Almost But Not Quite (Part 3)

This is the third post in an occasional series about actors who almost got the role of a lifetime, and in some cases did, but then they didn’t. I’m getting the feeling I’m not explaining it all very well so let’s kick off with the first of four case studies . .

Frank Sinatra and Die Hard.

The Detective was a novel written by American author Roderick Thorp, and was first published in 1966. It was made into a film in 1968 also called The Detective and starred Frank Sinatra, as Detective Joe Leland. Billed as “an adult look at police life”, The Detective went on to become one of the highest-grossing films of 1968 and a great box office hit for Sinatra.

A sequel to the novel, Nothing Lasts Forever, was published in 1979 and in 1987 screen writer Jeb Stuart was asked to work on a screen adaptation of the book. The essential idea for the film according to Wikipedia was that of ‘Rambo in an office building’.

The producers were contractually obliged to offer Frank Sinatra the role although Sinatra, being 70 at the time, was hardly in a position to say yes. Various actors were considered for the role of the detective, now renamed John McLane, including Sylvester Stallone, Arnold Schwarzenegger, Harrison Ford, Clint Eastwood and many others. Bruce Willis was originally forced to turn down the role because of commitments to the TV series Moonlighting but then co-star Cybil Shepard became pregnant and filming on the show was shut down for eleven weeks leaving Willis free to star in the film, the new title of which was Die Hard.

Willis was a controversial choice for the role. He was still only a TV actor and at the time it was proving difficult for TV stars to make the transition to film. Willis himself felt he wanted to distance his character from the larger than life characters played by Schwarzenegger and Stallone in similar action films and he played McLane as an ordinary guy thrust into an out of the ordinary situation.

The film was shot at the Fox Plaza in Century City, Los Angeles which was then still under construction. It was released in 1988 and was one of the year’s top films as well as being a break out film for Bruce Willis. It’s a film I’ve always enjoyed but I still can’t see Sinatra ever playing John McLane.

George Peppard and Dynasty

I can’t really say I was ever a fan of Dynasty. I watched a few episodes but I much preferred the rival show, Dallas. Dynasty was a 1980’s TV soap opera about a wealthy family, the Carringtons, living in Denver, Colorado. John Forsythe starred as the head of the family, Blake Carrington, with Linda Evans as his wife Krystle and Joan Collins as his former wife Alexis. In the pilot episode however, George Peppard played Blake Carrington but the actor didn’t like the script and clashed frequently with the producers. Peppard felt that his role was too similar to that of Jock Ewing, the family patriarch in Dallas. Before the pilot was completed, Peppard was fired and John Forsythe took over the role and all scenes involving Peppard had to be re-shot.

Screenshot from Quora.com

The first season of the series wasn’t too good but the arrival of Joan Collins for series two seemed to bump up the audience figures. George himself wasn’t too bothered about being sacked. He got the part of Hannibal Smith in the A Team.

In his personal life Peppard battled alcoholism and cancer. He died in 1994.

Dennis Hopper and The Truman Show

Dennis Hopper was a great fan of James Dean and he appeared with Dean in two films, Rebel Without a Cause and Giant. Later he was part of Easy Rider, a film which supposedly kick started the American new wave of filming in the late 60s and early 70s. Hopper directed and co-wrote the film although I remember watching a TV documentary in the 1980s in which Hopper, Peter Fonda and others all claimed credit for the film. In later life Hopper appeared as a film villain in films like Speed.

In 1997 he signed on to play the part of Christof in the film The Truman Show. Christof is the TV producer of The Truman Show, a TV reality show in which the star, Truman, played by Jim Carrey, doesn’t realise he is on TV. The show is filmed using hidden cameras and actors and is funded by product placements. Hopper was fired after only two days on the shoot as the producers weren’t happy with his performance. Ed Harris, who plays the role in the finished film was a last minute replacement.

Dennis Hopper died at his home in Los Angeles in 2010. He was 74 years old.

Elvis Presley and A Star is Born

A Star is Born is a film that has had numerous remakes. The original was released in 1937 starring Janet Gaynor and Frederic March. It had a screenplay by Dorothy Parker, Alan Campbell and Robert Carson and is about a young girl who wants to get into the movies. Janet Gaynor plays Esther Blodget who meets film star Norman Maine. Maine gets Esther into the film world and Esther falls for him but Maine is an alcoholic and his star is rapidly fading while Esther’s is on the rise.

Sid Luft asked director George Cukor to take the helm of a new musical version in 1952 starring his then wife Judy Garland. Cukor wasn’t keen at first but changed his mind when he found the film would be shot in technicolour and he wanted to be part of this new process. Cukor chose Cary Grant to take on the role of Norman Maine but Grant declined. Various others were in the frame for the part including Frank Sinatra. Stewart Granger was a favourite for a while but he didn’t like the way Cukor worked and finally the role went to James Mason.

In the mid seventies, Barbara Streisand and her then husband decided to produce a new musical version of the story based on the music industry rather than Hollywood. Streisand wanted Elvis Presley for the Norman Maine role and even met with Elvis to discuss the film. Elvis who was a great film fan wanted to revive his film career but the big problem was his manager, Colonel Tom Parker. Parker apparently wanted top billing for Elvis and a substantial pay packet. He was also concerned that Elvis would be playing a singer whose career is on the way out thinking that might harm the King of Rock n Roll’s actual career. Eventually Elvis backed out and Kris Kristofferson played the part.

I’ve always thought that Elvis was actually a pretty good actor. OK I know a lot of his later films were dreadful but Presley was bored with the kind of films that Colonel Parker had him making. Presley was a great fan of James Dean and knew all the dialogue from Dean’s films. I reckon he would have been outstanding in A Star is Born but sadly, it wasn’t to be.

Yes, I would have loved to have seen Presley in A Star is Born. Also, I wouldn’t have minded seeing Cary Grant in the Judy Garland version either!

Elvis died in 1977. He was 42 years old. His last acting role in a film was Change of Habit, made in 1969.

A Star is Born was remade yet again in 2018 starring Bradley Cooper and Lady Gaga.


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Kitchen Sink Dramas of the 1980’s

A while back I did a post about the kitchen sink dramas that emerged in the 1960’s but I thought I’d look now at some later films that have continued that tradition of focusing on working class life. I’m not really sure that today in the 21st century the working class still exist. Modern UK is, to a great extent a classless society. Then again, perhaps it’s just a society of the haves and the have nots. That concept relates particularly well to the 1980’s. The decade of Thatcherism and Yuppies and inner city riots. Kitchen sink dramas were almost exclusively northern, set in places like Manchester, Liverpool and Lancashire with strong no nonsense northern characters. Here are four films from the 1980’s that fit that category.

