It’s not always so easy to come up with a new blog post week after week. It’s even harder to find something extra special for my 300th post. Three hundred posts! I suppose to those of you who have been writing for years, 300 may not be such a big milestone but for an amateur writer like me, it’s pretty special. The crazy thing is this, a few weeks ago I was commenting on one of those online forums, praising WordPress and blogging and someone commented that if I hadn’t been blogging I might have finished my second book! Looking back I now wonder whether that guy was actually right. 300 blog posts, times my average word count per post: That comes to about 20,000 words. Yes, perhaps I could have written my next book. Then again, it’s not just the words, its the idea behind the words, the creative thrust of a book that’s important. Get that and the book should just follow. Still, that fellow had a point. Should I give up my blog posts in favour of my book? Well, if that would guarantee me producing a book then yes, great! The thing is, it’s not a lack of words that have kept my book in a constant state of unfinishedness (is that a word? If Norman Mailer can invent words then so can I.) It’s really my own laziness.
Laziness, fear of the blank page, procrastination, they are all enemies of the writer. The only way to overcome them is just to keep on writing. If you are writing a blog post and it wont come, switch to something else; that other post you had on the back burner or that script you had started a few years back. A great deal of my work is done like that, in small bursts of activity. A while back I had an idea for a film screenplay and worked away creating the first quarter of the work. Later I decided to turn it into a book and as I worked with the text, adding in all sorts of detail that wasn’t in the original script, the story came alive to me in a different way and I started to bring something new to the book version. Don’t hold your breath though, its still far from completion.
On a number of occasions I get an idea for a scene, a single scene for a screenplay or even a book. Just a scene, not a book or screenplay idea, just an idea for a short scene. Occasionally I’ll write something and see an opening for that scene, a little space that the scene will fit in and perhaps take one of the characters from A to C when before there was a yawning chasm at B!
The other day my brother and I were talking about war pictures and I said that war films don’t really do it for me but then, my brother reeled off a number of war films that I love. World War 2 Films like The Wooden Horse, First of the Few, The Cruel Sea, The Great Escape, and The Dambusters. Then there are modern classics like Platoon and Born on the Fouth of July from director Oliver Stone. Platoon is a particular favourite of mine; it was written and directed by Stone and based on his personal experiences in Vietnam, which made it all the more relevant and emotional.
Anyway, I’m talking about war films for a reason, which is this. My scene, the one that I’m waiting for a story to fit it into, is from a war film. It goes like this:
EXTERIOR. WORLD WAR 2 BATTLEFIELD. SHELLS ARE BURSTING ALL AROUND. MACHINE GUN FIRE RAKES THE AREA AND A WOUNDED SOLIDER STUMBLES INTO A FOX HOLE. SOLDIERS RUN TO HIS AID. THEY TURN HIM OVER AND LIFT HIS HEAD UP.
THE SOLDIER COUGHS AND TRIES TO SPEAK.
SOLDIER 1: Take it easy son. Don’t try to talk.
SOLDIER 2: HE LIGHTS A CIGARETTE AND SLIPS IT INTO THE WOUNDED SOILDIER’S MOUTH.
THE WOUNDED SOLDIER COUGHS AND CHOKES.
SOLDIER 1: What did I tell you kid? Don’t try and talk. The medic’s on the way over. Save your strength.
THE WOUNDED SOLDIER COUGHS EVEN MORE.
SOLDIIER 2: Sarge, I think he’s trying to tell us something.
SOLDIER SPITS OUT THE CIGARETTE.
CLOSE UP:
(By the way, I did mention it was a comedy scene , didn’t I?)
WOUNDED SOLDIER: I don’t . .smoke..
Oh well. Here’s another script story. Ages ago when I first met Liz and we began socialising in St Annes, we started frequenting Wetherspoons there. It’s a pretty friendly pub and we made friends with quite a few people. There was Big Steve who I wrote about in another post but we also met two guys, Craig and Danny (as usual, names have been changed to protect the innocent!) They were brothers in law who were married to twin sisters and they both owned and ran small hotels in St Annes. The hotels were on the same street opposite each other and the sisters were identical twins so their whole scenario seemed to scream ‘sitcom’ to me.
I used to ask them what funny things had happened to them in their work as hoteliers and being married to identical women. ‘Loads of things’ they would always say but I could never get any details. Anyway, when I had a quiet moment I started off a pilot sit com script using their situation, rival hoteliers married to identical sisters. It’s nothing brilliant but mildly amusing and it sat in my documents folder for a long time. Every now and again when I slipped into that blank page syndrome, I’d pull out the script and add a few more pages.
Not long ago I noticed on one of my occasional visits to the BBC Writersroom page that a window of opportunity was coming up for a sitcom script. The BBC, rather than accepting ‘spec’ scripts all year round open a small ‘window’ of a few weeks where you can submit your work in certain areas, sometimes a film script or a play, sometimes drama, other times situation comedy. I went back to my sitcom script, pulled it quickly into some sort of shape, added an ending and bunged it off to the BBC. Now I sit glued to my inbox with bated breath, awaiting the BBC email that may or may not even arrive.
