Tag Archives: cinema

3 Summer Reads

Posted on by Steve Higgins

A long time ago I decided that I would set myself the task of reading the entire Hamish Macbeth series of books. There are 34 books in the series, all written by author M.C. Beaton which is in fact a pen name for Marion Chesney. Marion actually wrote many books under various pseudonyms including Ann Fairfax, Jennie Tremaine, Helen Crampton, Charlotte Ward and Sarah Chester. After Marion’s death in 2019 further Hamish Macbeth novels have appeared penned by writer R.W. Green.

Hamish Macbeth is a country policeman in the small Scottish Highland village of Lochdubh. Macbeth is a very relaxed kind of fellow. Some might even call him lazy. He shies away from promotion, even giving the credit for solving crimes to others so he can stay on in his beloved village.

A few years back the BBC made a TV series based on the books. ‘Based on’ is quite an interesting use of that particular phrase because the TV series is actually nothing like the books. The series was filmed in Plockton and Macbeth is played by Robert Carlyle. Macbeth is a laid-back relaxed character, just like in the books. He is not averse to poaching the odd salmon and he likes to apply the rule of law in his own way. He avoids promotion as all he wants is to remain in Lochdubh. That is pretty much where the resemblance to the books ends which was quite a surprise to me. Most of the characters in the series are the invention of the TV writers and not M.C. Beaton who wrote the books.

I’m not sure how happy I would be if someone made a TV show out of my book and then proceeded to change all the characters, still I did enjoy Hamish Macbeth as a TV show. It was an oddball, quirky little drama which ran for only three seasons and a few years ago Liz and I visited the village of Plockton which was very small and to be honest, didn’t actually look like the place in the TV series.

Not long ago after reading Death of a Scriptwriter last year, I put down the Hamish Macbeth books and took a little break from the murders in Lochdubh but as the summer has warmed up nicely and I’ve plenty of time to sit out in the back garden reading, I thought it was a good time to pick up the series again.

Death of an Addict.

This was a little different to the usual Hamish Macbeth novel. Macbeth and another officer, Glasgow DI Olivia Chater, masquerade as drug dealers to trap a drugs cartel operating in the highlands. I have to say that I didn’t like how the book leaves the usual village life behind and to be fair, I didn’t enjoy the book as much as the previous ones.

Death of a Dustman.

All the Macbeth series are titled ‘Death of’ someone and I noticed on the internet that there is one book that differs from the others called A Highland Christmas which seems to come in between Addict and Dustman. Anyhow, I don’t have a copy so I went straight on with Death of a Dustman. All the books in my collection end with the first chapter of the next book and Addict ended with chapter one of Dustman so perhaps the Christmas book is something a little different. Anyway, the action takes place once again in the village of Lochdubh where a new councillor decides to make the village ‘green’ by promoting recycling. As a result, the local dustman causes a lot of aggro when he declines to empty bins containing the ‘wrong’ sort of rubbish and of course he ends up getting bumped off.

Things get a little far fetched towards the end but overall, Death of a Dustman was a fairly pleasant read and another look at highland village life and its various characters.

Marathon Man

I mentioned a while ago about my brother dying and when I was sorting out his things I came across this short novel. Actually it was one of my own books and I must have lent it to Colin years ago and now it has once again come back to me. I can just imagine telling him ‘I told you that you never gave me Marathon Man back!’ to which he would probably reply ‘Well what about that Cary Grant book I lent you?’ Yes, I borrowed the Grant book ages ago when I wrote a post about Cary Grant and it’s still there, part read in my bedroom.

Marathon Man was written by the screenwriter William Goldman and later made into a film using Goldman’s own screenplay. It’s a fairly short book and according to Wikipedia it was the author’s most successful thriller novel. Escaped nazi dentist Christian Szell has been living in Paraguay since the end of WWII. He has a stash of diamonds acquired while he worked in a concentration camp which are in a New York vault looked after by his father. When his father dies in a car crash Szell has to return to New York to get the diamonds. Will it be safe though? Szell thinks that a US agent working for a secret department called the Division may be about to rob him when he picks up the diamonds.

The agent is known by the code name Scylla and Szell meets with him and uses a hidden knife to stab him. Scylla manages to survive long enough to get to his brother’s New York apartment whereupon he dies from his injuries. Szell believes that Scylla must have survived long enough to give his brother, nicknamed ‘Babe’, information about the diamonds and so his men kidnap Babe and he is tortured to reveal any information. Szell is a dentist and so he tortures Babe by drilling into his teeth. Later, Babe, a student who hopes to be a marathon runner manages to get away.

The story was made into a film starring Laurence Olivier as Szell and Dustin Hoffman as Babe. This led to an interesting confrontation of acting styles with Hoffman the ‘method’ actor and Olivier the celebrated traditional actor. On one occasion when Hoffman had to appear tired out after staying awake for three days Hoffman chose to actually stay awake for three days also. Olivier, tired of these antics famously asked Hoffman ‘Dear boy, why don’t you just act?’

(I should mention here that while researching this and checking my facts -I had originally thought that Hoffman had gone running to make himself appear breathless- I found a really interesting article in the Guardian in which the author finished with a wonderful quote about acting from George Burns who once said “sincerity is everything. Fake that and you’ve got it made!”)

The film very much follows the lines of the book except that in the film, it is Szell’s brother, not his father who looks after the diamonds and also in the book, Babe is a little more ruthless and cold blooded than Hoffman portrays him on film. In fact, Babe shoots Szell dead in the book but in the film, Szell is killed by falling on his own knife.

Both the book and the film were highly successful and Olivier’s Szell is one of the most famous screen villains, particularly with his catchphrase ‘Is it safe?’ which he continually asks Hoffman’s character before commencing to torture him. It’s a film which probably put a huge amount of people off going to the dentist for years and the book is equally as scary and also superbly written.

Anyway, that’s what I’ve been reading. What are your summer reads?

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Titanic

Posted on by Steve Higgins

The story of the Titanic, the ship that hit an iceberg and sank in 1912, is one of those stories which seems to be forever in the news. It’s a story that has caught the imagination of pretty much everyone. Even the other day, just scrolling through the BBC news page, I came across an item about some new digital scan of the Titanic wreck which revealed new information about the disaster.

This week I thought I’d take a look at the story of the Titanic and how it has been represented by television and film, well at least the TV shows and films that made an imopression on me, as well as the actual story of the tragedy.

The Titanic was designed to be the new premier ship of the White Star Line. It had been built by Harland and Wolff in Belfast and built alongside its sister ship the Olympic and was launched on the 31st May 1911 and was then towed to another berth where its engines and superstructure was installed as well as its majestic interior. The sea trials of the ship were undertaken on the 2nd April 1912 just eight days prior to leaving Southampton on its maiden voyage. The Titanic was the largest ship in the world and advertised as having the passenger accommodation of ‘unrivalled extent and magnificence’. It was also billed as unsinkable even though a few days into its first journey it would end up at the bottom of the Atlantic Ocean.

The Titanic on Television.

The Time Tunnel

The Time Tunnel was a sci-fi series created by Irwin Allen in the 1960s. The best episode in the series was probably the very first one. A US senator has come to take a look at a secret time travel project and see if the huge amounts of money being spent are justified. Scientist Tony Newman, fearful that the project will be cancelled, decides to trial the new Time Tunnel apparatus and send himself back in time. He activates everything and transports himself back in time arriving in 1912 on board the  Titanic.

His colleague, Doug Phillips also goes back to the same time zone to rescue Tony. The captain of the Titanic naturally doesn’t believe his ship is doomed to sink and back in the Time Tunnel control room the technical staff have a bit of a problem bringing the two scientists back to the present (actually 1968) but manage to transfer them to another time zone and so the scene is set for the subsequent adventures.

The Titanic at the Cinema.

A Night to Remember (1958)

I’ve always liked this film. It starred Kenneth Moore as the Titanic’s second officer, Charles Lightoller, and was based on a book about the disaster. The film was released in 1958 and tells the usual story about the sinking. The ship sets off but during the journey the overworked telegraph officers fail to pass on a warning about icebergs. The ship hits the iceberg and sinks. Despite a limited budget and only 1950s era special effects, A Night to Remember is actually a really good film.

Raise the Titanic (1980)

This was a film produced by TV mogul Lew Grade who was wanting to move his TV production company ITC Entertainment into the world of cinema. He had read the original book and thought that it might be possible to make a film series about US government operative Dirk Pitt in the manner of the Bond series.

In the film Dirk Pitt played by Richard Jordan proposes a salvage operation for the Titanic as he is convinced an American named Brewster had discovered a rare radioactive element called Byzanium which was stowed in wooden shipping boxes aboard the Titanic.

A huge undersea search takes place and the Titanic is ultimately found and raised. The Byzanium is not found aboard though although it does finally emerge in a neat twist at the end.