Educating Rita (1983)

This was a breakthrough film for Julie Walters and I remember Michael Caine who also stars in the film saying that this film would do for Julie what Alfie did for him. Maybe it did, maybe it didn’t. The film is about a Liverpool hairdresser played by Julie who wants to better herself. She decides to take an Open University course in English Literature. Her tutor played by Caine is initially confused as he has the name of Susan White on his documents and Susan explains that she has now changed her name to Rita after reading Rubyfruit Jungle by Rita Mae Brown. Frank Bryant (Caine) is not keen on taking Rita on as a student but she convinces him otherwise. Rita finds Frank has ignited her passion for literature but has to contend with her husband who wants her to be a traditional wife and produce babies. Husband and wife finally split leaving Rita to pursue her studies. She moves in with a fellow student and gradually, as she mixes with more students and studies more, she becomes less and less like her former self. Frank becomes more and more fond of her, possibly even in love with her but his position as a university lecturer is compromised by his heavy drinking.

In a lot of ways this is such a good film. Julie Walters is outstanding as Rita and Michael Caine is excellent too. The big problem for me is that while Julie plays Rita as a typical scouser with a superb Liverpool accent, the setting clearly isn’t Liverpool. Not only that but the other accents in the film all grate with Julie’s as they are a mix of various northern accents. Caine of course as the lecturer, doesn’t have to have to be a Liverpudlian but the hotchpotch of brogues, some from Manchester, some from Liverpool just seemed to jar to my ear. The film was apparently filmed in Ireland so why not make Rita and her family Irish? That would have made more sense although filming in Liverpool with a local cast would have been the better option. Perhaps production finances made that impossible.

Shirley Valentine (1989)

Like Educating Rita, this was a film based on a play written by Willy Russell. In this one Liverpudlian Shirley is getting a little bored with her life. Unlike Rita in the film above it’s not learning that Shirley wants, it’s a good holiday. She is getting a bit fed up of waiting hand and foot on her husband and when the chance comes to go to Greece with her friend she wonders if she could really do it, really leave her husband behind and swan off to the sun? A couple of things make her decide that it is really time to put herself first. The first one is when her husband gets really annoyed when she serves chips and egg instead of steak for their Thursday evening meal. Surely she knew Thursday was steak night? The other is when her daughter comes home and like her dad, expects to be waited on so off Shirley goes to Greece. Things don’t go quite to plan when her mate finds herself a man on the flight over and leaves Shirley to her own devices. After a few days Shirley finds her confidence and begins to enjoy things alone. She meets Costas, a bar owner and spends time with him on his small boat and when the time comes to leave, Shirley decides she is going to stay.

Like Michael Caine in Alfie, Shirley talks straight to the camera and reveals she is in love. Not with Costas but with herself. At the end of the film her husband arrives in Greece and the two sip wine together by the sea. Will Shirley return with him? The film leaves the question open.

Shirley Valentine is a much better film than Educating Rita. Shirley and her husband played by Pauline Collins and Bernard Hill come across as authentic Liverpudlians and the whole film, especially Shirley talking to the camera, works very well. Both films were directed by Lewis Gilbert who directed amongst other things, the Michael Caine classic Alfie. With some better casting in the smaller roles, Educating Rita would have been just as good.

Rita, Sue and Bob Too (1987)

Like the two films above, this too was based on a play, in fact it was two plays that were adapted and merged together into a screenplay by the play’s author Andrea Dunbar. Andrea was raised on the Buttershaw council estate in Bradford, West Yorkshire and became pregnant at 15. This event inspired her first play The Arbor. It was written originally as a classroom assignment and encouraged by her teacher, Andrea developed the work into a full blown play. The film was filmed on the Buttershaw estate where Andrea continued to live, despite several residents threatening her because of the negative portrayal of the area in the film.

In the film, two babysitters Rita and Sue, begin an affair with Bob for whom they have been babysitting. Bob’s marriage later breaks down when his wife finds out. Sue later gets involved with an Asian taxi driver called Aslam who becomes violent. He attacks Sue but Rita arrives and the two both turn on the taxi driver, disabling him long enough for the two to escape. They flee to Bob’s house where Aslam turns up and pleads for Sue to forgive him. Bob arrives and then the Police, who have been called by the neighbours. The Police leave in pursuit of Aslam and Bob decides to have a bath. When he goes into the bedroom, the two girls are in bed waiting for him.

This is really an incredible film on many levels. It is funny but also shows northern council estates for what they are, a mix of rough and ready characters, some of whom take pride in their homes and the way they conduct themselves and some who do not. The tone of the film shifts quickly from humour to drama and back again and the documentary style of filming gives the film a gritty realism.

Gregory’s Girl (1981)

Gregory’s Girl was a low-budget movie made in 1981 and was written and directed by Bill Forsyth. The film is a gentle comedy about a young lad who fancies a girl who has just joined his school football team. The film was one of those special films where so many things come together to make a truly great and memorable film, in fact it is ranked number 30 in the British Film Institute’s list of the top 100 British films.

It reminds me so much of my own schooldays in so many ways even though it was filmed in Lanarkshire in Scotland. The hairstyles in the film were similar to those of myself and my friends back in 1973, the year I left school (armed with only four O levels to take on the world). The school ties and jackets were similar to mine, as were the classrooms and lead actor John Gordon Sinclair’s clumsy and shy manner both on and off the football field was just like mine.

Gregory lives on a new estate just like the one my family moved into in the mid 1970’s. He develops a crush on a new girl who has just joined the school football team and eventually he plucks up the courage to ask her for a date. He borrows his friend’s jacket and off he goes to meet her although things don’t turn out quite how he planned. Gregory’s Girl isn’t as gritty as the films I’ve mentioned above but for me it’s like a nostalgic trip back to my schooldays. Look out for the film on TV or you can even find the complete film on YouTube.


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Star Wars, Remakes and Dealing with Man-Flu

Our motorhome was looking a little forlorn lately, parked up on the drive all packed up ready to face the winter. The thing is, just lately the weather has been rather mild and Liz felt that we should perhaps unpack the motorhome and give it a winter drive out. So we set off for Southport, a small seaside town just a short 90 minute drive away. We parked up the motorhome, put on our glad rags and went off to dine and generally make merry.

It just so happened that this particular night turned out to be the coldest in modern UK history. Well, at least it was in Scotland so it was lucky we weren’t staying there. Southport was much warmer and our heater worked a treat. However, having to get underneath the van in the cold and rain and empty the water system wasn’t so nice, in fact I reckon that’s where I caught a chill which was soon to develop further into a major man-flu episode.

A couple of days later I was back at work. On the first day I felt fine and I wasn’t too bad when I went in on the second day but by the end of the shift I was coughing and sneezing like nobody’s business. By day 3 I was feeling so poorly I had to throw a sick note in. Anyway, home on a cold day with no energy to do anything except cough and sneeze, what was there to do but watch TV.

On a Sunday on UK TV there is always a choice of Columbo episodes because they are shown on two rival channels, ITV3 and 5USA. Which one should I watch though? Luckily, the first one started on 5USA at one o’clock and the other over on ITV3 at five past. Just enough time to start the first one, see if it was a good one then quickly check out the other one to see if that was more interesting . The 5USA one was the one for me, a classic 70s episode guest starring Robert Culp as the murderer.

A couple of hours and a hot lemon drink later Columbo had his man and it was time for a change of channels. I switched over to ITV2 to watch the first Star Wars film. I’m tempted to call it Star Wars 1 but just to confuse you, the first Star Wars film was actually the fourth episode in the series. The second and third films, all made in the late seventies are all actually pretty much more of the same thing although not quite as good as the original.

