Way back in the 1970’s when I was a shy gawky teenager, one of my very best friends was a big fan of the Moody Blues. Everything that ever happened to him, life, love, romance, anything and everything really, he related back to something on one of the Moody Blues’ many concept albums. I really wanted something like that, a band or musician I could relate to and follow as they created more music. Very quickly I discovered Elton John.
I was sure Elton was American and it was with some surprise that I later found out he was English.
Elton was born Reginald Dwight in 1947 in Pinner, Middlesex. He started playing his grandmother’s piano as a young boy and began formal music lessons at the age of 7. At the age of 11 he won a scholarship to the Royal Academy of Music.
When he was 14 his parents divorced and his mother re-married and Elton, his mum and new step dad moved into a flat at 1A Frome Court in Pinner. According to Wikipedia he stayed there until he had 4 albums simultaneously in the US top 40.
1973 was probably my first record buying year. Up until then I really had little interest in music. The Beatles had pretty much passed me by and I was more interested in TV and film music rather than the pop charts. For Christmas 1972 my brother and received a shared present, a new stereo record player. Of course having a record player meant that I needed something to play on it. That’s when I discovered Elton John.
A big hit for Elton in 1973 was Candle in the Wind, Elton’s ode to Marilyn Monroe. I remember hearing it regularly on radio 1. After some investigation I found it was from an album by Elton, Goodbye Yellow Brick Road. I picked up the title track single cheaply, probably from a little music store I used to visit in Wilmslow, Cheshire where we were living at the time. Later I got to know more and more music stores, particularly in Manchester which I would visit every Saturday flicking through singles in the reduced section. Incidentally the flip side or B side on Goodbye Yellow Brick Road was another great track, Bennie and the Jets.
Later I bought the Album, Goodbye Yellow Brick Road which must be Elton’s best ever work. It was a classic double album and contained more hit singles like Saturday Nights alright for fighting.
I discovered Elton’s back catalogue and began buying albums like Empty Sky, Elton John, Tumbleweed Connection, Friends and Madman across the Water.
Elton’s next album was Caribou. I have to say I was a little disappointed at the album cover art. Yellow Brick Road had such an amazing cover and here was Elton’s next album with an oddball amateur looking cover of an embarrassed looking Elton with what appeared to be a Polaroid snap! The album wasn’t so great either.
His next album was Captain Fantastic and the Brown Dirt Cowboy, a nostalgic look back at Elton and his co-writer Bernie Taupin’s own lives. The title track is one of my all-time favourite Elton John tracks and the album came complete with little inserts of photo albums and other bits and pieces.
It’s worth stopping here for a moment to look at how Elton and Bernie’s partnership came together. In 1967 the pair answered an advertisement in the New Musical Express. Liberty Records were asking for musical talent and when Elton arrived at Liberty’s offices he was given a sheaf of lyrics written by Bernie Taupin and so Elton promptly began writing music to Bernie’s words. Their writing partnership continues to this day.
Back in the 1970’s Radio 1 began running the Elton John Story in various parts which I recorded onto cassette tapes. On one of the tapes, the two discuss their big hit ‘Your Song’. Elton claims Bernie wrote the lyrics about his then current girlfriend. Bernie denied that saying he wrote the lyrics after having eaten bacon and eggs at Elton’s mother’s flat in Pinner, while Elton was having a bath!
In 1975 Elton appeared in the film version of the rock musical Tommy and his version of Pinball Wizard became another chart hit. Another hit single was Elton’s fabulous version of John Lennon’s Lucy in the Sky with Diamonds with Lennon himself playing guest guitar on the track.
Elton’s next album was Rock of the Westies a sort of rock/funk album. It was, well OK I suppose but as we went into the 1980’s I found myself not really caring for Elton’s music much anymore. I liked the poignant Song for Guy, a song named after a young lad from Elton’s record company who was killed in a road accident but little of Elton’s music interested me in that period.
In 2001 Elton released the album Songs from the West Coast. The album was received warmly by the media and I remember hearing many great reviews saying how Elton had returned to his piano based roots and so on. On Wikipedia I see that the album was recorded on analogue tape as Elton felt that gave the sound a warmer feel. OK I thought, sounds like a good time to try some of Elton’s latest music. While I was waiting to pay for the CD in HMV I noticed another album of Elton’s, Made in England, in the reduced section so I grabbed that while I was there.
Anyway Songs from the West Coast was a total disappointment for me and not only that, I thought the whole thing had a tinny sound to it, not a warm one.
A few months later I noticed Made in England lying unplayed on a shelf so I popped it into my car to give it an airing. I’m so glad I did because Made In England is the album that to me, sounds much like his classic 70’s stuff with some outstanding tracks. A fabulous album just as good as Goodbye Yellow Brick Road.
Pity I missed the Elton John film Rocket Man. I’ll have to look out for it on DVD. I was going to finish with a YouTube clip from the film but I’ve always liked this TV advert from 2018. Enjoy . .
Part 1 of the Soundtrack To My Life, which you can read by 
As a teenager there was one, really important thing in my life. Music. And by music I am talking about singles. The BBC top twenty was all important to me and every Saturday night my mate Steve and I would drink beer and talk about women, sci fi and music. I bought numerous singles every Saturday. It’s very rare that I would buy something already in the charts for the full price. I’d usually wait until the record I wanted started to drop down the placings then I’d snap it up for half price. I spent a lot of time flicking through boxes of records in record stores with the end result that now, in 2016; I have a considerable amount of boxes of records. Ninety nine percent of them are singles. I was never one for albums because mostly albums let you down. You’d hear some great single by somebody new, buy their album and it rarely lived up to the single.
Many years ago in my mid-teens I was in Manchester doing pretty much what I have always done, then and now, whenever I have free time on a Saturday, either looking at records in a music store or looking at books in a book shop.
Letters from an unknown author! 