Now that the X Files has returned to our TV screens I thought I might just take a quick look at TV spies and secret agents. I’ve always been interested in espionage, and the earliest TV spy show I can remember was the Man from Uncle. In case you don’t remember, the show starred David McCallum as Ilya Kuryakin and Robert Vaughn as Napoleon Solo. It was one of those slick and smooth TV shows from the USA and I even read somewhere that Ian Fleming, the creator of James Bond, had a hand in producing the series format.
Solo and Kuryakin were agents of UNCLE (United Network Command for Law and Enforcement) and used a various array of gadgets in their persecution of criminal organisation THRUSH (Can’t remember what THRUSH stood for!) They had pens that were communicators; ‘open channel D please‘ was something we used to hear our heroes say frequently, explosive devices hidden in the heels of their shoes and I loved every moment of it. The Head of UNCLE, Mr Waverly was played by film actor Leo G Carroll and he worked in a secret headquarters in New York accessed via a dry cleaning store. There was even a spin off series called the Girl from Uncle which starred Stephanie Powers.
They recently remade the Man from Uncle into a big screen movie but looking at the trailer, a lot of the best elements were not there; the music, the suave Robert Vaughn, the boyish David McCallum. To be fair I should save my judgement until I’ve seen the film but can you really recreate something like the Man from Uncle on the screen, years later? I’m not so sure.
In the sixties and seventies there were plenty of crime and espionage series, things like The Avengers with Patrick MacNee as John Steed and his lovely sidekicks Cathy Gale, (Honor Blackman) Emma Peel, (Diana Rigg) and Tara King (Linda Thorson.) The Avengers was a thoroughly British tongue in cheek espionage show which was revived in the eighties as ‘the New Avengers‘ with Joanna Lumley as Steed’s new assistant, Purdey. Back in the sixties though there were other shows like Danger Man with Patrick McGoohan and the Prisoner, which was a sort of secret agent show with a twist. It starred McGoohan as a former agent trapped in a mysterious village. Perhaps he was the character from Danger Man, perhaps not, but those who ran the village wanted information and Patrick McGoohan’s character, number 6, wasn’t ready to give it!
In the 1970’s there was the Six Million Dollar Man starring Lee Majors as astronaut Steve Austin. Austin is injured in a testing accident but as they said in the opening titles, ‘gentlemen, we can rebuild him, we have the technology to make the world’s first bionic man!’ Steve Austin with his bionic legs could run faster than before, see better and hear better because of ‘bionic’ technology and he became a super agent for his boss Oscar Goldman.
In 1979 the BBC produced a TV version of Tinker, Tailor, Soldier, Spy, the novel by John Le Carre. A little slow and at times even tedious, it was a view of the other side of the spy world: Shabby men in overcoats and rain macs. The thankless tasks of checking files and sifting information to find a ‘mole’, an agent in the UK working for Moscow centre. The series was remade into a feature film in 2011 which I found rather dull although plenty of great reviews of the film can be found on the internet.
In the 90’s US TV brought us the X Files, a mix of spies, espionage, crime and sci-fi. Personally I rather liked the series but I always had the feeling that the writers had written themselves into a sort of hole and didn’t know the way out. What was the big alien secret? Who was the cigarette smoking man? Yes, I don’t think the writers ever knew. My all time favourite episode of the X-Files was a two parter where agent Mulder is somehow morphed into the body of a CIA man and the CIA man morphs into Mulder’s body.
In 2001, a new fast moving spy drama hit the TV screens; 24. I loved 24 with its high tech control rooms and the ease at which staff members sent maps, CCTV images, Satellite pictures, and all sorts to Jack Bauer’s gadgets. The idea of 24 was that a complete story covering a full twenty four hours was told in real time, each episode being an hour of the day. Funny though, no one ever had a sleep in those twenty four hours!
Homeland
Recently I picked up a DVD of the US series Homeland. It was season 1 when UK TV is just showing season 4 and the series was fantastic. Great acting, some tight direction. Excellent camera work and some really taut and intelligent writing. It’s more of a psychological drama than an action series and I love it. The only problem is I’m three series behind. Do I wait for re-runs or do I get series 2 on DVD?
Anyway, getting back to the X-Files, what do you think of new 2016 series? All the original stars are present, it was made by the original production team and even used the same opening titles so you’d think the result would be pretty good. Actually Mulder looks a little tired. Scully isn’t quite so alluring as she used to be and the first episode seemed to play up all the aspects I didn’t like about the original, especially the ‘conspiracy’ and ‘alternate government’ paranoia stuff. I wasn’t hooked enough to watch episode 2 but wonder of it’s worth doing a quick ebay search for the Man from Uncle on DVD. 1960’s version, of course!
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MASH has always been one of my very favourite TV comedy programmes. You may have read in another post about how I used to 
Now, you might be wondering about that other part of this post’s title, the bit about the emotional indicator. Yes, I thought you might. It’s not so easy to explain but here goes. Most TV shows and movies have a sort of standard emotional indicator that stays pretty constant throughout the show. Take a look at the graph over to the left and let’s put some numbers up. Say a baseline of zero for a standard, calm emotional level. Now, when the show gets funny that level goes up to something like 15 for instance and I’d even say that in a movie like Police Academy that 15 or higher would be a constant throughout the film, well for me certainly. The original Police Academy movie is one of my favourites and I tend to start laughing round about the start of the film with the scene in the parking lot where Steve Guttenberg says the parking lot is full and then the guy comes in and says ‘park the car dirt bag!’ I usually stop laughing round about the end credits but on a normal film there’s a constant up and down: up when the film gets funny and down to nil when we get back to normal.
Mash ran for 11 seasons and an incredible 256 episodes. Trapper, played by Wayne Rogers, was my favourite character after Hawkeye and he left the series after season three to be replaced by Mike Farrell playing new doctor B J Hunnicut. Colonel Blake (McLean Stevenson) also left at the end of season three. His character was discharged but right at the very end of the episode news came through to the MASH that the Colonel’s aircraft had crashed with no survivors. This episode prompted an outpouring of grief and resentment from fans at the death of the character. I could understand perhaps Colonel Blake dying part way through the episode and the second part showing the sadness and grief of the rest of the characters but it seemed to me that Colonel Blake’s death was almost an afterthought, just tagged on to the end of the episode. As time went on many of the other series regulars left including Gary Burghof (Radar) and Larry Linville (Frank Burns) and for me personally, the series was never the same.
Something incredible happened to me this week: I found out I wasn’t the oddball nerd I thought I was in my youth, or at least I was but I found out there were others like me, I wasn’t alone and the nerdy things I used to do were done by many others!
Letters from an Unknown Author! 