one below the knee and one above.

The narrative then shows Bader’s determination to walk using his metal legs. Despite this however he is discharged from the RAF.

When the war breaks out though, the air force is desperate for pilots and Bader is able to return to the cockpit. Even so, he still displays something of a cavalier attitude, dumping his admin in a rubbish bin and once again performing low level flying, this time to convince his junior pilots that he knows how to fly.

I remember reading something about Bader years ago which was not complimentary at all so I decided to ask Google what the real Bader was like. The results that came back were not good. He clearly wasn’t anything like Kenneth Moore and many of his contemporaries found him abrasive and unpleasant and he was known to be harsh, particularly towards non officers.

I read once, and I think it was in racing driver Graham Hill’s autobiography, Hill tells the story of playing golf with Bader and just as Hill was about to take his shot, Bader started knocking his pipe on his metal legs!

He was however a courageous man and fought bravely for his country, in fact he was shot down and imprisoned in a POW camp which is shown at the end of Reach For the Sky.

Despite his disability Bader still managed various escapes and ended up finishing the war in Colditz Castle.

Winston Churchill

A while ago I stayed up late watching the film Darkest Hour which is about Winston Churchill and the beginning of his Prime Ministership in World War II. It paints a rather bleak picture of Winston’s premiership, with the Conservative party apparently holding back from supporting him and a growing clique actually wanting to replace him with Lord Halifax. When France fell to the Nazis, Halifax wanted to explore peace talks with Hitler which Churchill was violently opposed to. I’m not sure how true to life the film was and although I can imagine not everyone was 100% behind Churchill, I found some of this film a little hard to believe. There was a vote of no confidence in the Commons in 1942 although Churchill won this by a resounding 475 votes to 25. In the film, Conservatives still will not support Churchill in the Commons until outgoing premier Neville Chamberlain signalled them to do so by placing a white handkerchief on his knee. By then Chamberlain and his policy of appeasement were totally discredited so would he really have had such sway over his fellow MPs? I doubt it.

The film shows Churchill in various situations, in bed and in the bath, all the time dictating to his secretaries. We see him with his cigars and brandy, as well as in the House of Commons giving those famous speeches which united the country in those dark times. Gary Oldman played the part of Churchill and aided by some impressive make up he gave a really excellent performance.

I suppose actors playing the part of real people have a choice; either to try, to a certain extent, to impersonate the real person or like James Stewart and Kenneth Moore, just to represent the idea of the person in their own way. I like all the portrayals I talk about above but I think my favourite was Michael Sheen’s version of David Frost.

Do you have a favourite?

What to do next: Here are a few options.

Share this post on your favourite social media!

Hit the Subscribe button. Never miss another post!

Listen to my podcast Click here.

Buy the book! Click here to purchase my new poetry collection.

Click here to visit Amazon and download Floating in Space to your Kindle or order the paperback version.

Click here to visit amazon and purchase Timeline, my new anthology.

Blog 703: Thoughts from a Sun Lounger

Posted on by Steve Higgins

As usual Liz and I have left behind cold and unpleasant England for the much warmer climes of Lanzarote. We’re renting a place that we first found two years ago but were unable to rent last year as it was fully booked. This time Liz got in early and so here we are for four weeks. The villa is very comfortable with a great outlook, sunny on the patio all day and it has a great pool and comfy outdoor couches.

For our first night out we went along to the Gourmet Indian Restaurant where we had so much fun last year with the staff. We were rather surprised to find that this year, all the staff that had made us so welcome had now left. That is probably the same in restaurants the whole world over. Staff come and go but happily, the new staff, especially our waitress were fun and friendly and the food was just as superb as it was previously.

Last year’s Indian restaurant staff, sadly missed

Another favourite of ours is the Café Berrugo down in the Marina Rubicon. The manager Juan greeted us as warmly as usual. Last year the food wasn’t quite as good as it normally is so I wasn’t sure what to order but anyway, we went for five tapas dishes and they were all excellent, so much better than our last visit. Perhaps the café has gained a new chef during our absence, anyway, we were really impressed and happy and Juan gave us an extra shot of vodka caramel, a drink I don’t think I’ve had anywhere else except Lanzarote.

