Tag Archives: records

Music and Me

Posted on by Steve Higgins

This week was a landmark for me in my little life. No, I’m not talking about my 70th birthday, I’m talking about saying goodbye to my vinyl record collection. Collecting is perhaps a very British trait and over the years I’ve had friends who collected aircraft numbers, railway locomotive numbers and even bus numbers. As someone who once worked in the passenger transport industry, I’ve also collected books about buses and many other things but my collection history probably started with music.

Way back in 1972 my brother and I received a joint Christmas present. It was a stereo record player and the first record I ever bought was a collection of film and TV themes by John Barry. The title track was from the TV series The Persuaders which starred Tony Curtis and a pre 007 Roger Moore as two unlikely crime fighters brought together by a retired judge.

At the time I wasn’t a great music fan but my brother and I were soon tuning in to Top of The Pops, the iconic BBC TV show, and began buying 45 rpm singles.

The very first single I ever bought was actually two singles, both reduced to 24p each as they were no longer in the charts. Banks of the Ohio and What is Life, both sung by Olivia Newton John.

In the summer holidays we were glued to Radio One when they announced the new chart placings on a Tuesday afternoon on the Johnnie Walker show. I’m not sure if Johnnie played the entire chart or perhaps just the top 10 but on a Sunday afternoon there was a repeat of the entire top 20 although I can’t remember which DJ was manning the turntables.

A long time ago I bought some software for digitising my music. It was quite a laborious process. The record player was plugged into my computer and the record had to be played all the way through. Then further software eliminated the hisses and clicks before the resulting track could be burned to a disc or saved as an mp3 file and used with an mp3 player.

I did that with only a few of my more obscure records because pretty much everything else I had on vinyl was now available as a CD and in later years easily downloadable. Few of today’s younger music fans will have a substantial physical collection of recorded music like I have.

In the 1980s, at the height of my music buying years, I began to buy 12 inch singles which were usually a slightly extended version of the original single. I also began to collect picture discs which were singles with a photo or image embedded in the vinyl. My favourite was a single by Alexi Sayle called Hello John, Got a New Motor. The disc was in the shape of a Ford Cortina with Sayle himself spreadeagled over the bonnet.

For quite a number of years those records have been gathering dust in the back room of the house and I thought that perhaps now is the time for them to go.

I messaged a company that advertises on Facebook offering to buy music collections. They messaged me back wanting photos and after numerous long conversations they decided against travelling up north and buying my collection.

Anyway, in St Annes a new vinyl music shop has appeared and after a good look through my records the owner offered me £100 for probably less than a quarter of my collection. I was hoping he was going to take the whole lot off me but he mentioned another new shop not far away which buys and sells records, models, antiques and all sorts of things. The owner and I negotiated for quite a while but eventually I took £120 for the rest of my collection. I felt as though I had parted with a large chunk of my life for a measly £220 but what could I do? Put the records back in my spare room just to gather dust? Hopefully somewhere out there are some music fans who will buy and enjoy the records I used to love.

My record collection was mostly made up of singles although there were a few albums in there like my Elton John collection including Captain Fantastic and the Brown Dirt Cowboy, complete with all the original booklets that came with the album. Back in the seventies I loved Elton’s music but in the 1980s either Elton changed or maybe it was me but I lost interest in his later music. Years later I picked up Made in England which I’ve always thought was more like his older work.

Back in the 80s I was a great fan of Madonna and a particular favourite was Into The Groove which was the theme from the movie Desperately Seeking Susan in which Madonna herself had a small part. I must have had all Madonna’s 80s hits on 45 rpm discs. According to Dale who bought most of my vinyl collection, Madonna’s records are pretty popular with young people today.