I’ve always enjoyed Raise the Titanic. It was based on a bestselling book by Clive Cussler although the film did not emulate the book’s success.

A great deal of the budget for the film was used to create a 50 foot model which was filmed at a huge water tank at the Mediterranean Film Studios in Malta. Apparently the three million pound model remains there today rusting away although the water tank is in regular use.

Not long after the film was made the real Titanic was located and it was confirmed the ship had broken up and was lying on the sea bed in two separate sections.

Titanic (1997)

Titanic was written and directed by James Cameron. The main thrust of the story is about two passengers from wildly different social classes who fall in love on the ship although one, played by Leonardo DiCaprio, dies in the disaster and the other played by Kate Winslet survives.

A treasure hunter (Bill Paxton) and his salvage team explore the wreck of the Titanic looking for a famous necklace, the Heart of the Ocean. They discover a safe which they bring to the surface to find it only contains a sketch of an unknown woman. After it is featured on TV the woman comes forward and tells the story of meeting Jack Dawson (DiCaprio) and of course of the sinking of the Titanic.

Director Cameron and his producers built a huge outdoor set in Playas de Rosarito in Mexico with uninterrupted views of the ocean and a water tank in which the Titanic set could be tilted to film the sinking scenes. Overall, the production cost was over 200 million dollars making it the most expensive film of all time. Happily for the producers, it also became the highest grossing film of all time until the release of Avatar, another film written and directed by Cameron.

The Novel

Dreaming a story and making it into a novel or a screenplay sounds pretty fantastic but in 1898 an American writer, Morgan Robertson, wrote a story about an unsinkable ship called the Titan which sailed from England to the USA but during the journey hit an iceberg and sank. The story was published fourteen years before the Titanic disaster. I remember reading the story of this writer years ago, even that the writer saw the story played out in front of him like a movie but all the research I did on the internet for this blog seems to imply that the author was a man who knew his business where ships were concerned, felt that ships were getting bigger and bigger and that a disaster like that of the Titanic was inevitable.

Books

I only have one book in my collection about the Titanic. It’s a big glossy picture book, not about the actual ship, but about the shooting of James Cameron’s film. It documents Cameron’s twelve dives in a tiny submersible which gave him the idea of the treasure hunters looking to find the necklace the ‘Heart of the Ocean’ and his realisation as Cameron himself mentions in the book’s foreword that the main thrust of the story should be a love story with the Titanic disaster almost as a backdrop.

The book tells about the numerous models that were built of the ship both as a pristine sea going vessel and as an underwater wreck. The making of the full size set in Mexico which could be dropped via hydraulic pistons into a huge water tank was an immense undertaking and adds immeasurably to the finished film.

So what actually happened to the Titanic?

The Titanic was on its maiden voyage to the USA. It left Southampton on the 10th April 1912 and stopped at Cherbourg in France to pick up more passengers before heading out across the Atlantic to New York. Four days into the voyage it hit an iceberg. Lookouts had been sent aloft to look for icebergs but their task was difficult. It was a moonless night and pitch black. The sea was very calm which meant that the lookouts could not see waves crashing against the icebergs that they had been warned to look out for. When an iceberg was finally spotted the lookouts rang down to the bridge. The officers there ordered the ship to turn hard to port. Some reports say that the engine room was ordered to stop engines which would not have helped the turn. Either way the ship brushed the iceberg and the resulting contact made a gash along the side of the ship and water rushed in.

The ship had been designed to stay afloat with four of her watertight compartments flooded but it could not stay afloat with the flooding of six. Interestingly the compartments were not sealed at the top so that when one flooded, the water tipped over into the next and so on until the ship sank.

The bow of the Titanic courtesy Wikipedia Commons

In another documentary I watched a few years ago a theory was put forward that the three million rivets that held the steel plates of the ship together were made of poor grade metal which became brittle in the freezing sea water. When the ship impacted the iceberg, the heads of the rivets popped off and sea water flooded inbetween the steel plates of the hull.

RMS Carpathia arrived about an hour and a half after the sinking and rescued all of the 710 survivors by 09:15 on 15 April. More than 1500 people died in the freezing waters of the Atlantic.

Titanic in the News.

As I mentioned earlier, the Titanic was in the news again when a new 3d scan of the wreckage of the Titanic was revealed.

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Texting and my Brother

Posted on by Steve Higgins

My brother died this week. As you can imagine I’m pretty upset. He was the younger brother so the accepted plan was for me to die first but somehow, things didn’t work out that way. Still, to a certain extent my brother was a burger and pizza eating TV watching couch potato so perhaps him dropping dead like that was not really unexpected. He was a guy that I sometimes wanted to slap and tell him to sort himself out, to clean his flat up and wash the pots and hoover up and get himself off his lazy backside and get a job or do some training or something.

Once I made him a huge roast beef Sunday lunch. I had done loads of food so I plated up an extra portion and told him  to ‘slap this in the microwave and eat it tomorrow’. I called him the next day to remind him. ‘Remember’, I said. ‘You’ve still got that roast dinner in your fridge. Slap it in the microwave tonight.’

‘Oh that’, he said, dismissively. I ate that last night when I got home!’

Despite all that, despite him spending money recklessly, buying numerous leather jackets from catalogues, getting into debt and going everywhere in taxis and eating takeaways when he could have saved money by eating sensibly and eating healthily, Colin, my brother, was a latter day Oscar Madison (remember the Odd Couple) who was happy doing nothing but watching television and old films day after day and paying for the top satellite channels when he had no money. Despite all that and owing money left right and centre, he was my best friend and I loved him and miss him so much.

This next section is something I wrote about him a few years ago. Just reading it brought back our friendship so fully that I almost picked up my phone and texted him there and then.

I’ve written about my mother and father in my blog posts so perhaps it’s about time I wrote about the one remaining family member, my brother. My brother Colin lives in Manchester and we see each other every couple of weeks or so when we meet up in the city centre for a pint or two.

My brother Colin is a very subtle character. He won’t ask me outright if I fancy a pint with him, he’ll tend to text me and his text will usually go something like this:

Meatballs!

You’re probably thinking, now that is subtle; is it a code? No, but the correct answer is this:

Definitely!

Still completely in the dark? Well, I suppose you might not be classic movie fans like Colin and me because a lot of the time we text in movie dialogue.

My brother sent me a text a few days ago; it read simply ‘You don’t remember me do you?’

Probably a little confusing to the man on the street but I knew exactly what he meant. I responded with; ‘I remembered you the moment I saw you!’

My brother came back straight away; ‘by the nose huh?’

Yes, texting in movie dialogue is what we do. Picked up on the movie yet? That particular movie is one of the movie greats of all time. It starred Marlon Brando in an Oscar-winning performance, much better, much more exciting and above all, much more human than his other Oscar-winning role in The Godfather.

Here are some more texts

ME: Do you remember parochial school out on Puluski Street? Seven, eight years ago?

MY BROTHER: You had wires on your teeth and glasses. Everything.

ME: You was really a mess.

The movie was ‘On the Waterfront’ and it’s probably famous for the double act of Marlon Brando and Rod Steiger playing brothers but there are plenty of other wonderful performances and scenes. My personal favourite is when Brando and Eva Marie Saint walk together in the park and Eva drops a glove which Brando picks up but keeps hold of and eventually pulls onto his own hand and we know that Eva wants it back. The dialogue above comes round about here when Brando, playing the part of Terry Malloy, realises he knew Edie, played by Eva Marie Saint at school. He is trying to communicate with her in his oafish way and Edie begins to realise she actually likes him but, well watch the movie, believe me it’s a great scene. It finishes like this:

MY BROTHER: I can get home all right now, thanks.

ME: Don’t get sore. I was just kidding you a little bit.

I read somewhere that Elvis knew all the dialogue from Rebel Without a Cause, the James Dean movie. If so, my brother Colin and I are in good company because we know the dialogue from that film too, as well as Giant and the aforementioned On the Waterfront. One day I thought I’d try a quote on Colin that he would never get.

ME: I took everything out of that car except the rocker panels!

I sent the text off feeling pretty pleased with myself. He’ll never get that in a million years I thought. My phone bleeped a moment later and I looked down to see:

MY BROTHER:  C’mon Herb, what the hell’s that?

Top marks indeed if you remember that dialogue from The French Connection.

My brother and I do text each other a lot but we also chat on the phone too. The thing is though; we talk on the phone with East European accents. We started doing it one day then began a sort of unspoken contract to carry it on. Sometimes I’ll get a call and he might say, in his best Hungarian accent ‘ Gut Evenink my friend’

‘Gut evenink to you also my friend’ I tend to reply.

East European is the norm but sometimes we use German accents. Handy when we bounce quotes from The Great Escape off each other!