Later on writer and director George Lucas decided to make episodes 1, 2, and 3 which were actually films 4, 5, and 6. Now those latter three films were, and I don’t want to put too fine a point on this, a load of old tosh. Even if I was on my last legs I wouldn’t sit and watch any of those movies. In 2015 JJ Abrams was tasked to make a new movie following on from episode 6 which reunited the original cast of Carrie Fisher, Mark Hamilton and Harrison Ford (who I must nominate as one of the worst movie actors ever along with the equally dismal Richard Gere.)

The result seemed to me pretty much a remake of Star Wars 1 (I mean 4). It was the usual thing, droids on an unknown planet with info which the Empire wanted, or maybe the new Empire wanted because the original Empire had been defeated in the previous Star Wars film. The droids and their human helpers escaped in Harrison Ford’s old ship the Millennium Falcon and then, well, I don’t know what happened then because I either mentally or physically switched off!

Getting back to Star Wars 1, or episode 3 or whatever, I’d not seen the film for a long while and I enjoyed the sending of the droids to seek out Obi Wan Kenobe, the appearance  of Luke Skywalker, the hiring of Hans Solo and his Millennium Falcon and the trip to the rebel alliance planet, Alderon. The truth is, just like when I watched Star Wars 7, I actually got a bit bored with the whole thing and decided to change channels. Star Wars isn’t a bad film but like all the rest in the franchise they seem to flatter only to deceive.

Over on the Paramount film channel they were showing a bunch of Steve Martin films and the first up was Roxanne. While not exactly brilliant it was actually a pretty good film and despite the continual coughing and spluttering I still managed to enjoy the proceedings. Roxanne was based on the 1897 play Cyrano De Bergerac and it’s about, as you may have guessed, a man with a big nose.

(Short break here while I sort out another hot lemon drink this time with a small shot of -purely medicinal- whisky.)

Paramount decided to follow this up with ‘The Out of Towners’, which was a remake of a 1970 Neil Simon film. Sadly, the Out of Towners wasn’t that great a film and I can only hope the 1970 original was much better. The fact is, it’s hard to understand the motivation behind remaking a very average film. Do they hope to make a better version? Do they think with better actors and updated film making techniques the film will be better or funnier? The fact is that if you remake an average film you will still get an average film as the result. Not long ago I saw the new version of Flight of the Phoenix. It was OK, although I switched channels after about thirty minutes. Then again, the original version starring such heavyweight actors as James Stewart, Richard Attenborough, Hardy Kruger and Peter Finch wasn’t that brilliant either although I have watched that version through to the end.

Still, does that mean we should only remake classic films? I can’t really imagine any new version of Casablanca, for instance, bettering the original. Who could take the place of Bogart? Who could replace Ingrid Bergman? Yes, there is always the chance a mediocre movie could be remade better, I suppose.

A lot of film franchises are pretty much just a series of remakes. That is true of the Star Wars series as I have already mentioned but take a look at the Rocky films. Rocky 2 was pretty much another version of Rocky and while Rocky was a great movie, Rocky 2 was just, well, Rocky 2. Towards the end of the series Rocky star Sylvester Stallone made Rocky Balboa which was a fitting end to the series. Rocky has retired and is running his small Italian restaurant. His wife has succumbed to cancer and then he gets the chance to be involved in a computer fight with the current champion Mason ‘the line’ Dixon.

I did wonder when I saw the film whether writer and director Stallone was inspired by the 1970s computer fight between Muhammad Ali and Rocky Marciano. My dad, a great boxing fan and a great fan of Marciano was outraged by the fight as the result was a win for Ali. My dad loathed Ali even to the extent of always referring to him by his former name of Cassius Clay. When I looked up the fight on the internet I discovered that only European viewers saw Ali win the fight. American viewers saw a version in which Marciano emerged as the victor in the 13th round. I know which version my dad would have prefered.

Getting back to remakes, after a short pause for another whisky and hot lemon: Which films would be good candidates for a remake? Well, there are two that I can think of. The first is Desperately Seeking Susan, an 80’s film starring pop singer Madonna in a small role, that of an independent young girl who travels the country but keeps in touch with her friends using the personal ads in a newspaper. Step in bored housewife Rosanna Arquette who follows the personal ads, even to the extent of watching Madonna from afar when she meets with her boyfriend. There is a lot more to it of course, memory loss, mistaken identity and stolen jewels but it’s a great film and here’s the thing; substitute personal ads with modern-day social media and the film is perfect for a 21st century remake! Casting might be an issue though, after all, who could replace Madonna?

One last film that I’d remake: Capricorn One. Now you may remember in an earlier post I wrote about watching an old VHS tape of the film and finding, sadly, that the tape ran out before the end. Now the more I thought about the film it made me remember that I had the full film on VHS somewhere and after a long and dusty search of my mother’s house I finally found it, a proper VHS shop bought, full version of Capricorn One. If you haven’t seen the film and I have to say, I haven’t noticed it on the TV schedules for a long time, the film is about the first manned voyage to Mars. On launch day the crew are removed from the spacecraft and it blasts off without them. They are then taken to an abandoned air force base and find that the plan is to fake the mission using a TV studio.

Why, you may ask? Well this is where the film falls on a little shaky ground. The space missions are in danger of losing funding from the government and as the life support system has been found to be faulty, this would be a good reason for the program to be cancelled. To prevent this, this fake mission is the course of action chosen by the top brass at NASA to keep the Mars program going.

Yes, not sure that NASA would really do that sort of thing. Perhaps if they threw in something else, some sort of conflict between Russia and America where winning the Mars race was of vital political importance, well then perhaps it would be more believable.

Later on during the mission Elliot Whitter, a member of staff in mission control, discovers that the TV signals supposedly coming in from the spacecraft are coming in ahead of the spacecraft telemetry. Of course they are! They are being beamed from a TV studio out in the desert. OK, this guy has to be got rid off so how do the NASA people do it? Nab him on his way home? Grab him somewhere at Mission Control? No, they wait until he is in the middle of a pool game in a bar with his best mate, a TV news journalist played by Elliot Gould. The journalist takes a call at the bar and when he returns, two minutes later, his mate has vanished! Something fishy going on here thinks the journalist.

Although the TV journalist eventually solves the case there is no real link as to how he does it, just guesswork really so in the remade version maybe Elliot Whitter made a computer disk that leads to the TV studio at the abandoned air force base, the TV journalist gets hold of it, finds the astronauts who are now virtual prisoners and hey presto we have a proper ending to the film.

Don’t miss Capricorn One if it ever gets shown on TV because it really is a great film despite me criticising it. And if any wily film producer is thinking about a remake, my updated re written script is available, whenever you are!


Floating in Space is a novel set in Manchester, 1977. Click the links at the top of the page to buy or for more information.

