Category Archives: photography

Enjoying The Fruits of Our Labours

Posted on by Steve Higgins

A while back I wrote a post about Liz’s garden and all the things that were growing there. Now we’re in September it might be a good time to look again and see how things are.

The tomatoes have done well. There are not too many to show you because we both love tomatoes and between us we’ve scoffed a great deal. We’ve had some fried with bacon, sausage and eggs and some in my favourite salad; tomato and onion with plenty of olive oil.

We didn’t get many peas or broad beans but I’m guessing if we did Liz and daughter Zoë would have soon eaten those too. They like to eat them raw, nibbling on them as they pass by.

The cauliflower are not looking great as they have been the victim of some serious nibbling by the garden’s indigenous insect population. The insects can’t have been that keen on the celeriac as even though they were planted right next door to the cauliflower they are looking well.

We had a good crop of strawberries this year but they too have been harvested and eaten. We like them served with raspberries and some Greek yoghurt.

The padron peppers are looking good. I’ve seen padron peppers on the tapas menu in Lanzarote in the past but I’ve never tried them. This year we’ve had plenty of peppers on the barbecue and I have to say, I’ve got to really like them.

I grew some chilli pepper plants from seeds. Most have not done too well except for one which has resided on the kitchen window sill throughout the summer. That plant has a few chillies just waiting to be added to either a good chilli con carne or any one of a number of spicy dishes served in our household like Liz’s hot goats’ cheese with spinach and chilli. Another chilli plant, one that came direct from the garden centre sale is doing really well, that’s it in the picture above.

There is some garlic too, over on the far side of the garden which comes in pretty handy for curries and all sorts of spicy dishes. We sometimes add some to our tomato and onion salads too.

I’ve got two olive trees and both seem to have fruit on them, whether they will become fully rounded olives is another story. Some nice black olives would come in pretty handy as they are really nice when added to the tomato and onion salad I mentioned earlier.

It’s been nice to see that the apple pips I planted earlier this year have sprouted into two small plants about six inches high. Might be a few years before I see any apples though. that’s one of the apple plants in the collage below, bottom right.

Some years ago, I grew some lemon plants from pips. I really do love growing things from pips. It’s like having a close up of nature renewing itself. My lemon trees are probably about three years old now and according to the internet, they have to be three to five years old to produce fruit. That’s if they will produce fruit. The thing is if they did produce fruit, if they did actually produce a lemon for me that would be so wonderful, I’d be over the moon.

I’d probably cut a big slice of my lemon -my future lemon- and drop it into a gin and tonic with a whole lot of ice or maybe even a Bacardi and Pepsi Max. Then I’d savour it and quietly thank my tree for giving me a lemon. Once, Liz and I rented a villa in Spain and in the gardens were a whole bunch of lemon trees so we could pick one whenever we wanted.

I do have another lemon tree, a shop bought lemon tree. It’s only small but is obviously grafted and came with a few lemons already growing on it. After a few days my two small lemons dropped off and that was that. I’ve had it for about a year but I’ve watered it regularly, letting it dry out just like they say in those how to do it YouTube videos and blogs that I’ve been researching. I’ve fed it too with the correct fertilizers and nutrients. The other day I noticed something on one of the branches, something that at first glance seemed like a small bit of fluff or something that had been blown in on the breeze but it wasn’t. It was a flower and the beginning of a small lemon!

September has never been one of my favourite months. The days are getting shorter and cooler but last week here in the north west UK we had something of a mini heatwave so rather than go out to a restaurant or eat inside, it was time to crank up our very handy mini gas barbeque. As usual we started off with a tomato and onion salad. Slice your home grown tomatoes and place them in a dish, sprinkle with finely chopped red onions, pour over a glug of good olive oil and season well and if you fancy, throw in a few black olives and even some garlic; lovely.

Another addition is a tomato, chive and rice salad and some homemade slaw. We usually add a bag of salad leaves and we’ll nibble on all that while Liz slaps on our first course, small kebabs made from beef lorne sausages seasoned with cumin and some salt and pepper.

Next up on the little barbeque are some padron peppers, home grown of course, just simply seasoned and rubbed with olive oil.