Me: I hear your German is good, and also your French . .

My Brother: Your hands UP!

The Great Escape is a firm TV movie favourite but let me finish with a 60’s classic we also frequently text about:

Me: She’s in beautiful condition!

My Brother: Blimey girl, you’re not as ugly as I thought!

Me: I saw that geezer Humphrey going off. You’re not having it off with him are you?

My Brother: I tumbled at once. Never be cheerful when you’re working a fiddle!

Me: I ain’t got my peace of mind. And if you ain’t got that, you ain’t got nothing.

My brother: It seems to me that if they ain’t got you one way, they’ve got you another.

Got the picture yet? The film is Alfie. It was directed by Lewis Gilbert who also directed some of the earlier Bond films. The script was written by Bill Naughton and adapted from his own book and play. Alfie is a fascinating film on many levels. It’s a peek back at the swinging sixties; it explores the elements of comedy versus drama, something I’ve always loved and which I looked at a while ago in a post about the TV show MASH. The film features great performances from all the principal and supporting actors. One fabulous feature is how Alfie talks directly to the camera and sometimes even says things that directly contradict something he is doing or saying to another character. In the opening sequence, Michael Caine as Alfie, addresses the audience and tells them not to expect any titles. There are none, except for the film title itself and the closing credits which feature photos of the cast and crew.

Many actors turned down the chance to play Alfie on film, including Caine’s then flat mate Terence Stamp who played the part on Broadway. Laurence Harvey, James Booth and Richard Harris all turned down the role and Alfie became a breakthrough movie for Michael Caine.

Now my brother has gone it’s too late to text him one final time. If I could though I’d perhaps text him this:

So what’s the answer? That’s what I keep asking myself. What’s it all about?

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4 Bad Films (But I Like Them Anyway)

Posted on by Steve Higgins

I am a great film fan as regular readers will know, particularly classic films. I do occasionally watch a film at the cinema but generally I reckon I am really your regular couch potato type of guy who tends to watch films in the comfort of home with a large cup of tea and perhaps a corned beef sandwich nearby.

Most people will have the experience of settling down to watch something good on the TV only to find that the film you have waited for is in fact, a load of old cobblers. What can you do but flip through the channels and try and find something else to watch. The big problem there is if you are watching during the evening, most films start at 9pm so if you have to flip over twenty minutes into a dud film, you’ll have missed the first twenty minutes of the good film that started over on some other channel.

Yes, it can be a hard life for us dedicated couch potatoes, that’s why I like to have a good DVD on standby to rescue the evening if things go sadly wrong.

According to Wikipedia: globally, film production varies significantly by country and year, but in 2023, China produced nearly 780 feature films, while the UK saw 207 films go into production, and the US and Canada saw 569 movies released.

To be honest, looking at those figures it’s hard to understand why a bad film actually gets made. Look at the process a bad film has to go through. Someone has an idea for a film, then they either write a screenplay or pay someone to write one. The screenplay comes to the attention of a producer and he says something like “I bet Brad Pitt would be good in the lead, and, what about Jennifer Anniston for the female lead”.

Scripts are sent out, a budget is raised, directors, cameramen, sound people, set designers and all manner of people come on board. The film is made and released. The critics go to see it and think, wow, this film stinks. Nobody comes to see it and a few weeks later it’s suddenly on Sky cinema with someone hired to write a whole lot of (lying) complimentary stuff about it to make you watch it.

People do watch it, realise it’s bad and twenty minutes later they change channel and are now watching a re-run of Star Trek that was made in 1968. Why didn’t someone way back down the line say ‘hang on, this is rubbish, let’s scrap it and film something else?’

Of course, one man’s Oscar winner is another man’s straight to DVD seriously bad film.

Here’s the crazy thing though, sometimes those bad films are so bad that you actually like them. Anyway, for this week’s blogging entertainment, I thought I’d list a few examples of rubbish films that I kind of enjoy.

Uncle Buck.

Uncle Buck is a complete load of old tosh but I just seem to be drawn to it like a moth to a flame. Never seen it? Really? OK it’s a sort of variant on the film Home Alone and in fact one of the characters is played by that kid from the Home Alone films, Macauley Culkin.

In this film a couple have to leave home because the wife’s father has had a heart attack. Who can they get to babysit the three kids? No one is available so the no-good bum of a brother-in-law is roped in, you guessed it, Uncle Buck.

Uncle Buck is played by the late John Candy and he has to contend with kids he doesn’t even know including, as well as young Mr Culkin, two screen sisters, one of them a teenage girl with a big attitude problem. She is completely embarrassed by her uncouth uncle and his smoke screen producing old banger automobile and even though the film is just a notch above rubbish, it’s actually quite fun in parts.

Buck sorts out ‘Bug’, the teenage girl’s cheating boyfriend and in doing so finally makes friends with his teenage niece. Uncle Buck is a great film to watch when you’re tired and not really paying attention and I always get the feeling it was written by a sort of committee of writers. (Probably the same committee that wrote Home Alone and Three Men and a Baby and so on.)

The thing about Uncle Buck is that the star, John Candy is actually pretty funny (in parts) and there are some actual funny elements to the film. Believe it not, even though I once hated this film, I’m beginning to warm to it.

Robin Hood, Prince of Thieves

There have been numerous film versions of the Robin Hood legend and for me the stand out one is the Errol Flynn version with Errol as Robin, Olivia De Havilland as Maid Marian and Basil Rathbone playing the villain. In this rather dire version made in 1991, Kevin Costner plays the legendary English hero with an accent that would not be out of place on the streets of New York.

Costner, as the noble Robin of Loxley, returns from the crusades to find that his father (not a bad performance by British favourite Brian Blessed) has been hung and his home laid to ruin by the Sheriff of Nottingham, played in a villainous but slightly camp way by Alan Rickman, whose performance was universally praised. Robin was accompanied by Azeem, a Muslim who feels he has to repay Robin for saving his life.

The film featured the hit single Everything I Do, I Do it For You sung by Bryan Adams and also had a small cameo from Sean Connery playing King John. The exteriors were shot in the UK and one particular location was at Sycamore Gap, just by Hadrian’s Wall in Northumberland. The tree used in the sequence became known as the Robin Hood tree which featured in the news in 2023 when it was cut down by vandals.

The film does start out fairly seriously with Robin escaping from capture in the holy lands and then making his way back to England. Alan Rickman’s performance later in the film gives the story a lighter sort of tone and although I’ve always preferred other versions of the Robin Hood legend, over the years I’ve actually begun to like this one.

Ferris Bueller’s Day Off.

So what have we here? A young American lad (Matthew Broderick) decides to have a day off school by pretending to be sick. He calls over his hypochondriac friend Cameron (Alan Ruck) and gets him to call their school with the fake news that his girlfriend’s grandmother has died so she (Mia Sara) can also get a day off and the three decide to have a little fun by going out in Cameron’s father’s beloved Ferrari.

The headmaster of the school (the Principal as the Americans call them) knows something is up and is determined to catch Ferris in the act of truancy.

The whole thing is a load of old rubbish but like the other two films mentioned above, it has somehow wormed its way into my affections.

The Vikings

I thought I might finish with that classic rubbish film, The Vikings. The Vikings is a 1958 epic produced by Kirk Douglas who also starred in the film. Douglas and Tony Curtis star as Viking half brothers and if my memory serves me right, they don’t actually know they are brothers. They do a lot of raiding and pillaging over in England and it turns out Tony Curtis might be the heir to a Kingdom in England and Kirk Douglas might be the heir to the Viking leadership. To be honest I’ve never been really sure what the score is even after looking up the film on Wikipedia but the finale ends with Kirk Douglas about to bump off Tony Curtis but hesitates for a moment having been told Tony Curtis is actually his half brother and then during that second of hesitation Curtis manages to bump off Kirk, or was it the other way round?

Anyway, the whole film is a mildly entertaining load of old tosh and my brother and I used to watch it as children and try to imitate the rather catching musical theme.

Once again, despite this being a completely dire film, I always tend to watch it for reasons completely unknown to anyone, especially myself.

What bad films do you enjoy?

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8 Fictional Presidents

Posted on by Steve Higgins

Donald Trump, the 47th president of the US, has been in the news quite a lot recently. He’s cutting down on the number of federal employees. He has stopped federal help for electric cars, he’s made it known he wants the USA to take over Gaza and he is also negotiating with Russia to stop the war in the Ukraine. He doesn’t seem to have involved President Zelensky in these talks despite Zelensky being the president of the Ukraine. Trump has even cast doubt on Zelensky’s right to be the president as, because of the war, Ukraine hasn’t held any elections. This is quite rich really as Putin, the leader of Russia, has not only rigged the Russian elections but has changed the law in Russia so he can continue as president and has also allegedly bumped off Alexei Navalny, his major political opponent.

