Category Archives: television

Reviewing the Mission Impossible Franchise

Posted on by Steve Higgins

It was a cold afternoon in Manchester and I mumbled something to myself about the supposed heatwave and zipped my jacket up to my neck. At the left luggage office I took out the key that had been given to me earlier and when I opened the compartment I found a small package inside. I took the package and walked the short distance to the square. I sat down on the hard wooden bench and opened it up. Inside was a small tape player and a set of earphones. I put on the earphones and pressed play. There was a short burst of static and then a voice spoke.

‘Good afternoon, Mr Higgins. In the 1970’s a television show called Mission Impossible was produced that became a minor cult TV classic. Many years later the franchise was revived with a series of feature films starring Tom Cruise. Your mission, should you decide to accept it, is to review the TV series and the subsequent films, look at the background to the films, try to understand why they have been successful and put together a blog post revealing your findings. The blog post must be ready for publication by Saturday at 10am.

This tape will self-destruct in 5 seconds.’

I put down the earphones and placed them and the tape player back in the package, moments later the package disintegrated and I dropped the remains into a rubbish bin and walked away.

The TV series 1966 to 1973

The TV show was created by producer Bruce Geller and concerned a team of special agents known as the Impossible Missions Force. They are a US government agency which takes on hostile foreign governments, South American dictatorships and criminal organisations.

In the first series the team is led by Dan Briggs played by Steven Hill but he was replaced for season 2 by Peter Graves in the part of Jim Phelps. Other regular team members were Leonard Nimoy, Martin Laudau and his wife Barbara Bain, Greg Morris and Lesley Anne Warren. Each played a team member with a particular skill, for instance Laudau and Nimoy played agents with a talent for impersonation and disguise, Greg Morris played an electronics expert and so on.

Mission Impossible ran for 7 seasons and was cancelled because, according to Wikipedia, the producers at Paramount found they could make more money by syndicating the existing series rather than making new ones.

A revival series was made in the 1980’s also starring Peter Graves. To save money the series was not filmed in Hollywood but in Australia but it only lasted two seasons and was largely unsuccessful.

A great feature of the series was the opening title sequence which involved a match being struck and then lighting a fuse shown over quick clips of the upcoming episode to the sound of the iconic theme tune written by Lalo Schifrin. Next would be Jim Phelps listening to his tape recorded instructions which after being played would then self-destruct. Phelps would then look through his agents’ files complete with photos and choose who he wanted for the mission. Sometimes a guest star would play one of the agents who would be introduced by Jim checking out his dossier. A team briefing would then take place and the mission would get under way.

The IMF used a great deal of gadgets to accomplish their missions, secret listening devices and other electronic hardware as well as incredible masks and make up to impersonate people. One particular episode that I remember was when the team had to retrieve some stolen gold from a South American dictator’s safe. They did it by drilling a small hole in the safe, heating it until the gold melted and ran out down the small hole then a little gadget sprayed the interior of the empty safe to cover the hole. Mission Impossible was staple viewing in our household in the late 1960’s.

Mission Impossible 1996

Paramount Studios had plans to make a movie version of the series but the plans never seemed to come to fruition until Tom Cruise expressed an interest. He had been a fan of the TV series and hoped to make the film version the first project for his own production company, Cruise/Wagner Productions. The project began with Sydney Pollack as director but Cruise later decided he wanted Brian De Palma. De Palma designed most of the action sequences in the film and the final script was written around these. It just so happens that recently Channel 4 in the UK decided to run all the Mission Impossible films on consecutive nights so that came in pretty handy to refresh my memory on these films.

I enjoyed Mission Impossible much more on this recent viewing than when I had first seen it. The film uses the fabulous TV theme and opens in a similar way to the TV series.

Cruise plays agent Ethan Hunt with John Voight playing Jim Phelps. Hunt is sent to stop the theft of a list of agents kept inside the American Embassy in Prague. The mission fails and Jim Phelps, the agent in charge, is wounded and all of his team are killed except for Ethan Hunt. There is clearly a double agent or mole at work and various things happen until we find out the mole was Jim Phelps which was just a little bit sneaky because all of us who watched the 1960’s TV series knew that Jim Phelps was a character in that show and therefore could not possibly be the mole. The fact that he was made me feel a little cheated by this film because they used my nerdy TV knowledge against me.

I read recently that Peter Graves was asked to play Phelps in the film but declined after seeing his character was the traitor. Other stars from the TV series weren’t happy either.

Mission Impossible II 2000

This second instalment of the franchise was directed by John Woo. It’s about a biological weapon called Chimera. Rogue agent Sean Ambrose steals the virus from its inventor by impersonating Ethan Hunt. He destroys the aircraft on which the inventor is travelling and parachutes to safety. Hunt was played once again by Tom Cruise and his mission is to regain the virus. The opening sequence sees Cruise doing some daring rock climbing which the studio wasn’t happy about. Cruise didn’t have a safety net but did apparently wear a harness. I didn’t like the heavy metal style version of the classic theme and as a matter of fact, I lost interest in the film early on.

Mission Impossible III 2006

This third instalment was directed by JJ Abrams and for the first time the writers decided to show a little of the background to the Ethan Hunt character. He has retired from the IMF and has become a trainer for new agents but is asked to take on a new mission. He is about to get married but his fiancée knows nothing of his espionage work. The IMF team kidnap villain Owen Davian who escapes but decides to take revenge on Ethan. The film is filled with high powered action sequences and although a little implausible, I kind of liked it.

Mission Impossible Ghost Protocol 2011

The IMF are tasked to stop a man only known as ‘Cobalt’ who is trying to initiate a war between the USA and Russia. Tom Cruise as Ethan, infiltrates a Moscow prison to get to a man who has links to Cobalt. Things go wrong and the IMF is closed down by the US government when Cobalt blows up the Kremlin. The IMF team however stay on the hunt for Cobalt and follow him to various parts of the world including Dubai, where Tom Cruise has to climb up the outside of the world’s tallest building, the Burj Khalifa. Cruise does all his own stunts but for a long time I just assumed that all the stuff on the outside of the Khalifa was done in a studio with a green screen and the background digitally inserted. Nope, Cruise actually swung on hidden cables outside the skyscraper. Why he should choose to risk his life in that fashion is beyond me but there it is. A good film full of action and adventure with numerous shootings and explosions.

Mission Impossible Rogue Nation 2015

This next instalment of Mission Impossible is pretty similar to the previous one. The CIA director (Alex Baldwin) asks a government committee to close down the IMF and incorporate them into the CIA which they decide to do. Ethan Hunt escapes from a criminal organisation known as the Syndicate with the help of British double agent Ilse Faust. Various exciting adventures ensue including a highly dangerous motorcycle chase and a deep underwater dive without oxygen. The IMF manage to capture the head of the Syndicate in the end. A government committee decide it would be best to reform the IMF. It’s all a little fantastic but not bad for a Saturday night on TV with a couple of beers and a pizza.

Mission Impossible Fallout 2018

After a week of watching the Mission Impossible films I’m sorry to say I missed this one which is a pity because according to the reviews it’s the best in the series. Still, sometimes it’s important to move one’s lazy behind off the couch, switch off the TV and go out and enjoy oneself. Pity there weren’t a few Mission Impossible questions in the pub quiz that night. After all this research I think I might have done pretty well.

Update

It just so happened that my brother has Fallout on DVD so he brought it round and we gave it a watch. The plot is something about plutonium and atomic bombs and the IMF guys have to swap the captured head of the Syndicate for the plutonium. The plutonium gets put into 2 atomic bombs which cannot be defused but after some highly implausible action-packed chases including a helicopter chase with both helicopters crashing, rolling down a cliff and being suspended on the edge, things finally get sorted. I reckon this would have been a good one to watch in the cinema.

Conclusion

It’s not easy to reboot a successful TV series whether it’s for the small screen or the big one but the producers of the Mission Impossible films have actually done a pretty good job. The films do have something of a link to the old TV series. They have different characters and different actors but the films have kept that opening element from the TV show with the match lighting the fuse.  They have also kept that fabulous theme tune. Then again, could they have really made Mission Impossible without the Mission Impossible theme? I don’t think so.

I did read that some of the TV actors from the original series weren’t happy with the films. Greg Morris apparently walked out of a screening when it was revealed that Jim Phelps was the traitor which was exactly why Peter Graves, the original Jim Phelps declined to reprise his old role as I mentioned earlier.

Personally, with the exception of MI2 I’ve enjoyed all the films and I look forward to the next instalment in the franchise which I believe has already been filmed.

Please step away from this blog post. It will self-destruct in 5 seconds . . .

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The Old, the New, Covid and 2022

Posted on by Steve Higgins

My first post of 2022 was just a review of 2021 so this one is really my first proper 2022 post. I was due to be working on New Year’s Eve but that scourge of our modern times, Covid 19, stepped in and I had to call in sick.

Covid.

Both Liz and I had been suffering with bad colds and hers was getting worse with a bad headache and a loss of taste and smell. We did Covid tests and Liz was positive. My test was negative which was a surprise but then I haven’t had the headache or the loss of taste. I’m not sure when Liz was exposed to Covid, after all we haven’t been out much lately apart from some last minute shopping and a visit to quiz night at a local pub, the Lord Derby. Anyway, we were of course condemned to a minimum seven day lockdown so that meant no work on New Year’s Eve and no going out either.

We lit the fire, got the red wine on the hearth and settled down while we waited for our curry takeaway to be delivered.