A couple of homemade burgers go on the grill and I like them served up in a toasted bun with some of my tomatoes and onions and a nice portion of either mustard or tomato sauce. Final course, a small steak served medium for me and medium rare for Liz. Glass of wine? Don’t mind if I do!

What to do next: Here are a few options.

Share this post on your favourite social media!

Hit the Subscribe button. Never miss another post!

Listen to my podcast Click here.

Buy the book! Click here to purchase my new poetry anthology.

Click here to visit Amazon and download Floating in Space to your Kindle or order the paperback version.

 

Scans, Old Pictures and the German Grand Prix

Posted on by Steve Higgins

I do love old pictures. I’m not talking about films or movies, I mean actual pictures, old photographs. It’s amazing what we can do with old photographs these days in the world of digital images. We can scan them, remove blemishes, colourise black and white pictures, in fact we can do almost anything. I remember a recent documentary by director Peter Jackson which involved the restoration of old silent films from the trenches in World War 1. The films were cleaned and digitised, colourised and in some cases a lip reader was employed to try and surmise what those long dead soldiers were saying while the hand held camera was cranked. Computers removed the jerky motions and the result was genuinely amazing. I found myself so interested that I remembered a gadget I had bought a while back, a slide scanner with which I planned to scan and digitise my old colour slides. The results weren’t great and in fact I didn’t have quite as many slides as I thought I had but the results were interesting. I played with the device for a while, scanned a number of slides then moved on to some other project.

I dug the slide scanner out the other day and noticed that it was also possible to scan negatives. There is a holder supplied into which the negative strip fits securely. On the control panel a small box is selected for negative scan rather than colour slide and in a matter of seconds a digital image is produced.

I’ve scanned a lot of my old pictures although I’ve usually scanned them from a printed picture. This way, scanning from the original negative felt really interesting. One problem is that as the image is magnified any stray dust or hairs show up like a sore thumb so it’s important to clean the negatives first. I usually wipe them with a soft cloth which I normally use to clean my lenses then brush them with a small blower brush which sweeps free any dust and blows the offending material away.

I didn’t have any World War 1 material to restore but I did have a huge stack of photographs from the German Grand Prix of 1988. I was quite a keen photographer back then. I had an Olympus OM10 and graduated to an Olympus OM2 SP. SP stood for spot programming which was quite a significant piece of technology for 1988. SLR cameras come with built in light meters but what they do is take an average reading from the light coming into the camera and depending on your set up suggest either a shutter speed or lens aperture or even both. If the subject is evenly lit then that’s no problem but if your subject is in shadow with perhaps bright light from a window coming in stage left then the resulting picture might be too dark. With spot programming a light reading could be taken from the face of the subject so the face, the focal point of the shot would be exposed perfectly.

At the race track I didn’t have time to take spot meter readings, I probably had the camera set to auto or just used a similar setting for most of my shots. Not too fast a shutter as I didn’t want to freeze the cars, I did want a suggestion of speed. In the late 80s and early 90s I spent a lot of time at the Oulton Park circuit in Cheshire. Back then I knew every inch of Oulton Park. I knew where I could get close to the cars and where to get the most effective shots. I’d pick a point for my shot and get focussed then follow the cars round until they hit that exact spot and then fire the shutter. I must have hundreds of pictures of racing cars and one of the great things about the digital revolution is that now, instead of lying unseen in an album, my photographs have been seen by thousands of people over on the picture sharing site Flickr.

x

Ayrton Senna in his McLaren Honda. Practice laps for the German Grand Prix

Getting back to Formula 1, I tended to visit Silverstone for the British Grand Prix on Friday practice or Saturday qualifying, soak up the atmosphere and then go home to watch the race on Sunday at home on my TV. Visiting the 1988 German Grand Prix gave me a chance to see everything; practice, qually and visit the stalls selling motorsport memorabilia and, this being Germany, sample a sausage or two. The Grand Prix was held at Hockenheim which has a great stadium section where most of the spectators gather then the track snakes off into the German countryside. Somewhere in that countryside is a sad memorial to Jim Clark, killed here in 1968 at a Formula 2 event.

I journeyed to Hockenheim on a coach trip by a company specialising in sporting events. I had to get a train or coach into London then find the coach company and board ready for the trip to Germany.