Going way further back to the 1970s my old friend Steve and I used to spend our Saturday nights in Manchester in a bar called the Playground. The DJ there, who just to make things confusing was also called Steve, used to begin his Saturday night session with Love’s Theme by Barry White’s backing band Love Unlimited. Back then I was always telling Steve about a singer called Steve (yet another one). This particular Steve was Steve Harley and his group Cockney Rebel. Steve, the friend not the DJ or the singer, he wasn’t keen on Steve Harley at all until one day when I asked him if he had heard that Harley had reformed his band and they had an entirely different sound as well as a new single. One night at the Playground I asked Steve, the DJ, if he had Steve (Harley’s) new single and he had. He played it and Steve, the friend, thought it was so brilliant it would be a new number one.

It was a number one, a big hit and Make Me Smile (Come Up and See Me) was the only number one (I think) that Steve (Harley) ever had.

Still in the 1970s a performer who made his name back then was David Essex. He played the lead in the stage musical Godspell and then went on to star in the film That’ll be the Day. I remember seeing his album in a record shop and thinking what a cool dude he looked in his white suit. The album was ‘Rock On’ and the single of the same name went to number 3 in the UK charts in 1973.

The next year David released one of my all-time favourite tracks Gonna make you a Star which went all the way up to number 1. He also appeared on my favourite double album ever, Jeff Wayne’s War of the Worlds and went on to star in the musical ‘Evita’. In 2011, he joined the cast of TV soap ‘EastEnders’.

When I saw David Essex singing Rock On wearing a white suit on Top of the Pops for the first time, I thought he was the epitome of seventies cool and it occurred to me that one way to transform my gangling self-conscious self into something better might be to get that very same white suit. I couldn’t afford a suit at the time so I settled for a jacket, a white jacket, and I well remember admiring myself in the mirror before my first Saturday night out wearing it, sometime back in 1973.

The first problem I encountered with the jacket came on the bus into town. I sat on the back seat and in those days, the back seats of our local buses were a little notorious for being dusty and grimy as they were over the engine and absorbed all the engine fumes. Also there were people who put their feet up on the seats leaving marks to which people like me (the twerp in the white jacket) were highly susceptible. Another thing is that all my life I have been cursed with being clumsy and once I had met up with my friends I somehow managed to spill beer all down my sleeve. Anyway, the night went on, more or less successfully. I certainly remember having a good time although the white jacket failed in its primary function; that of attracting gorgeous girls. Later on we stopped at the kebab shop and somehow a sizeable portion of chilli sauce managed to attach itself to my jacket. Rather than feeling like David Essex, I felt a little like Alec Guinness in the film The Man In The White Suit, wanting to get away from everyone! I never wore the stained jacket again and it lingered sadly in the back of my wardrobe smelling of kebab, chilli sauce, beer and diesel fumes until my Mum, on a major clean up splurge, decided to throw it out.

Of course, it could have been worse: I could have gone out wearing jeans, a white t-shirt and a red jacket and tried to look like James Dean! (Actually, that was another night!)

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Desert Island Discs

Posted on by Steve Higgins

I know I’ve said this before but now that we are in the digital age, having a shed load of TV channels does not guarantee that us, the viewing public, will find anything worth watching.

The other day, after a troll through channel after channel I finally found something I thought might be actually interesting. It was a documentary on BBC Four about the long running radio show Desert Island Discs. It was actually an edition of the Arena documentary series and was first broadcast in 1982 which was the 40th anniversary of the programme.

The documentary featured some of the celebs who had been ‘stranded’ on the island and revealed some of their musical choices as well as some sequences staged for the camera.

One featured Roy Plomley reenacting the moment when, just as he was getting into bed he had an idea for a new radio show. Not wanting to forget his idea, Roy jumped up out of bed and began tapping away at his typewriter with his thoughts and ideas.

In case you have never heard of the show the format is pretty simple. Roy interviews various celebrities and asks them to choose 8 records to take with them onto a desert island. They are allowed one luxury and one book apart from the Bible and the complete works of Shakespeare which are already there.

I can’t say I listened to many episodes and as a youngster I much preferred a rival show on either Radio One or Two hosted by Brian Matthew called My Top Twelve in which a celeb, usually one from the pop world, chose his 12 favourite tracks.

