The Essential Englishman (Part 2)

I published a post quite a while back called The Essential Englishman. I say a while back but now that I’ve looked, it was 2017. Anyway, as a working-class council house boy I’ve always envied those well-dressed gentlemen who look impeccable and talk ‘proper’, dropping witty comments here and there with apparent ease. I wrote about six Englishmen who all rather impressed me either themselves or in the characters they played on screen so I thought it might be time to look at some more candidates.

Roger Moore.

I’ve always liked the debonair Roger Moore. Many people think he was good as James Bond 007 but sorry Roger, I wasn’t impressed. His other famous character did impress me; Simon Templar alias the Saint. The Saint was based on the books by Leslie Charteris about an adventurer called Simon Templar. Templar seems to have no job but owns a smart London flat, drives a white Volvo with the registration plate ST1 and sets about helping damsels in distress and solving various crimes. The police, in particular Templar’s nemesis, Inspector Teal of Scotland Yard view Templar as a criminal and are determined to put him behind bars.

Moore had always wanted to film the Saint and in fact bought into the latter part of the series becoming a co producer. Most of the clothes worn in the series were Roger’s own clothes too showing how keen Roger was about the way he looked. Later, when the series ended, Moore co-starred with Tony Curtis in the Persuaders, another action series, although the Persuaders was filmed all over the world whilst the Saint, despite all the various locations portrayed in the series, was filmed almost entirely at Elstree studios in the UK.

One of the best elements of the series was the pre-title sequence where Moore turns to talk to the camera. In later episodes there is a voice over instead but someone usually recognises the famous Simon Templar. Cue an animated halo appearing over Roger’s head which he looks up at just before the title sequence begins.

Moore played James Bond in seven feature films. The last one was A View to a Kill in 1985. He died from cancer in 2017.

Ronald Colman

Colman was born in 1891 and became a well-known amateur actor in his native Surrey. He joined the army when the first world war began. He was seriously injured at the battle of Messines in 1914 and was invalided out. When his wartime wounds healed, he resumed his acting career and eventually graduated to films. In the USA he became a famous silent film star but it was not until the talkies began that he could use his best asset, his wonderful voice. According to Wikipedia, he mirrored the stereotypical English gentleman and he went on to great success in the golden age of Hollywood. He appeared in many famous films like The Prisoner of Zenda and two of my personal favourites, Lost Horizon and Random Harvest.

Colman died in 1958 aged 67.

Wilfrid Hyde-White

Hyde-White was born in 1903 and trained at RADA, the Royal Academy of Dramatic Arts. He once famously said that at RADA he learned two things; ’One, I couldn’t act and two, it didn’t matter.’

He became almost a fixture of many British films of the 1950’s and in fact his film credits are almost too numerous to mention. He appeared in some of my favourite films such as The Third Man, Last Holiday, The Browning Version, My Fair Lady and many others. In Hollywood he appeared with Marilyn Monroe in Let’s Make Love. In later life he also appeared in many US television series including two episodes of Columbo. Hyde-White was apparently in trouble with the inland revenue and was declared bankrupt in 1979. He died a few days prior to his 88th birthday and his body was flown back to the UK for burial.

Kenneth More

More epitomised the English officer gentleman in many films, most notably with his portrayal of Douglas Bader in the film Reach for the Sky. He played an officer aboard the Titanic in A Night to Remember and a naval officer in Sink The Bismark.

He was under contract to the Rank organisation but was dropped by Rank after swearing and heckling their managing director at a BAFTA award ceremony.

In later life he had further success on TV playing the part of Jolyon Forsyte in the Forsyte Saga and later the title role in Father Brown. He died in 1982.

Terry-Thomas

Thomas was a comedy actor who found fame in many British radio shows and films of the 50s and 60s. He typically played an upper-class rogue or bounder and his distinctive upper-class accent is fondly remembered by many, including me. According to Wikipedia in 1921 he began to develop his distinctive, well-spoken voice, thinking that “using good speech automatically suggested that you were well-educated and made people look up to you”. He apparently was impressed by Douglas Fairbanks so much so that he began to imitate Fairbanks’ debonair dress sense.