The weather was excellent and just thinking about the trip brought back a number of things. 1988 was the first year of the Senna/Prost rivalry. It was also the year Williams lost their Honda engines to McLaren. Honda terminated their contract a year early with Williams because they were not amused that Frank Williams had let an inter team battle with their two drivers, Mansell and Piquet, hand the championship to Alain Prost at McLaren in 1986. Such a pity as if Williams and McLaren had both used Honda engines in 1988 there would have been an epic three-way battle between Senna, Prost and Mansell with Patrese in the second Williams perhaps getting into the action too. Sadly, it wasn’t to be.

Nigel Mansell in the Williams

During the practice session I had a ticket letting me wander about various enclosures. I was near where the cars came in to the stadium section and every time a Ferrari went through this big Italian guy would stand up and ring a big brass bell he was carrying. Ding a ding a ding a ding he rang, every time either Gerhard Berger or Michelle Alboretto came through. Every time I moved to the next spectator enclosure I would get settled, line up my shots then it would come: ding a ding a ding a ding! That Ferrari fan must have been following me about. Well, that’s my excuse for all those jerky shots!

I had spent a lot of money buying myself an Olympus OM2 SP but perhaps I should have spent some extra money on my lenses. I had a great Olympus 50mm lens and a great wide-angle lens too but my zooms and telephoto lenses were a little on the cheap side and I think if I had shelled out a little more money that would have been reflected in my pictures.

My first scans were not that good. I’d cleaned the film as I mentioned but perhaps there had been some dust or hairs in the camera. It was only later after I had spent time cleaning up each individual scan that I realised the dust might be in the scanner!

I’m tempted now to delete them all and rescan them. Oh well, might keep me out of mischief for a while. Meanwhile, here’s a video slideshow using some of the pictures. I’ve added in some snippets of the 1988 TV commentary just to liven things up a little.

YouTube and The Final Cut

Posted on by Steve Higgins

Ok, settle down, put your feet up. It’s time to reveal a great new slice of visual entertainment that has finally been released. Yes we know, I can hear you say, the new Bond film!  Bond film? No no, no. Forget about the Bond film, I’m talking about some serious movie making, my latest YouTube video!

Way back in the spring and again in the summer Liz and I motored off to France in our Ford Transit based motorhome. As usual I had my GoPro camera affixed to my driver’s window and along with my trusty Canon GX7 I built up a fair few reels of video footage.

I kept looking through it with a view to making it into some kind of video project but various things seemed to hold me back.

Firstly on our first trip to France we travelled through the French Jura and got caught in some spectacular and unseasonal snowstorms. I thought I had shot some spectacular footage only to find that the video files from that day would not play when downloaded to my laptop. I wasn’t happy.

My GoPro camera doesn’t seem to like to play ball when it has been left alone for a while and I’ve found just charging it up isn’t enough, It needs to be attached to my pc and and updated with the correct date and time and made a fuss of before it will function properly.

I slapped in a new memory card and the camera seemed in better shape for the rest of our travels but losing that video from the snowstorm still really winds me up. At one point it felt as though we were in a whiteout, the snow was falling so thickly it was like being inside a ping pong ball. Happily the snow cleared and an impressive army of snow ploughs and gritters cleared the area and we were soon back on route. No video footage though to liven up my videos.

Over the summer I started to put together a video but although I had a lot of film, not much of it was particularly inspiring and the loss of that snowstorm video really put a dampener on my enthusiasm.

Another thing that made the production difficult was that I like to use the old Windows Moviemaker which is why I’ve hung on to my old laptop. It’s easy to use and gives you a lot of control over your clips both visually and in terms of the sound track. The original soundtrack from the video can be edited as well as an additional music channel and a voice over channel. I tend to mix and match these channels so I can add a narration and music as well as adding sound effects all of which enhance the finished product.

Editing that sound!

Windows 10 comes with a new and completely different HD Movie Maker which I have never really got to grips with but I thought it was high time I did so I started the project off using the new software.

I have got the advanced rather than the free version and initially I found it pretty easy to use. Adding clips is pretty easy and they can be trimmed or split into two or more sections just like on the old program. There are various fades that can be used and just like the old version there is a music channel as well as a narration channel.