The interesting thing is that a few months back I was writing about a run of bad meals and I have to say, I much prefer this, a run of lovely meals.

Before we left the UK we switched on our Sky box and I was pleasantly surprised to see the film Nuremburg available to watch. I was surprised because it was only on at our local cinema a few weeks previously and it was something I wanted to watch. So, we poured ourselves a glass of wine and settled down to watch. The film is the story of the Nuremburg trials held in Germany after the Second World War. Hermann Göring, played in the film by Russell Crowe, is the most prestigious prisoner in the dock. He was the number 2 in the Nazi government until the last few days of the war when Hitler, incensed by a telegram from Göring in which he asked permission to take over the Reich, ordered his arrest.

By Charles Alexander, Office of the United States Chief of Counsel – Harry S. Truman Library & Museum, accession no. 72-911 (Retrieved 2017-04-26), Public Domain, https://commons.wikimedia.org/w/index.php?curid=161339177

Even so, when Göring handed himself over to the Americans, he was perhaps thinking of the events of the First World War when the Kaiser abdicated and fled Germany and left others to run the country in defeat. Göring, perhaps thought that he was the man to take over Germany in this new defeat. Things would not turn out that way however and Göring, amongst many others, was to be put on trial for crimes against humanity.

The film is based on the story of Douglas Kelley, a psychiatrist who was tasked with examining the nazi prisoners with a view to determining whether they were competent to stand trial. Kelley also tried to get to the bottom of the nature of the evil they had practised. His theory was that they were just ordinary men rather than particularly evil men.

Kelley is played in the film by Rami Malek and the film focusses on his relationship with Göring. It was a good film though for me not in any way outstanding although Russell Crowe’s performance was excellent, I don’t think Malek’s portrayal was in the same class.

To be honest I remember a similar film, perhaps a made for TV film from some years ago which was much superior. I think it was a two part mini series also titled Nuremburg starring Alec Baldwin as supreme court justice Robert Jackson and Brian Cox as Göring.

Göring of course commits suicide rather than be hanged and in the mini series, they made much of the relationship between Göring and his American guard. Did the guard slip Göring a cyanide capsule with which to evade the hangman’s noose? It was probably more likely that Göring had it concealed all along. He was a charismatic character but at the end of the day, he went along with Hitler like many others.

Before leaving for Lanzarote, one of my friends asked me how many books I would be taking along to read. I wasn’t sure at the time but at least four I thought. So, she answered, we can expect another Book Bag post then! There will be a Book Bag post but to carry on from Nuremburg, I was surprised to see it on Sky cinema so soon after its theatrical release. I thought it might have been a Sky original production but it wasn’t so I was even more surprised to see it on Sky so soon.

Another film I watched recently on Netflix was the Thursday Murder Club. Again, it was on TV very soon after its cinema release, in fact I think it was actually a Netflix production. I enjoyed the opening part of the film but then lost interest somewhere around the middle. I might have picked up my iPad and started surfing and then got interested again towards the end. It was a good film with an impressive cast and its one that I should watch again and perhaps pay more attention to the next time.

It just so happens that I picked up the book to read here in Lanzarote. It’s written by Richard Osman who is more famous as the frontman on the BBC’s Pointless quiz show as well as various other TV shows. The book and film are about a group of people in a retirement village who meet to discuss cold case crimes but then find a murder committed on their very doorstop. The group of mostly eighty year olds then get on with the task of solving the murder. There seem to be a lot of things going on and a great deal of characters to remember which put me off a little at first but a great device used by the writer is having alternate chapters written as diary entries by Joyce, one of the club members. She goes over the past events, adding in details of her own life along the way, talking about her neighbours and daughter amongst other things and sometimes previewing the next chapter for us.