Thomas played a similar character in most of his films and was a great success in films like Carlton-Browne of the FO, I’m All Right Jack and School for Scoundrels. He appeared in a number of Hollywood films such as How to Murder Your Wife in which he played the genteel English butler to comic strip author Jack Lemmon. He is probably best remembered for his portrayal of the scheming rotter in Those Magnificent men in Their Flying Machines. Thomas died in sad circumstances in 1990 after suffering with Parkinson’s disease and spending most of his fortune on medical bills

C Aubrey Smith

C Aubrey Smith is perhaps an unfamiliar name on this list to anyone who is not a fan of classic films. Smith was born in 1848 and became a stage actor only after retiring from an early career as a cricketer. He appeared in some early British films but went to Hollywood in the 1930s where he carved out a career playing an English officer and gentleman. He was Colonel Zapt in the Prisoner of Zenda and played another colonel in Hitchcock’s Rebecca. In Hollywood he was the acknowledged leader of the British contingent and in 1932 founded the Hollywood Cricket Club. Other film stars considered to be “members” of his select social group were David Niven, Ronald Colman, Rex Harrison, Robert Coote, Basil Rathbone, Nigel Bruce and Leslie Howard.

Smith died in 1948 aged 85.

Hugh Grant

There are others I could possibly mention here, stars like Christopher Lee, Dirk Bogarde, Basil Rathbone, Dennis Price and Jack Hawkins but perhaps it’s time to look at some more modern actors. Hugh Grant has played the essential Englishman in a number of film roles starting with his part in Four Weddings and a Funeral, the 1994 British comedy written by Richard Curtis. Four Weddings is a direct successor to the Ealing comedies of the 1950s and 60s and Grant’s persona is in the same way, a successor to Ronald Colman, David Niven and many others of the same ilk.

I’ve always thought that Four Weddings was one of the best British comedy films ever, only marred by the constant use of the ‘f’ word. I was happy to hear that American audiences agreed with me and in the US version, the word ‘bugger’ was substituted.

Hugh Grant was born in 1960 and is still working in film and TV. He recently starred with Nicole Kidman in the TV mini series The Undoing.


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The Essential Englishman

Some time ago I wrote a poem, published on my poetry page at Writeoutloud, called Sounds like Richard Burton.

I wrote it a while ago and I was perhaps feeling somewhat dissatisfied with my accent, one that reflects my own Manchester council estate background. Someone once told me that I sounded like Terry Christian, the Manchester DJ and radio personality. I don’t dislike Terry or his voice but I sometimes feel that I’d like to sound a little more cultured. A little more refined.

So who would I like to sound like? Richard Burton? Well, I have always loved the richness of Burton’s voice, his perfect pronunciation and his rounded baritone vowels.

He was the son of a Welsh miner and his voice represented not only a natural talent for public speaking but many years of hard work and vocal training. Despite the title of my poem and my admiration of Burton’s voice, Richard Burton is not quite what I am looking for. So who has that particular Englishness that I want?

David Niven as Phileas Fogg.

I’ve always admired the character of Phileas Fogg as portrayed by David Niven in that wonderful movie Around the World in 80 days. I like the way he speaks, his easy and relaxed effortless eloquence, his perfect pronunciation and his knowledge of words. His very Britishness, his upper class Englishness is perhaps what I envy.

Fogg is something of an eccentric which surely must be part of the essential Englishman’s make up. His morning toast must be exactly 83 degrees Fahrenheit and his afternoon tea has to be served punctually. At the beginning of the film Fogg arrives at the Reform Club to find someone has read his copy of the Daily Telegraph!

“Kindly remove it and send for a fresh one.” says Fogg.
“At once, sir.” replies the waiter.
“I’m a patient man, Hinshaw, but don’t trespass on my good feelings.”

Robert Donat as Sir Robert Morton.

Another upper class Englishman is Robert Donat’s character in The Winslow Boy, the barrister and Member of Parliament Sir Robert Morton. There is a lovely sequence in the play and the movie where Morton first arrives at the Winslow home. He is received by master Winslow’s elder sister who questions Moreton about his recent cases and lets us know she does not entirely approve of him. Moreton is in a hurry. He is dining and the Winslow family wish to know if he will accept the case.

Morton answers her questions coolly and quietly and them some minutes later, displays all his powers as a barrister by apparently assassinating young Winslow’s claims to innocence.

He exits quickly asking for the relevant papers.

“Will you need those now?” asks someone.

“Of course. The boy is plainly innocent. I accept the brief !” And with that he is gone.

Rex Harrison as Charles Condomine.

Another favourite Englishman is Rex Harrison and I’ve always loved him most in Blithe Spirit, the witty and amusing comedy by Noel Coward. David Lean directed a colour version in 1945 and Rex was just as I’ve described David Niven above, effortlessly urbane and eloquent, as of course was Noel Coward himself.

Leslie Howard as Professor Higgins.

Rex Harrison also portrayed an archetypal Englishman in My Fair Lady, playing the part of professor Higgins in the musical version of George Bernard Shaw’s Pygmalion. There was an earlier version, a non musical version made in 1938 starring Leslie Howard. Howard is probably most famous for his portrayal of Ashley Wilkes in Gone With the Wind but his version of Higgins was to me, much superior to Harrison’s although I love both.