In the summer we visited the Retro Grand Prix in the village of Le Puy Notre Dame in France and I filmed a lot of stuff with my Canon GX7. The Canon is a really versatile camera both for still photography and video. In fact on the Internet it is noted for being the best vlogging camera around which is really why I bought it. Instead of bashing away at my laptop knocking out a new post every week I thought hey, I can just film a vlog instead. Well, I’ve since found it’s not so easy creating a vlog. To start with I’m not so good just talking off the cuff, I need to plan what I’m going to say which entails bashing away at my laptop once again. Vanity also comes into play as my youthful good looks are just not what they once were. Anyway, even though vlogging is not for me the GX7 is a great camera and I took some pretty good shots at the Retro Grand Prix with it so I decided that for my video project I would just concentrate on our trip there.

It’s vital to review your raw video footage first when creating a video project so what I tend to do is this; I’ll troll through everything I have shot and anything that I either like or think will add to the narrative I will add to the project. I tidy things up a little, eliminate the bad shots and then start to think about what I am going to say in the narration. What I usually do to start things off in that area is review the blogs I have written on the subject and start to see if they will fit the video. Then I will add to them and rewrite and finally a clearer picture of the project will begin to appear.

Next I usually record my narration direct to the video then export that as a sound file to my sound mixer where I cut out all my mumbles and ers and ahs, beef up the bass and the volume and then add it back to the project.

A big problem that appeared here was that when recording the narration on my new HP laptop on HD Movie Maker, my voice came out all tinny and clipped so it was back to my old laptop with the old Movie Maker and I recorded the narration again. Maybe the microphone is better on that older laptop. Next I produce the audio file in little sections, little clips, so I can move the narration about to fit the video. On the old Movie Maker this is easy as you can move the clips about with your mouse so they can be placed exactly where you want. On the new HD Movie Maker this is not possible although you have a delay button so you can move an audio file forward for however many seconds or milliseconds you want. Anyway after some time moving between laptops and editing programs I felt I was finally getting somewhere. Even so, a good few months had passed by at this point but I sometimes think it’s good to let a little time go by and so the project will coalesce in my mind resulting in what I like to think of as an organic result.

George Stevens was a Hollywood director who always edited his projects in a similar way. He directed among many other films Shane, the classic western with Alan Ladd and Giant the Rock Hudson/ Elizabeth Taylor film famous for being James Dean’s last film.

Stevens apparently received many threats on his life if he dared to cut any of Dean’s final scenes. He took his time and his films were always a masterclass in the art of editing.

Anyway, back to my little video. I finally reviewed the final cut and noticed that my narration, now slightly shortened after the excision of various mumblings now seemed to expose a typical piece of cheeky banter between myself and Liz. A little fun, but not something for the general public. Now on the old version of Movie Maker I could have faded out the video sound at that point but on the new version that wasn’t an option. I could either silence the whole clip but not fade it out. The solution was this: Silence the whole clip and add a sound clip, that of our motorhome exiting the car park of the french supermarket Intermarche, no doubt after purchasing a good few boxes of French wine ready to export back to Lancashire. A quick addition of some copyright free music from YouTube and there you have it, a new video for my YouTube channel.

Such a pity that Microsoft have seen fit to mess with Movie Maker. No doubt just when I manage to master the new HD Movie Maker they will replace it with something new.

It’s called progress . . .

Floating in Space is a novel set in Manchester, 1977. Click the links at the top of the page to buy or for more information.

Every Picture Tells a Story

Posted on by Steve Higgins

The world of digital photography is so easy and convenient. Point your camera and shoot. Upload to social media or your cloud storage and there it is. If your picture isn’t quite right you can lighten or darken it, straighten it, crop it, even delete it if you want and start again.

Things weren’t so easy in the film age. I used to be a pretty enthusiastic amateur photographer and I used to like taking pictures of, well anything really. I’ve tried my hand at portraits, still life and pretty much everything.

When I was a schoolboy my parents got me an Instamatic 126 camera for Christmas. Bit of a mistake on their part as they had to shell out for film and developing too, which must have been painful for them when they saw my first efforts at photography, and probably more so when the fruits of my ‘experimental’ pictures came back from the chemist.

In the 1980’s I had an Olympus OM10 then moved up to an OM2SP. The SP stood for spot programming where instead of accepting the average reading the camera’s light meter gave you, you could choose a particular spot in the image and take your light settings from that. Very useful in a picture with light and dark elements for instance.