It’s a very original and witty book and even though I’m only half way through I’m already thinking about getting the follow up book. One minor complaint though, there is a large cast of characters and things do get complicated making it not always easy to follow.

You might have seen some horror stories on the internet and social media about Lanzarote lately. I’ve seen so many posts about the dreadful weather and the rain. OK, there has been rain, quite a lot of it which is pretty unusual for Lanzarote. The thing is, when it rains back home in Manchester, it tends to rain and rain and get pretty cold at the same miserable time. Here in Lanzarote, it rains for about five minutes and then the sun comes out and dries everything. It might get cloudy again and we might have another five minute shower but it soon slips away and despite what you may have heard, Liz and I have spent each day out on the patio swimming and sunbathing and occasionally moving our towels away from the edge of the patio canopy when the rain showers have encroached a little too close.

Now, time for another read or should I do a few more laps in the pool? Decisions, decisions . . .

What to do next: Here are a few options.

Share this post on your favourite social media!

Hit the Subscribe button. Never miss another post!

Listen to my podcast Click here.

Buy the book! Click here to purchase my new poetry collection.

Click here to visit Amazon and download Floating in Space to your Kindle or order the paperback version.

Click here to visit amazon and purchase Timeline, my new anthology.

8 Random Films: Can you Guess the Connection?

Posted on by Steve Higgins

I’ve done a few of these posts where I connect one film to another through either the actors or directors or other random things. This week I’m going to talk about two groups of four films and see if you the reader can guess what links them together. I’m hoping this might be a bit of a challenge, even for the most ardent film fans but anyway, here we go.

Top Hat

Top Hat was a film produced in 1935 and starred Fred Astaire and Ginger Rogers. It is one the great song and dance musicals of all time. The premise of the film is just Astaire following the girl of his dreams, Ginger Rogers, across Europe but the story is just background to the wonderful songs of Irving Berlin. Two stand out favourites are Cheek to Cheek and Top Hat, White Tie and Tails. The film was directed by Mike Sandrich who also directed 5 of Rogers’ and Astaire’s films.

Together Astaire and Rogers made 5 films together but the most successful was Top Hat.

Red River

One of my favourite westerns, Red River stars John Wayne and Montgomery Clift who have to drive a shed load of cattle from Texas to Missouri. There’s a great moment when Wayne says to Clift ‘Take ‘em to Missouri Matt!’ and the cattle drive begins. The film was produced and directed by Howard Hawks way back in 1948. Taking a quick look on Wikipedia, it was interesting to find that there were various versions of the film but the original theatrical cut was reassembled by Janus films in 2014 for the DVD release.

Singin’ In the Rain

This is another film classic, perhaps even the ultimate Hollywood musical. Released in 1952 it is set in the 1920s and stars Gene Kelly, Debbie Reynolds and Donald O’Connor. The film has some hugely famous scenes, like that unforgettable opening number where Gene Kelly splashes through puddles and sings the title song. It’s also got a super fun storyline about the transition from silent films to “talkies”. The film was directed and choreographed by Gene Kelly and Stanley Donan.

The Shining

This was a film directed by Stanley Kubrick based on the book by Stephen King. King apparently hated the film which is why he went on to produce another version years later. The film stars Jack Nicholson who gives an eerie performance as author Jack Torrance. The plot revolves around the Overlook Hotel which closes during the winter as the location becomes inaccessible due to heavy winter weather. Jack and family are chosen as caretakers to look after the hotel until it reopens in the spring. Throw in a child who ‘shines’, that is to say able to communicate with the spirit world and an evil spirit who apparently takes over Nicholson’s character and you have a pretty terrifying film.

The film was actually shot in the UK at Elstree studios although a second unit did some exterior shots in the USA. At Elstree huge sets were built to represent the interior and exterior of the hotel.

A famous scene involves Jack chopping through a door to reach his wife played by Shelley Duvall. The scene was originally shot with a fake door but Nicholson who was a former firefighter in the national guard chopped through it too quickly and so a thick solid door had to be used.