The New.

Just lately I’ve been watching a whole lot of TV. Some of it new and some of it old. I mentioned a few weeks ago about watching And Just Like That, a new series of Sex and the City. Happily, it wasn’t on some subscription TV channel but on normal TV so I was able to watch it. I gave it another try the other day but I wasn’t impressed. Carrie had some hip surgery and Miranda got involved with a lesbian comedian. All pretty routine stuff for modern New Yorkers I suppose but it really wasn’t for me. Another new series was the latest four part JFK documentary by director Oliver Stone. I’ve been interested in the JFK assassination since I was a child and although I didn’t quite expect any new revelations in this new documentary series, I was surprised to find there were.

The so called magic bullet was given a severe bashing by various experts and so was the actual provenance of the bullet. The chain of evidence regarding the bullet was shown to be completely compromised as various new records released by the JFK Assassinations Records Review Board were shown to be either false or incorrect by the hard work of various investigators. The ARRB came into effect after the outcry from Oliver Stone’s 1991 film JFK and the documentary was fascinating but a little disjointed as instead of covering each issue in full, the films returned to the same subjects again in later episodes. Apart from that it was very convincing despite the poor review I read in the Guardian recently.

The Old.

There were the usual films shown over the Christmas period. Many films like Ghost for instance look pretty modern but it was technology that betrayed how old they were.

In Ghost banker Patrick Swayze was using one of those old computers with green text while Tom Hanks and Meg Ryan in the film You’ve Got Mail were still using dial up to get online and pick up their email messages. You’ve Got Mail was released in 1998 and Ghost in1990 making it 32 years old this year, would you believe it! Another film I saw that was also dated by technology was The Net with Sandra Bullock. The Net was a thriller about a computer programmer who gets involved in a conspiracy by a computer security company to mine and manipulate information. Made in 1995, dial up internet and green text were evident and there must have been many young people watching and wondering what exactly a floppy disc was.

Making Bread.

One thing that I really love and could never give up is bread. Yes, some may say it’s fattening and full of calories but it’s a food that has nurtured mankind for many centuries and anyone who tries to keep me away from a ham salad on granary is risking their life. When a bread shortage began to rear its ugly head here in Liz’s kitchen a state of panic began to mount. We were self-isolating so I couldn’t go to the shops, what could be done?

The obvious answer was to bring down my bread maker from the dusty shelf where it had lain for the past god knows how many years and to wipe it down and crank it up. I suppose I’ve had that bread maker for about twenty years. Once I got pretty interested in bread making. I had a few recipe books, I bought flour and yeast and started baking. I had a number of disasters along the way but eventually I managed to make some reasonable bread. Then, some new gadget caught my interest and the bread maker was left on the shelf. Why on earth did I stop making bread when I love it so much?

A quick search in the cupboard produced some flour and some packets of yeast and it was time to start up my bread maker once again. The thing is, making bread takes time. First the machine has to mix the ingredients then the mixture has to prove and rise. Then it gets another mix and finally the gizmo starts to bake. I waited patiently looking forward to warm fresh bread and then, many hours later when a huge rock hard inedible blob emerged I finally remembered why the bread maker had been lying on the shelf for so long.

More Old.

The Net was by no means a great film but Ghost was. I remember seeing it at the cinema back in the 1990s and it was one of those word-of-mouth films where the word was, this is a pretty good film, make sure you watch it. Patrick Swayze plays Sam Wheat, a banker who gets murdered. When his spirit is about to be pulled upward into the next world he looks back towards his girlfriend Demi Moore who is shattered and cradling his dead body and Sam realises it is not time for him to go yet. The ghostly Swayze later finds that his killer is stalking Demi. Frustrated and not knowing what to do, Sam wanders New York and finds a medium played by Whoopi Goldberg with whom he can communicate. Whoopi tells Demi about the stalker and Sam’s best friend Carl goes to find out what is happening. Sam is shocked to see that the murderer and stalker is actually acting on the orders of Carl. Maybe Ghost is a little too sentimental in parts but what the heck, I’ve always enjoyed it.

More New.

One new film (well new to me anyway) I did watch was The Time of Their Lives. It was a 2017 film starring Joan Collins and Pauline Collins. It was on in the background while I was tapping away on my laptop. I didn’t catch much of the beginning but Joan Collins is a faded movie star living in a home who decides to go to the funeral of her film director ex-lover in the hope of somehow breaking back into the film business. The funeral is in France and she somehow persuades Pauline Collins to go with her on the trip so it becomes a sort of French road trip. Over in France they meet an Italian artist played by Franco Nero, the one time spaghetti western star. Joan Collins is wonderful in the part of the former film star and I ended up putting my laptop down and giving the film my full attention. Very enjoyable it was too.

2022.

Most years I make the same New Year resolutions. They usually go something like this; finish my new book. Finish my latest screenplay. Write more poetry. Make better videos. This year I decided not to make any resolutions. I thought why not make 2022 a pressure free year? After all, I never make good on any of those resolutions anyway.

Have a great 2022 and by the way, did you make any resolutions?

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TV, Westerns and The Outlaw

Posted on by Steve Higgins

Once upon a time Howard Hughes was the richest man in the world. In today’s society being the richest man requires some serious wealth and Howard Hughes ticked all the financial boxes you can think of. He inherited his father’s tool company when he was very young. Too young in fact to take control but he found a law that said if he could prove he was capable of running the company then he could take control. He proved he could and did just that, took control. His father had designed a tool bit that was essential to America’s oil industry but instead of selling the drill bit he patented it and then rented it out. Howard Hughes though had other ambitions which did not involve oil or drilling but the profits from the Hughes Tool Company were vital for his ambitions in aviation and film making.

Hughes combined those two interests in making the WW1 movie ‘Hell’s Angels’ about fighter pilots and for the shoot he assembled the largest private air force in the world. Towards the end of the shooting, sound pictures made their appearance so what did Howard do? He reshot the entire film with sound equipment!

The_Outlaw-poster-trimAnother movie Hughes made that is famous, or perhaps infamous, was the 1943 Movie ‘Outlaw’ starring Jane Russell. Hughes appeared to be obsessed with Jane’s breasts, even to the extent of designing a new bra for her and reshooting a famous close up of her time after time. Hughes clearly had some psychological issues; he was a compulsive, obsessive man. He usually had the same meal when he went out with one of the many starlets he courted. Jane Greer recounted in a TV interview how Hughes would eat things in the same order; the peas first, then the potatoes and finally the meat. Once when they dined Hughes came back to the table and Jane noticed that his shirt was wet. Hughes had spilt something onto his shirt so he had washed the shirt in the men’s room, rinsed and squeezed it out, then put it back on.

As his mental health deteriorated, Hughes retreated into a world of blacked out penthouse suites and midnight telephone calls to his army of assistants, some of whom were private investigators keeping close tabs on anyone Hughes had an interest in, particularly starlets he had signed to personal contracts and his girlfriends like Katharine Hepburn or Jean Peters whom he later married.

Anyway, this isn’t a post about Hughes, it’s about TV and looking through my old posts I noticed a couple that caught my attention. One was about Hughes and I have to confess, I pinched the text above from that post, and another was about my life as a couch potato and avid TV viewer. A few days ago, staying at my mother’s house I once again had a few couch potato days. On the first one I was tapping away on my laptop with the TV on but no sound. On Mum’s old TV you can go through the on screen menu and choose programmes you want to watch and the TV will flip to that channel at the appointed time. It was Saturday afternoon and even though that Saturday’s post had just been published, as usual I was already worrying about the next one.

As I looked up from my laptop I could see a new film had started. I switched on the volume and was surprised to find it was The Outlaw, the Hughes film I mentioned above. I had never seen the film and everything I knew about it came from either books, documentaries or films like the Aviator, the Martin Scorsese film about Hughes himself. Hughes filmed The Outlaw in 1941 but had trouble with the film censors of the time. He had to cut half a minute from the film where the camera had lingered for too long on Jane Russell’s ample bosom. 20th Century Fox however decided not to release the film thinking perhaps it was too hot to handle. Hughes decided to build his publicity on that very idea. The film was released for a quick showing and then Hughes put the film under wraps for the next few years while his publicity people whipped up controversy and hysteria, meaning that when it opened in 1946, released finally by RKO, the film was a huge hit.

Even over half a century later people like me are still liable to be caught up in the controversy because I always thought the film was about Rio, the character played by Jane Russell and was of a risqué nature, or at least as risqué as films could get in 1941. I have to admit I missed the beginning of the film the other day and the famous scene of Jane Russell in the hay must have occurred either before I looked up from my laptop or when I was in the kitchen making a brew.

Hughes seemed to be obsessed with Jane’s breasts and wasn’t happy with the way they looked on screen, so much so he designed a new cantilevered bra for her, perhaps the first push up bra ever made. Russell later claimed that the bra was a nightmare to wear so she simply used her own but padded the cups with tissue, which apparently achieved the effect that Hughes wanted.

The action, such as it was, seemed to revolve around the friendship which blossomed between Billy the Kid and Doc Holliday which seems to make Pat Garrett very jealous as he considered himself a better friend to the Doc than Billy. It was actually a quirky sort of film. Walter Huston, father of film director John, played the part of Doc Holliday and Jack Buetel, an actor I don’t think I’ve heard of before, played Billy.