The Film of the Book or the Book of the Film (Part 2)

It’s always  a bitter-sweet experience when someone decides to make your favourite book into a film. It doesn’t always work out because maybe it was a big, thick, long book and they have cut out your favourite bit, or perhaps the cast wasn’t the one you imagined. It’s usually just the same in reverse. You see a great film and in the credits it says based on the book by so and so, then you rush out and get the book and it turns out to be a little disappointing. Sometimes it’s even better than the film!
You can read the Film of the Book part 1 by clicking here. Meanwhile, here are a few more of my film/book experiences.

Rebecca (the film)

Rebecca was directed by Alfred Hitchcock and released in 1940. Laurence Olivier plays Max De Winter and Joan Fontaine is particularly good as the shy, unworldly new wife of the rather grand Max De Winter.

Max and his new wife, who is never named in the novel as she is also the narrator, meet in the south of France, marry and return to Max’s grand country house Manderley, in Cornwall. There they settle into country life rather uneasily, as lurking always in the background is the spectre of Max’s late wife Rebecca who died in a boating accident.

Also lurking in the background is the housekeeper of Manderley, Mrs Danvers. She was devoted to Rebecca and her presence seems to cloak the house in a sinister gloom. George Sanders plays his usual suave smooth talking self; in this film he is the apparent lover to the late Rebecca. A number of incidents occur making the new wife believe her husband resents her and prefers Rebecca. Nothing could be further from the truth as we find out when Rebecca’s body is discovered in the cabin of her sunken boat just off the coast. Max reveals he had an argument with Rebecca, struck her and she fell, hitting her head on some heavy fishing tackle. He carried her dead body to her boat, took to sea and scuttled the small vessel, creating the lie of her death at sea. Now the body has come to light, George Sanders’ character comes forward with a letter from Rebecca, inviting him to visit on the day of her death and with this he decides to blackmail De Winter as this shows she could not have contemplated suicide.

There is a nice twist at the end which I won’t give away but Rebecca is a wonderful film, well worth looking out for on one of the many movie channels available these days.

One disappointing aspect of the film was the rather cheap model of Manderley used at the beginning and end of the film. If I was Hitchcock I would have been tempted to revisit the film in the 1960’s and add some better model effects.

Rebecca (the book) by Daphne Du Maurier

The book is written in the first person by the unnamed new wife of Max De Winter. It’s a very good read indeed and I enjoyed it very much, so much so I had to take it out of my work’s bag (I’d been reading at work during my dinner breaks) and take it into the garden on a lovely sunny day as I was so keen to get to the end. It is very similar to the film although in the book De Winter actually shoots his wife unlike the film where De Winter strikes her and she falls and hits her head. The ending is also rather abrupt but an excellent read, well worth picking up if you see a copy for sale.

Serpico (the film)

Al Pacino stars in the true story of Serpico, a New York City cop who tried to fight the culture of bribery and corruption in the NYPD in the 60’s and early 70’s. This 1973 film is directed by Sidney Lumet and is shot in a gritty natural style. It starts with Serpico being shot in the face and then on his way to hospital it flashes back to tell the story of rookie cop Frank Serpico and his graduation to detective and his refusal to take bribes. It is shot and acted in a very natural documentary style and the film portrays Serpico’s ongoing disappointment with his superiors and those he trusts to look into the situation very well indeed. A brilliant example of 70’s moviemaking at its best.

Serpico (the book) by Peter Maas

It’s a long while since I read the book and despite a lengthy search I couldn’t get my hands on it for a read through for this post. It was a fascinating read as I remember, reading more like a work of fiction than the true story it really was.

Serpico (the DVD)

Since I couldn’t say much about the book I just want to throw in a quick comment about the DVD. One thing I love about DVDs are those special versions with extended features, documentaries and so on. On the DVD of Serpico there is an interview with the producer Dino De Laurentiis where he tries to explain the character of Serpico this way; He and Serpico go to a screening of a film in New York. They are checking out possible directors or something, anyway, the theatre is empty and ignoring the no smoking sign, De Laurentiis decides to light up. ‘Wait a minute’ says Serpico, ‘you can’t smoke in here.’ De Laurentiis replies ‘what does it matter? There is no one here but us.’

Serpico points to the no smoking sign and replies ‘look, you just can’t smoke here’ and makes the producer put out his cigarette. That, says Dino on the DVD, was when he began to understand what Serpico was about. There were no grey areas with him, everything was black and white.

The Big Sleep (the book) by Raymond Chandler 

The Big Sleep, which refers to death in American gangster speak was the first of Raymond Chandler’s novels to feature his famous detective Philip Marlowe. Marlowe was described by one reviewer as ‘a 20th-century knight who treads the mean streets of Hollywood and Santa Monica, and who also visits the houses of the stinking rich, with their English butlers, corrosive secrets and sinister vices.’ I couldn’t have put it better myself. In the Big Sleep Marlowe is summoned to the house of General Sternwood whose daughter is being blackmailed by a seedy bookseller.

Sternwood, a crippled old man spends his time in a heated conservatory and seems to draw strength from the overwhelming heat. He engages Marlowe who sets off on a trail of blackmail and murder. I have to say the film rather confused me and it was only after reading the novel that I began to understand some of the intricacies of the plot.

The Big Sleep (the film)

Director Howard Hawks was also aware of the complexity of the novel. He once asked Raymond Chandler who had shot the chauffeur. Chandler replied that he had no idea.

The movie version from 1946 stars Humphrey Bogart and Lauren Bacall and I used to think that this was the film where Bogart and Bacall met although in fact it was actually another movie, ‘To Have and Have Not‘, also directed by Howard Hawks. By the time of ‘The Big Sleep’ their romance was in full swing. Later Bogart left his wife Mayo and he and Bacall were free to marry.

The opening of the film where Bogart meets the general is brilliant. The wayward daughter remarks he is not very tall. ‘I try to be’ Bogart replies. Later, the other daughter played by Bacall says she doesn’t like Bogart’s manners. He replies ‘I’m not crazy about yours. I didn’t ask to see you. I don’t mind if you don’t like my manners. I don’t like them myself. They’re pretty bad. I grieve over them on long winter evenings.’

My advice, get yourself the DVD, pour yourself a large glass of red, press play and relax and enjoy.

The Silence of the Lambs (the Film)

The film was released in 1991 and it’s one of those films that seemed to naturally self-publicise itself, one of those word of mouth films that everyone at the time was talking about. It’s a gruesome film in parts and not really my usual sort of film but what is appealing is the slow relentless process the FBI makes to track down the killer and the procedures and techniques they use. Jodie Foster plays FBI trainee Clarice Starling. She is sent by the head of the FBI’s Behavioural Science Unit to interview captured serial killer Hannibal Lector played by Anthony Hopkins, in the hope he might give some clue or insight into helping with the capture of a new serial killer known as Buffalo Bill.

Hopkins gives a chilling portrayal of the psychotic serial killer and Jodie Foster and the other principals were given much acclaim for their performances. The film was only the third to win Oscars in the top 5 categories: Best Picture, Best Actor, Best Actress, Best Director, and Best Adapted Screenplay. It is perhaps the only horror film ever to win the best picture award.

