I’ve written a few of these ‘book or the film’ posts but in this one I’m going to stick with one particular film and book; The Godfather.
The Book
I’m not sure which came first for me, the book or the film but I actually think it was the book. The Godfather was written by Mario Puzo and is the story of Don Vito Corleone, the head of one of the five mafia families of New York. The book opens with the wedding of Don Corleone’s daughter and Puzo sets the scene and introduces the various characters.
Don Corleone is a Sicilian and apparently no Sicilian can refuse a request on the day of his daughter’s wedding. One of those with a request for the don is singer Johnny Fontane whose show business career is waning. He feels that a part in a new film will revitalise it but the producer will not cast him. The don is happy to help out his favourite godson and dispatches his advisor and stepson Tom Hagen to Hollywood to sort things out.
Another supplicant is a funeral director. Two youths have attacked and beaten his daughter and because of political connections the courts of law have only handed down suspended sentences. The father asks for Don Corleone to give him revenge but the Don declines. The funeral director has never shown the correct respect to the Don but when he does and finally calls him Godfather then, and only then, does Corleone issue orders for the youths to be brutally beaten.
Some time afterwards the Don agrees to meet fellow mafioso Sollozo who wants Corleone’s help with a drug smuggling operation. The Don declines and this sets off a violent war between the mafia gangs.
The Film
Francis Ford Coppola was the director of the film version and was also the co-writer of the screenplay along with Mario Puzo. Coppola wanted Marlon Brando to play the part of Don Corleone even though Brando at the time was rather unpopular with the producers. He was expensive, his last few films had not done well and his time wasting attitude had added huge expenses to his pictures. After the director had made the producers understand how important Brando was, they set various conditions for his employment. He would have to work for a reduced salary and put up a bond to ensure he would not delay the production. Another was that he had to have a screen test. Coppola has told the story in various interviews how he and his film crew had entered Brando’s house like ninjas and quietly set up their equipment. Brando slicked down his hair with shoe polish and stuffed cotton balls into his mouth to make the transformation into the aging mafia boss.
Paramount also wanted to shoot the film on their back lot but Coppola persuaded them to shoot on location in New York and stick to the original time frame of the book which was set in the 1930s and 40s.
Various people were auditioned for parts in The Godfather but finally the cast was resolved and shooting began with Brando as the Don, James Caan as Sonny, Al Pacino as Michael, Robert Duvall as Tom and Diane Keaton as Kay Adams.
The Book
The book is a fairly heft one and there is much in there that is not covered by the film. Johnny Fontane for instance features more in the book, while he plays only a supporting role in the film. There is a further story in the book about Lucy, a friend of Sonny’s wife with whom he is having an affair. After Sonny’s death Lucy feels she will never find not only love but sexual pleasure ever again. The reason for this is that Sonny had a rather large penis and Lucy’s corresponding anatomy is rather large, however she falls for a doctor who sorts her out with an operation which restores the anatomical status quo.
Going back to the Johnny Fontane character, there have been various stories and rumours which imply the character was based on Frank Sinatra. Like Johnny Fontane, Frank was tied to a lifetime contract with a bandleader, in this case Tommy Dorsey but Dorsey somehow relented and released Sinatra. Some say mobster Willie Moretti was instrumental in helping Sinatra free himself from the contract. Later when things weren’t going so good for Sinatra, he revived his career by appearing in the hit film From Here to Eternity for which he won a best supporting actor Oscar. In the book, Johnny Fontane is after a similar film part but the producer declines to give it to him. At the wedding of Corleone’s daughter, Fontane asks for the Don’s help, cue the famous scene where producer Jack Woltz finds his favourite racehorse’s head in his bed.
The Film
Coppola decided that instead of finding the horse at the end of his bed like in the book, it would be better if Woltz awoke, was disturbed by something wet, pulls the bedclothes away to see blood and then uncovers the horse’s head. The head was the actual head of a horse, procured from a dog meat factory and Coppola mentions on the commentary to my DVD version that lots of animal lovers sent him hate mail about the horse, even though the horse had been condemned to its fate anyway.