I also used to have quite a few long lenses which I used at race circuits, particularly Oulton Park where I spent many a weekend watching and photographing racing cars. I must have looked really professional clicking on my wide-angle lens in the paddock and then switching to my 200mm long lens back on the circuit.

The big difference with photography today is that back then in the film era, you took your shot and then sent the film for developing and and printing and sometimes the results were good, but then sometimes they weren’t. To the developer though there was no difference between a bad shot and a brilliant one, they both cost the same!

Today you can shoot as many pictures as your memory card will hold, free of charge, no developing charges and as for printing, why bother? Just upload to your favourite social media page. If you take a bad picture you can edit it with imaging software. If the picture is too bad, delete it and shoot more. In fact the best way to take a great picture today is to take multiple exposures just like a professional, shoot a shed load of pictures and just delete the bad ones!

Four of my Favourite Pictures.

It’s hard to choose favourite pictures because I have so many of them, anyway, here are four chosen pretty much at random.

Bob the Dog.

I took this picture years ago with our old dog Bob with my Kodak Instamatic. We had such a lot of fun with that dog as children, me and my brother. He went everywhere with us. We took him on coach trips where he was always sick and my brother, my dad and I would deny ownership of him, all looking fixedly through the windows whilst my Mum apologised to everyone and cleaned up the mess.

Ayrton Senna Hockenheim 1988

Here’s a picture taken with my Olympus at the German Grand Prix at Hockenheim in 1988. Senna was one of the great drivers of the day. Today he is revered as a legend of the sport but I think it’s fair to say that back in the day he really wasn’t that popular. I remember him being soundly booed at Silverstone in 1989 or 1990 but his talent was unquestionable.

The Greek island of Kalymnos

This is one of my favourite pictures and I did have it blown up and framed once but I must have lost it during various house moves. It was taken on holiday on the Greek Island of Kalymnos. I remember flying to some other island and having to take a ferry over to Kalymnos. The ferry though had to wait 2 hours for a delayed flight from London (those bloody southerners) and when we reached the island it was dark. Our apartment was up the side of a steep hill, right at the top and the rep told me lights would come on by a sensor when we got to the steps. After jumping up and down wildly for 10 minutes the lights did come on and I asked the rep to wait till we got to the top and found the keys. He assured me the keys were there but then drove off. Just at that moment the lights went out and stranded us in a deep velvety blackness. More jumping about and waving and the lights came on so we climbed the steps and finally bumbled into our apartment. Inside I opened the door to the patio and in the darkness of the all-enveloping night, I could sense something over the way. It was not until we awoke in the morning that we were finally able to take in the magnificent view.

Blackpool, Lancashire

This last picture was taken in Blackpool during a drive through of the Blackpool Illuminations. It’s a lovely colourful snap which captures the atmosphere of the lights. I took the picture with my GoPro camera but I have a confession to make. I was trying making a video of the lights and when I set up the camera I didn’t have my reading glasses with me and couldn’t quite make out the tiny menu and accidentally set the camera up to take stills instead of video. The resulting pictures were actually a surprise!

Floating in Space is a novel set in Manchester 1977. Click the links at the top of the page to buy or for more information.

 

 

Cameras Then, and Cameras Now . .

Posted on by Steve Higgins

I still have my old camera bag, well, camera case actually. I have often wondered just how much money I would make if I sold it on eBay. Would I be impressed I wonder of the value of my once expensive film cameras? Or would I be disappointed to find these great cameras are now comparatively worthless?

I was always rather proud of my aluminium camera case. It made me feel like someone who was serious about cameras and who knew something about photography. There was my Olympus OM10 complete with the manual adapter which transformed the camera from an amateur’s automatic device to a professional tool. The OM10 cost a lot of money as I remember and so did the bits and pieces that went with it. A wide angle lens which always delivered some super sharp shots. Then there was my 200mm telephoto lens, my medium 80 to 150 zoom and my 3 times converter that made my 200mm lens into a 600mm although it struggled in that configuration for light so large apertures and slow shutter speeds were the norm.

Also in the case is my Olympus OM2SP complete with spot programme technology. As you may probably know, a modern camera tends to average out the light that comes into the lens giving a slightly false reading or at least an overall reading which when shooting scenes with dark and bright elements can cause confusion. The spot meter in the OM2SP means the user can choose a single spot from which to take a light reading and set the camera accordingly so that the point of interest would always be perfectly lit.