Billy the Kid has been portrayed a number of times in films, as have Pat Garrett and Doc Holliday. Paul Newman played Billy in The Left Handed Gun, a part originally earmarked for James Dean until Dean was killed in a car crash. In the 1970’s Sam Peckinpah directed Pat Garret and Billy The Kid starring James Coburn as Pat Garret and Kris Kristofferson as Billy. Bob Dylan also had a small part as well as writing the music for the film including the hit single Knockin’ on Heaven’s Door.

Billy the Kid was killed in 1881 by Pat Garrett. There were rumours however that Pat staged Billy’s death so that he would be free of pursuit by the law. That scenario was used in the end of The Outlaw, although in the film it was Doc Holliday who gets the bullet but it was Billy’s name on the gravestone.

One of my favourite cowboy/outlaw films has to be Jesse James, the 1939 film starring Tyrone Power as Jesse and Henry Fonda as his brother. The film was so successful that they made a sequel, The Return of Frank James starring Henry Fonda as Frank on track to find his brother’s killer.

Two more outlaws whose fame has lasted right down to the present day were Butch Cassidy and The Sundance Kid and the two were played by Paul Newman and Robert Redford in a film called just that: Butch Cassidy and the Sundance Kid. I saw a film programme a while back on the BBC where Paul Newman explained that screenwriter William Goldman had approached him about making the film and starring as Butch. Various people were suggested for the Sundance Kid and Newman even met with Steve McQueen about the part but eventually it was Robert Redford who won the role.

The film was released in 1969 but has a very 1970’s feel about it. There is even a musical interlude in the film where Paul Newman tries out a new fangled bicycle with Sundance’s girlfriend Etta to the tune of Raindrops Keep Fallin’ on my Head.

My two favourite westerns both star John Wayne, the quintessential cowboy hero. Wayne starred in The Searchers, directed by John Ford. Wayne stars as a civil war veteran whose niece has been kidnapped by a band of warlike Commanches. Ethan Edwards takes his adoptive nephew on a long search for the kidnapped girl until they finally rescue her.

My other favourite is The Man Who Shot Liberty Valance. Lee Marvin plays a brilliant part in that of Liberty Valance, a mean, no good bully who terrorises a western town until lawyer James Stewart manages to shoot him dead, or so we think. Later, when Stewart decides he is unwilling to base his career on being the man who shot Valance, John Wayne reveals what really happened.

Back in the fifties and sixties was probably the heyday of cowboy films and TV shows. Today it seems that the western is a genre that has been almost forgotten. As a schoolkid I was an avid watcher of The Lone Ranger, Branded, The Virginian, Bonanza, Casey Jones and many others. One of my favourites was Alias Smith and Jones, a series about two outlaws, Kid Curry and Hannibal Hayes who are on the run but have been offered an amnesty on the condition that they give up crime and go straight. They adopt new identities, that of Smith and Jones and try to live law abiding lives. It was a great series with some excellent episodes but in December 1971, Pete Duel, the actor who had played Hannibal Hayes committed suicide. Another actor was substituted in the role but the series was never as popular afterwards.

Another great western was Kung Fu. Kung Fu was an oddball western in many ways; it was about a half Chinese, half American called Kwai Chang Caine played by David Carradine. Caine becomes a Shaolin monk after he has been taken in by the monastery as an orphan. Caine has been tutored in the Buddhist religion and martial arts by master Po. When Po is murdered by the Emperor’s son, Caine retaliates and kills him. Now with a price on his head Caine flees to the USA. In the USA of the old west, Caine encounters many situations which then cause him to reflect on his own upbringing and tutoring in China, shown in many flashback sequences. Caine defends himself in many situations with his mastery of Kung Fu and the series became not only a great success but the forerunner in a world wide Kung Fu craze with many Hong Kong martial arts films also becoming popular.

The western film and TV shows seemed to have all fizzled out by the end of the 1970’s. Perhaps these days audiences prefer sci fi series like Star Wars and Star Trek. Tastes change of course and one day perhaps audiences will once again want more westerns. For now I think I’ll settle down after a busy shift, pour myself a glass of wine and wind down with my copy of John Ford’s The Searchers.

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Star Trek: The Blog Post

Posted on by Steve Higgins

On many of the posts in this blog you will find references to Star Trek. I’ve been a big fan of Star Trek for many years and even though I’m not an actual ‘Trekkie’, visiting conventions and dressing up as a Klingon and so on, I do love a good episode of Star Trek so it’s high time I put all my Trek thoughts into one handy blog post.

Star Trek the Original series.

Here is something that may be a revelation to you; if you don’t know it already it will vastly improve your understanding of Star Trek. It’s a simple truth and here it is, Star Trek is about three guys, Captain Kirk, Mr Spock and Doctor McCoy. Sometimes there are four, we can maybe throw in Scotty but that’s it, that’s the essential truth about Star Trek and that’s why things like the Next Generation and Deep Space 9 will never come up to scratch, simply because Kirk, Spock and McCoy are not involved. Even the Star Trek people themselves understand this, which is why Star Trek has been reinvented (re-imagined to use movie speak) with new actors playing Kirk and his crew in the latest Trek movies.

The first series of Star Trek starred William Shatner as Captain James T Kirk. Forget Captain pointy head Picard, Kirk is a proper Captain and after a good twenty minutes of any episode he will usually have blasted a number of aliens with his phaser (a sort of ray gun) and done some pretty serious kissing of any beautiful girl, alien, android or otherwise, within a 100 yard area. Mr Spock was played by Leonard Nimoy. He is the ship’s science officer and as a Vulcan rarely displays emotion, logic being his primary motivation. Doctor McCoy played by DeForest Kelley is a doctor of the old school and he and Spock frequently get into verbal confrontations. Together they are the chief officers of the starship Enterprise on its five year mission to go where no man has gone before.

william_shatnerAs a schoolboy I wrote to Desilu studios where I believed Star Trek was made, based on credits shown at the end of the show. After a while I received a set of glossy pictures of the show’s stars. They were all signed by the various actors, Shatner, Nimoy and so on but the signatures, I have long suspected, were made by a machine.

The original Star Trek, like many TV programmes of the sixties was shot on film and today it looks pretty sharp compared to shows from the 80’s that were shot straight to video. It was given a digital makeover a few years back with digital effects and new CGI spacecraft and is looking pretty good these days. Which was my favourite episode? Well I’d have to say it was the one that fans voted the best Star Trek episode ever; City on the Edge of Forever. The crew of the Enterprise arrive at a distant planet searching for the source of some time displacement. The source is a time portal, left among the ruins of an ancient civilisation which although abandoned, still emits waves of time displacement. In the meantime, Doctor McCoy is suffering from paranoia brought on by an accidental overdose of the wonder drug cordrazine which any Star Trek fan will tell you can cure any known Galactic ailment. McCoy in his crazed state bumbles through the time portal, back to 1930’s America (handy for that old 1930’s set on the Paramount back lot) and changes history. Kirk and Spock are forced to also go back in time, stop McCoy from changing history and restore things to the way they were. Joan Collins plays a charity worker at the core of events; does she have to die in order to restore normality?

Star Trek the Motion Picture

After three series the show was cancelled but was remade a few years later as a TV cartoon. The huge fan base of the series caused the producers to think again and in 1977 they decided to make a big screen version of the show to cash in on the huge success of Star Wars. Star Trek the Motion Picture was released in 1979 and was directed by Robert Wise who was one of the editors on the film classic, Citizen Kane. I enjoyed the film very much although I feel the story was a little lacking. An entity called Vega is on the way to destroy the earth and the only starship in interception range is the recently refurbished Enterprise. All the favourites from the TV series make their return with a few additions. It was a good film but not a great one.

The Next Generation

The success of the film made the producers think about a new TV series, not with Kirk, Spock and McCoy but with a new crew. The Next Generation is set further into the future than the original series. Patrick Stewart plays the Captain and Jonathan Frakes is the first officer. There is no Vulcan science officer like Mr Spock but Brent Spiner plays a similar character; Data, an android.

The Next Generation is something I have always found rather lacking. I wasn’t keen on Mr Pointy-head Captain Picard and the cocktail lounge style bridge on his version of the starship Enterprise. Why on earth does he have to run every decision by his first officer, his councillor and everyone else on the bridge when Kirk would have just sorted that situation out like a shot, fired off a few photon torpedos and would even have found a pretty girl to flirt with too? The series was filmed on video and doesn’t look as good today when compared to the pin sharp original series.

Deep Space 9.

What can I say about this series? My knee jerk reaction was that it’s a load of old tosh might sound a bit mean to die hard Trek fans, but it was never my cup of tea. The only episode I ever enjoyed was an episode in which the crew of Deep Space 9 return to the past and get involved in the old original series episode ‘The Trouble with Tribbles’ using some pretty nifty special effects.

Star Trek Voyager.

I wasn’t so keen on Voyager at first, but I have to say I do like the later episodes when Captain Janeway finally got rid of her early weird hair styles and the drippy alien Kes got the bullet from the show.

Captain Janeway was the Star Trek world’s first female captain and as she began to look more normal as far as her hair, the writers decided to shake things up with the new and pretty sexy Seven of Nine character. She was rescued from the Borg, an alien race whose catchphrase is you will be assimilated. Seven was given a very appealing tight fitting catsuit to wear instead of the Space Federation regulation uniform. Catsuits are OK and maybe they are pretty popular in the 24th century but they never seem to have any pockets. What Seven does with her handkerchiefs, lip gloss, mobile phone and purse I really don’t know. In the future people must prefer looking sexy rather than worrying about their stuff, at least they do in the eyes of the Star Trek writers.