Of course, I do wonder what might happen if the BBC actually decided that my sitcom script is worth making into a pilot? That would be fun having my work made into a TV show. Imagine if it was succesful! Imagine if the BBC said we’re going to make a twelve episode series! Imagine me trying to write twelve episodes when it took me months to write one 25 minute episode! Even the great Spike MIlligan had a nervous breakdown writing the numerous scripts of the radio show ‘The Goon Show’. Of course, someone at the BBC could be reading this very post. Did I say something about 12 episodes? Would I be able to write 12 episodes?
Of course! What’s 12 episodes to a top writer like me? I might even start episode 2 straight away. Well, straight away after a cup of tea. And maybe a sandwich. Better make it first thing tomorrow. Well, tomorrow afternoon might be better . .
I was checking my YouTube page the other day and noticed that I have eighty four videos there. That figure was quite a surprise to me. Eighty four videos? I have to admit, some of those are in my private file and are for production use only. (That makes me sound like a real film producer – production use only!) By that I mean some were uploaded so I could use the soundtrack on another video, some were uploaded without a soundtrack so I could add YouTube music later and some were promotional videos that use the old Floating in Space cover and were made before I introduced the newer version and rather than delete them I have just taken them offline.
How easy, or hard, is it to write a weekly blog post? Well there is no straight answer to that. Sometimes I just seem to get a whole host of ideas and other times I struggle to find one. The important thing is to keep jotting those ideas down, the ones that come when you are feeling creative or just full of ideas, and use them on the days when you don’t seem to have anything new.
Yes, this post is about me, because believe it or not, I am a self-published author. The digital world of the 21st century has given me a chance that was unheard of before now. In the pre-digital world, writers like me would be prostrating themselves before the publishers of the world, trying to get them to accept our offerings, publish them and pay us royalties. Now, even professional writers, not just lowly amateurs like myself, are turning to self-publishing. The digital age has turned the publishing world on its head.
Yes, the writer of the 21st century is free of the restrictions of previous times. He is not beholden to or waiting on the attentions of a potential publisher but he has his own set of unique problems: He must be not only be a writer but also a marketeer. And he needs to have some graphic design ability and perhaps some photographic and video skills too! On top of that, most of my videos are me talking to the camera so a degree of TV presenting skill must be thrown into the mix also!
How not to be a writer!
I’m not a great sports fan but I do like my motor sport. I first started following Formula One back in 1970 when I was a school boy.
Back in the early 70s there wasn’t great TV coverage but I do remember watching the Monaco Grand Prix live on the BBC and I will always remember that moment when the potential winner, old hand Jack Brabham, slipped into the barrier on one of the last corners letting Jochen Rindt through to win.
Neil Armstrong, the commander of 
Graham Hill can’t really lay claim to being the greatest driver ever, but without a doubt he is one of the greatest motor sporting personalities to ever grace the racetrack. I wrote to him in the seventies and he responded with a card and his signature and it’s one of the prize autographs in my collection. 
MASH has always been one of my very favourite TV comedy programmes. You may have read in another post about how I used to 
Now, you might be wondering about that other part of this post’s title, the bit about the emotional indicator. Yes, I thought you might. It’s not so easy to explain but here goes. Most TV shows and movies have a sort of standard emotional indicator that stays pretty constant throughout the show. Take a look at the graph over to the left and let’s put some numbers up. Say a baseline of zero for a standard, calm emotional level. Now, when the show gets funny that level goes up to something like 15 for instance and I’d even say that in a movie like Police Academy that 15 or higher would be a constant throughout the film, well for me certainly. The original Police Academy movie is one of my favourites and I tend to start laughing round about the start of the film with the scene in the parking lot where Steve Guttenberg says the parking lot is full and then the guy comes in and says ‘park the car dirt bag!’ I usually stop laughing round about the end credits but on a normal film there’s a constant up and down: up when the film gets funny and down to nil when we get back to normal.
Mash ran for 11 seasons and an incredible 256 episodes. Trapper, played by Wayne Rogers, was my favourite character after Hawkeye and he left the series after season three to be replaced by Mike Farrell playing new doctor B J Hunnicut. Colonel Blake (McLean Stevenson) also left at the end of season three. His character was discharged but right at the very end of the episode news came through to the MASH that the Colonel’s aircraft had crashed with no survivors. This episode prompted an outpouring of grief and resentment from fans at the death of the character. I could understand perhaps Colonel Blake dying part way through the episode and the second part showing the sadness and grief of the rest of the characters but it seemed to me that Colonel Blake’s death was almost an afterthought, just tagged on to the end of the episode. As time went on many of the other series regulars left including Gary Burghof (Radar) and Larry Linville (Frank Burns) and for me personally, the series was never the same.
Letters from an unknown author! 