To assist further on the quest for the perfect picture my case also had a wide variety of filters. A small number of screw on filters which screwed directly onto the front of the lens and another set, my Cokin filters which were square filters that slotted into a holder which screwed onto the front of the lens.

My old 1980’s camera case

There was more also. My cable release, vital for those late night long exposures. Long exposures, now I think of it, were photographs I used to love taking. One of my favourites was shooting someone in the dark, whirling a sparkler or a torch round and round while the shutter was open then I’d fire a hand held flash to freeze the person and then close the shutter. I’m not even sure you could do that on a modern digital camera but anyway it was a fun picture to take.

Also in the case is my motor wind, a vital addition for capturing the fast action of the cars at my nearest race track, Oulton Park in Cheshire. If you look at the outside of the case still adorned with motor sport stickers from the 1980’s, you can see how much I was into car racing back then.

My current SLR camera bag

Fast forward to the present day and there is not much in my SLR camera bag. My Nikon D100 and zoom lens, a medium zoom, a spare battery and a lens cloth and that is about it. Filters are available today but it’s probably just easier to add a filter with image editing software after you have downloaded your snaps to your laptop.

My video case has a little more to it. It contains quite a few cameras, my three action cameras and batteries and my Canon G7X. Also in there is my trusty Panasonic mobile phone sized video camera. Most of the other gear consists of things like mini tripods and devices for attaching the cameras to something, bike handlebars, car doors and so on. I have a fairly new gadget I’ve only used once so far, you can see it in the lower centre of my video case, it’s a device like the professional steadicam, a weighted handle that absorbs movement when you are moving to give a smoother camera pan.

My video camera bag.

Oh and plenty of cables, charging cables, connecting cables and well all sorts of various cables. Now I come to think of it, I’ve probably got cables I don’t even need.

I do love my old Olympus but to be fair, I love my modern cameras more. Even so, I wonder if it’s worth putting one last roll of film through my Olympus before eBay beckons?

Floating in Space is a novel set in Manchester 1977. Click the links at the top of the page to buy or for more information.

Cameras, Cards and Motorhomes.

Posted on by Steve Higgins

My holiday in France this year was pretty different to the one I’m used to. No French villa, no poolside sunbed. Although I did manage to get through four books from my holiday book bag ( I have to admit I only finished three of them) I didn’t do much writing at all.

It’s not quite so easy writing in the hot confines of a motorhome. No cool kitchen or dining room like in our last rented villa. A motorhome too is about movement, about travelling. It’s about spending one or two nights in one location and then hitting the road, looking for that next location and then the next. I enjoyed it all, don’t get me wrong but the lazy relaxing holiday is probably the one for me.

A big disappointment on this holiday was also the reliability of my GoPro Hero camera. I’ve got 2 action cameras; one is a cheap imitation of a GoPro camera. It works fine but sometimes in the heat of the moment, especially when driving, it’s easy to stay too long on the power button and click into another mode like a still picture mode or a time lapse mode. The GoPro hero is great in this regard as it can be set for instant shooting. Once set up all you do is press the top button, the camera begins recording and beeps to acknowledge that (3 beeps). When you are done, click the same button once again and the camera beeps again (5 beeps) and you know recording has shut off.

I had not used either camera for a while but made sure they were both fully powered up and even had a long lead to connect the GoPro to the cigarette lighter socket and a new memory card. Everything seemed outwardly OK but the files from days 2 and 3, when later downloaded to my laptop would not play. What is even more annoying is that on day 3 as we drove down (up actually) into the Jura and the French Alps we were engulfed in a huge snowstorm which would have made great video. Alas none of those recordings were usable nor were the next day’s video with some spectacular views as we headed towards the south of France.

All of this brought back memories of the film era and so many disappointments of photographs that I knew were going to be amazing but after a visit to the photo lab were found to be too bright or too dark or blurred or, in one sad episode, completely blank. On that last occasion I remember going to pick up my prints and finding that the bill was rather cheap. ‘Is that right?’ I asked. ‘Oh yes’ said the rather smug girl at the till and I did wonder why my prints were not on the counter in front of me while I pulled some notes from my wallet. As soon as she had my money she handed over the prints wallet with the news that my film was blank and must have somehow been exposed. Nothing to do with them of course. A heated debate followed. The manager appeared and declared it ‘obvious’ that the film was exposed when removed from the camera incorrectly. I felt on the contrary that it was ‘obvious’ the photo lab had cocked up. Either way, I found somewhere else to do my developing and printing after that.