Seven is the nucleus of some great episodes especially one where we go back and see how young Annika Hanson (Seven as a young girl), and her family were assimilated by the Borg. The Borg are a race of aliens who assimilate other species into their own and at their centre is the Borg Queen who really likes the idea of Seven coming back to her ‘collective’.

Star Trek Enterprise.

This is supposed to be a prequel to the original series. I can’t say I’ve ever got through a complete episode. My only observations are that the crew go around in overalls and the Captain is played by the guy who used to be in the time travel show Quantum Leap.

Star Trek Discovery.

The latest series in the franchise is Star Trek Discovery, which is rather like watching a very fast music video, I gave it a good 15 minutes and then had to switch off. Sorry, it’s just not my cup of sci-fi.

Star Trek Picard.

Picard airs on Netflix or Amazon or some such channel that I have no access to and have no intention of subscribing to, mainly because I am allergic to opening up my wallet. After watching a few clips of Picard on YouTube I actually found it quite appealing so I decided to search for a cheap DVD of the episodes on eBay. Picard, I have to say is a pretty amazing slice of sci-fi. It’s not perfect and in fact it is rather complicated but it’s about a mystery at the heart of Star Fleet and Admiral Picard, no longer a member of Star Fleet, is determined to find out. Along the way he meets Seven of Nine and various other favourites from the old TV shows. Some of the episodes have been a little slow and yes, I know I’ve slagged off Captain Picard before but for the most part this series has been pretty good and anyone wanting to buy my DVDs is welcome to make me an offer as soon as I have got through series one.

William Shatner has reached the venerable age of 90 this year so it was good to read in the media that he is still going strong. Wonder if there is any chance of him playing Kirk again just one last time? Star Trek Kirk sounds good to me.

More on the Star Trek Films.

Getting back to the Star Trek films; Paramount studios decided to have another go at filming Star Trek for the big screen. For the second film they decided to employ producer Harve Bennett to make a better and cheaper Star Trek film. He apparently watched all the episodes of the TV series and decided to bring back the character of Khan who had once attempted to take over the Enterprise and was later left on a distant planet to start a new life with his crew. In Star Trek II: The Wrath of Khan Mr Chekhov finds that the planet Khan was abandoned on has become a desert and Kahn isn’t happy; he wants revenge on Kirk. Wrath of Khan is a really good film, much more like the original TV episodes than Motion Picture. The crew all sport some new natty uniforms and clearly it must be a little chilly on the Enterprise because all the staff seem to be wearing woolly jumpers and jackets. I don’t remember the Apollo astronauts ever wearing woolly jumpers but maybe astronauts in the 24th century are not made of such stern stuff. Of course it could be that they just have never thought about turning up the central heating.

Trek III was another excellent film. In this one we find that although Spock died in the previous film, his body has been regenerated by the Genesis project. In Star Trek IV the crew return to the 1980’s in order to bring a whale back to the future for reasons which I won’t even begin to get into. Watch out for the scene where Spock deals with a guy playing loud music on the bus; I loved it.

The character of Captain Kirk was actually killed off in the movie Generations which started off pretty well, combining the usual sci-fi elements of Star Trek with an intriguing mystery; who is the mysterious Soran and what is he up to? As it happened what he was up to wasn’t really that interesting, but the film marked the cinema handover from the original Star Trek cast to the new one. Pity really because as I mentioned above, I never really took to the Next Generation.

Just as I’d got to the end of this post I thought it might be an idea to actually watch some Star Trek again for some final opinions. After a quick scan through my DVDs I came across Star Trek III in which the crew of the Enterprise are grieving over the loss of Mr Spock in the previous film. Captain Kirk finds that Spock, who knew he was about to die, had left his Katra, his soul, in the mind of Dr McCoy and the crew undertake to take McCoy and Spock’s body back to the planet Vulcan, Spock’s home. A lot of stuff happens along the way and of course they finally succeed in reuniting Spock’s body with his Katra, although sadly, Kirk’s son is murdered by the Klingons along the way. It’s a great film, very reminiscent of the original episodes but a big factor in the film is the performance of William Shatner. He really is an outstanding actor and I think the success of Star Trek is in no small measure due to him. Shatner went on to play many other roles on TV so he can hardly claim to be type cast but I wonder if he hadn’t played Kirk, would he have gone on to a better career as a film actor.

Star Trek is ultimately about three people, Kirk, Spock and McCoy and the producers probably realised that which is why, in the latest Trek films, a new generation of actors have been asked to recreate the old characters meaning that Captain Kirk lives on again for a new generation of sci-fi fans.

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Monaco, TV Ads and the Problem with VHS Tapes

Posted on by Steve Higgins

The F1 season starts later this month in Bahrain, in fact the race teams are already gathering there for the pre season testing, getting ready to shake down the new cars and sort out any teething issues before the actual racing. Of course, I’m assuming that despite Covid 19 we will have something of a normal F1 season once again. One of my favourite events, the Monaco Grand Prix traditionally takes place in May and even though the hi tech F1 cars outgrew this road circuit many years ago, they still come here and race fans can hobnob with the rich and famous and look enviously at the harbour when it will be choc-a-block with millionaires’ yachts.

The other day I was once again going through my old VHS tapes, selecting ones to keep, ones to copy to DVD and ones to throw out. One tape was marked Monaco 2002 qually and I was tempted to dispose of it straight away but I put it to one side and then later when the TV schedules declined to offer up anything interesting I thought why not give it a watch?

I have to say I couldn’t quite remember off the top of my head who was winning and who was losing in 2002 or even who was driving for who.

The video started off talking about what was portrayed as a controversial event in the previous race in Austria. Michael Schümacher and Rubens Barrichello were both driving for Ferrari at the Austrian Grand Prix. Rubens, the popular Brazilian was fastest in qually, fastest in the warm up and led the race. At the very last corner he came out ahead of Michael but then lifted off for a moment and it was Schümacher who took the chequered flag. Schümacher and Rubens came to the podium and Michael was not popular, facing a barrage of booing from the crowd. Michael, clearly embarrassed, pushed Rubens on to the top spot but that would not change the result; Rubens had handed the race win to Michael.

I started to fast forward through the TV ads but then saw one that always used to make me laugh. Here it is:

Back to Monaco and the TV coverage back then had passed to ITV and Jim Rosenthal was the TV anchor. He quizzed pundit Tony Jardine and guest and FIA chief Max Mosley about the Austrian Grand Prix. They weren’t happy at all that Rubens had handed the win to Schümacher. Are they bringing the sport into disrepute asked Jim. Max and Tony seemed to think so. The ITV web site was apparently flooded with complaints. Some drivers were interviewed and one I thought was interesting was the comment by Jacques Villeneuve. He said that we all knew that Ruben’s contract said he was number 2 and had to give way to the number 1 driver who was Schümacher. We all knew also that in Schümacher’s contract it said that the number 2 driver had to give way to him so why should we be surprised at what had happened in the race? Schümacher said Villeneuve should act like a man, accept what has happened, stand up on the number 1 spot and accept the boos.

Funny thing is that nowadays, Villeneuve is always in the F1 websites saying something controversial so perhaps I’d forgotten he was a straight talker even back then. Yes, that whole episode was a big scandal back in 2002 although I really don’t know why. Motor racing is a team sport and Ferrari has always been known to give team orders so why was everyone getting upset? Even Stirling Moss, who drove in an era when team orders were pretty much de rigueur felt compelled to say he had lost respect for Michael Schümacher. The thing is, as the two had led the race and Michael of course knew that Rubens would move over, then the two were hardly racing were they, as Ferrari Team Boss Ross Brawn pointed out. If there had been no team orders then Rubens would have had Michael up his exhaust pipes pushing him until he found a way past. To me the whole thing was a fuss over nothing but as I remember, the whole thing rumbled on and on for quite a while.

Anyway, I soon fast forwarded to the action, the actual qualifying which was I have to say, pretty exciting. There was a time when, as an ardent F1 fanatic, I knew race results and team personnel off by heart. Who won at Monaco in 1970? Jochen Rindt of course. 1971? Jackie Stewart. 72? Jean Pierre Beltoise in the rain. What about 1977? Was it Lauda? No, Jody Scheckter. 86? Prost? Yes, Alain Prost. 2002? 2002, there’s a question.

Time to fast forward again but then another advert caught my eye. I haven’t seen it for years but I’ve always found it rather funny. It starred the northern comedian, Peter Kaye.

Getting back to the qually; as I said before, it was all pretty exciting, especially as I couldn’t remember who was driving for whom, never mind who came out on top. Schümacher soon set the top time then David Coulthard driving for McLaren went fastest. Hakkinen his team mate, who was as you may remember, a double world champion, wasn’t doing so well but then Juan Pablo Montoya, one of my favourite drivers claimed the top spot. The cars began to get faster as the track ‘rubbered in’ and got faster. Coulthard went fastest again, in fact there were ten changes of pole sitter until Juan Pablo the Columbian driver finally claimed the top spot. I’ve always liked Juan Pablo. He was a man who told it like it was, he didn’t go in for PR led team speak and I was looking forward to seeing his post qually interview but then something happened, something that always used to happen back in the VHS age.