Sinatra always denied any involvement with the mafia although he did sing at the wedding of mafia boss Willie Moretti’s daughter, just like Johnny Fontane did at the Corleone wedding that opens the film. Anthony Summers, in his book about Sinatra, claims that the story was true and mafia enforcer Johnny Blue Eyes put pressure on studio boss Harry Cohn to give Sinatra the film role that rebooted his career.
Director Fred Zinnemann thought Sinatra might be good in the role so Cohn was happy to go along with the idea.
The Book
As previously mentioned, the book does have some storylines which were not used in the film but one chapter was a look at the beginnings of Vito Corleone. Born Vito Andolini in the Sicilian village of Corleone, Vito’s father was murdered by a local mafia boss and the young Vito was smuggled away to America. In America he took the name of Corleone and seemed to slip quietly into the role of mafia Don by murdering Fanucci, a New York Sicilian Godfather who preyed on his fellow Italians. Although this element of the story wasn’t used, Coppola kept the storyline for use in The Godfather Part II. The follow up film was a film classic in its own way.
The Godfather Parts II and III
In part II there are two parallel stories. One is the story of Vito Andolini, as described above, played by Robert De Niro and another follows on from the first film. Michael is now the head of the family and gets involved with gangster Hyman Roth with investments in Cuban casinos. After the Cuban revolution Michael realises Roth is out to kill him and so has him murdered. A senate investigation looks into Michael’s activities with information provided by Frank Pentangeli, a former member of his organisation, but Michael brings pressure to bear on the informant and the investigation collapses.
In The Godfather Part III Michael’s story continues. He is reconciled with his sister after the murder of her husband in the original film. He also gets involved in a scheme in Europe where he hopes to become fully legitimate but other mafia bosses have different ideas. The Papal bank scandal and the death of Pope John Paul I are real events that are also thrown into the mix. The film was the weak element in the Godfather trilogy. In 2020 The Godfather Coda: The Death of Michael Corleone was released. It was just a re-edited version of part III and personally I still didn’t find it anywhere near as good as the other two films.
Marlon Brando worked with Coppola again on the film Apocalypse Now. He played the part of an American Colonel in Vietnam who has apparently gone insane and Martin Sheen is sent to assassinate him. Brando turned up on set hugely overweight and not knowing his lines. He then decided to re write or improvise most of his scenes and the director was forced to shoot Brando in shadow due to his weight. Basically, he pulled all the stunts that Paramount expected of him in The Godfather. Not the best way to repay a director who had resurrected his career with the role of Don Corleone.
In 1990, Brando appeared in the comedy film, The Freshman, playing a parody of Don Corleone. When the shooting over ran, Brando demanded a million dollars to film for an extra week. The producers declined to pay and Brando threatened to badmouth the film to the press. Eventually they paid.
Brando died in 2004.
In 2023 Coppola finished filming his latest project, Megalopolis, a sci fi film about the rebuilding of New York after a major disaster.
Conclusion.
I enjoyed the Mario Puzo novel and I did re-read it for this post but it seems to stray into areas which really have no relevance to the main narrative which I found slightly annoying. The film version, which I also watched recently is a modern classic which continues to entertain everytime I see it. I like both the book and the film but I’d have to say I think the film version has the edge.
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The first two films are my favourites, and like you I’m not as keen on the 3rd one, although it does rap up the series.
I love the second film the most, with its back story of The Godfather’s arrival in america as a young boy, and how he
meets and makes lifelong friends with Tessio and Clemenza and sets himself up as The Godfather following the murder
of The Black Hand, Don Fanucci. I must read the book sometime.
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The book rambles on a bit so for instance there’s a load of stuff about Johnny Fontaine, starting as a producer and helping his childhood friend make it as a singer. Even so it’s well worth reading. I love Godfather I and II. It’s hard to choose between them. I’ve warmed to part 3 in recent years and like you say, it wraps up the series.
Thanks for looking in
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