A GoPro Hero similar to mine.

Getting back to my video cameras, I did notice when downloading the footage that the date on my GoPro Hero had somehow reverted to 1899 instead of 2019 so that may have been the root of the problem. I updated it and later bought another new memory card and I did manage to record some more video but nothing as spectacular as the video that I should have had. Some other mistakes on my part led to me using up the memory card prematurely because I had left the GoPro running too long on a couple of occasions. In fact in one instance I have a good 30 minute sequence of the corner of a lay-by when we stopped for a brew and a sandwich. The latest video I had looked forward to producing may now be condemned to a fate similar to the latest Woody Allen film: Never to be released!

That brings me now to pre-paid Euro cards. Heading to France my wallet had a hefty chunk of cash Euros but just to supplement that I had a post office card which you can top up with a currency of your choice, in this case Euros. My biggest expenditure on the trip, apart from food and drink was fuel and we tended to always make for the supermarket fuel pumps which, as in the UK, are usually much cheaper than Texaco or Esso or all the other brand names. Each time though my Euro card was declined and I was forced to use my credit card and pay whatever arbitrary exchange rate was available that day.

Strangely enough, those same stores were willing to accept my Euro card in payment for food and groceries. Many petrol stations in France though are automated ones; perhaps that was the issue.

On the positive side though, one great advantage of a motorhome is simply this: As you motor down the Autoroute following the sun, you begin to feel the pangs of hunger and the need for a good old British cuppa. After a while a lovely layby or country aire surrounded by trees and birdsong appears. You stop, crank up the gas, gently fry the sausages on the stove while the tea brews and now, miles from anywhere, you can relax with a cup of English tea in one hand and an English sausage butty in the other. Wonderful!

Floating in Space is a novel set in Manchester, 1977. Click the links at the top of the page to buy or for more information.

Adventures with an Action Cam

Posted on by Steve Higgins

One of the great web sites of the modern digital age has to be Ebay. I spend a lot of time there, idly searching cyberspace for things that I want and sometimes, things that I don’t even know that I want. Do you ever look at your purchases and think, why did I buy that? Did I really want that? Was it just an impulse buy? It’s much easier to put something down if you are actually in a shop and say to yourself, ‘I really don’t need that’ than it is on the Internet.

Having said that I have picked up quite a few bargains on Ebay. We wont go into the numerous leather jackets, shirts and shoes that I have bought online and that don’t fit me even though they are clearly marked XXL and that when tried on, it becomes apparent that a dwarf pygmy wouldn’t fit into them, let alone someone of my considerable bulk. XXL it seems to me, is a term open to interpretation.

One thing that I did buy on Ebay and that I have had lots of fun-filled hours with is my action cam. My action cam is only a cheap one, made in China, and it’s a cheap copy of the much more expensive Go-Pro camera and only cost £20 compared to the huge cost of a proper Go-Pro camera. Mine does the job and takes some interesting pictures strapped to my bike handlebars or on my car window or wherever I choose to stick it.

On our recent holiday to France I spent a lot of time filming through the car window on our way down south from St Annes in Lancashire to Folkestone for the shuttle over to Calais and then on down through France to our rented gite in the rural Cher region in central France. There were, of course, the usual problems endemic to shooting ‘live’ action. The battery ran out at various crucial moments of interest and on other occasions I didn’t pause it properly so I shot an endless half hour of hum drum motorway and then, when we arrived at somewhere very lovely and photogenic I pressed the record button to begin filming but actually paused a recording I didn’t realise was already in progress. C’est la vie as the French say.

On my YouTube page I now have three short action cam films. A Trip Around the Block on my bicycle, my first foray into action cam film making. Second, a short underwater film of me taking a swim, not in the blue seas of the Mediterranean or some exotic fish filled lake but actually in our holiday swimming pool. Yes, I know what you are thinking but the lure of messing about with a video camera underwater was just too much! Anyway, now, coming to a computer screen near you, in colour and with the added attraction of a special written commentary spoken and verbally crucified by me, I give you, A French Journey . .

