I started this post off with three ‘showbiz’ autobiographies of actresses/comediennes of the stage and screen. Despite trawling through my book collection I couldn’t see a fourth so I added one which is the odd one out; a biography, rather than an autobiography and a male actor/comedian rather than a female. Either way, all four are stars who made their respective names in the 1950s and 1960s era of radio, TV and film and together make up a quartet of much loved British comedians.
Fenella Fielding: Do You Mind If I Smoke?
This is an autobiography by Fenella Fielding, co-written with Simon McKay, and the title comes from her part in Carry On Screaming when she played a seductive character, possibly derived from the Adams Family, Valeria. In one scene Valeria tries to seduce Harry H Corbett standing in for the absent Sid James as a detective. Valeria asks ‘do you mind if I smoke?’ and then rather than smoking a cigarette, a cloud of smoke seems to arise from her body and envelop her. Harry H Corbett adds ‘just when I was trying to give it up’ before embracing her in the smoke.
Simon met Fenella at a London Pilates class in 2011. The two became friends and began meeting regularly for coffee. McKay realised that Fenella was a wonderful raconteur and asked if he could record her stories. Fenella agreed and later they used the transcriptions as the basis for a themed evening, An Evening with Fenella Fielding. Later the conversations became an audio book and finally this printed version. It was hugely enjoyable and rather than being a standard story of her life, the book talks about various things in no particular order.
Fenella describes her early life in Clapton and her first forays into the acting world. She won a scholarship to RADA but her parents, who were keen at first, don’t seem to have realised what RADA was, that their daughter was becoming an actress which they seem to have seen as just one step away from prostitution.
Anyway despite only completing one year at RADA, Fenella did manage to become an actress. After one particular success on the stage she began to pick up various small parts on television and on film and as I mentioned above, her most famous part was in Carry On Screaming. She devotes a whole chapter to Kenneth Williams who of course could be a very difficult man to work with. She also played a part in Doctor in Clover and was heard as the village announcer in the TV series The Prisoner. In fact a great deal of her work was voiceovers for various things especially TV adverts.
This was a lovely read and came over as very chatty and talkative, based as it was on recorded conversations.
Liz Fraser …. and other characters
In Fenella’s book above, she mentions that she hoped her book would not go the way of a lot of other showbiz autobiographies, interesting at first but then dissolving into lists of plays and films and other celebrities. Sadly, that seems to be the way this book does go, even so I enjoyed it.
Liz was brought up in Southwark, in London. Her mother ran a small shop, one of those shops that used to sell everything that Tesco might sell these days from bags of coal, wood bundles to fresh food. Her father was a travelling salesman but died in 1942 aged only 40.
Like Fenella, Liz attended RADA and afterwards won her breakthrough part in I’m All Right Jack which starred Peter Sellers as a union official. She tells the story of playing minor parts in small plays and eventually got some walk on parts on TV. One day her mother said to her “Was that you last week, walking past Peter Cushing?” It was!
Liz worked on TV shows that were live back in the day. On an episode of Dixon of Dock Green she forgot her line but the crew had a ‘cut key’ which cut out the broadcast sound while they called out the line to the hapless Liz.
To get the part in I’m All Right Jack Liz had to lie about her age as the producers wanted someone younger which led to a career long confusion about her age.
She appeared with Peter Sellers in various films and she reveals that although she liked Sellers she had to fight off his amorous advances several times. Liz shares lots of anecdotes about various people she worked with including Tony Hancock, Benny Hill and Sid James.
She tells about appearing in a few of the Carry On films but like many others is critical of the producers. There was only a one off payment for each film and despite the enduring popularity of the Carry On films, the actors earned nothing from their later success on TV. In later life Joan Sims had a lot of financial difficulty but was helped by actors’ charity organisations. Liz herself was very thoughtful, investing in property and stocks and shares which sustained her during the times when acting work was thin on the ground.