It’s a story that you couldn’t write and that got me thinking about fictional presidents so I thought I’d start with a book I’ve just read here in sunny Lanzarote.

President Duncan

The President is Missing by Bill Clinton and James Patterson has been a good holiday read. A helter skelter fast paced read but moves along quickly and has nicely laid out short chapters to enable me to pause, jump in the pool to cool off and then resume reading.

President Duncan has a lot of problems on his hands. His wife has recently died of cancer and he is suffering from some sort of blood disease. On top of that the Speaker of the House has started hearings regarding rumours that the President spoke to a known terrorist on the phone and even helped him to escape capture.

Not only that but the President agrees to meet an unknown woman who knows a secret password known only to the President and his trusted advisors. She asks the President to meet her colleague at a football game without security and the President agrees and dismisses the Secret Service. Happily the Secret Service are hanging about closely and save the President from an assassin’s bullet but now he has to deal with a threat concerning a computer virus that will shut down every computer in the USA including those that deal with nuclear strikes.

One of the reviews on the back cover was from someone who likened the book to the film Airforce One, and to be honest, I felt the same way, even picturing the President as Harrison Ford, who played the President in that film.

The book was a great holiday read although I did wonder what part Bill Clinton played in the writing process. Did he just provide background to James Patterson or did he contribute towards the storyline too?

Anyway, the book was a great holiday read.

President James Marshall

Clearly I have to follow on with Airforce One, an action packed film starring Harrison Ford as President James Marshall. In this film the President leaves Russia in his aircraft, Airforce One after a joint US/Russian mission to capture a terrorist named General Ivan Radek. Unknown to the President, a group of Radek sympathisers have joined the aircraft posing as journalists. They take over the Airforce One but it looks as though the President has got away in an escape pod. However, the President was unwilling to leave his family behind and he has hidden himself in the cargo hold. The film then unfolds in the manner of a Die Hard film with the President bumping off the terrorists and managing to contact the White House and also to free his colleagues pretty much in the way that Bruce Willis might have done.

Not a great cinema experience but I kind of enjoyed it.

President Jordan Lyman

Seven Days in May was a political thriller released in 1964 and directed by John Frankenheimer. Kirk Douglas plays United States Marine Corps Colonel “Jiggs” Casey who works for Four Star General James Mattoon Scott, a highly-decorated officer played by Burt Lancaster. Jiggs thinks that Scott might be planning a coup to remove the President who has just signed a nuclear disarmament treaty with the Soviet Union, a deal which is highly unpopular with the military. Jiggs discovers that a military group known as ECOMCON has been assigned to seize radio and television networks. He manages to see the President and convince him of the threat. The President, still somewhat sceptical, organises a small group of staff to investigate.

Interestingly, President Kennedy authorised the producers to film scenes at the White House. He had read the book that the film was based on and as he had dealt with critical members of the military himself, was perhaps worried that the fictional scenario could be a real possibility.

The President was played by Frederic March who was one of the great cinema actors of the 1930s and 40s. He was the original Norman Maine in the first version of A Star is Born made in 1936 and even starred with Greta Garbo in Anna Karenina in 1935.

Presidents Palmer, Taylor and Logan

The TV series 24 first appeared in 2001 on US television. Each episode lasted for an hour and is told in real time with a digital clock on screen updating the viewer. The first series is set on the day of the US presidential primary in California. Jack Bauer, a maverick agent of the CTU Counter Terrorism Unit, is detailed to protect presidential hopeful David Palmer from an assassination attempt. Palmer was played by Dennis Haysbert as a potential black US president.

Season 2 details how Bauer, played by Kiefer Sutherland, must prevent a nuclear bomb from exploding and assist David Palmer, now the US president, in finding the culprits. Jack is assisted by a team of agents at the CTU hi-tech control room who are adept at computer manipulation, taking over feeds from CCTV cameras, hacking into other public computers and researching various information to help Jack.

Allison Taylor is the first female president of the USA. She first appeared in the episode Redemption which was a bridging episode between series 6 and 7 as series 7 was delayed due to a writers’ strike in Hollywood. Taylor was played by actress Cherry Jones and almost seemed to be a precursor to a real life female president. As it happened, Hilary Clinton was defeated at the polls and Donald Trump became the president in 2017. (Personally, I always like President Taylor. She always reminded me a little of Captain Janeway from the TV series Star Trek Voyager.)

President Logan was played by Gregory Itzin and first appeared in season 4. He was the Vice President but was later sworn in as President when the previous President was injured in a terrorist attack. As President, Logan becomes involved in the murder of former President Palmer and is eventually forced to resign. Later, he tries to help President Taylor with a peace treaty with the Russians but again, some dodgy dealings lead him to commit suicide. Some thought the character was inspired by real life President Richard Nixon. Whether that was true or not I’m not sure but Logan was a very tricky President indeed.

I thoroughly enjoyed 24. Jack Bauer was an uncompromising agent who was convinced that the end justified the means and would shoot anyone, threaten anyone, good or bad who got in his way. The series was a very slick hi tech espionage show which combined spies, shoot outs and computer science in an exciting TV series.

Presidents Kane and Kennedy

Shall We Tell the President was a novel by Jeffrey Archer first published in 1977. In the book Edward Kennedy has become the US President and FBI agents become aware of a plot to kill the President.

I read this book many years ago but recently came across this new edition, rewritten by the author himself. In real life Ted Kennedy never made it to the White House, his challenge cut short by the ghost of what happened to Mary Jo Kopechene at Chappaquiddick. In this rewrite then, the author puts his own fictional president, President Kane in charge at the White House.

The FBI learn of a plot to murder the President. A Greek waiter, an illegal immigrant, learns of the plot whilst working as a waiter at a restaurant in Washington DC. He calls the FBI and the two agents assigned to the case report quickly to their superior. Soon, one of the agents and their boss, as well as the informant are dead leaving only one agent who by chance has survived a murder attempt. He has six days to track down the assassins.

The book kept me interested but I can’t say it was a great read and I thought some of the dialogue was a little poor, in particular the FBI agent who kept referring to his new girlfriend constantly as ‘pretty lady’ was a little cringeworthy to say the least. Sorry Mr Archer but I’d have to give this one a five out of ten.

Just off the top of my head without using Google, that’s about all the fictional presidents I can come up with for now. Which was your favourite?

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Watching (and reading) the Detectives

Posted on by Steve Higgins

Liz and I are over here in sunny Lanzarote having exchanged the cold of the UK for the warmth of Lanzarote. Of course, it is still February and things aren’t perfect over here. It’s warm but there are plenty of days when gusty winds blow across the island as well as days when the sun has been obscured by clouds. Even so there are still plenty of bars to drink at, plenty of tapas to be eaten and of course we have plenty of books to read, two of which have inspired this week’s post.

The Thin Man is a book I picked up somewhere in a second hand bookshop. It was written by Dashiell Hammett and features his famous detective, Nick Charles.

Dashiell Hammett was born in May, 1924 and became a writer of detective stories after working for the famous Pinkerton National Detective Agency. In his obituary in the New York Times, they described him as ‘the dean of the hard boiled school of detective fiction.’

Time magazine included his novel Red Harvest, published in 1929, on their list of the 100 best English language novels. The Thin Man was made into a film in 1934 starring William Powell as Nick Charles and Myrna Loy as his wife Nora. I’ve only just started reading the Thin Man and it’s been pretty good so far. One interesting element of it though was finding out that in New York in the mid 1930’s it was possible to find an all-night delicatessen that would deliver coffee and sandwiches at 5 in the morning.

A further 5 sequels in the Thin Man film series were made finishing in 1947 with Songs of the Thin Man.

Another book by the same author is one that Liz got me for Christmas, The Maltese Falcon. I’ve only just scanned through it so far but it looks like being a good read. The book was made into a classic film in 1941 with Humphrey Bogart playing the part of detective Sam Spade. Mary Astor plays Ruth Wanderley who contacts the firm of Spade and Archer to help her track down her missing sister who she thinks might be held against her will by a man called Thursby.  Miles Archer, Spade’s partner decides to take on the case but is found dead by the police later that night.

Spade begins to try and find out what has happened and meets various other characters like Joel Cairo and Kasper Gutman played wonderfully by Peter Lorre and Sydney Greenstreet. One of my favourite scenes is where Spade and Gutman meet and Gutman asks ‘are you a close mouthed man?’ Spade replies that no, he likes to talk and Gutman responds famously with ‘I’m a man who likes to talk to a man who likes to talk’.

Hammet died in 1961 of lung cancer and Raymond Chandler said this of him: ‘He was spare, frugal, hard-boiled, but he did over and over again what only the best writers can ever do at all. He wrote scenes that seemed never to have been written before.’

