What your Mother never told you about Jason King’s tie

Like many people I’ve got reminders and bookmarks all over my digital life both on and off the internet. I got hooked on e-bay some years ago, had a big buying spree then gradually settled down and instead of buying anything and everything began to for look for things I’m interested in. I get e-mail alerts about many things; books, motor sport memorabilia, and so on and a while ago I got an alert about a DVD box set I’d fancied for a long while. It was Department ‘S’, the TV series that introduced Jason King (remember him?) to the world. Department S was made in 1969 and was produced by ITC, a company founded by TV mogul Lew Grade and the show was the brainchild of Monty Berman and Dennis Spooner who together made a string of action and adventure series in the sixties and seventies like The Saint, Randall and Hopkirk, The Baron, The Champions and a spin-off from Department S, Jason King. All these series were shot like feature films on 35mm film and that is the reason why they look shiny and new today, available on DVD box sets.

Jason King

Jason King

Jason King was played by Peter Wyngarde and Wyngarde used all his own clothes in his portrayal of the character. In the late sixties and early seventies ties were becoming bigger, trousers and jacket lapels were flaring and Peter Wyngarde brought this all to the TV screen with his characterisation.

I was a school kid in 1969 and we kids all loved Jason King and his flamboyant outfits and we went out of our way to get a giant tie knot, just like the one Jason had in ‘Department S.’ Most of the kids got the big knot by tying their ties way down at the fat end of the tie making their ties short but at least with a big knot. I got some help with my tie from an unexpected source: my Mum!

We were watching Department S one day and I was wishing out loud for a big fat tie like that and she said to me “You could make one yourself. It’s easy.”

“Easy?” I said. “How?”

“Well, all you need is another tie to go inside the first one and make it bigger.” Sounds good I thought but how do you get one tie inside another? My Mum showed me how with a big safety-pin! What you had to do was get your second tie, the one that needs to go inside the other, pin the safety-pin to it and then you can thread it through the other one, manipulating it along with the safety-pin which you can feel through the material.

I dug out an old tie and threaded it through my school tie, took out the safety-pin and then tied my tie in the usual way. Result; one huge knot that Jason King himself would be pleased with.

The next day I went into school wearing my new fashionable tie and half the school –or so it seemed to me- were stunned by my trendy new school tie. Where did I get it from? How did I get such a knot? Did I tie it in a special way?

I remember once after games, getting changed in the changing rooms and everyone turned to watch as I fastened my tie. There was me, fastening the tie in the mirror with all my school mates watching. I had become a sort of mini school celebrity: The kid with the trendy tie!

“Here it comes,” said someone as I made the final tie of the knot, “Super knot!”

Well, my fifteen minutes of fame came, went, and vanished as other people worked out how to make their own special ‘super knots.’ Jason King went on to star in his own spin-off TV series then he too vanished into TV’s Golden past. Fashion moved on and in the eighties ties went the other way; narrow thin ties were the norm. Trousers lost their flares, jacket lapels slimmed down once again. ‘Penny round’ shirts were forgotten but then, that’s the great thing about DVDs: pop your disc into the machine and you can experience it all again!


If you liked this nostalgic look at Jason King you’re sure to like my book. Look out for Floating in Space at amazon!

Floating in Space

My Favourite Movie Director (Part 1)

I’ll come straight to the point; my favourite movie director? Well, it’s complicated because I’ve got more than one; hence the part 1 in the title, but anyway, Woody Allen is probably my very favourite. Now why a working class guy like me brought up in a suburban council estate in Manchester would relate to the Jewish intellectual New York humour of Woody, well, I don’t know but I just love this guy’s films.

My very favourite moment from one of Woody’s film is probably the one from take the Money and Run when he goes into the bank to rob it and hands a note through the window. The note says “Give me the money, I have a gub!”

“Does that say gub?” asks the bank teller.

picture courtesy wikipedia

picture courtesy wikipedia

“No that’s gun! I have a gun!” replies Woody and soon all the staff are discussing the spelling and the robbery is forgotten.  That movie was right at the very start of Woody’s career when he was a stand up funny man turned movie maker and as his movies got gradually more serious and more thoughtful, well, I probably loved them even more.

I love the opening of Manhattan where Woody narrates over the opening sequence;

“Chapter One. He adored New York City. To him it was a metaphor for the decay of contemporary culture. The same lack of individual integrity that caused so many people to take the easy way out was rapidly turning the town of his dreams in… no, it’s gonna be too preachy, I mean, you know, let’s face it, I wanna sell some books here. Chapter One. He was as tough and romantic as the city he loved. Behind his black-rimmed glasses was the coiled sexual power of a jungle cat.”

Another Allen movie that opens with a monologue is Annie Hall. His character, Alvy Singer, says: “There’s an old joke. Two elderly women are at a Catskill restaurant. One of them says, ‘Boy, the food at this place is just terrible.’ The other one says, ‘Yeah I know. And such small portions.’ Well, that’s essentially how I feel about life. Full of misery, loneliness and suffering and unhappiness – and it’s all over much too quickly.”

Apart from Woody himself and his casual comedy chatter I’ve always like the look of Woody’s films from the black and white of Annie Hall, Manhattan and Broadway Danny Rose to the full colour Hannah and her Sisters and the jump cuts of Deconstructing Harry. I like the way the camera moves, or really doesn’t move. In Hannah and her Sisters Woody doesn’t follow Michael Caine when he goes into the bedroom and continues a conversation. Why should we? We all carry on long distance conversations with our partners in the bathroom or dining room when we are in the kitchen. We don’t need to see the other person, just hear them.

Woody’s films have a natural unobtrusive style which enables you to sit back and enjoy his humour and his observations. Another great Allen movie is Crimes and Misdemeanours. It’s a movie with a dark side but with the same flashes of Allen humour to keep you smiling. Martin Landau stars in the film and gives a wonderful performance. No longer the rather wooden actor from the TV series Mission Impossible or that Hitchcock movie North By Northwest. Here, Landau delivers a thoughtful and human performance and there are lots of the usual Woody Allen touches like returning to old homes and discussing morality then flipping to the next scene where Allen and Mia deliver some more comedy as a counterpoint.

I can’t write a blog about Woody Allen without mentioning Bananas. If I need to cheer myself up, this movie works every time, especially the bit at the end where Woody and Louise Lasser’s wedding night becomes a TV sports event with commentators and interviewers.

It’s almost an ‘in’ joke with Woody about how his older movies are funny and the later ones are not but all his movies have a certain something; not always laugh out loud humour, but some well observed human element. I love Woody himself in his movies which is why it’s a little odd that one movie I can watch over and over again is Radio Days. Like it says in the title, the movie is set in those days before TV when people had their ears glued to the great shows and performers of the time. Woody narrates the movie and we see him as a little boy entranced by a crime show, so much so that his parents take him to see the Rabbi. ‘You speak the truth, my faithful Indian companion’ quotes the young Woody much to the dismay of his parents, not to mention the Rabbi. In some ways I can see myself as a young lad, obsessed with the TV shows of my day and this is the crux of Woody’s films because in many ways he is turning the camera round, and the camera is pointing at us, the viewer.

My love affair with the movies encompasses many genres but when I want to smile it’s usually the Woody Allen DVD I pull down from the shelf.


Hope you enjoyed this post. Click the links at the top of the page to find out more about my novel ‘Floating In Space.’