The other day I was idly watching an episode of Everybody Loves Raymond. It was the one where Ray and Debra his wife are watching their wedding video and suddenly the screen dissolves and on comes a football match. Debra is furious because Ray has taped over the wedding. Yep, those sort of things happened back then and on my video tape something similar occurred. The race video vanished into a hail of snow only to be replaced by a James Bond documentary. I was furious for a moment but then I got interested in the documentary. It focussed on Miriam D’Abo who starred in the 007 film The Living Daylights and she interviewed various ladies who had the dubious honour of being a ‘Bond Girl.’ There were plenty of clips from the Bond films, interviews and bits and pieces of behind the scenes stuff, in fact it was all pretty interesting for a Bond fan like me.

Pity about the Grand Prix but what the heck, pause to get a bottle of lager and a few nibbles and who cares? Wonder who did win the 2002 Monaco Grand Prix though?

(If you’re interested David Coulthard won with Schümacher coming home second!)

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https://youtu.be/5hTLreQ1y5g

A Few Pandemic TV Thoughts

Posted on by Steve Higgins

Lockdown may have finished on December 2nd in the UK but if you live in a tier 3 region, like me, it’s still going on. OK, I understand the need for the lockdown, I know we have to prevent the virus from spreading but that doesn’t stop the whole thing being a pain in the neck. No quiz nights at the pub, no restaurant meals out and so on. Not only that but why does the virus have 2 separate names? Is it Covid 19 or is it Coronavirus? And where does the 19 come from? Was there a Covid 18?  Does this mean there have been 18 previous versions of this insidious plague? If so, why have we never heard of them? We, the public, need to know.

This being December it certainly isn’t the time of the year for relaxing in the back garden but at least we have our TV set to keep us entertained. What TV gems have I found this week?

Showing on an obscure TV channel, Forces TV, I found the old Gerry Anderson TV series UFO. The show still looks pretty good after many years on the shelf. Ed Straker, the boss of SHADO is still trying to defend the world from alien attack and he and his colleagues look pretty good in their natty suits. In fact the whole thing looks pretty futuristic despite its obvious 1980’s origins, more so than Star Trek which, as much as I love it, does look very 1960’s.

It just so happens that I can remember that SHADO stood for Supreme Headquarters Alien Defence Organisation. What is interesting about that is this: The other day I went into the bedroom to get something and forgot what it was I’d gone in there for and yet I still knew what SHADO stood for.  A contributory factor might be that as a youngster I fell off a playground roundabout right onto my head. In fact, I can remember it like it was yesterday, falling off head first and heading towards the ground, actually a concrete slab and taking a hell of a whack on my bonce. Yes, that hurt, it really did but I’m still wondering what I wanted in the bedroom.

Anyway, when I mentioned Star Trek above. I’m talking about the original Star Trek, not the slightly lacking Star Trek:The Next Generation. Captain Picard and the cocktail lounge atmosphere of his space craft was not my cup of sci-fi at all and while Picard was running all the command decisions past everyone from the ship’s counsellor up, Kirk was already hitting the aliens with phasers on stun and getting up close and personal with some gorgeous interplanetary beauty.

The original Star Trek, like UFO was shot on film and today looks pretty sharp compared to the Next Generation which was shot straight to video. The original series was given a digital makeover a few years back with digital effects and new CGI spacecraft and is looking pretty good these days. The franchise has spawned quite a few follow up series and films. After the Next Generation came Deep Space 9 which was just as bad as the Next Generation if you ask me and then Star Trek Voyager. I actually like Voyager but it didn’t start off well for me and as much as I liked Captain Janeway, her oddball hairstyles just annoyed the hell out of me until in the later series they decided to employ someone who actually knew how to style hair and Janeway ended up looking pretty normal.

As Janeway became normal, the writers decided to shake things up with the pretty sexy Seven of Nine character. She was rescued from the Borg, an alien race whose catchphrase is you will be assimilated. Seven was given a very appealing tight fitting catsuit to wear instead of the Space Federation regulation uniform. Catsuits are OK and maybe they are pretty popular in the 24th century but they never seem to have any pockets. What Seven does with her handkerchiefs, lip gloss, mobile phone and purse I really don’t know. In the future people must prefer looking sexy rather than worrying about their stuff, at least they do in the eyes of the Star Trek writers.

While on the subject of cat suits, I feel I must mention, even just for a fleeting moment, the original cat suit girl who, at least in my mind, was Mrs Emma Peel played by Diana Rigg in the TV show The Avengers. The Avengers started off as a crime drama starring Ian Hendry as a police doctor, assisted in solving crimes by the dapper John Steed. Hendry left the show leaving Steed, played by Patrick MacNee needing a new assistant. His assistant was Kathy Gale played by Honor Blackman. She left the series to star in the film Goldfinger and Emma Peel was recruited as Steed’s new assistant. Kathy Gale was also a catsuit wearer although she seemed to prefer a leather version. When Emma Peel joined the series, the show moved from video to film and the production values increased enormously. The show also began to move in a sort of sci-fi fantasy espionage direction. Off the top of my head, I remember episodes about a mad scientist who shrinks other scientists and Steed, down to a small size, killer robots, time travel and cats that become wild animals.

Another problem with tight fitting cat suits must surely come whenever the wearer needs a bathroom break. Imagine having to strip right down just so you can have a wee. On board the Enterprise I can imagine that, like in any spaceship, space must be at a premium so the toilets must be pretty small. Now this is the perfect opportunity to introduce my own personal experience of using a ladies toilet. Years ago, when I had a cigarette vending machine round (writer, blogger, vending machine repairman -I’ve done it all) I remember visiting a pub in Prescot in Merseyside. I can’t remember the name of the place but it was the reverse of a normal pub in that most old pubs usually have a big room; the lounge and a small one, the vault, where men play cards, pool and darts. In this pub, the big room was the vault and the lounge was the small room. Anyway, after servicing the cigarette machine I wanted to use the toilet so I asked the cleaners, who were pretty fierce in that place, could I go in the gents. No she said, the floor was still wet but I could go in the ladies.

The ladies I soon found was actually two rooms, one with three toilet stalls and an outer room where you could wash your hands. The outer room had two huge mirrors for making sure your hair and makeup were OK and two comfy couches where the women could sit and presumably have a good natter before going back to join the men. Yes, that ladies toilet was a real eye-opener for me used to, like all men, smelly urinals.

Diana Rigg left The Avengers to become a Bond girl, just like Honor Blackman before her. Diana starred in On Her Majesty’s Secret Service as the woman who finally got 007 to the altar only to be shot later by Bond’s enemy Blofeld.

Anyway, getting back to Star Trek, the latest series in the franchise are Discovery, which is rather like watching a very fast music video, I gave it a good 15 minutes and then had to switch off, and Star Trek Picard, which sees the return of Captain Picard and various other characters including Seven of Nine from Trek’s back catalogue. I actually quite fancy watching that but alas, not having Amazon Prime I’ve yet to do so. Pity because it actually looks pretty good from the clips I’ve seen on YouTube. Eventually it will filter down to the Freeview channels and one day I’m sure I’ll see it late at night on BBC2 perhaps.

https://youtu.be/LjdL56odffE

William Shatner who starred as Captain Kirk in the original series is a firm favourite of mine and it would be rather nice to see his character pop up again. Star Trek: Kirk sounds like a pretty good idea for a new series to me. Shatner is now 89 years old and still going strong. His character was actually killed off in the Star Trek film Generations which started off pretty well, combining the usual sci-fi elements of Star Trek with an intriguing mystery; who is the mysterious Soran and what is he up to? As it happened what he was up to wasn’t really that interesting but the film marked the cinema handover from the original Star Trek cast to the new one. Pity really because as I mentioned above, I never really took to the Next Generation.

Star Trek is ultimately about three people, Kirk, Spock and McCoy and the producers probably realised that, which is why, in the latest Trek films a new generation of actors have been asked to recreate the old roles meaning that Captain Kirk lives on again for a new generation of sci-fi fans.

Another old show repeated currently on the CBS justice channel is The Fugitive starring David Janssen as Dr Richard Kimble, falsely accused of the murder of his wife. The show ran for four seasons but as viewer ratings began to fall, the series was cancelled. It was then that the producers hit on what at the time was an unusual idea. Instead of the show just ending, they decided to make an actual finale. Yes, they would wrap up the story of Kimble’s wife’s murder. Kimble had been searching for the supposed one-armed man he had seen leaving the murder scene for the past four seasons, now he would finally find him!

Back in the 1960’s, TV was not very highly thought of even by the TV networks themselves. So what if Kimble never finds the murderer. So what? It’s only a TV show. Of course, the viewers would disagree. They had kept faith with the series for four long years, they deserved a proper ending.

The final episode aired on August 29th 1967 and in the USA the viewing figures were a sensation: 72% of US TV viewers were watching that final episode and the show held the most watched record until November 1980 when someone shot JR in Dallas.

When I watched The Fugitive yesterday, I think we were up to episode 20 in season 4. Hope I remember to watch that final episode, then again, I still can’t remember what I wanted from the bedroom!

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Beer, Chilli and Gentleman Jim

Posted on by Steve Higgins

My brother and I usually go out into Manchester every few weeks. We get something to eat and have a few beers and a good natter. It’s always nice to visit our old haunts in Manchester and to find new ones. There always seems to be a new venue popping up and the only flip side to new venues in Manchester seems to be the extraordinary prices they like to charge for food and drink. Maybe, being the fully paid up tightwad that I am, I should stick to the old, less trendy and cheaper places that I know.