That brings me nicely to another of my favourite detectives, Philip Marlowe and he first appeared in the novel The Big Sleep. The book was written by Raymond Chandler and Chandler had this really fabulous talkative way of writing. You can almost imagine hearing Humphrey Bogart’s voice as you read the book. Bogart of course played Marlowe in the 1946 film version directed by Howard Hawks. Here’s a quote from the book, an example of Chandler’s descriptive style:

I sat down on the edge of a deep soft chair and looked at Mrs Regan. She was worth a stare. She was trouble. She was stretched out on a modernistic chaise-longue with her slippers off so I stared at her legs in the sheerest silk stocking. They seemed to be arranged to stare at. They were visible to the knee and one of them well beyond. The knees were dimpled, not bony or sharp. The calves were beautiful, the ankles long and slim with enough melodic line for a tone poem. She was tall and rangy and strong looking. Her head was against an ivory satin cushion. Her hair was black and wiry and parted in the middle and she had the hot black eyes of the portrait in the hall. She had a good mouth and a good chin. There was a sulky droop to her lips and the lower lip was full.

Not bad eh? Dilys Powell called his writing ‘a peculiar mixture of harshness, sensuality, high polish and backstreet poetry’ and it’s easy to see why. Mrs Regan was played by Lauren Bacall in the film version and up until now I had always thought this was the film where Bogart and Bacall met. Wrong! A quick check on Wikipedia and I see the couple met on the set of To Have and Have Not in 1944. Bacall was 19 and Bogart was 45 and married to his third wife Mayo Methot at the time. Sparks apparently flew between the couple and Bogart divorced Mayo and married Bacall the next year, 1945. Despite the great on screen chemistry together the couple only made four films together.

The film version of The Big Sleep was a brilliant adaptation of the book and some of the differences are interesting. For instance, early in the book, detective Philip Marlowe played by Bogart meets General Sternwood’s daughter Carmen. She looks at Marlowe and remarks how tall he is. In the film, Bogart of course wasn’t that tall so the dialogue is reversed ‘You’re not very tall, are you?’ comments Carmen.

The plot of the book and film are pretty complicated, although having read the book recently I think that the book is easier to follow. During the filming the director and his stars wondered who killed the character of Owen Taylor, the Sternwood’s chauffeur. They sent a cable to Raymond Chandler asking him. Chandler told a friend later ‘Dammit, I don’t know either!’

One strange element in the film, certainly for me, is a scene where Philip Marlowe (Bogart) is watching blackmailer Geiger. Geiger has a shop that sells rare books in Hollywood and Marlowe asks for information in another bookshop opposite. There he chats to a bookseller played by Dorothy Malone who, if you are old enough, you will remember her from the Peyton Place TV series. Malone and Bogart seem to hit it off well in the film but he never returns to the bookshop and Dorothy is never seen again in the film.

Every time I watch the film, I always expect Malone to reappear but that’s one of the many dead ends the film leads us down. I think it was Hitchcock who said that every scene in a film should lead the audience somewhere and Quentin Tarantino of course said the reverse. Perhaps director Howard Hawks favoured Tarantino’s view.

Basil Rathbone as Holmes and Nigel Bruce as Dr Watson (image via creative commons)

Perhaps the most famous literary detective is Sherlock Holmes, created by the author Sir Arthur Conan Doyle in 1887, first appearing in the story A Study in Scarlet. The stories are narrated by Holmes’ friend and companion, Doctor Watson. The Guinness Book of Records reports Holmes as the most portrayed character in film and television history.

My personal favourite Sherlock Holmes in the cinema was the version created by Basil Rathbone in a series of films beginning in 1939. 14 films were made with Rathbone as Holmes and Nigel Bruce playing the part of Dr Watson. The first two films were set in the Victorian era and were produced by Twentieth Century Fox. The later films were produced by Universal who set the films in, what was then, the present time period, that of the second world war.

Time now to move onto my favourite TV detective, the bumbling Lieutenant Columbo.

Columbo first appeared in the early 1970s as part of the Mystery Movie TV series. Each week followed a different detective trying to track down a murder case, sometimes it was MacMillan and Wife and other weeks McCloud, Banacek or various others. The most popular one by far though was Columbo.

Columbo was a homicide detective for the LAPD and he was played by Peter Falk, although the role was originally written for Bing Crosby. Crosby however thought a regular TV slot would interfere too much with his golf so he turned down the role, went back to the fairway and the part went to Peter Falk who made it his own.

If you ever see the original pilot, shot in 1968, you can see how Crosby might have fitted into the part, as Falk plays Columbo in a very Crosby like laid back way. The very first guest murderer was Gene Barry who was familiar to TV audiences after playing Amos Burke in Burke’s Law for many years. He also starred in a 1953 film version of War of the Worlds.

The pilot episode also introduced audiences to a particular feature of Columbo, in that we see who the murderer is and how he commits the crime first. Then we see Lieutenant Columbo gradually solve the clues and get his man, or woman. The essence then of a great episode comes in the clever way Columbo nails the murderer. Sometimes that moment is a bit of a non starter, other times it’s nothing short of brilliant. Sometimes, even if that final moment is not so great, it’s still been a great episode.

The Columbo of the early series is an absent-minded quirky fellow although in later episodes, Peter Falk who plays the detective, seems to downplay that quirky element.

Favourite episode? I’m not certain but it might be ‘Murder by the Book‘, starring my favourite murderer, Jack Cassidy. In this 1971 episode, Jack plays a writer, actually part of a writing double act, who together produce a series of novels about ‘Mrs Melville’ who is an amateur detective. The thing is, Jack’s partner wants to ditch the partnership but Jack is not happy about it. He is so unhappy he decides to, yes you guessed it, bump off his co-writer. He does it in a rather ingenious way which foxes Columbo but not for long and to cap it all, the episode is directed by none other than Steven Spielberg!

So who was your favourite fictional detective?

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Transformations (3)

Posted on by Steve Higgins

This the third instalment of a post on the theme of transformations. The very first one (which you can read by clicking here) started off with the transformation of the common market flower seller Eliza Doolittle into a refined lady.  I hope that explains the basic idea so let’s get cracking with a few more interesting transformations.

One that came to me while lying in bed one morning was a story told to me by my mother. Walking down our old street many years ago she pointed out a tall, thin man who we used to let on to whenever we passed. He was, I assumed, very old as he had a great mop of white hair. Mum had lived on that street most of her life. She had come to Nuffield Road with her mother and father as a child and when mum grew up and married they gifted the house to her. She told me that the tall lanky man wasn’t old at all. He had gone away to war in the 1940’s and had been captured by the Japanese. He had endured a terrible time as a prisoner of war and when he returned he was a shattered man and his hair had turned snow white.

Shirley Valentine

Shirley Valentine started life as a play by Liverpool writer Willy Russell. Later the story was turned into a film with Pauline Collins starring as the eponymous heroine. Shirley Valentine was a lonely Liverpool housewife who spent a lot of her time talking to her kitchen wall. Her children had left home, she had lost touch with many of her friends and she felt alone, sitting at home all by herself when her husband was out at work.

Her husband Joe, played by Bernard Hill, demands a steak dinner every Thursday. He sets so much by this that Shirley calls it the 11th commandment; thou shalt have steak on a Thursday. The thing is, Shirley gives the steak to the neighbour’s dog and makes chips and egg for tea. I personally rather like chips and egg. If I am ever on my own on a Saturday, the first thing I think about making is chips and egg. I always think of it as the perfect Saturday evening meal. Shirley’s husband however does not like chips and egg on a Thursday; he likes steak and this is the catalyst for a big row and for Shirley going on holiday with her friend Jane and leaving Joe to fend for himself.

While on holiday Jane deserts Shirley for an affair with a man she meets on the flight over. Shirley however, begins to gain confidence in herself and far from being lonely, she begins to come out of her shell. She meets Costas, a Greek bar owner with whom she has a brief dalliance.

Shirley is at the airport ready to leave when she decides not to go. Returning to the bar she asks Costas for a job. Meanwhile Jane tells Joe that Shirley has been having an affair but she denies this saying the only affair she is having is one with herself.

The film finishes as Joe arrives in Greece to speak with her but she has changed so much he fails to recognise her at first. Shirley has finally found herself.

Educating Rita

This was a breakthrough film for Julie Walters and I remember Michael Caine who also stars in the film saying that this film would do for Julie what Alfie did for him. Maybe it did, maybe it didn’t. The film is about a Liverpool hairdresser played by Julie who wants to better herself. She decides to take an Open University course in English Literature. Her tutor played by Caine is initially confused as he has the name of Susan White on his documents and Susan explains that she has now changed her name to Rita after reading Rubyfruit Jungle by Rita Mae Brown. Frank Bryant (Caine) is not keen on taking Rita on as a student but she convinces him otherwise. Rita finds Frank has ignited her passion for literature but has to contend with her husband who wants her to be a traditional wife and produce babies. Husband and wife finally split leaving Rita to pursue her studies. She moves in with a fellow student and gradually, as she mixes with more students and studies more, she becomes less and less like her former self. Frank becomes more and more fond of her, possibly even in love with her but his position as a university lecturer is compromised by his heavy drinking.