In case you didn’t catch this on an earlier post, check out this cycling video:

And last but not least, here’s my underwater video:

If you liked this post, why not try my book, Floating in Space? Click the links at the top of the page for more information. Click the picture below to go straight to amazon!

Adventures with a Camera

Posted on by Steve Higgins
Instamatic

My old Kodak Instamatic

I have always been a photographer. My first camera was either a birthday or Christmas present and it was a Kodak Instamatic 126. I still have the camera somewhere. From my point of view that was a wonderful present; from my parents perspective, perhaps not, because back then in the late sixties cameras needed film and film had to be developed and printed which was fairly costly, especially if you had a child that liked taking pictures and also, whose first attempts were not so good. These days if you take some dud pictures with a digital camera- delete them! It’s no big deal. Back then it was expensive!

I remember getting a major verbal lashing from my Mum when we had gone to Boots to collect my photographs. I was using colour film and Mum had to shell out for my pictures of my action man in various poses in the back garden! (Action man? Hey, I was 12!)

Bob the Dog.

Bob the Dog.

Here’s one of my favourite pictures, it’s our old dog Bob. You can read more about Bob in this previous post but he was a lovely dog, part Manchester terrier and part something else. My brother and I, well the whole family really, had a lot of fun with him and one day I caught him sitting in the sun in the back garden, slipped a pair of sunglasses on him and there he is, saved for as long as that black and white snap will last.

imageZenith TTL

I was in my twenties before I got my next camera. I bought it from a work colleague who was upgrading and the camera came with a huge 200mm lens, some filters and other bits and pieces. As you can see by this next picture I became really hooked on photography and starting buying camera magazines and books and really learning how to use a camera. I enjoyed taking special effects shots such as double exposures and hand firing the flash in darkened rooms with the camera shutter open. Also I used to take a lot of still life shots such as this one of my camera kit and books.

Olympus OM10Olympus OM10

As I gained more confidence I naturally wanted to upgrade. The camera I chose was an Olympus OM10. As time went on I gradually accrued quite a collection of lenses and filters. In the 1980s I was really keen on motor sport and I spent a lot of Sunday afternoons at Oulton Park racing circuit in Cheshire. Silverstone, the home of the British Grand Prix is not so photographer friendly with high fences and the spectators kept back from the track in the interests of safety. Hockenheim, the venue for this weekends German Grand Prix was a circuit I visited in 1988 and I took some great pictures there.

Prost

Alain Prost, McLaren Honda 1988

I had a motorwind and a zoom lens and I took some great shots of cars out on the circuit as well as some with my wide-angle lens in the paddock. (Not the paddock at Hockenheim I might add, even in 1988 it was far too expensive for me but Oulton Park’s paddock used to be pretty easily accessible, and fairly cheap.) Later, I bought an Olympus OM2SP, a little more sophisticated than the OM10 but still pretty easy to use.

Nikon DSLRDigital

I started the digital era with a canon powershot camera and then a Fuji that I picked up second-hand. My first and so far only digital DSLR is a Nikon D100. It’s still a fairly old-fashioned camera; it has the old style flashcard. I bought it on e-bay and I’m really happy with it. I do so love the digital camera age. With digital you can shoot like a professional, bracket your shots and take those extra frames to make sure you have captured your shot perfectly. No need to hold back or worry about running out of film, no need to worry about developing and printing costs. Cover yourself by taking shot after shot and just delete the unwanted ones. Even if they are not quite right, once the image is on your laptop or pc you can re-size, brighten, sharpen, add or take away colour. I’m so glad I have kept all my older, slightly poorer shots because now I can scan them and sort them out with my ten-year old version of photoshop or even with free editing sites like picmonkey. You can even take some of your pictures and convert them to a gif at sites like http://gifmaker.me/

As a blogger, photographs brighten up my blog posts and pull the reader in. On Twitter and Facebook, posts with images pull in 94% more views than posts without a relevant image. That’s a pretty staggering statistic so get out your camera today, even if it’s just your smartphone camera, and get snapping!

If you liked this post, why not try my book, Floating In Space? Click the links at the top of the page for more information or here to go straight to my amazon page.