The Silence of the Lambs (the Book) by Thomas Harris

The book, like the film, focusses on the FBI and their attempts to trace the killer known as Buffalo Bill. Trainee agent Clarice Starling builds up a relationship with imprisoned murderer Doctor Hannibal Lector where Lector dribbles out bits of information in exchange for personal details about Clarice herself. Clarice, the vulnerable young FBI agent is a sort of counterpoint to the evil Murderer Dr Lector.

The book like the film is more of a horror story than a detective novel. I felt drawn to the passages that were chilling and gruesome in a strange way, almost like when a spider appears and I’m compelled to watch it even though I hate spiders. The relationship between Lector and Starling is intriguing and is really more of a focus than the capture of the Buffalo Bill and I did find myself wondering whether Lector might want to murder Clarice or perhaps his interest in her is something different.

I read the follow up book, Hannibal, expecting more of the same but it was even more gruesome and had a strange implausible ending. Since then I’ve steered clear of Mr Harris’ books but Silence is a great read.


Floating in Space is a novel set in Manchester, 1977. Click the links at the top of the page to buy or for more information.

Adventures on eBay!

ebayOn eBay a while ago I came across a listing for a razor handle for a pound. I remember thinking at the time what plonker is going to even think about buying that? Well, more about that later. Still, there are a huge amount of crazy things on eBay, things like broken items for instance. Quite a few times I’ve come across something on eBay at a fraction of its usual value. That’s where you have to stop and take a closer look. Check the small print because many times you will find something like ‘not working’ or ‘for parts only.’ That’s right, your old mobile phone packs up -flog it on eBay because somewhere, there is someone either collecting broken mobiles or using the parts to fix other broken mobiles and re selling them to make money. Of course it could just be some weirdo who collects broken phones, who knows?

Not long ago, my partner Liz, asked me to bid on a dress or a top on eBay and ever since I have been getting e-mails from eBay advising me about even more ladies dresses and tops. I also bought an iPad on eBay so now I’m inundated with emails about iPads for sale. Pay attention eBay, – I’ve already bought an iPad. I don’t need another! And please stop sending me emails about ladies dresses!

I do love old movies and eBay is the perfect place to find them. Yes, enter a film title into the search page, click on movies and DVDs and within a few moments there will be the DVD you are after. You can search by price, by time left to the end of the auction or by distance to your home but if the movie is on DVD and is out there, you will find a copy. Here are a few of my e-bay buys, some successful, some not so . .

High Noon.

I picked up a very cheap copy of this on e-bay a while ago. No cover or box, just the disc in a plastic wallet and I parted with just £1.60 for my purchase. High Noon is the story of a small town sheriff who has just got married. He is about to hand over to a new sheriff due to arrive the next day when he hears that the murderer, Frank Miller – the man he sent to prison when he cleaned up the town – is on his way back and gunning for revenge.

The sheriff played by Gary Cooper has just married the lovely Grace Kelly, but how can he leave when the killer, along with his gang, plans to get him when he arrives on the noon train? If he leaves, the gang may hijack him out in the country, so the sheriff reasons his best bet is to stay in town and fight it out on his own turf. However, for one reason or another, the help he is hoping for from the town’s residents fails to appear and Cooper must face the men alone. The movie counts down relentlessly towards noon with the memorable sound in the background of ‘Do not forsake me oh my darling’ sung by Tex Ritter.

I mentioned this to my brother the other day and he related a story my Dad had told him. My Dad saw the film during his army days in Hong Kong. The film was shown in a corrugated Nissen hut and afterwards when everyone had left the hut all that my Dad could hear was his fellow soldiers humming and whistling the theme song.

The Ghost and Mrs Muir.

By Trailer screenshot (The Ghost and Mrs. Muir trailer) [Public domain], via Wikimedia Commons

By Trailer screenshot (The Ghost and Mrs. Muir trailer) [Public domain], via Wikimedia Commons

This is a movie that I could add to a previous blog, one about movies rarely seen on TV. I have seen it on TV though, some years ago. Mrs Muir is played by Hollywood star Gene Tierney and Rex Harrison is perfect as the formidable sea captain whose ghost scares off all occupants of the cottage his former living self once inhabited. Mrs Muir – a widow who longs to live by the sea – defies him and after a while the ghostly sea captain begins to fall for his mortal tenant. Money problems beset Mrs Muir but the captain decides to dictate his memoirs to her in the hope that when published, his tales of seafaring will make enough money for her to buy the house. This she does but also meets a suave writer played by that elegant actor, George Sanders. Mrs Muir falls for him much to the chagrin of the captain. Didn’t he – the captain – advise her to go out and meet other men and to enjoy herself, asks Mrs Muir when confronted with the captain’s jealousy? The captain retreats then, back into his ethereal world and leaves Mrs Muir with only the memory of old daydreams about sea faring captains. I won’t tell you about the end in case you want to see this lovely film but rest assured you will enjoy it. In some ways it’s a bit of a theatrical film with a lot of stage set scenes and there is an overriding sense of sadness in the film; a bittersweet feeling of lost love. Rex Harrison and Gene Tierney both give excellent portrayals.

The Signed Letter from Richard Nixon.

Yes, only £1.50, a signed letter from Richard Nixon. Couldn’t be real could it? Well, that’s what the eBay listing said, signed by Richard Nixon. I paid my money and guess what? It was a photocopy! When I complained the guy said did I really expect a signed letter from President Nixon for £1.50? Well no, but where did it say ‘Photocopy’? Somewhere in the small print obviously.

The Clothes that were Too Small.

Yes, it only goes to prove that one man’s XXL is another man’s XL. I keep saying I’ve learned my lesson but one day I will buy a leather jacket that actually fits me!

The Razor Handle.

I had one of those Wowcher emails a while ago offering me thirty razor blades ‘compatible’ with my Wilkinson’s razor at a very cheap price indeed. Blades are pretty pricey these days, so, OK, I clicked on the link, bought my voucher, then went to the razor blade site, and added my voucher code. OK so far but then I had to add a few quid for postage. Well, I wasn’t happy about that. That extra money was eating into my savings. Anyway, eventually the blades arrived at my door. Not sure what kind of service was used but it certainly wasn’t the next day courier service, more like the next month slowest possible but we get there in the end service. OK, I get the blades but then there’s another problem: They won’t fit on my razor! Now, things get confusing because there are so many razors available these days. There’s the Hydro, the Quattro, the Quattro Titanium, and a shed load of others I couldn’t even begin to name. The blades were for a Hydro which I didn’t have but guess what? Remember that razor handle I told you about earlier? The one selling on e-Bay for a pound with free postage? Remember I asked what plonker would even think of buying that?

Yes, that plonker would be me!


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10 Books you should read about Marilyn Monroe

Marilyn MonroeThe very first book I picked up about Marilyn Monroe was the biography by Fred Laurence Guiles. ‘Norma Jean, the life of Marilyn Monroe’. It’s a particularly well researched book and for a great many people, fans and writers alike, it has become the definitive biography of Marilyn, the place you go to find out all those facts and figures about her life, especially her early life. Her death is not really discussed in the same fashion as in later books, some of which are wholly devoted to the mystery of her passing. In my edition which I bought in the seventies, Bobby Kennedy is referred to only as ‘the easterner’ and it was only in later years that Bobby Kennedy and his brother, President John Kennedy became publically identified with Marilyn.