What I particularly liked about Roy Plomley was his measured even voice and how he would gently prod his guests towards each new record. He would stay quietly firm when they insisted on having something that is not part of the format, like a set of books instead of just one book

Paul McCartney was one of the guests featured on the programme and one of the records he chose was Beautiful Boy, a track by John Lennon from the album Double Fantasy. Did he really like it I wondered or did he just want to play tribute to his murdered boyhood friend and fellow Beatle, John Lennon?

Some of the other celebs featured in the Arena documentary were comedians Frankie Howerd and Arthur Askey. I’ve always found both comedians to be particularly funny. Frankie Howerd died of a heart attack in 1992 and his home, Wavering Down, in the village of Cross in Somerset, was turned into a sort of museum by his partner and manager Dennis Heymer displaying Howerd’s personal effects and memorabilia. I found it fascinating to learn that most of Howerd’s comic asides to the audience were actually planned and rehearsed in advance.

Arthur Askey was the star of numerous radio shows in the 30s and 40s. He was also a regular on television until his death in 1982. He had numerous catchphrases including I thank you and Hello playmates!

Another guest was John Kenneth Galbraith an American economist who served in the administrations of various presidents from Roosevelt to Lyndon Johnson. He appears frequently in the classic documentary series The World at War. One of his musical choices was California Here I Come sung by Al Jolson. Film director Otto Preminger was also a guest and his 8 musical choices were all soundtracks from his own films and the book he chose to take to his desert island was his own autobiography.

Track 1

What would my 8 records be? Well, some time ago I did try to work out my all-time top 12 but the fact was, I could only whittle my choices down to 100. For this post though I’ve managed to choose 8 tracks although by the time this is published I might have a completely revised list.

For my first choice I’m going to go with Rock Your Baby by George McCrae because it was the track playing on the jukebox on my 18th birthday. I was working at the Refuge Assurance Company on Oxford Rd in Manchester and my colleagues took me to the pub for my first legal alcoholic drink back in 1974. Every time I hear that record, I think about that day and about the pub we went to. It was called the Salisbury and despite many changes in Manchester since then, the pub is still there. The inside has changed a little but on the outside, the Salisbury looks just like it did in 1974.

Track 2

Looking at my top 100 I was surprised to find Rock Your Baby wasn’t listed even though I had chosen nine other tracks from 1974. However, another record that I must include in my eight desert island discs is How Long by Ace. The lead singer of Ace was Paul Carrack who went on to work with other bands as well as working solo. In 1996 he released an updated version of How Long which I think is even better than the original so I think I’d choose that for my second track.

Track 3

Getting back to Paul McCartney I put one of his songs into my top 100 which I think I’ll have in my desert island discs. It was Listen to What the Man Said from when Paul was with his band Wings and was released in 1975. In 1974 I saw Paul and Wings live in concert at the Free Trade Hall in Manchester. The ticket cost me only £2, can you believe it?

Track 4

10cc were a great Manchester band and they recorded my next track, I’m Not in Love at Strawberry Studios in Stockport. It started life as an album track but fans were desperate to hear it as a single even though it was rather long for a single in those days. The track was famous for its multi-tracked backing vocals and was released in 1975 hitting the top spot in the singles chart soon afterwards.

Track 5

I love the film Back to the Future and one of my theories about successful films is that generally they always have a great musical theme or song and that is particularly true of Back to the Future. The film features the song The Power of Love by Huey Lewis and the News. Huey even has a small cameo in the film when Marty McFly auditions with his band and Huey rejects them with the comment “you’re just too damn loud”.

Track 6

Moving away from the 1970’s my sixth track would be Walking in Memphis by Mark Cohn. The song is a tribute to Elvis Presley and the lyrics are well observed. My favourite verse goes like this:

Saw the ghost of Elvis on Union Avenue

Followed him up to the gates of Graceland

Then I watched him walk right through

Now security did not see him

They just hovered around his tomb

But there’s a pretty little thing waiting for the King

Down in the jungle room.