Just like Shirley Valentine, this story began life as a play by Willy Russell and the film shared the same director, Lewis Gilbert, who also directed Alfie, mentioned above. In a lot of ways this is such a good film. Julie Walters is outstanding as Rita and Michael Caine is excellent too. The big problem for me is that while Julie plays Rita as a typical scouser with a superb Liverpool accent, the setting clearly isn’t Liverpool. Not only that but the other accents in the film all grate with Julie’s as they are a mix of various northern accents. Caine of course as the lecturer, doesn’t have to have to be a Liverpudlian but the hotchpotch of brogues, some from Manchester, some from Liverpool just seemed to jar to my ear. The film was apparently filmed in Ireland so why not make Rita and her family Irish? That would have made more sense although filming in Liverpool with a local cast would have been the better option. Perhaps production finances made that impossible.

The Incredible Hulk

Back in the days when I used to read comic books, I used to read plenty of Marvel comic strips and one was the Incredible Hulk. The origin of the Hulk (every superhero has an origin story!) is a story about a scientist called Bruce Banner who is exposed to gamma radiation during an experiment. Gamma radiation featured in quite a lot of the Marvel comics as I remember but, on this occasion, the result of exposure to gamma rays means that when Bruce gets angry, he mutates into a green skinned, muscular giant with incredible strength and while he cannot fly like other super heroes he manages to get about in some incredible jumps or leaps.

Back in the 1970’s there was a TV version starring Bill Bixby as Bruce Banner although for some reason, perhaps because he was travelling incognito, he used the name David. I can’t remember the opening episode but Bruce travels about the USA and gets involved in various incidents. He tells a lot of people to not make him angry as they won’t like him when he is angry but as you can imagine, various people just go ahead and make him angry anyway which turns him into the green skinned monster. Rather than beef Bill Bixby up with green makeup and fake muscles, the production team brought in the already muscular Lou Ferrigno. He appeared as the Hulk and when he calmed down after a good bout of rampaging and smashing stuff up, he morphed back into Bill Bixby again.

The first film version starred Eric Bana as Bruce Banner and was released in 2003. The Hulk himself was a creation of CGI, computer generated images, although director Ang Lee provided the motion capture movements and the voice of the Hulk. This being the early days of CGI the result appeared to be rather cartoon like, at least to me.

The follow up film was The Incredible Hulk starring Edward Norton as Bruce Banner who is on the run from the military and living in Brazil but still trying to continue his experiments. He does so partly by collaborating with an anonymous individual online known only as ‘Mr Blue’.

The military trace Banner to Brazil and try to capture him but fail. It’s a pretty thoughtful and interesting film until the CGI takes over and a character called Emil Blonsky is injected with a substance aimed to produce a ‘super-soldier’ causing him to become a similar mutant like the Hulk. The two engage in a CGI battle which the Hulk wins.

Later Bruce Banner begins to be able to control his mutations into the Hulk and meets with Tony Stark, alias another Marvel super-hero, Iron Man, which preps the viewer for the next super hero film.

All in all it’s not a bad film and much superior to the first one but please, less CGI in future please.

The History of Mr Polly

This is not a science fiction story despite being penned by H G Wells. Our hero, Mr Polly, finds himself in a very dull job with a very dull wife and resolves to commit suicide. Anyway, events unfold and instead of committing suicide, Polly accidentally starts a fire which threatens the whole street and he then mounts a brave rescue of an old lady. Instead of dying, Mr Polly becomes a hero and when the insurance money comes in, he leaves his wife nicely settled with the insurance money, takes a little for himself and departs for pastures new. He sends some money to a post office in another village and gradually meanders in that direction, sleeping in fields and hedges, getting himself a tan. He works occasionally when he wants and sleeps when the mood takes him at other times.

He comes across the Potwell Inn and asks for work and right away finds himself at home. He potters about happily at the Inn, cleaning, serving and doing various odd jobs. One day the landlady’s nephew, ‘Uncle Jim’ appears. He is a violent bully having been in and out of prison for years. He doesn’t like Mr Polly getting in the way so he decides to scare him off. What should Polly do, stay and help or just leave? He decides to stay and after various battles scares off Jim.

Some time later he returns to see if Miriam, his former wife is alright. He finds that Jim has drowned wearing clothes stolen from Polly so now Mr Polly is presumed to be dead. Polly leaves, content with the transformation of his life.

I first read this book many years ago and I’ve always liked its simple philosophy. If you don’t like your situation, change it.

A film version was made in 1949 starring John Mills as Mr Polly and Megs Jenkins as the landlady of the Inn where Polly finds happiness.

I might as well finish with a transformation close to home. Yes, I’m talking about me. Once I was a ‘six shifts on, three shifts off’ motorway Traffic Officer, setting signals in our control room for the travelling public and now I’m retired, a man of leisure whose only worry is ‘what can I write about next week’.

I’ve also used artificial intelligence to transform me further, well, my digital image anyway. That’s me just above, or at least a version of me that’s similar to the original.

What transformations have you experienced?

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8 Onscreen Portrayals of Real People

Posted on by Steve Higgins

It’s been another cold and wet week and as usual I’ve tended to lie back on my couch and watch a lot of television and not just broadcast TV either. Lots of times when broadcast TV isn’t up to the job of entertaining me, I’m forced to crank up a recording and watch that. Just lately I’ve watched a couple of biopics, films about real people, so for this post I thought I’d continue that theme and look at films and TV shows where the actors have had to portray real people.

Barbara Windsor

One night last week I watched a documentary about the Carry On films. It was really interesting and was titled Secrets and Scandals. It showed a lot of previously unseen interviews in which the stars had a whinge about various things, in particular the fact that they didn’t get paid when the films were reshown time and time again on TV. The producers made a shed load of money but the stars were paid peanuts. One of those stars was Barbara Windsor and after I had watched the documentary, I remembered a TV film called Babs about Barbara’s life. It was made in a really interesting way and involved Barbara in later life, imagining that she was talking to her late father about various things that have happened to her. Events from her life are recreated in front of her and she turns and discusses the incidents with her dad.

Theatre director Joan Littlewood was really impressed by Babs and wanted her to play various parts for her but after working together for a short while, Barbara opted to play a part in Carry on Spying which set up her comedy persona for the rest of her life.

Barbara loved her dad but when he and her mother divorced, Barbara, as a small child, was asked to tell the courtroom about the times he had shouted and sworn and later her dad ignored her when leaving the court. Two actresses played Barbara, Honor Kneafsey in her younger days when she played in her first Carry On films and Samantha Spiro who interacts with her father throughout the film. It’s a really good film and it’s put together in a slightly unconventional way which really works.

I couldn’t find a clip on YouTube but the film can be seen on BBC iPlayer by clicking here.

Jimmy Saville

Another TV film I saw earlier in the year was The Reckoning in which Steve Coogan plays Jimmy Saville. It was another 4 part series which we had to stream and Coogan really seemed to me to capture the essence of Jimmy Saville.

I have to admit I always used to rather like Jimmy Saville. I liked his slightly comic presentations on Top of the Pops and his ‘now then, now then’ act. This film was different though and showed the dark side of Saville and the way he used his pretty considerable fame to abuse women and children and get away with it.

Stan Laurel

Steve Coogan also played Stan Laurel in the film Stan and Ollie, a film which looks at the later years of the famous comedy duo. John C Reilly played Oliver Hardy and the film shows the two when they embarked on a music hall tour of the UK in 1953. They were still hugely popular but the tour had a big impact on them, particularly Oliver Hardy. Coogan does have a look of Stan and the two actors played great parts and even recreated some of their comedy routines on stage.

Lee Harvey Oswald

In the film JFK, director Oliver Stone takes a look at the assassination of John F Kennedy. The alleged assassin was an oddball individual called Lee Harvey Oswald. Oswald in the film is played by British actor Gary Oldman. Oswald was paraded to the press in Dallas on a few occasions after his capture and Oldman perfectly captures his look and speaking voice in the film. Stone apparently urged Oldman to do his own research and he met with Marina, Oswald’s widow and some of their Dallas acquaintances. Strangely, Oswald was interviewed on camera before the assassination talking about Marxism and Communism and the differences between the two. No doubt Gary Oldman watched these too.