Of course, just lately with Manchester and the whole world dealing with a major pandemic I can’t see any new venues popping up, in fact, it looks like things might go the other way, with places closing down. Pubs, bars and restaurants have been the hardest hit during the pandemic and with the new restrictions, like the 10pm closing times, many more venues will sadly close.

These days, rather than go out into Manchester, my brother will come round to visit and we watch something on TV together while we chat.

Years ago, when I was a schoolboy, I was never that good at mathematics. In particular I was always frustrated by the particular rules that we had to remember. You know the ones I mean, the sum of the sides of a triangle equals the hypotenuse and stuff like that.

Here’s one rule that I have discovered myself. The sum of all the new TV channels does not necessarily equal anything worthwhile watching. Back in the old days when things were black and white and there were only 2 channels, there was actually something usually worth watching. Still, perhaps I’m looking back with rose tinted spectacles. I’m sure there was rubbish on the TV back then; maybe we just don’t remember it.

Anyway, with a chilli on the go in my slow cooker and a few bottles of Becks chilling in the fridge and nothing looking interesting to watch on TV, I dug out an old VHS copy of the Errol Flynn film Gentleman Jim.

I’m not sure how true to life this film was but it supposedly told the story of Gentleman Jim Corbett and his fight with John L Sullivan ‘himself’. John L was, according to Wikipedia, the first world champion of gloved boxing, reigning until Gentleman Jim defeated him in a bout fought under the new Marquess of Queensbury rules in 1892.

Looking at John L Sullivan’s picture on the internet it’s surprising just how authentic Ward Bond, who played him in the film, actually looked. My brother and I both remarked that our dad, who died in 2000, twenty years ago this November, loved this film. He liked both Errol Flynn and was a great boxing fan. His favourite boxer was Rocky Marciano, the undefeated champion who was sadly killed in a plane crash not long after ‘fighting’ Mohammed Ali in a TV computer bout. I remember my dad being outraged at the result which gave the win to Ali. Funnily enough, the version shown in the USA gave the result to Marciano which would have pleased dad enormously.

In my favourite Hollywood book Bring on the Empty Horses, David Niven paints an excellent portrait of Flynn. You always knew where you were with Errol, wrote Niven -he always let you down.

Flynn hailed from Tasmania, an island state of Australia. In Australia he became involved in a film production called In the Wake of the Bounty, a documentary film about the mutiny on the Bounty that featured reconstructions with Flynn as Fletcher Christian. After this he made his way to the UK where he became an actor and spent many years in repertory in Northampton. He was fired from Northampton rep but was spotted by producer Irving Asher and given a part in a film made at Teddington Studios in 1934. The film was Murder in Monte Carlo which has since been lost but apparently Asher, who worked for Warner Brothers, sent word to Hollywood recommending Flynn for a contract. After a successful screen test Flynn was given the starring role in the swashbuckling adventure, Captain Blood after Robert Donat turned down the role. The film was a great success and made stars of Flynn and co-star Olivia de Havilland.

David Niven recounts many tales about Flynn. The two shared a house together in Hollywood after Flynn separated from wife Lilli Damita, ‘Tiger Lil’ as Flynn used to call her.

During the making of ‘The Charge of the Light Brigade‘ which Warner brothers decided to set in India rather than the Crimea, Flynn, the new star started to get a little big headed. One big brute of an extra decided to waggle a lance under the behind of Flynn’s horse to teach Flynn a lesson.  The horse consequently threw Flynn off. He got up, dusted himself down and proceeded to teach the big guy a lesson of his own by beating him into a pulp.

Flynn had a yacht named the Zaca and weekends on the boat included sailing trips full of wine, women and song. Many young girls appeared on the boat, none of whom produced any ID which was unfortunate for Flynn as he was later charged with statutory rape. The accusing girls appeared in the courtroom wearing school uniforms and in pigtails but happily for Flynn the court saw through that and he was acquitted, although the image that the press painted of him was not one that he was happy with.

In later life Flynn was bankrupt and became a floating shadow of his former self, sailing the seas in the Zaca. Later he made a great Hollywood comeback playing his great friend John Barrymore in ‘Too much Too Soon.’

In Bring on the Empty Horses, Niven describes a poignant moment after writing his chapter on Flynn.  Niven, living then in the South of France, took a walk along the coast and came across something sadly familiar. It was the abandoned remains of the Zaca lurking quietly in a boat yard.

Gentleman Jim was made in 1942 and was one of Flynn’s favourite films. He took extensive boxing training taking lessons from Mushy Callaghan, a former welterweight champion who worked as a stuntman and boxing advisor after retiring from the ring. During the film Flynn collapsed from a mild heart attack. He had just failed the medical to join the army having suffered from malaria in his younger days as well as having a heart murmur. The production was closed down for a week while Flynn recovered. After the war Flynn was often criticised for not joining the forces but Warner Brothers would not admit that their star, visually a picture of health and vitality, suffered from health issues.

The film is a lot of fun and it was interesting to watch the scenes of John L Sullivan in training. Training in those days apparently consisted of chopping down trees and swigging bottles of beer. Jim Corbett, in a crazy way anticipating the style of Ali many years later, beats Sullivan by his speed and footwork. Alan Hale plays the Irish American head of the Corbett family whose antics in trying to control his brawling clan are always amusing and Alexis Smith plays Flynn’s love interest. Over on Wikipedia Smith is quoted as telling Flynn to takes things easy ‘don’t you want to live a long life?’ Flynn replied that he was not interested in the future, just the present.

By the end of the 1950’s Errol Flynn no longer had a contract with Warner Brothers and his attempt to co-produce a film about William Tell had ended in financial disaster. He was involved with a young girl, 17-year-old Beverly Aadland and in a severe financial state. His health had suffered after decades of alcohol and possibly drug abuse. Beverly was with him when he died in 1959 aged only 50 after a meeting to arrange the leasing out of the Zaca.

I’d not seen Gentleman Jim for many years and I enjoyed it immensely. The chilli was another story though. I’d made an outstanding chilli about a month ago and this latest one was a little tame, not quite right. Pity but at least Errol Flynn still has the power to entertain and that scene where John L Sullivan hands over his world championship belt always brings a tear to my eye.

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Documentary: Sellers, Grant and Brando

Posted on by Steve Higgins

Not long ago I came across a blog post about the best documentary films of all time and looking through it I noticed one about Marlon Brando. When I was younger I was very interested in Brando. I thought he was a great actor, one of the greatest in fact even though I think his stature has become diminished by his poor choice of roles in his later life.

Brando’s earlier films are a list of classic cinema greats and if he had perhaps died early like James Dean I’m sure many writers and cinema fans would have wondered what would have happened if Brando had lived, what great movies would he have made? Actually the answer is, not very many.

Anyway, before I get to Brando let’s look at some other examples of movie actor documentaries.

Peter Sellers as he filmed it.

The BBC Arena team made this film about Peter Sellers in 1995. It was created largely from cine film shot by Sellers himself, who was a lifelong camera enthusiast. The original documentary was made in 1995 and if I remember correctly, Sellers’ widow, Lynne Frederick had died and left behind a lot of Sellers’ effects, including his home movies which is how the film came to be made.

Normally, I’d say that you have to be interested in movie people and how movies are made to like this documentary but this film is so special I don’t think that rule applies.

The original film was in three parts and began with Sellers’ early days and his early films. The first cine films we see are black and white movies and as Sellers’ career takes off, his cine equipment also improves and he upgrades to colour and then on to sound. His own images show his young self as a sort of ‘spiv’, a Flash Harry sort of character with his double-breasted and shoulder padded jackets. An uneasy relationship with his mother emerges, as does a rather spoilt and volatile personality. His first wife talks about their early days and their life together and friends like Spike Milligan talk happily about successes like the Goon show and their beginnings in show business. Milligan had a 8mm camera and Sellars a 16mm one. Of course ‘Peter was richer,’ comments Milligan. ‘Richer by 8 millimetres!’

Sellers’ cine film is blended with interviews from various people who played a part in Sellers’ life.

Sellers as Group Captain Mandrake in Dr Strangelove.

Sellers as Group Captain Mandrake in Dr Strangelove.

A fascinating section concerned Casino Royale, the spoof James Bond film. Various directors were involved but Joe McGrath shot one segment with Peter Sellers and Orson Welles. McGrath was a TV director relishing the move into feature films, that is until Sellers told him he didn’t want to be in the same shot as co-star  Welles. A heated debate ensued which became physical. Sellers said he was going off to calm down. He never returned and if you ever see the completed movie, you’ll understand why Sellers’ character abruptly disappears too!

Sellers claimed to have no personality of his own and ‘borrowed’ them from the characters he impersonated. It’s interesting to watch the TV interviews included in the film where Sellers seems to mimic the Yorkshire tones of Michael Parkinson and again, in other snippets he is taking on the accents and style of his interviewers.

The film overall has a sort of melancholy feeling which I feel accurately represents Sellers’ persona. He was a sad character, disappointed in his life and loves. He was not happy with his last wife, Lynne Frederick and he even junked many of his cine films prior to his death as they didn’t seem to match his expectations. The mood of the film is further enhanced by a wonderful soundtrack full of sad saxophones and jazz tones.

