The other day I was waiting in for a repairman to come and fix something. He was due sometime between 12 and 6pm so I nipped out early, did my shopping, returned home for a late breakfast and settled down to wait. I flipped on the TV and was pleasantly surprised to see the film Hobson’s Choice about to start. Hobson’s Choice was directed by David Lean and it just so happened that the previous night, sorting out various bits and pieces, I came across a lovely book about David by his widow Sandra so without further ado I thought it must be the perfect time to write a post about another of my favourite directors.
David was born in 1908 and spent his early life in Croydon (actually 38 Blenheim Crescent, Croydon) until his parents divorced. His father moved out and left the family in 1923 which must have been an upsetting moment in Lean’s young life. Another perhaps more significant moment was when an uncle gave him a camera when David was aged 10 and then Lean began to develop and print his own photographs.
In her book, David Lean: An Intimate Portrait, by Sandra Lean, his widow tells us that David was considered a ‘dud’ at school and his headmistress wondered whether he would even be able to read and write.
When he left school he began work as an apprentice at his father’s accountancy firm and at night spent his spare time at the cinema. The Gaumont film studios were nearby and Lean managed to get himself employment there starting out as a tea boy. He later became a clapperboy and gradually rose up to become a newsreel editor.
Later Lean moved on to editing feature films and was asked to work with Noel Coward on In Which We Serve. David asked to be credited as a co director on the film and Coward wasn’t too keen at first but eventually gave way. According to an interview with Lean I saw many years ago, Noel Coward soon became bored with the process of directing the film and mostly left the job to David.
Lean directed other adaptations of Coward’s plays including Blithe Spirit, filmed in colour and the highly regarded Brief Encounter, the latter winning grand prix honours at the 1946 Cannes film festival. The atmospheric exterior shots of Brief Encounter were filmed at Carnforth Railway Station in Lancashire which still exists today.
Lean married six times and three of his films featured his third wife Anne Todd. The last of the films with Todd was The Sound Barrier made in 1952 which has a screenplay by the playwright Terence Rattigan.
Hobson’s Choice, the film I mentioned earlier, is a film that shows a different side to David Lean. It’s a character driven comedy made in 1954 with excellent performances from Charles Laughton and Brenda De Banzie and a world away from the epics that David Lean later became famous for. It was hugely enjoyable to watch and one tends to forget that in his earlier years Lean made many films of a similar nature. His reputation though, at least in part, stems from a series of epics the director made starting with The Bridge on the River Kwai and including Lawrence of Arabia, Doctor Zhivago, Ryan’s Daughter and his final film which he directed, edited and wrote the screenplay for, A Passage to India.
His great collaborators were Robert Bolt who wrote and rewrote many of the screenplays used in Lean’s films, John Box his art director and production designer and Maurice Jarre who wrote the musical score for all Lean’s films from Lawrence of Arabia to his final film A Passage to India.
Sandra Lean muses that perhaps because of his parents’ divorce, David lived mostly in a series of hotels and a few rarely visited houses. He declared that ‘I have four shirts, two suitcases and the Rolls. I need no other possessions or a home’. In his later life he bought a warehouse property named Sun Wharf, situated on the banks of the river Thames at Limehouse in the east end of London. Architects, builders and decorators were brought in and the property was transformed by David, almost as if he were building a set for a new film. A similar thing happened to a property he and Sandra bought in France.
In 1970 he made Ryan’s Daughter. It’s personally not one of my favourite films and it’s hard to see why David Lean was so interested in the story. It is set in Ireland during the time of the First World War and tells the story of a married Irish woman played by Sarah Miles, (who was actually the wife of the screen writer, Robert Bolt) who has an affair with a British officer. Robert Mitchum played her husband but the only really outstanding performance was that of Sarah Miles. Many critics felt that the small scale romantic story did not fit with the film’s massive visual scale and long running time.
The film did however win two Oscars for cinematographer Freddie Young and supporting actor John Mills. The poor reception of the film prompted David to meet with the New York critics at the city’s Algonquin Hotel. I’m not sure if David wanted to reason with them or just find out why they didn’t like the film but they spent two hours attacking his production. David came away devastated and would not make a film again until A Passage to India in 1984.
He did try to make another film prior to A Passage to India. He was very interested in the story of Fletcher Christian and Captain Bligh and the mutiny on board the Bounty. He spent a few years living in Tahiti researching and making preparations for the film which included overseeing the construction of a replica of the Bounty but when Robert Bolt suffered a stroke and was unable to continue working on the script David backed out of the project. Producer Dino De Laurentis had ploughed a lot of money into the production and he agreed that a new director, Roger Donaldson, a friend of star Mel Gibson, could continue in David’s place. The film was later released as The Bounty.
In the late 1980’s David began to work on his last film, Nostromo, an adaptation of the novel by Joseph Conrad. Various scripts were produced including one by Robert Bolt. Sets were built and a budget of 46 million dollars was allocated but sadly, David Lean succumbed to throat cancer in 1991 and the production collapsed.
His work, in particular his sweeping visual style, inspired a new generation of film makers including Steven Spielberg who took over another unfinished project of David’s, Empire of the Sun.
In Sandra Lean’s book she tries hard to get at David Lean’s inner self; his actual character. He was apparently a man who accepted that some people would go out of his life and that would be that; they would be gone just like a cut in a piece of film. Once people were cut out, like his previous wives, he would never look back but whatever he was like, he was someone committed to motion pictures and Sandra quotes a speech given by Celia Johnson from In Which We Serve, in which she thinks if we substitute ships for film, we might get a true understanding of the man.