Marilyn: Norman Mailer

Norman Mailer apparently used Guiles book as a guide when writing his own book about Marilyn. Simply called ‘Marilyn, a biography’ the book is a large format book for which Mailer, the celebrated American writer supplied the text, and numerous photographers supplied the impressive array of photographs. The New York Times review online says the book is the ‘Glossiest of glossy books’ and further goes on to remark about the cover picture; ‘Marilyn Monroe has that blurry, slugged look of her later years: fleshy but pasty.’ I’m not sure what the writer was thinking about but personally, I rather like that cover picture of Marilyn.


GoddessA slim volume appeared in 1964 called ‘The Strange Death of ‘Marilyn Monroe’. It was this book that kick started rumours of strange goings on in the hours leading up to Marilyn’s death but the first book I read about the mystery (and I do love modern mysteries) was the book by Anthony Summers; Goddess: The Secret Lives of Marilyn Monroe. Summers is a veteran journalistic investigator and has written books about J Edgar Hoover, Richard Nixon and the JFK assassination. Was Marilyn murdered or did she commit suicide?

Another author who thinks she was murdered was Robert F Slatzer who wrote a book called The Life and Curious Death of Marilyn Monroe. I couldn’t find my copy when I came to photograph my Marilyn books but I do have it somewhere. Slatzer made a number of claims, one of which was that he actually married Marilyn but her studio bosses forced her to annul the union immediately and remove all the evidence that it ever took place.


IMGA0353Marilyn Monroe: Private and Undisclosed is a book I picked up quite recently. It is written by a British author, Michelle Morgan, and is similar to Fred Guiles book of Marilyn, very well researched but focusses on various people associated with Marilyn who have not been interviewed before. After reading this and other books, I get the impression that Marilyn compartmented her life, and those that were in one compartment, were not necessarily aware of people who were in the other ones.


img_0044_27623392904_oTalking about J Edgar Hoover, here’s another book I picked up about Marilyn. This was a remainder book and concerns the information about Marilyn in Hoover’s FBI files. Marilyn: The FBI Files by Tim Coates. It’s an interesting addition to the many books about Marilyn with pages of FBI files concerning Marilyn, many of them redacted with various names and details blanked out.


Monroe

 

The Assassination of Marilyn Monroe by Donald Wolfe. Wolfe is a journalist who has done a great deal of digging and research and one of his interviewees was the brother in law of Marilyn’s housekeeper, Eunice Murray. He reveals first hand that Bobby Kennedy was at Marilyn’s home on the day she died.


img_0015_28134392832_oDonald Wolfe wrote another book; ‘The Last Days of Marilyn Monroe’. I’ve not read this one yet, it’s one I’m saving for my holidays.


 

img_0053_28161186631_oFinally, Fragments, edited by Stanley Buchthal and Bernard Comment. When Marilyn died in 1962 she left all her possessions to her acting mentor and head of the Actors Studio in New York, Lee Strasberg. When he passed away Marilyn’s effects went to his daughter and now it seems many will be auctioned off. This book is a look at the letters and notes she made, fragments of poems and thoughts scribbled in notebooks, on hotel stationary and envelopes. Marilyn’s thoughts and written meanderings show her to be a thoughtful woman who cared about what she saw and heard. Marilyn was a great reader and left behind a large book collection, part of which is listed in this book. Click here to read about all the 430 books she left behind.


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Have Movies Influenced your Music Choices?

classical music + moviesClassical Music and Three of my Movie Favourites

I’m not a great lover of classical music but the classical music I do know and love has come to me through the medium of film. Yes, movies have inspired almost all of my favourite classical music choices.

The Blue Danube

The Blue Danube is a waltz written by the composer Johann Strauss II. He was an Austrian composer known as the ‘Waltz King’ and was largely responsible for the popularity of the waltz in Vienna in the 19th century. I first heard the music in the movie 2001: A Space Odyssey, the memorable sci-fi movie directed by Stanley Kubrick. Kubrick used numerous classical pieces in the movie and the Blue Danube is used during the space station docking and lunar landing sequences.

I first saw the film in the summer of 1968. I was only 11 at the time and I remember my Mum being surprised I had spent hours at the cinema on a lovely hot day. I watched the film in the huge movie theatre in Northenden, now a Jehovah’s Witness assembly hall. There were only a few people in the picture house that day and it was wonderful having this huge place almost to myself and seeing this incredible film in 70mm on the big screen. I recall being somewhat confused by it all, especially the jump from neanderthal times to the future, until I bought the novel by Arthur C Clarke which explained things in a way the movie did not.

2001 is a particularly visual film. Kubrick cut out a lot of dialogue because he wanted the film to stand as “basically a visual, nonverbal experience” that “hits the viewer at an inner level of consciousness, just as music does, or painting.”

2001

Picture courtesy Flickr.com

According to Wikipedia, despite the few people in the cinema with me that day in 1968, the movie went on to become the highest grossing North American movie of that year.

2001 set the pace for the sci-fi movie with its depiction of spacecraft drifting slowly and silently through space. The first Star Trek movie was heavily influenced by 2001 which made it look a little dated when the movie Star Wars was released and did the opposite thing, showing spacecraft whooshing across the screen at incredible speeds.

2001 is a wonderful movie and as well as continual enjoyment, it has also given me a love of Johann Strauss.

March of Pomp and Circumstance.

The March of Pomp and Circumstance was written by Sir Edward Elgar and there are actually six marches altogether. The most famous is the ‘Land of Hope and Glory’ march which traditionally ends the last night at the proms. I first heard this classical piece in the movie ‘Young Winston.’

The music for the movie was written by Alfred Ralston and includes his original work as well as arrangements of Elgar’s music. I used to have the soundtrack to Young Winston on vinyl and on the back cover there were extensive notes by the producer. He rather pompously announced that neither he nor Richard Attenborough, the director, had any interest in making a film about the British Empire, which is rather sad because the British Empire, in my view, was something we British should be rightly proud of. Anyway, Churchill himself was certainly proud of the Empire and his part in it, and in making this film the producers therefore did what they say they didn’t want to do. The movie is based on Winston’s early life, indeed his autobiography of his early days was entitled just that: ‘My Early Life.’ It is a wonderful read and has been made into a lovely film.

One interesting feature of ‘Young Winston’ is that at the end of the film there is a rather poignant scene where Winston, in his later years, falls asleep in his study and has a dream about his late father, his relationship with whom, as we see in the movie, was not good. In the sequence his father, Randolph Churchill, returns to him; he and Winston discuss life and finally part with a sort of understanding nod to each other. I have always thought that it finished the film off rather nicely but whenever I see Young Winston on TV, that scene has been cut. Years ago I bought the video version and the scene had been cut on the video too, so if I ever decide to buy the DVD version, I’ll be checking the running time before I buy!

Manhattan

Manhattan is Woody Allen’s ode to New York. I have always loved that opening sequence with the monologue by Woody. He narrates the opening of his book and is not satisfied with it so starts the book over again. The dialogue goes something like this;

‘Chapter one. He adored New York City. He idolised it out of all proportion.