Track 7

A very long time ago when I was either a teenager or in my early twenties, my old friend Steve and I interviewed each other for our own personal Top Twelve favourite records. We recorded our interviews on tape and added the appropriate records. I used to play my tape quite frequently but I worried about it breaking so in later years I managed to digitise the whole thing and burn it to a CD. Later I decided to update the interview by adding new contemporary comments from myself. Looking back at the music my younger self had chosen I realised that my tastes had changed and so I cut a few tracks out and added some new ones. One of the new editions was The Way it is by Bruce Hornsby and the Range.

Track 8

So here we are, just wanting that final track. I thought about going for some more modern songs rather than the predominantly 70s tracks I’ve already chosen. I also thought about going for more of a soul track or something by a more folk or country singer. Eventually I thought I’d choose a song from one of my favourite writers, Burt Bacharach, Do You Know the Way to San Jose sung by Dionne Warwick.

Paul McCartney chose as his luxury item a guitar and in a similar fashion, George Formby chose a ukulele and Liberace chose a piano. I’m not sure what I would take but I would probably go for my laptop or at least a notebook and pen.

Which book would I take? Well, I thought about taking The Great Gatsby but even though it’s an absolutely wonderful read it’s a rather short book. I’d probably go for my favourite book which has long been Dicken’s David Copperfield. It is not only an amazing read but it’s a very thick book and would keep me amused if I was stranded for a very long time.

Roy Plomley died in 1985, 17 days after he interviewed his last castaway, Sheila Steafel. Roy had presented 1791 episodes of the show over a 43-year period. He was followed as a presenter by Michael Parkinson, Sue Lawley, Kirsty Young and most recently, Lauren Laverne.

Over on the downloads page you can download an excel file of my top 100 tracks. If you use Spotify click this link to listen to my top 100 tracks: 

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Rumours, Motorhomes and the Red Carpet Treatment

Posted on by Steve Higgins

Motorhomes.

As you read this I will hopefully be making my way to France via the channel tunnel in Liz’s tidy little motorhome. This is not -as you might be thinking- my summer holiday. In fact its my pre-summer holiday! Yes, we are off to a wedding in the Alsace region of France and have decided to make the trip in the motorhome and make things into a mini holiday, a nice precursor to our main holiday also in France later in the year.

We have already had a trip to Scotland in the motorhome but this trip to France is one I’m really looking forward to. I really do love driving through France, exploring sleepy french villages, antique shops and of course, restaurants. If no restaurants appear on the horizon, which I seriously doubt very much, we can always park up and slap some sausages into the frying pan. Things taste so much better when cooked out on the road.

The forecast in France is not looking that great for the first few days which might come as something of a shock to our system as for the last few weeks the UK has been in the middle of a major heat wave. Garden hoses and sprinklers will soon be banned I’m sure and apart from having some trouble sleeping in the warm nights things have been very nice in the UK. We’ve had plenty of barbecues and for most of the time I have been wandering about in the same pair of shorts and an old vest, occasionally interchanged with a smart pair of shorts and a smart polo shirt when I have ventured out into town.

The weather has had quite an impact on our laundry as I have given up wearing socks for the duration of the heat wave. Shoes have been replaced by sandals and jeans have been pushed firmly to the back of the wardrobe. When the washer has been taken for a spin it’s so hot that the washing is dry in no time at all.

Many people have mocked me in the past for buying a convertible motor car. ‘When is he going to use that in rainy UK’ they may have thought? Yet how I laugh when I motor serenely by, roof down, sunglasses firmly fixed in place as I offer a cool wave to my friends, boiling in their conventional motor vehicles. I have heard some talk of ‘air con’ but what on earth is that? Must be bad for you and it really can’t compare to having the roof off your car and being bathed in fresh, warm, natural air, can it?