She doesn’t share much about her personal life although her first husband features in a chapter called I Married a Thief. Peter Yonwin was something of a fantasist and their marriage soon broke down.
One shocking disclosure was an incident one night after appearing in a pantomime. Liz took an acquaintance home thinking she could deal with any problem man only to be raped. She doesn’t expand on the incident but seems to just mention it quickly and then move on as if perhaps by talking about it however briefly she could perhaps exorcize this dreadful ordeal.
Liz’s second husband, a TV producer, died of cancer and Liz suffered with cancer herself. She enjoyed fast cars and finishes by talking about her old age.
Liz Fraser died in 2018 aged 88.
According to Dora
I do love my showbiz biographies and autobiographies and one I picked up a while back was an autobiography by Dora Bryan. I love Dora from her many appearances in British films but my favourite film is probably A Taste of Honey. The screenplay was by Shelagh Delaney and director Tony Richardson, adapted from Delaney’s own play which she famously wrote when she was only 18.
Dora Bryan gives an outstanding performance; at times comic but always supremely natural. Dora grew up on an Oldham housing estate. She was a great performer as a child and so her mother took her to dancing school and further encouraged by her mother, she joined Oldham Repertory before moving to London to develop her stage career. She had a great career on the stage as well as on film and TV and appeared in many successful West End productions. The first part of the book is very interesting but then as I mentioned earlier, this becomes one of those books in which the latter part seems to wander off into lists of productions and theatre and TV personalities. Even so, it was a lovely read.
When the Wind Changed (The Life and Death of Tony Hancock) by Cliff Goodwin
This final book is the odd one out in this quartet of British comedy stars. It’s a biography rather than an autobiography. I don’t think Tony Hancock ever wrote one.
Back in his day Tony Hancock was a giant among television performers. Pub landlords complained that their establishments used to empty because people would drink up and rush home to watch Hancock’s Half Hour. I can’t even imagine that happening today to any contemporary comedian not withstanding the emergence of TV recording devices.
Hancock’s half hour was first broadcast on the radio in 1954 and then transferred to television in 1956.
Hancock’s co star on television was Sid James and Hancock decided to part with Sid believing that the public had begun to think of the two of them as a sort of double act. His final comedy series for the BBC was called Hancock but even without Sid James, it was a great success.
An interesting TV interview at this time saw Hancock as a guest on Face to Face, an intensive interview which revealed Tony Hancock to be a different man to the bumbling buffoon of his radio and TV shows, in fact the entire transcript of the interview is repeated in the book. Many felt that this interview made him more and more self-critical which led to him dispensing with many who were important to his professional life such as Sid James and his scriptwriters Galton and Simpson.
After a minor car crash Hancock had to use an autocue for perhaps his most famous TV episode, The Blood Donor. After that, he used the autocue more and more finding it too hard apparently to continue to learn scripts.
His drinking increased. He left his wife for his mistress Freddie Ross who worked as his publicist. Freddie and Hancock eventually married but their relationship later broke down also.
Hancock committed suicide in 1968. He took an overdose of pills and left behind a note which said ‘things seemed to go wrong too many times.’
This is such a fascinating and well written book and if you are interested in actors and performers as I am, it is well worth seeking out.
There are a couple of postcripts to the book but one was so intriguing I have to mention it here. George Fairweather was a great friend of Tony Hancock. When Hancock was delighted to find he had been chosen for the royal command performance he told George that he wished his late father could have been there to see it. George commented that perhaps his father would see it and Hancock replied dismissively that ‘only spirits come out of bottles’.
22 days after Hancock’s death, George received a typed letter with no name or address. It said simply that the writer had received a message from Hancock in the afterlife and wished to pass it on. The message is reproduced below.