Winston Churchill

Gary Oldman also played another historical person in Darkest Hour in which he plays Winston Churchill. A great deal of makeup went in to putting together Winston’s visual appearance and the film looks at the outbreak of World War II and Churchill’s ascent to the premiership. Oldman achieves an interesting approximation of Churchill’s overall look and speech and the film is excellent although whether deposed PM Neville Chamberlain had as strong a hold on the conservative party after Churchill had taken over as the film makes out, is open to question. Interestingly though, even though Churchill became the Prime Minister, Chamberlain retained the party leadership and apparently had thoughts of returning to 10 Downing St in later years. He died of cancer though in 1940.

Cary Grant

Archie is a wonderful four part series and Jason Isaacs plays an outstanding part. He doesn’t try to impersonate Cary but he did manage to create a look of the late star and he caught Grant’s voice and enunciation perfectly. Most of the series follows Cary in later life when he becomes involved with and later marries Dyan Cannon. Dyan was his fourth wife and she was the mother of his only child Jennifer and she and her mother co-produced the series which is definitely well worth watching.

Cary Grant retired from films in 1966, the year his daughter was born and he and Dyan Cannon divorced in 1968. Many tried to bring him out of retirement for various films including his favourite director Alfred Hitchcock but he declined. He must have wanted to keep on working though because he did accept a position on the board of Fabergé.

He died in 1986 aged 82 and left behind an estate reputedly worth around 80 million dollars. Archie is a well made and quite fascinating piece of TV. Look out for it, it’s well worth watching.

Howard Hughes

The Aviator was a film released in 2004 starring Leonardo Di Caprio as the billionaire Howard Hughes. Looking at Wikipedia, the film had an extensive development background with other film makers vying with each other to produce biopics about Hughes. This film however finally came together with Martin Scorsese directing and with a screenplay by John Logan. Hughes famously suffered from OCD, Obsessive Compulsive Disorder and in Hughes the disease manifested itself in a fear of germs and an obsession with cleanliness. Apparently Di Caprio did a huge amount of research on OCD and the film shows how Hughes went from an eccentric millionaire film maker and pilot to someone who finally retreated into reclusive madness.

I enjoyed The Aviator although a better film about Hughes was probably a mini series based on a book by Hughes’ former business manager, Noah Dietrich. The TV mini series was called Howard, The Amazing Mr Hughes and starred Tommy Lee Jones as the famous billionaire. I’ve always thought that Jones’ portrayal was much more convincing than Di Caprio’s but I did enjoy both versions.

An interesting element in the TV show was a recreation of an incident in 1972 when Hughes appeared by telephone live on air, to speak with four journalists he personally knew, in order to denounce fake ‘diaries’ which had been published by author Clifford Irving. On the TV mini series the actual journalists played themselves.

Brian Clough

I’m not a great football fan but not long ago I picked up a DVD from the charity shop. It was The Damned United starring Michael Sheen as the 70s football manager Brian Clough. Clough was famous in the UK in the 1970s and was to be seen regularly on various TV shows and all the top impressionists of the day, people like Mike Yarwood, all did a version of Clough. The film follows Clough as he takes over Leeds United from outgoing manager Don Revie. He denounces the team as unsporting because of their brutal and physical style of play and promises a new start for the team. However, only 44 days later Clough was sacked as manager. Despite not being a football fan, the film recreates the 1970s very well and Sheen’s performance as Clough was an outstanding approximation of the real Clough. Various people sued the production company due to a number of factual errors in the film but as a non-football fan I found the film very convincing and hugely entertaining.

I could go on with many other films. James Stewart for instance played both Glenn Miller and Charles Lindbergh although the end result in both cases was someone who looked and talked just like James Stewart usually does. The same could be said for James Cagney who played George M Cohan in the film Yankee Doodle Dandy. Neither actor even tried to impersonate the real person although Stewart did wear spectacles to play Miller. Anyway, I’ll save those examples for another post.

Have a good weekend and thanks for looking in.

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Film Connections (Part 5)

Posted on by Steve Higgins

It’s time for another post in which I try to put together a few golden age cinema stories connected by a thin, sometimes very thin, connecting link. Today I’m going to start with Olivia de Havilland.

Olivia de Havilland was one of the great film stars of Hollywood’s golden age. Amazingly she died only fairly recently in 2004 having lived to be 104 years old. She appeared in eight classic films with fellow star Errol Flynn, including The Adventures of Robin Hood in which she played Maid Marian to Flynn’s Robin Hood. Flynn claimed in later years to have been in love with Olivia but nothing ever happened between the couple, or so they both said.

In my favourite Hollywood book Bring on the Empty Horses, David Niven paints an excellent portrait of Flynn. You always knew where you were with Errol, wrote Niven -he always let you down.

Flynn hailed from Tasmania, an island state of Australia. In Australia he became involved in a film production called In the Wake of the Bounty, a documentary film about the mutiny on the Bounty that featured reconstructions with Flynn as Fletcher Christian. After this he made his way to the UK where he became an actor and spent many years in repertory in Northampton. He was fired from Northampton rep but was spotted by producer Irving Asher and given a part in a film made at Teddington Studios in 1934. The film was Murder in Monte Carlo which has since been lost but apparently Asher, who worked for Warner Brothers, sent word to Hollywood recommending Flynn for a contract. After a successful screen test Flynn was given the starring role in the swashbuckling adventure, Captain Blood, after Robert Donat turned down the role. The film was a great success and made stars of Flynn and co-star Olivia de Havilland.

Olivia began living in Paris in the 1950s but continued acting not only in films but also on television and on the stage. She received numerous awards and she and her sister are the only siblings ever to both receive Academy Awards.

Olivia’s sister was Joan Fontaine and the two had a famous feud or falling out which seemed to consume most of their lives. Olivia seems to have ‘blanked’ Joan when Joan won an Oscar for her role in ‘Suspicion’ in 1942. They seemed to become friendly for a while until they differed about looking after their elderly mother.

My favourite of Joan’s films and perhaps her most well known was Rebecca, directed by Alfred Hitchcock. Joan played the part of a shy young girl who falls for Maxim de Winter, played by Laurence Olivier.

Rebecca was filmed in 1940 and was Hitchcock’s first Hollywood film. In Monte Carlo a shy young girl played by Fontaine encounters English gentleman Maxim de Winter and thinks he is about to jump off a cliff. Later the two fall for each other and marry but the new Mrs de Winter -her actual name is never revealed- seems to feel Maxim’s love for Rebecca, his late wife, is overshadowing her life. It’s a great film and one of Hitchcock’s best. Olivier apparently wanted his wife, Vivien Leigh, to play the part which Hitchcock ultimately gave to Joan.

Vivien Leigh was the surprise choice to play Scarlett O’Hara in the film version of Gone with the Wind. The film was a major film adaptation of the book by Margaret Mitchell which had been a huge success and producer David O Selznick bought the film rights. Production was delayed for a long while as Selznick was determined to get Clark Gable for the part of the roguish Rhett Butler. Another delay was a distribution deal with MGM which couldn’t be finalised until Selznick’s then current deal with United Artists had expired. Selznick used the delay to promote a huge search for an actress to play the part of Scarlett O’Hara, the spoilt daughter of a plantation owner in the deep south of America. He eventually chose Vivien who was in the USA visiting her husband who of course was filming Rebecca.

Clark Gable was known as the ‘King of Hollywood’ and in 1935 he made a film with Loretta Young called The Call of the Wild. During the production, Young became pregnant with Gable’s child. Their daughter Judy Lewis was born on November 6th 1935. Loretta hid her pregnancy and gave birth in secret and then later arranged to ‘adopt’ the child. Judy never knew the circumstances of her birth although it was an open secret to many in Hollywood. When she finally learned of the rumours, she confronted her mother who admitted she and Gable were her biological parents.,

In 1939 Gable married Carole Lombard. She was a great star particularly in the screwball comedies of the day and Gable adored her. They met while making the film No Man of her Own in 1932 but nothing romantic happened until they met again at a Hollywood party in 1936. Gable was separated from his then wife Ria Langham but still married. Eventually she agreed to a divorce and Gable was free to marry Lombard.

When World War II began, Carole travelled to Indiana to a war bond rally where she raised over 2 million dollars for the American war effort. She and her colleagues were due to return to Los Angeles by train but decided to take a faster option and fly. The flight crew of the aircraft were thought to have been in difficulty crossing the mountains surrounding Las Vegas as safety beacons had been turned off in case Japanese bombers tried to enter the area. The aircraft crashed into the mountains and all on board were killed. Gable was devastated. Afterwards he joined the US Air Force and saw action over Germany as a gunner.