In Pygmalion, Wendy Hiller plays Eliza Doolittle. Hiller is much more believable as Eliza, no disrespect to Audrey Hepburn in My Fair Lady, and Howard is a bright, eccentric Higgins. What is interesting from researching the film on the internet is that a controversial (at the time) line was included in the film: Eliza saying ‘Not Bloody Likely!’ This made Wendy Hiller the first person ever to swear in a British film. Dear me, how times change!

George Sanders as Jack Favell.

Sanders was born in Russia to an English father and Russian mother and he and his family left for England in 1917 at the outbreak of the Russian Revolution when George was 11.

He made his British film debut in 1929 and first appeared in a Hollywood film in 1936. After that he was in constant demand with his suave persona and upper class English accent. He is seen at his best as Jack Favell, the ‘favourite cousin’ of the unseen title character Rebecca, in Alfred Hitchcock’s classic movie.

Albert Finney as Arthur Seaton.

Finally, I must come back to what is really me, the essential northern working class man.

Saturday Night and Sunday Morning is set in working class Nottingham. Albert Finney stars as Arthur Seaton, a rebellious factory worker who works hard in the factory by day, but at the weekend he spends his money in the pubs and clubs of the town.

He is involved with a married woman but starts to lose interest when he meets a single girl called Doreen and begins a relationship with her.

My favourite line from the book and the movie is this: “I’m not barmy, I’m a fighting pit prop that wants a pint of beer, that’s me. But if any knowing bastard says that’s me I’ll tell them I’m a dynamite dealer waiting to blow the factory to kingdom come. I’m me and nobody else. Whatever people say I am, that’s what I’m not because they don’t know a bloody thing about me!”

I sometimes wonder if the essential Englishman portrayed by Niven, Donat, Harrison and Howard still exists in the 21st century. I’m sure it does somewhere, in the posh parts of London and the home counties. People who travel first class everywhere and dress for dinner. Members of Prince Charles’ set perhaps?

As for me, I’m not sure I can really aspire to be like David Niven and Phileas Fogg. Still, next time I go down to the Ego restaurant in Lytham I might dress up in my best suit and tie, pop a pocket watch and chain in my waistcoat and just . . pretend.


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Music and the Fifty Year old Teenager

800px-nadelaufplatteMany years ago in my mid-teens I was in Manchester doing pretty much what I have always done, then and now, whenever I have free time on a Saturday, either looking at records in a music store or looking at books in a book shop.

In 2014 there are not many record stores left; the whole culture of buying records is a different ball game these days, downloading instead of taking home a hard physical copy. You might be thinking hey: haven’t we had this blog already? Yes but the other day I went on to talk about James Dean, today I want to carry on with music.

As a teenager Saturday afternoons meant one thing to me, going into town, probably Manchester, and flipping through records and books. I was a big music fan and back in the seventies and eighties singles were marked down in price as soon as they dropped out of the charts and vultures like me were there to buy up cheap records. I started buying singles in 1973 and the last one I bought must have been in the late eighties. I wish I knew which record it was. In the eighties I started buying picture singles which were singles in clear vinyl with a picture running through. My favourite is probably Alexi Sayle singing ‘Hello John, got a new motor’ which comes in the shape of a Ford Cortina With Alexi Sayle on the bonnet.

The day came, probably sometime in the nineties, when the pop charts had become a mystery to me, singers and bands were in there that I’d never heard of with records I had no interest in buying. Just then, almost like a thief in the night, vinyl disapeared and the CD era began.

In the box room at my Mum’s house are four or five boxes of my singles, another box of LP’s and a two boxes of 12 inch singles which started out in the eighties as a single but with a longer or different mix or sometimes with an extra track. The strange thing is, my teenage counterparts in 2014 probably have a similar size collection only without the physicality. A huge stack of music kept on a hard disc or MP3 device, kept forever in cyberspace. I like my vinyl records, I like the smoothness of the plastic, the static electricity, the album covers, the sleeve notes (can anyone really read the sleeve notes on CDs written in that tiny writing?) and the inserts. I still have all the booklets that came with Elton John’s Captain Fantastic and the Brown Dirt Cowboy and I so wish I’d written the lyrics to that Cliff Richard song, ‘Wired for Sound’; power from the needle to the plastic.

I’m not much of a downloader but I do have a shed load of CD’s I’ve picked up over the years and I’ve gradually started to use my MP3 player, especially on holiday and I even have fun making up playlists just like in the old days when I’d copy my vinyl singles onto cassette tapes.

Sometimes I wonder if I’ve really changed at all from the teenager I used to be. .


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