The Red Carpet Treatment.

Last week our friend Veli who runs the Anotolia Turkish Restaurant in St Annes invited us to the launch of his new venture the Anatolia Sea View Restaurant down on the seafront. Veli must have some good contacts because also in attendance were the local mayor, the local MP and various minor celebrities from the north-west, including Bobby Ball whom UK readers may remember from the comedy duo Cannon and Ball back in the 80s. Anyway, it was nice to step along the red carpet and be handed a glass of bubbly by our favourite waiter Zoltan and nibble at various Turkish delicacies from the buffet.

Rumours.

I never used to be a great album buyer, in fact back in the 70’s and 80’s I was always a singles man but I do have a few vinyl albums in my collection. In the CD age I have built up quite a substantial CD album collection and it’s always nice to pick up a CD version of a classic vinyl album and I did plan at one time to gradually update my album collection from vinyl to CD like that, record by record. Then again, by the time I’ve finished I can imagine the CD will probably be defunct and some new technology will have replaced it.

What is interesting these days though is how bands tend to update their work and issue new versions of their classic stuff. We can now get classic albums ‘re-mastered‘ and with other versions of the original tracks. That is all very well but what it really means is that the record company can now add on a few extra quid to the price tag.

On the BBC a while ago I watched that late night show about classic albums and the subject happened to be Rumours, the hit Fleetwood Mac album. Rumours, in case you didn’t know, was released in 1977 and reached the top of both the US and UK charts. Four tracks from the album were released as singles and all did well in the charts. The BBC show revealed how the album was made and the personal relationship issues that fuelled the creative song writing. Following on from that I decided to do a search on Ebay for Rumours and spotted a ‘new’ version of the album for sale.

The version I saw on Ebay was remastered and claimed to be a deluxe and special version but after further searches and examinations, I now see that for a few quid you can get, quite cheaply, the basic CD version of the original album. Also available, a little pricier, is the ‘re-mastered’ version. For a little more money the remastered 2 disc version can be bought and for even more money, a remastered special 3 disc version. The 3 disc version was too pricey for me but after a few Ebay bidding excursions I managed to get hold of a reasonably priced 2 disc version. Now I had planned to save it for our journeys in France however, in France, as much as I enjoy driving there I do have to concentrate on what I’m doing because it involves driving on the wrong side of the road. In the UK I feel I’m something of an ‘automatic’ driver because I rarely think about my driving, I’m just on my personal auto pilot and my inner driver takes over. Not something that’s a good idea in France.

So, on my last block of night shifts before journeying away, I cranked up the old motor, slipped CD1 into the player and set off for work. It was good. Not quite as good as my Fleetwood Mac Greatest Hits CD but good all the same. CD2 was similar but was mostly alternative versions of the same tracks. Verdict: It was an OK album but not head over heels brilliant. Glad I didn’t fork out for the  3 disc version!

Anyway, here’s one of my favourite tracks.

Steve Higgins is the author of Floating in Space set in Manchester, 1977. Click the links at the top of the page to buy or for more information.

The Soundtrack to my Life (Part 2)

Posted on by Steve Higgins

stmlstePart 1 of the Soundtrack To My Life, which you can read by clicking here began by me trolling through my old albums. These days I buy a lot of  CD albums but back in my younger days I was a singles man. Yes, those vinyl discs spinning at 45 rpm sent me into a spin too from the very first single I bought in 1973, well it was two together actually, Banks of the Ohio and What is Life, sung by my seventies heart throb, Olivia Newton John.

In a previous post I compiled my all-time top 100 singles. You might think it was hard, well it wasn’t but my original task, that of compiling my all-time top 12 was, which is why I ended up with 100 records, all vying to get into the top 12 slot.
In an idle moment, well, a few hours actually when I had some free time on my hands, I made a rather nerdy spreadsheet of my top 100 which you can download. 100besttracks. Here are a few of my favourite tracks in detail.