Kubrick demanded numerous takes of many scenes and Shelley Duvall in particular argued with Kubrick about retakes, dialogue and her acting style.

Ok that’s the first of four films I want to talk about. Any idea of the connection? Let me carry on with a second group of four films and the connection might finally become clear.

The Last Picture Show

Another modern classic. This film was directed by Peter Bogdanovich and is set in a small town in northern Texas in the early 1950s. The film has an ensemble cast but the two main characters are Sonny and Duane played by Timothy Bottoms and Jeff Bridges. The two are teenagers and old friends and various things happen to them. They fall out over a girl called Jacy played by Cybill Shepherd. Ben Johnson plays ‘Sam the Lion’ who owns the bar and cinema in the town. Sam has a mentally disabled son who Sonny has befriended. Various things happen to the pair but towards the end of the film Duane enlists in the army and is due to leave town so the pair decide to visit the town cinema for the very last picture show as the cinema is about to close after Sam’s sudden death.

Crimes and Misdemeanours

This is one of Woody Allen’s darker films. There are many interlocking stories but the central theme involves Judah Rosenthal played by Martin Landau who has an affair with a woman played by Anjelica Huston. The woman -Dolores- is threatening to confront Judah’s wife and Judah, desperate to save his marriage isn’t sure what to do. He asks his brother, a gangster and he recommends violence and even murder. Other stories include a rabbi facing blindness and on a lighter level, Woody plays a documentary film maker who falls for a woman played by Mia Farrow. She in turn is romanced by Alan Alda, playing a TV producer, who Woody’s character despises. It’s one of my favourites of Woody’s films but don’t expect too many laughs.

The Green Mile

Like The Shining, this is another film based on a book by Stephen King. Tom Hanks plays the head of a death row section of an American penitentiary. One of the inmates is John Coffey, a huge black man who appears to have healing powers. He cures Tom Hanks’ bladder infection but the mood in death row is not good after sadistic Percy Wetmore joins the team and deliberately sabotages the execution of another inmate causing the prisoner to die in terrible agony. The warden’s wife is terminally ill and Hanks and his team wonder if John Coffey could cure her.

Twister

Twister is a disaster film made in 1996 which stars Helen Hunt and Bill Paxton as storm chasers. They and their team are trying to get first hand information about tornados and cyclones. The two are separated and are about to divorce but together they are in competition with another group of storm chasers. The special effects are good and I’ve always found it to be a hugely entertaining film.

Ok. That’s my final four films. Are you any the wiser? Do you have the connection yet?

Here’s the answer, the first four films were all featured in the second four films.

In The Last Picture Show the town’s small cinema is about to close down and Duane and Sonny pay a visit to see Red River.

In Crimes and Misdemeanours, Woody Allen’s character Cliff Stern invites Helley Reed played by Mia Farrow to watch Singing in The Rain on his editing machine while they eat a take away curry.

In The Green Mile, the story is told in flashback and Tom Hank’s character Paul, who was cured of the bladder infection is now 108 years old. He watches the film Top Hat and tells the story of John Coffey to his friend Elaine.

In Twister, the team of storm chasers relax and stop at a garage area. By the garage is a drive in theatre and the team enjoy snacks and coffee while the picture is playing. A storm begins to approach and strong winds quickly develop. What film was playing? Stanley Kubrick’s The Shining. The theatre is destroyed just as Jack is chopping through the door in The Shining’s most famous scene.

They were my film connections for this week. Hope you enjoyed reading and tune in again next Saturday for another post.

What to do next: Here are a few options.

Share this post on your favourite social media!

Hit the Subscribe button. Never miss another post!

Listen to my podcast Click here.

Buy the book! Click here to purchase my new poetry collection.

Click here to visit Amazon and download Floating in Space to your Kindle or order the paperback version.

Click here to visit amazon and purchase Timeline, my new anthology.