No, make that he romanticised it out of all proportion.

To him, no matter what the season was, it was a town that existed in black and white and pulsated to the great tunes of George Gershwyn.

Oh no, let me start this over.

Chapter one . . .’

When he finally gets the book opening he wants, then the music of Gershwin’s ‘Rhapsody In Blue’ roars into focus. Manhattan is a movie shot in black and white and is one of Woody Allen’s most famous and successful films. Allen plays a 42-year-old writer who is involved with a 17-year-old girl played by Mariel Hemingway. The photography is wonderful as is the movie. There is a lovely part played by Meryl Streep who plays the part of Allen’s ex-wife who has written a book about their former life together.

How have the movies influenced your music choices?


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Terence Rattigan and my Movie Connections.

terence RattiganIt’s always a good feeling when you watch a movie you have really enjoyed. If you are like me then you will usually take a scan through the credits and look for familiar names. Sometimes you will see one that rings a bell; Hey, that director is the same guy who directed one of your real favourites or, that screen writer is the same writer who wrote another movie you enjoyed. That’s what I call a movie connection.

The Winslow Boy is one of my favourite old movies. It was written by Terence Rattigan and adapted from his own play. The original starred Robert Donat (who hailed from Withington in Manchester) playing the part of Sir Robert Morton and was directed by Antony Asquith. You may be more familiar with the recent version starring Jeremy Northam and Nigel Hawthorne which, all things considered, wasn’t a bad film. Anyway, the first time I saw the original movie I made a mental note of Terence Rattigan for future reference.

Here’s another movie: The VIPs, a film about various characters delayed at London Airport due to weather. It’s a lovely movie with great performances by Richard Burton, Elizabeth Taylor and Margaret Rutherford. It was a movie I really enjoyed so I checked the credits and what did I find? Screenplay by Terence Rattigan. Directed by Anthony Asquith. Yes, I thought, that rings a bell.

A great Sunday afternoon film is The Yellow Rolls Royce. I don’t know if you’ve ever seen it but it is three separate stories, all connected by the Yellow Rolls Royce. My favourite episode is one starring Shirley Maclaine. She is involved with gangster George C Scott and they are on holiday in Italy. When her gangster lover has to return to New York to sort out ‘some business,’ Shirley is left alone with young Italian Alain Delon. She falls in love with him but realises that when George returns, her new lover’s life expectancy will be very short. So, she tells him she doesn’t love him at all and returns to the USA with gangster George. Although he doesn’t realise it, Shirley has saved Alain’s life. As I watched the credits pass by, there were those names again, Anthony Asquith and Terence Rattigan.

rattiganAsquith was the son of the British Prime Minister Herbert Asquith. He was a great friend of Terence Rattigan and they collaborated on 10 films together but it’s Rattigan I want to write about here. Who who was he? Well, he was a playwright who wrote a number of west end hits, many of which were made into films. You may recognise some from this list; The Way to the Stars,  The Winslow Boy, The Browning Version, The Deep Blue Sea, The Price and the Showgirl, Separate Tables, The Sound Barrier and the Yellow Rolls Royce.
Wikipedia says Rattigan was a ‘troubled homosexual, who saw himself as an outsider, and that his plays ‘confronted issues of sexual frustration, failed relationships and adultery.’

He was born in 1911, had quite a privileged upbringing and was educated at Harrow. His first play was ‘French Without Tears’ about a crammer where English students go to learn French. Rattigan joined the Royal Air force at the outbreak of the Second World War and became an air gunner. He used his experiences to write a play called ‘Flare Path’ which eventually became the movie ‘The Way to the Stars’, also directed by Asquith, the DVD version of which resides happily on my DVD shelf.

Terrance RattiganRobert Donat relished the role of Sir Robert Morton in the Winslow Boy. Morton is an MP cum barrister who takes the British Admiralty to court over the sacking of Cadet Winslow. In my favourite scene, Sir Robert Morton questions Ronnie Winslow about the incident in question, that of the theft of a postal order. The questioning goes fairly gently until Sir Robert ups the ante when Ronnie, the Winslow Boy himself, mentions talking to another boy;

RONNIE I said, “Come down to the Post Office with me. I’m going to
cash a postal order.”

SIR ROBERT ‘Cash’ a postal order?

RONNIE I mean ‘get’.

SIR ROBERT You said ‘cash’. Why did you say ‘cash’ if you meant ‘get’?

RONNIE I don’t know.

SIR ROBERT I suggest ‘cash’ was the truth.

RONNIE No, no. It wasn’t, really. You’re muddling me.

SIR ROBERT You seem easily muddled. How many other lies have you told?

RONNIE None. Really, I haven’t.

SIR ROBERT I suggest your whole testimony is a lie.

RONNIE No, it’s the truth.

SIR ROBERT I suggest there is barely one single word of truth in anything you’ve said either to me or to the Judge Advocate or to the Commander. I suggest that you broke into Elliot’s locker, that you stole the postal order for five shillings belonging to Elliot, that you cashed it by means of forging his name.

RONNIE I didn’t. I didn’t.

SIR ROBERT
I suggest that by continuing to deny your guilt you’re causing great hardship to your own family and considerable annoyance to high and important persons in this country.

CATHERINE
That is a disgraceful thing to say.

SIR ROBERT
I suggest that the time has at last come for you to undo some of the misery you have caused by confessing to us all now that you are a forger, a liar, and a thief!

CATHERINE
How dare you!

RONNIE
I’m not. I’m not. I didn’t do it.

It looks like everything is all over then Sir Robert asks for all the available papers to be sent to him. ‘Is that necessary now?’ asks someone.

‘Of course’, replies Morton. ‘The boy is plainly innocent. I accept the brief.’

There is also a rather subtle flirtation between Catherine, Ronnie Winslow’s elder sister and Sir Robert. Catherine comments ‘how little you know about women’ to Sir Robert after an exchange between the two. He later replies to her when she doubts she will see him again, ‘How little you know about men, Miss Winslow!’

The Winslow Boy is a delightful film which captures perfectly that ‘upstairs, downstairs’ life in the early part of the twentieth century. Look out for excellent supporting performances from Jack Watling and Kathleen Harrison as well as those of the feature players, Robert Donat and Margaret Leighton. You may have to search ebay for the DVD version as the movie is not one of those we see often on terrestrial TV.

Remember, don’t forget to check the credits on a film. You may find a lot of familiar names on the movies you love!


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Why I love Casablanca (and why you should too!)

casablancalead1After a hard shift at work, it’s nice to go home, pour yourself a drink and settle down by the TV to watch something while you unwind. Now despite these days of multiple TV channels it’s not always easy to find something worth watching. I remember the days when there were only three channels but strangely, even though we have have undergone the digital revolution and have cable and satellite channels, sometimes we find ourselves clicking the remote vainly in search of something that is even remotely interesting. Happily, over there in the DVD cupboard, I have plenty of things I enjoy watching. One of those is my much watched DVD of Casablanca, the classic Hollywood movie. I can watch it time after time and there is so much to enjoy in the movie; the wonderful Humphrey Bogart, The suave Paul Henreid, the rotund Sydney Greenstreet, the villainous Conrad Veidt, the slimy Peter Lorre and my favourite character in the film, Claude Rains, not to mention the lovely Ingrid Bergman.