There are some that put down documentaries that are full of so-called ‘talking heads’ but personally, if the talking head has something interesting to say, I like to hear them. However, in 2002 the BBC re edited the film by taking the soundtracks from the ‘talking heads’ and combined them with Sellers’ self filmed visuals. The result is now available as a BBC DVD. The original is much better though, in fact you can see all three parts on the video sharing site Vimeo:

Becoming Cary Grant.

The BBC does do a good documentary and a few months back I settled down to watch a documentary about the film star Cary Grant: Becoming Cary Grant.

Grant was the smooth talking and sophisticated star of many a Hitchcock film, indeed the documentary revealed ‘Hitch’ to be his favourite director. Grant and Hitchcock were both immigrants from the UK.

Cary Grant was born Archibald Leach in Bristol in the southwest of England. He had a rather sad childhood during which his mother disappeared. Various explanations were put to the young Archie including the lies that she had gone on holiday and later that she had died. In fact his father had his wife committed to an asylum where she languished until her rich and famous son returned to her much later. In fact, Grant did not learn that his mother was still alive until he was thirty-one years old.

Archie’s father remarried but Archie was not included in the new family. Instead he was sent to live with his grandparents. At school he developed a love of theatre and spent much time helping and later working at small theatres in Bristol. When he was only 11 he began working with a small troupe known as the Pender Troupe and when they went to undertake a new tour in the USA, the young Archie went with them, following in the footsteps of other performers like Charlie Chaplin and Stan Laurel.

In the USA, Archie toured the vaudeville circuit with the Pender Troupe and decided to stay on in the USA when the troupe returned home. He and some others formed their own troupe and Archie spent a lot of time doing various acts like stilt walking and unicycle riding. Gradually he moved on to better roles in various theatre productions and even had a screen test in the early 1930s, which was shown on the documentary. Archie, now using the name Cary Grant comes over as a loud-voiced individual, making many faces for the camera. Of course, as a vaudeville actor he was used to talking loudly and making exaggerated expressions but he soon learned to tone down his performance for the cameras.

The documentary uses text from Grant’s unpublished autobiography and it is clear an experience in later life had a great effect on him. Grant took part in a form of psychoanalysis using LSD which enabled him to confront issues from his early life which the actor felt had unduly affected his relationships as an adult, particularly with women, in fact he was married five times.

The film was interesting but focused mainly on the unpublished autobiography and many of his friendships and relationships that I have read about in other books were not even mentioned. A great part of the film also was Grant’s collection of home movies which were used throughout the film although many times what we were seeing was not properly explained. Towards the end of the film Grant’s daughter was interviewed and visits Cary’s old home. In one scene we see her visiting the patio shown in a earlier shot on one of Cary’s home movies. More interviews and perhaps some more location footage would have benefited this film enormously. Still, it was interesting and can be found on the BBC i-Player if you missed the original broadcast.

Listen to Me Marlon

After reading about this Brando documentary I did a quick search on eBay, found a very cheap copy for a couple of pounds including free delivery, and sat down to enjoy it. It is different to the two films above because rather than home movie or the  written word, the prime source of the film is audio tapes that Marlon recorded for himself. The big problem there is that while many are good recordings, others are not only poor quality, but Marlon’s non acting speaking voice is rather difficult to understand. He has a strange lisping, mumbling voice completely unlike the strong voice of many of his roles.

On top of that a droning piano accompanies much of Marlon’s recordings and many times I found myself rewinding to find out what he had actually said.

The Brando that emerges from this film is a sad man made sad perhaps by memories of a drunken mother and a violent father. In an early sequence Marlon senior joins his son the film actor on a TV show and the voice on one of Marlon’s tapes tell us how both of them were acting, one playing the loving son, the other playing the caring father. Marlon spent a lifetime looking to psychoanalysis for help, feeling inadequate despite his fame and success as an actor. It seems also that he despised his craft even though it gave him financial security to do and live however he wished.

Acting he reveals was the first time he did anything that he was praised for and the first to see his talent was Stella Adler, an actress who trained and nurtured him as an actor.

Brando appeared in a number of classic films including A Streetcar named Desire, Viva Zapata, and the Oscar winning On The Waterfront. Some of his later choices of film roles were just frankly disappointing especially during the 1960s. By the end of that decade he was persona non grata in Hollywood and when Francis Ford Coppola decided he wanted Brando to play Don Corleone in The Godfather, alarm bells were ringing in the executive offices at Paramount. Not only was Brando held in low esteem as an actor he also had a reputation as a troublemaker who caused delays and added more dollars to production schedules and costs.

I’m not sure Brando ever really appreciated what Coppola did for him. As well as giving him an Oscar winning role Coppola rehabilitated Brando in the film industry and made him a bankable star once again. Later, when Brando appeared in Apocalypse Now, he appeared on set massively overweight forcing Coppola to shoot him in darkness and shadows. Brando complained about the script too and began rewriting his own dialogue. On his personal audio tapes Marlon rants on about his treatment by the director but really, it was Francis Coppola who should have been complaining.

Listen to me Marlon was fascinating but ultimately a disappointing film. If I ever do a blog post about the best documentaries ever I’m sorry to say I won’t be including this one.

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TV, Books and the Lockdown Blues

Posted on by Steve Higgins

You might think that the lockdown is heaven sent for a writer. Stay at home and write stuff, perfect! After a few weeks though I have found not only have I not written much at all. Actually, I’ve been feeling a little bit bored, just like a great deal of the population I suppose.

Television

One thing I have done is watch a great deal of TV although a lot of it has been disappointing. Back in the late 1960s one of my favourite TV shows was The Time Tunnel. It was an American sci-fi show produced by Irwin Allen who made The Towering Inferno and the Poseidon Adventure among other things and a few weeks back I was delighted to find that it was being re-shown on the Horror channel.

In The Time Tunnel two American scientists are ‘lost in the swirling maze of past and future ages, during the first experiments on America’s greatest and most secret project, the Time Tunnel. Tony Newman and Doug Phillips now tumble helplessly toward a new fantastic adventure, somewhere along the infinite corridors of time’ as the opening blurb used to go.

The Time Tunnel starts off with a Congressman coming to investigate the growing budget of the Time Tunnel Complex and threatens to close things down unless he sees results. Scientist Tony Newman decides he must therefore travel back in time to prove that the tunnel really works and save the project. Tony ends up on the ill-fated liner Titanic. His colleague Doug follows him back to 1912 and the control room struggle to shift the two in time before the ship sinks.

One episode that I particularly remember was when the pair land in Pearl Harbour, just before the Japanese attack in 1941. Tony meets himself as a young boy and finally solves the mystery of the disappearance of his father in the attack. That was one of the better ones.

Unable to return the duo to the present, the technicians back at Time Tunnel HQ struggle every week to shift the duo to somewhere new just in the nick of time. They never seem to manage to get the pair home as there is never enough power for this process despite a huge powerhouse courtesy of the special effects department which we see a glimpse of almost every week. The other thing is that if they did get back home, there’d be no show next week.

I did love this show as a 12 year old sci-fi fan but here in 2020 I seemed to be fast forwarding through all the boring bits, of which there were plenty. Some things don’t seem to stand the test of time and the big problem with the Time Tunnel is that the stories mostly weren’t good enough and many episodes seem to revolve around what appears to be stock footage that was filmed for some other project. I’m really cheesed off that I missed the Pearl Harbour episode though.

Coronation Street, like all the TV soaps is suffering because the lockdown has prevented further filming of the series. Instead of going out six times per week, we are now only getting three episodes to satisfy us and even those are looking like they are missing something. It looks to me like the current main storyline involving controlling husband Geoff and wife Yasmin has been the focus of the last filming sessions while some other content involving the minor storylines is missing. Last Wednesday’s episode seemed to have a slightly odd narrative flow, returning to the same scene when perhaps we should have cut to something else, the cafe or the Rover’s Return pub. Still, the editors can only work with the footage they have and sooner or later there will be nothing and our favourite soaps will be on hold until staff can return safely to work. I noticed also that TV quizzes like Tipping Point and Countdown are now just re runs of older episodes.

Spotify

One other thing has made my life slightly more interesting during these slightly surreal times and that is Spotify. You might not have even heard of it but it’s a music app I’ve downloaded to my iPad. I thought originally that it was a way of downloading music. I’m not a great downloader but the previous place where I used to download music was the HMV digital site, 7Digital. It had, I first thought, gone to the heavenly resting place of defunct web sites but when I finally got connected once again after many years I found it not very interesting and so in my search for internet music I came across Spotify. Now with Spotify, you cannot actually download music, well actually you probably can if you pay for Spotify premium but as the cheapskate that you know I am, I’m happy just to listen to music. On Spotify you can set up favourites and playlists and here’s the really extraordinary thing, after a few days use Spotify starts to suggest things you might like, new music that is similar to music you have already played. Now, after only using it for a couple of weeks, I have built up some pretty substantial music playlists.

Books

After finishing my last book, Michael Palin’s diaries, I looked around for something new to read and picked up three books. Bruce Forsyth’s autobiography, Khrushchev’s memoirs and a book of three Noel Coward plays. I’ve read the Noel Coward book before but the writer’s wit and humour never cease to amuse me. Blythe Spirit is one of Coward’s best known plays and was also made into an excellent film starring Rex Harrison. Having read that book before I tend to just flip through it and re read some of the best bits although in the end, I went through the entire book.