In my last few posts about books, rather than publish my usual Book Bag posts, I’ve incorporated book reviews into other types of posts; holiday memories and posts about books made into films and so on. During my last few holidays, I always seem to either have a couple of John Grisham books with me or found some in the places, usually rented villas, where we have stayed. I thought it might be an idea to write a John Grisham themed book bag post. Who actually is John Grisham then?
A Time to Kill by John Grisham
The Client
The Pelican Brief by John Grisham
The Firm by John Grisham
The Racketeer
The Boys From Biloxi
Liz and I are over here in sunny Lanzarote having exchanged the cold of the UK for the warmth of Lanzarote. Of course, it is still February and things aren’t perfect over here. It’s warm but there are plenty of days when gusty winds blow across the island as well as days when the sun has been obscured by clouds. Even so there are still plenty of bars to drink at, plenty of tapas to be eaten and of course we have plenty of books to read, two of which have inspired this week’s post.

The plot of the book and film are pretty complicated, although having read the book recently I think that the book is easier to follow. During the filming the director and his stars wondered who killed the character of Owen Taylor, the Sternwood’s chauffeur. They sent a cable to Raymond Chandler asking him. Chandler told a friend later ‘Dammit, I don’t know either!’

The Bay of Pigs was a great disaster for Kennedy. He inherited the invasion plans from the Eisenhower administration in which Vice President Nixon was a prime mover. Nixon felt that an invasion would boost his chances in the election contest against Kennedy but the CIA seemed to be relying on the assassination of Castro to kick off the invasion but that planned murder, for whatever reason, never happened.
Ten Days to Destiny by John Costello
This book was the sequel to another book about Bill Clinton. The first one dealt with Clinton’s early life and his election to the presidency; this one takes us through his first four years as president. The author takes us through the years of the Clinton White House and documents the issues like Troopergate; when the former Governor Clinton’s State Troopers revealed the comings and goings of Bill’s various mistresses, as well as the disaster of his healthcare reform work which he entrusted to his wife Hillary. The public clearly weren’t keen on Clinton’s ‘co-president’ – his wife, and their healthcare proposals were rejected by Congress. The mid term elections were another disaster for Clinton and the Democrats and the book goes on to show how Clinton turned the final two years of his first term presidency around and was able to win a second term.
Encore Provence by Peter Mayle
Many have speculated about his true sexuality but it’s clear that Larry enjoyed being labelled as camp rather than gay. The main relationship in his life was with his sister who became a mother figure to him when his adoptive mother died. The two lived next door to each other for many years in later life.



I’ve actually read this book quite a few times and it’s one of those that I mention when people ask me to describe Floating in Space. As much as I’m fond of Floating, this book is infinitely better. It’s a very simple story and probably one that has happened hundreds of times to hundreds of couples.
Once again Liz and I are on holiday in France and as usual I’ve filled up my book bag with books to read. My selection this year was a mix of new books and some books from my collection which I haven’t read for years. The one I’d like to focus on this week is Random Harvest by one of my favourite writers,
The book tells the story in an entirely different way. It begins with a chance encounter on a train with Rainier and a young man who is looking for work. The two strike up a sort of friendship and Rainier invites the young man to work for him, He explains that he was in the war, was injured and woke up in a German hospital with loss of memory. He was repatriated through Switzerland but got his memory back after a fall and a collision with a taxi in Liverpool. The time between his earlier life and waking up in Liverpool is a blank. The young man becomes Rainier’s assistant and the two sometimes talk late into the night discussing what might have happened. Later in the book, Rainier is called to intervene at a dispute at the Melbury factory and his memory begins to return. He asks a local taxi driver about the hospital. The man asks does he mean the new or the old one? Rainier thinks the old one and goes on to describe it. ‘That doesn’t sound like either of them,’ answers the man but adds, ‘would you be meaning the asylum sir?’
Charles Dickens is one of my writing heroes. He is a giant in the world of literature and the author of one of my favourite books of all time, David Copperfield. He was a man with an incredible imagination and was a prodigious producer of numerous books and stories. Many of his works are still loved and appreciated today and the magic of his story telling is also reflected in film and television adaptations of his work.

Mary’s Mosaic by Peter Janney
Shall we Tell the President? by Jeffrey Archer.
The Long Dark Night by Susan Lund
The Woman who Stole My Life by Marian Keyes.
The Prime of Miss Jean Brodie
Room at the Top
A Time to Kill by John Grisham
I’m not sure which came first for me, the book or the film but I actually think it was the book. The Godfather was written by Mario Puzo and is the story of Don Vito Corleone, the head of one of the five mafia families of New York. The book opens with the wedding of Don Corleone’s daughter and Puzo sets the scene and introduces the various characters.
Francis Ford Coppola was the director of the film version and was also the co-writer of the screenplay along with Mario Puzo. Coppola wanted Marlon Brando to play the part of Don Corleone even though Brando at the time was rather unpopular with the producers. He was expensive, his last few films had not done well and his time wasting attitude had added huge expenses to his pictures. After the director had made the producers understand how important Brando was, they set various conditions for his employment. He would have to work for a reduced salary and put up a bond to ensure he would not delay the production. Another was that he had to have a screen test. Coppola has told the story in various interviews how he and his film crew had entered Brando’s house like ninjas and quietly set up their equipment. Brando slicked down his hair with shoe polish and stuffed cotton balls into his mouth to make the transformation into the aging mafia boss.
Coppola decided that instead of finding the horse at the end of his bed like in the book, it would be better if Woltz awoke, was disturbed by something wet, pulls the bedclothes away to see blood and then uncovers the horse’s head. The head was the actual head of a horse, procured from a dog meat factory and Coppola mentions on the commentary to my DVD version that lots of animal lovers sent him hate mail about the horse, even though the horse had been condemned to its fate anyway.
As previously mentioned, the book does have some storylines which were not used in the film but one chapter was a look at the beginnings of Vito Corleone. Born Vito Andolini in the Sicilian village of Corleone, Vito’s father was murdered by a local mafia boss and the young Vito was smuggled away to America. In America he took the name of Corleone and seemed to slip quietly into the role of mafia Don by murdering Fanucci, a New York Sicilian Godfather who preyed on his fellow Italians. Although this element of the story wasn’t used, Coppola kept the storyline for use in The Godfather Part II. The follow up film was a film classic in its own way.