In 1987 Lawrence of Arabia was restored by film restoration expert Robert A Harris. David heard about the project and rushed to assist. Producer Don Siegel had cut elements out of the film to reduce its running time and Lean felt that now was the time to restore them. The producers could hardly say no to David Lean.
It just so happens that I have that restored version on DVD so as I’m feeling rather chilly on this December afternoon writing this, I might just dig out my copy, make a cup of tea and give it a viewing, or should I go for Blithe Spirit, the wonderfully witty play filmed by David Lean in 1945?
Which David Lean film would you watch?
Frank Sinatra and Die Hard.
This has got to be my least favourite time of the year. I hate the cold. Yes, actually hate it. It’s not a case of disliking it or preferring it to be warm or not being happy about it. Yes, I hate the cold.
While I’m on the subject of Antarctica, here’s an interesting story. In 1513 an Ottoman Admiral and cartographer called Piri Reis compiled a map of the world. According to Wikipedia the map, not all of which has survived, depicts the western coasts of Europe and north Africa and Brazil with reasonable accuracy. The Canary Islands are also shown as well as Antarctica. Eric Von Daniken mentions the map in his book Chariots of the Gods and claims that extra-terrestrials may have supplied the information for earlier maps on which the Piri Reis’ map was based. Why you might ask? Well, the northern coast of Antarctica was perfectly detailed in the map but how could Reis know this when the coastline of the area is buried under snow and ice?
It was a little like the time I worked out my top 10 favourite films of all time and then later, realised I missed out one of my absolute favourites. It was a momentary error, a quick brain fade but something that needs redress. So here it is, a post about music and just to make it more interesting, I think I’ll throw a few links in to some of my favourite tracks.
Another present was a record to go with our record player. I can’t remember if it was another joint present but the record was The Persuaders. It was an album of TV and film themes by John Barry who wrote much of the music for the James Bond films as well as the theme from The Persuaders. I still have that album today so it was either my personal present or I have just managed to keep it away from my brother for the past fifty years. (Fifty years! I can hardly believe it’s been that long. He kept the record player by the way so I think I can count the record as mine.)
The first single I ever bought was by Olivia Newton John, my teenage heart throb and in fact it was two singles, Banks of the Ohio and What is Life and as they were no longer in the charts, I managed to get them for half price which initiated a lifelong passion for flipping through half price vinyl singles in record shops. I say lifelong passion but then again, these days in 2022, finding a record shop isn’t easy and even if I could find one, I doubt if there would be many 7-inch singles on sale. Having said that, I keep reading that vinyl is making a comeback so maybe it’s not impossible after all.
I really do hate the cold which is why Liz and I spend the summer heading to the warmer climes of France in our motorhome and jet off to Lanzarote in January. As winter is coming ever closer I decided to splash out a little cash and buy myself a new winter jacket. It’s a fleece lined jacket with a warm fleecy hood just perfect for keeping the cold out and the warmth in. The problem is that as I write this, which might be a few weeks before it is injected into the cyberworld, the weather here in the northwest of England is pretty mild. So mild that when I first wore the new jacket, I found myself boiling hot. Maybe I should just put it away for the really bad weather. Typical! I’m prepared for the cold weather but things have got warmer. OK, that’s my first moan out of the way.




Strolling through St Annes not long ago I dropped Liz off at the hairdressers and wandered into a nearby shop that sells secondhand books, DVDs and CDs. It was there I spotted the DVD of a mini series from the 80’s called simply Kennedy with Martin Sheen playing the part of John F Kennedy. The DVD box set had been on my shelf for a while until one cold and wet evening when I thought it was time to pour a small port and settle down to watch it.
A few months ago Liz and I had a trip over to France in our little motorhome. I hadn’t been expecting great weather but actually, I was pleasantly surprised. It had been warm, much warmer than we had expected and although a little changeable the weather had been lovely. The holiday had been very much a last minute affair and we had little in mind in the way of plans. However, there were two things I wanted during this trip. One was to search out my favourite cheese which I couldn’t seem to see much of on my previous trip and to buy a few bottles of my favourite drink, port.
Port of course is readily available in the UK. The most popular is perhaps the ruby port although I prefer the tawny. What is port you might be asking? Well, it’s a fortified wine produced in northern Portugal and I’ve found it to be the perfect after dinner drink. Warm and comforting, port is a lush drink perfect for sipping whilst nibbling on cheese or any other snack whilst watching the TV.
I had another completely different kind of blog post planned for today but something happened that I just had to write about. Life and the things that get in your way when you’re not expecting them. I’ll start with the day before. I drove down to Manchester to my mother’s house. I like to write there and make some bits and pieces of video. It’s nice to be alone just for a while, to eat when I want to eat, eat what I want and to just generally sit back and open my laptop and create stuff. Sometimes nothing happens and I spend quite a lot of time watching DVDs and mowing the lawn. Actually, I was planning on one of those last lawn mowing efforts before the winter but alas, it had rained during the night and the lawn was soaked.
Anyway, let’s fast forward to the next day. I got up, washed and dressed and came down for breakfast. Soon I had sausages and bacon sizzling on my George Foreman grill and an egg all ready. The kettle boiled, the teapot was ready but where was the cup? You know the one, my favourite cup, the one not too big or too small. It wasn’t in the lounge and it wasn’t in the kitchen. It wasn’t on the drainer or in the sink with the dirty pots. In short, it had vanished. There was no other choice but to use another cup. I went for a slightly smaller one but, being a different size, I ended up with too much milk and not enough tea.