When Khrushchev’s memoirs become a little too serious and I fancy a change, something a little bit lighter, I turn to either Noel Coward or Bruce Forsyth. I picked up Bruce’s book at a church sale and although I didn’t expect much, it has been pretty interesting. Bruce was probably one of the last old time entertainers. He talks about the days of variety in the 1950’s and 60’s and about being in various shows and playing in theatres like the London Palladium and how he managed to break in to TV with Sunday Night at the Palladium which he compered for many years.

At one time he was travelling the country living in a caravan and performing in numerous shows. The latter part of the book is just an excuse to mention all his show biz chums and drop a lot of names but all in all, it was a good read. Bruce doesn’t tell us much about himself though, except in a chapter about his relationship with the UK press, where he proceeds to give the press a good telling off. Still, Bruce was a proper celebrity unlike some celebs these days who seem to make a career from being on TV reality shows.

The Khrushchev book is interesting but suffers like many books written in a foreign language by not reading quite as well as it should when translated into English. 20,000 Leagues under the Sea was another foreign language book I read a while ago but that was a new translation and actually read pretty well.

One brilliant foreign language book that comes to mind is Papillon by Henri Charrière. This, unlike the two books mentioned above is an amazing read, an absolutely wonderful book and one of my all time favourites. It was made into a film with Steve McQueen which comes out pretty poor when compared to the book. Still, the book is a pretty thick volume and there is probably enough material in there for a TV series, never mind a film.

One part of the book which is pretty relevant to the lockdown is when Papillon is sent to solitary confinement. In case you don’t know anything about Papillon at all, he was a Frenchman convicted of murder and sent to a penal colony in French Guiana and after numerous escape attempts and many adventures, he finds freedom in Venezuela.

When Charrière is sent to solitary confinement he wonders how he will fill a chapter about a time when nothing at all happens to him, locked away for 24 hours a day with a rule of silence. Every day he is made to stick his head out of a small door in his cell so the warders can check to see if he is still alive. If he is, he is given food which has little nutrient. Luckily, Papillon’s friends have bribed the warders to give him some extra food including some fruit, or I think it might have been a coconut, which helped to sustain him. After many months someone new takes over the solitary block and he lets the prisoners out every day to socialise. This easing of the strict regime helps Papillon and his fellow inmates no end. I can imagine feeling similar when the lockdown is eased.

Blogs

Just looking back at some of my old blogs for inspiration, I came across The Big 300, my 300th blog post and was surprised to find that this very post you are currently reading is my big 405! Still, I did start blogging way back in 2016 just as a way of promoting Floating in Space, my novel set in Manchester, 1977. You might possibly be thinking that this has been an excellent time to pen a sequel. If so, how wrong you are!

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Things to do During a Pandemic (Part 2)

Posted on by Steve Higgins

Some people are born to do certain things. Winston Churchill was a born leader, and Clark Gable was born to play Rhett Butler in Gone with the Wind. As for me, I was born to watch TV. My old dad used to call me ‘square eyes’ because I was glued to the television, or so it seemed to him.

During this unprecedented time -I had to use that phrase because I keep hearing it so much on TV- there is not much to do in one’s own home. Those lovely few warm days have slipped away leaving us in the northern UK a little chilly. The sun is hidden behind grey clouds and it is cold so no barbecues, no more reading out on the lawn.

I’ve have done a little reading and writing and put together a few revised videos for my various internet pages, but mostly I’ve been sipping red wine and watching TV. Some of it has been good, some of it not so good. Anyway, here’s a quick look at what I’ve been watching on TV this week . . .

Young Winston.

I’m not a great fan of director Richard Attenborough but to my mind he has made two really good films: Chaplin and Young Winston. I remember seeing Young Winston at the cinema back in the seventies. Simon Ward plays the part of young Winston Churchill and he plays a good part. He even comes across with a fair approximation of Churchill’s voice, both in his portrayal and also in the many voice overs. The book is based on Winston’s own book My Early Life. I read it many years ago and it was a wonderful read as I remember and this film is a particularly good version of it.

The film tells the story of young Winston Churchill, the son of Lord Randolph, who adores his father who sadly dies young, spoiling Winston’s dreams of working with him in Parliament. The film flips backwards and forwards in time showing Winston’s first day at school and then his exploits in the army. Winston failed to get elected as the Tory candidate for Oldham but later, after making a name for himself as an army officer, correspondent and author, he returns victorious after escaping from a Boer POW camp and finally enters Parliament.

Various familiar names play their parts beautifully including Anne Bancroft as Winston’s American mother, Robert Shaw as Lord Randolph Churchill and many others in smaller roles; Robert Hardy as a prep’ school headmaster and Jack Hawkins as the headmaster of Harrow.

Randolph died at the early age of 45 apparently from syphilis although others have suggested his illness may have been a brain tumour.

This was a wonderful film, beautifully photographed and put together from a script by producer Carl Foreman. What is rather sad is that when I first saw this film there was a scene at the end where the older Churchill falls asleep and dreams of meeting his father who appears free from illness. The scene was based on a short story Churchill wrote in 1947 but for some reason that scene has been dropped from TV and DVD versions of the film which is a great shame.

Bridget Jones’ Baby.

Another film I’ve seen during the lockdown was Bridget Jones’ Baby. The film was based on the book by Helen Fielding and I have to say, I was surprised to hear the TV announcer warning me of some ‘highly offensive language’ used in the film. Bridget Jones? Offensive? Really? Yes really! Even a scene with a child swearing. OK I do swear myself now and again but some of the language in this film was actually just as the announcer suggested and was highly offensive. The other thing was that most of the actors looked really old, really haggard. Now this may have been that we were watching on our new smart TV and the picture quality is just so good these days that it can appear daunting. Sometimes, when Liz and I are at our local pub quiz, Liz will ask why am I watching the TV when its tuned to Sky Sports news? Well, a lot of the time I am just amazed that I can see some football pundit’s pores or some hair that has escaped his razor. Still, the original film in the Bridget Jones series was made in 2001 while Baby was from 2016 some fifteen years later.

Film tends to freeze an actor in time and when you see them on TV talk shows plugging their new film it can be surprising to see just how old an actor has become. A while back I was watching Tom Hanks on Graham Norton and he had grey hair! Tom Hanks? Of course, not long prior to that, I had watched Apollo 13 which was made in 1995, 25 years ago!

Bridget Jones’ Baby finally settled down but I wasn’t totally impressed.

Storyville.

BBC Four have been showing a documentary about OJ Simpson recently. I missed the first few episodes but thank heaven for catch-up TV. The documentary is in 5 parts and won an Oscar for best documentary. Episode one details Simpson’s incredible sporting career and also showed how it was important for him to be seen just as OJ rather than OJ the black athlete. He was apparently a friendly and amiable man who made many friends in the sporting world and kept himself well away from controversy and was never involved in the civil rights movement in America unlike sporting celebrities like Mohammed Ali. Later episodes show how he made a life after sport by becoming a TV sports pundit and by courting wealthy friends in Los Angeles to advise on his investments. In particular he made TV advertisements for Hertz car rentals which were highly popular and did well not only for Hertz but raised Simpson’s profile in the USA even higher.

The series also looks at the climate of race relations in Los Angeles and the activities and methods of the LAPD who clearly were not engaging or even trying to engage with the black community. A ‘them and us’ situation evolved in LA and when Rodney King, a black motorist was brutally beaten by a group of white police officers the situation become even more inflamed. The officers were taken to court but found innocent by a white jury causing riots and disturbances in the area.  This was the background of the later OJ Simpson murder trial.

Simpson divorced his wife and married eighteen year old Nicole Brown, a blonde LA waitress. Their marriage lasted seven years and was not happy, especially in the latter years when Nicole was beaten and abused by Simpson. She called the police numerous times reporting OJ for assault. On June 13th, 1994, Nicole and a waiter named Ron Goldman were found dead. A trail of blood led away from the scene and later blood was found on Simpson’s white Ford Bronco.

Simpson was not as famous in the UK as in America but I do remember seeing the crazy car chase on TV with Simpson in his white Bronco followed by a fleet of Police cars. I have to say that this series has completely gripped me so far and the portrait of Simpson himself and the racial climate in Los Angeles and the attitude of the police is compelling. If you are interested you can still find the episodes on the BBC I-player, at least you could when I wrote this a few days ago. When I tuned in to watch the final episode it was not available! 

Rocketman.

As we are cooped up at home for the duration, why not watch a good film on pay per view? It just so happens that Liz renewed her Sky sunscription recently so we were entitled to a free film. OK, settle back, pop corn at the ready, red wine poured, here we go.

Rocketman was an enjoyable film, well mostly. In parts it was a cross between a music video and a Hollywood musical featuring, of course, Elton John’s music. The first part of the film was very good while the second part seemed to just go on a little too much about Elton’s addiction to alcohol and drugs. Elton’s songs were all presented in an interesting way, some pretty much as we have heard Elton perform them in the past, others in a sort of musical fantasy production number way. I enjoyed all of them.

Elton’s relationship with lyricist Bernie Taupin was shown to be much closer than I realised; Elton, in the film, thinking of Bernie as the brother he never had. Elton’s father doesn’t come over as such a nice character and one sad moment was when Elton was reunited with him and found him to be much closer to his new sons in his new marriage than he ever was with him. Come to think of it, his mother doesn’t come out of the film as being a great mum either whereas before I always thought Elton and his mother were close.  The family member who always believed in him according to this film was his gran. Anyway, even if you don’t like the film itself the rest of the time it’s pretty much like listening to Elton’s Greatest hits, so if Elton’s music does it for you then you should like it.

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