Casablanca was only Bergman’s fifth Hollywood movie. She had been brought over from Sweden by producer David O Selznik to star in the English language version of Intermezzo, a successful Swedish film. She spoke no English but learned quickly. Ingrid expected to make the movie and then return to her career in Sweden, so much so that her husband did not even come to Hollywood with her. However, Ingrid made more movies in Hollywood, then came Casablanca; a movie that was a product of the Hollywood studio system. It was filmed at the Warner Brothers studios in Burbank with one location shoot, a short sequence at Van Nuys airport. Shot in 1942, Casablanca made Ingrid a star and remains probably her best known role. Released in the USA at the end of 1942 and internationally in 1943, the film won three Oscars. Its reputation has grown over time, eventually becoming known as one of the all-time classic motion pictures. Berman herself once commented that the film had a life of its own. The great performances, the memorable lines and the film’s music all contributed to the public affection for the movie. There’s a great sequence in When Harry Met Sally, where Meg Ryan and Billy Crystal discuss the ending and Sally, the Meg Ryan character, asserts that Ingrid Bergman would rather leave with Henreid and be the first lady of Czechoslovakia than stay with a man who runs a bar in Casablanca.

I’ve always liked Claude Rains and I like the way it becomes apparent that his character is not a Nazi or even a Nazi sympathiser, but someone who is something of a rascal, who uses his position for his own ends but also someone who chooses his own friends and his own path, as he does at the end of the movie. My favourite sequence is where he closes down Rick’s bar at the request of Conrad Veidt’s Nazi officer. Humphrey Bogart complains, “How can you close me up? On what grounds?” Rains replies, “Rick, I’m shocked to learn there is gambling on the premises!”

Just then the croupier arrives with some money, “Sir, your winnings!”

Ingrid Bergman became a great Hollywood star and perhaps was associated too much in the eyes of the public with her role of Joan of Arc, because when she fell from Grace, she fell big style.

Bergman was fascinated with the work of Italian director Roberto Rossellini and in 1949 she wrote to him expressing a wish to work in one of his pictures. He cast her in his film ‘Stromboli’ and during the production Bergman fell in love with him, had an affair and became pregnant with his son. This led to a huge scandal in the USA and a divorce and custody battle with her Swedish husband Petter Lindstrom. She eventually married Rossellini and had more children including future actress Isabella Rossellini. She was never reconciled with her former husband but Hollywood welcomed her back in 1956 when she starred in the movie Anastasia for which she won an Oscar.

Humphrey Bogart went on to make many classic movies. He died from cancer in 1957 aged 57. He had been a heavy smoker and drinker.

Claude Rains died in 1967. His last film appearances were in ‘Laurence of Arabia’ and the ‘The Greatest Story Ever Told.’

Conrad Veidt fled the terrors of Nazi Germany in 1933. He was a fervent anti-Nazi donating his personal fortune to the British government to help in the war against Nazi Germany. He died in 1943 of a heart attack aged only 43.

Sydney Greenstreet died in 1954. He was 62 when his movie career began. He made his debut on the stage in 1902.

Hungarian born Peter Lorre was another refugee from Hitler’s Germany. He appeared in the German movie ‘M’ directed by Fritz Lang but fled Germany in 1933. He died in 1964 aged 59.

Paul Henreid came from an aristocratic background and was born in Trieste, then part of the Austrian-Hungarian empire in 1908. He has many credits to his name as an actor and director. He died in 1992.

The movie was directed by Fritz Lang, another refugee from Europe. Lang had a lifetime of problems with the English language, so much so that David Niven named his book of Hollywood reminiscences after one of his sayings. When he wanted a posse of riderless horses to come into the scene he shouted ‘bring on the empty horses!’


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100 Great Movies you Must See!

I really do love movies. Well, my movies, my own personal favourite movies and I don’t always care for other people’s movies. I tend to like classic movies rather than modern ones, not that I’m denigrating modern film. Anyway, I started off trying to work out my top 10 and ended up with, well, a hundred!

Yes, I can also tell you that because of the list maniac that I am, I decided to make the list into a spreadsheet which is great because I can sort the data and throw certain things back at myself, or in this case, at you, the reader. Here are a few examples; A Number of directors had multiple entries, people like Oliver Stone, Michael Curtiz, Martin Scorcese, John Ford, and David Lean (all with three entries.) My top two directors came out as Woody Allen and Stanley Kubrick each with five entries. Woody Allen, Robert Redford and Humphrey Bogart were my favourite leading men and Liz Taylor and Mia Farrow my favourite leading ladies. My favourite years for movies appears to be 1946 with four favourite films and 1956 with five. Anyway, the complete list is below, in no particular order:

A Kind of Loving
A Taste of Honey
Alfie
Blithe Spirit
Broadway Danny Rose
Casablanca
Charlie Bubbles
Dead of Night
It’s a Wonderful Life
Lost Horizon
On the Waterfront
Radio days
Rebecca
Saturday night and Sunday Morning
Serpico
Seven days in May
Spartacus
Sunset Boulevarde
Sweet Smell of Success
The Bad and the Beautiful
The French Connection
The Last Picture Show
The Long Arm
The Maltese falcon
The Man in the White Suit
The Quiet man
The Searchers
The spy who came in from the cold
The Treasure of the Sierra Madre
The VIP’s
2001 A Space Odyessy
A Hard Days Night
A Man for all Seasons
A Matter of Life and Death
Alien
All the President’s men
Angels One Five
Angels with dirty faces
Annie Hall
Around the world in eighty days
Awakenings
Back to the Future
Billy Liar
Bullitt
Citizen Kane
Crimes and Misdemeanors
Dances with Wolves
Desperately Seeking Susan
Dog Day Afternoon
Fail Safe
Fatal Attraction
Four Weddings and a Funeral
Get Carter
Get Shorty
Giant
Gladiator
Goodfellas
Great Expectations
Green for Danger
Gregorys Girl
Hannah and Her Sisters
JFK
Kes
Lawrence of Arabia
Little Man Tate
Lost in Translation
night Of The Demon
North by Northwest
On Her Majestys Secret Service
One Flew over the Cuckoos nest
Paths Of Glory
Platoon
Pulp Fiction
Rocky
Shane
Smokey and the Bandit
Snow White and the Seven dwarfs
Some Like it Hot
Taxi Driver
The Adventures of Robin Hood
The Big Sleep
The Candidate
The Cincinatti Kid
The Cruel Sea
The Dambusters
The day the Earth stood still
The Godfather
The Graduate
The Great gatsby
The Ipcress File
The King of Comedy
The man who shot Liberty Valance
The Misfits
The Shining
The Silence of the Lambs
The Thief of Bagdad
The Third Man
The Wizard of Oz
Three days of the Condor
To Catch a Thief
Viva Zapata
Wall Street
Whats new Pussycat?
Whats up Doc?
When Harry met sally

Hope you enjoyed the list. What are your personal favourites?

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