In 1960 Gable began work on his final film, The Misfits. The screenplay had been written for Marilyn Monroe by her husband, playwright Arthur Miller. She was not happy playing a character called Roslyn who she felt was based too much on herself. She and Miller were at the end of their marriage and their deteriorating relationship caused tensions on the set. Miller was stressed as he was doing multiple rewrites. Monroe was frequently late or didn’t turn up for work or didn’t know her lines while Gable, the complete professional was on time and word perfect every day. Director John Huston had to hold all the differing elements together but the film was finally completed. It was the final film for both Monroe and Gable. He died some weeks after filming completed aged only 59 and despite having two other marriages after Lombard, was laid to rest beside her.

Another star of The Misfits was Montgomery Clift. He was also a ‘method’ actor and along with Marlon Brando and James Dean was one of the three great method actors of the 50s and 60s. I have always thought that his first film was The Search, a film made in bombed out post WWII Berlin in which Clift played a US army soldier who helps a refugee boy find his mother. Clift gave such a natural performance that director Fred Zinnemann was asked where did he find a soldier that could act so well?

Clift’s actual first film was one of my personal favourites, Red River with John Wayne, a western about an epic cattle drive across the US. The Search, despite being filmed later was actually released first.

Clift became great friends with Elizabeth Taylor and the two made many films together. In 1956 while filming Raintree County, Clift was involved in a terrible car crash in which he suffered severe injuries to his face, particularly the left side. Taylor comforted Clift in the wreck of his car while they waited for the emergency services. Clift returned to complete Raintree County after taking two months off to recuperate from plastic surgery.

Montgomery Clift was a homosexual in a time when such things were covered up by Hollywood and his sexuality was not mentioned in public until Elizabeth Taylor spoke about it in a speech in 2000.

After the success of The Search, Paramount offered Clift a major contract which he accepted and the first film he made for the company was The Heiress directed by William Wyler.

Bringing us full circle, Clift’s co-star in The Heiress was Olivia de Havilland.

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6 Takes on Dreams

Posted on by Steve Higgins

I was looking back at some of my old blog posts the other day, hoping for a little inspiration. I usually find that my older blog posts are much shorter than the current ones and sometimes I can rewrite them or extend them and actually make them into a new post. Around the same time I noticed a blog post on the BBC web site about dreams in TV and film. That sent me searching for an old blog post about dreams and so here it is, suitably rewritten and extended.

My Dream

The other day I woke up far too early. It was 6 am when I stretched out and fumbled for my phone to check the time. It was a Friday and I didn’t have a completed blog post for my usual Saturday morning deadline, the deadline that for the past few years has kept me honest as a writer. I padded off wearily to the bathroom, had a glass of water and availed myself of the facilities and went back to bed. I don’t dream that much although a few years ago my dreaming seemed to increase, so much so that I started a dream journal, a notebook just by the bedside so that when I awoke I could jot down the details of my dream. Later when I came to review the notes, I tended to find a whole lot of gibberish that not only made no sense but didn’t in any way nudge my memory and bring back those quickly forgotten dreams.

A long time ago I awoke after a crazy dream in which I was out with a friend I hadn’t seen for years, and somehow, don’t ask me how, I had lost all my clothes. We had been out drinking and were walking home then something happened and suddenly I was somewhere without any clothes. I woke up then but that wasn’t the end of it.

The next night I had a sort of follow on dream. I was wandering around with no clothes, although I had come across a blanket somehow, and with me was Michael Portillo (yes, the ex-MP who hosts a show on BBC about railway journeys). Well we ended up in this hotel and I was starting to worry. Well, who wouldn’t? No clothes, no wallet, no mobile. Who could I call? Should I try and cancel my bank cards? What happened to my keys? Where am I and what has Michael Portillo got to do with it?

Michael was standing nearby and using his influence as a famous former MP. Someone brought him a phone and he started chatting into it. Clothes were brought for him and I could hear him speaking to his bank. It actually brought to mind that sequence at the beginning of one of the Bond films where Pierce Brosnan has been in a Chinese prison, escapes and finds himself in Hong Kong. He walks into this posh hotel, his hair long and unkempt, his clothes in rags and the guy at reception says “Will you be wanting your usual suite Mr Bond?”.

Some people just have that manner about them don’t they? Me, I’d have been unceremonially kicked out of that hotel, assuming I’d even made it past the front door! I can just imagine the scene:
“Your usual suite Mr Higgins? Just a moment please?”
The manager beckons to a large man looking similar to Oddjob from the Bond movie Goldfinger. The next moment Mr Higgins hurtles through the front door. As he is propelled into the street he murmurs, “that’s a ‘no’ then is it?”

TV

I mentioned earlier about the BBC post about dreams. I noticed it advertised at the bottom of a page I was looking at and I didn’t actually read it until later. A lot of the films mentioned in the post were ones I had never heard of but in the TV category was one probably everyone knows about. The return of Bobby in Dallas.

In case you have never watched an episode of Dallas here’s a quick resumé: It was about a rich family living in Dallas. The family’s money came from oil and the head of the family was Jock Ewing. The other main characters were his wife Miss Ellie, his sons JR and Bobby and their wives Sue Ellen and Pam. Larry Hagman created the famous character of JR, Patrick Duffy was Bobby, Linda Grey played JR’s wife Sue Ellen and Victoria Principal was Bobby’s wife Pam. There are more characters but those were the main ones. After season 8 Patrick Duffy decided it was time to leave and pursue other acting roles and so his character was killed off. The ratings dropped during season 9 and so Patrick was enticed back to the series, the only problem was how could he come back? His character died surrounded by friends and family so what could the writers do? Well, the answer they came up with was this: It was all a dream!

When you come to really look at it, what else could the writers do? Patrick could return as Bobby’s long lost twin brother. Or perhaps he didn’t die after all. That one would be tricky as he did die as I mentioned above, surrounded by friends and family so they could hardly try to make out he didn’t die. Maybe a double, a fake Bobby really died but that idea is a bit silly, after all Dallas wasn’t a spy or a sci fi show. So what happened was this, at the end of season 9 with Bobby dead and his wife Pam involved with another man, Pam walks into the bathroom and finds Bobby in the shower. The season ends there which was quite a finish and we had to wait for the next season to find out that Pam was having a dream and Bobby hadn’t really died after all. Some fans hated it but when it comes down to it, what else could they do?

The Novel

Dreaming a story and making it into a novel or a screenplay isn’t quite as strange as it seems. In 1898 an American writer, Morgan Robertson, wrote a story about an unsinkable ship called the Titan which sailed from England to the USA, hit an iceberg and sank. The story was published fourteen years before the Titanic disaster. I remember reading the story of this writer years ago, even that the writer saw the story played out in front of him like a movie but all the research I did on the internet for this blog seems to imply that the author was a man who knew his business where ships were concerned, felt that ships were getting bigger and bigger and that a disaster like that of the Titanic was inevitable.

The Quote

The Hit Single (John Lennon; Number 9 Dream)

The Film

It took me a while to think of films based on dreams but then an obvious one finally came to mind; The Wizard of Oz. The film is about a young girl, Dorothy, who lives in a small town in Kansas. She decides to run away from home when her dog is about to be taken away from her. A friendly vaudeville entertainer encourages her to return home but when she tries to she is swept up in a tornado which deposits her in the land of Oz.

Once, back in the 70’s or 80’s, The Wizard of Oz had a cinema re-release and I took my mother to see it. She was a big fan of Judy Garland. When the film came on mum let out a sort of disappointed shrug and I asked her what was wrong. She told me that when she had seen the film originally it had been in colour. ‘Perhaps they couldn’t find a colour print or perhaps it wasn’t in colour after all,’ I told her. ‘I was sure it was in colour,’ she replied.

Later, when Dorothy wakes up in the land of Oz, the film goes from black and white to colour. I looked over at mum and she smiled back. ‘I was right after all,’ she said.

The change from colour to black and white also denotes that Dorothy had entered not only Oz but the world of dreams. Later in the film when she returns to Kansas, it is only then that she realises that her adventure in Oz had been a dream and that the cowardly Lion, the Scarecrow, the Tin Man and even the Wizard, were based on characters from the farm where she lived.

The Wizard of Oz was a classic film made in 1939 and was an adaptation of the book by Frank L Baum, The Wonderful Wizard of Oz. Judy Garland was forever linked to the film and in particular to one of the classic songs she sings in the film; ‘Over the Rainbow’.

To finish I think I’ll pinch a few lines from my original post.

Not so long ago I remember travelling on a luxurious aeroplane, not the cramped budget airline I usually fly on but something very special. I was in first class in a very comfy seat with lots of legroom. The hostess was handing me a drink, not in a plastic cup but a very elegant crystal glass. As I reached forward to take the drink, I slipped and went head over heels towards the floor.

I lifted my hand up to check my fall but I was back in bed at home and everything had been a dream. I looked over and Liz was scrolling down her mobile phone. ‘Bloody hell!’ she said, ‘that snoring was going right through me. Where’s my cup of tea?’

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