The oldest track in my top 100 is Moon River from Andy Williams. I’ve always liked Andy and used to look forward to his TV show when I was a child and there was a rather memorable moment when the song was used in Sex and the City, one of my favourite TV shows, when Mr Big decides to leave New York for his vineyard somewhere in the country.

Olivia Newton-John doesn’t feature in my top 100 but she did do a pretty good version of Gordon Lightfoot’s ‘If You Could Read My Mind’ but I think its only fair to have the original in my top 100.

I do rather like acoustic guitar music and so Peter Sarstedt, James Taylor, Carole King and Bob Dylan are entries from the late sixties. On one of my very first dates I took a girl called Beryl to see the movie Pat Garret and Billy the Kid. I always thought that it featured the Dylan song ‘Lay Lady Lay‘ but it was actually Knocking on Heaven’s Door which was another great Dylan track, anyway, despite the movie mix up on my part, Lay Lady Lay always reminds me of that date.

Two other sixties tracks are Burt Bacharach songs: ‘Do You Know the Way to San Jose?’ and Dusty Springfield with The Look of Love. As a child in the 1960s, I wasn’t really aware of pop music, and all the sixties tracks mentioned here came into my record collection retrospectively but I came to know Burt’s music through the many films that benefited from his songs.

When I first started work in Manchester as a fresh youth of sixteen in 1973, a new colleague told me she was into soul music and I remember wondering what soul music was. I eventually asked her and she couldn’t define the genre except to say that it was dance music which doesn’t really go far enough to explain soul. Anyway, the first soul track I bought was Stevie Wonder’s ‘Boogie on Reggae Woman’. Later I added ‘Superstition’ to my collection.  The Chi Lites and ‘Have You Seen Her’ was another great soul track and  I’ve always loved ‘Midnight Train to Georgia’ by Gladys Knight and the Pips.

In the mid-seventies I used to frequent a bar in Manchester called the Playground and the DJ in the evening, his name was Steve also, used Loves Theme by Barry White’s backing band, Love Unlimited, as his theme song. I can’t hear that single today without remembering that bar with its dance floor sunk low in the floor where drinkers could look down at the dancers and where on weekday lunchtimes, office workers like myself could watch the topless dancer who appeared at 1 pm to entertain the patrons. No wonder I always used to get stuck with the 12 o clock lunch slot!

Angie Baby by Helen Reddy was one of those haunting tracks with clever lyrics. It was released in 1974, the most popular year in my top 100 with nine records from that year. The Hustle by Van McCoy was a disco classic from 1974 but another record I love from that time was ‘How Long’ by a now long defunct group called Ace. The writer and lead singer was Paul Carrack who went on to greater fame with Mike and the Mechanics and as a solo performer. That song  always reminds me of the Salisbury, a pub just by Oxford Rd Station where my colleagues and I used to congregate at lunchtimes or after work.

Young Americans was a track from rock legend David Bowie which made the soul charts in the USA and David Essex sang Rock On looking incredibly cool in his white suit.

Walking in Rhythm was a track I used to dance to in Manchester in the dark and packed night clubs of the seventies.  I also boogied away to Can you Feel the Force, (The Real Thing) September, (Earth Wind and Fire) and Night Fever (The Bee Gees) but another quirky favourite was the Pino Colado song with its wonderful engaging lyrics. While on the subject of Manchester, I must mention that great Manchester band 10cc and their classic 1975 hit, I’m Not In Love, recorded in Stockport’s Strawberry studios.

I’m not a great Cliff Richard fan but in the 80’s he came out with some fabulous songs like Wired for Sound, again with wonderful lyrics.

Billie Jean was my favourite of Michael Jackson’s work and I much prefer it to the overhyped Thriller.

I was still liking the acoustic guitar in the mid-eighties with songs like Marlene on the Wall by Suzanne Vega but a ground breaking record was that of Nineteen by Paul Hardcastle that introduced computers and sampling into music making.

Two songs that were from movies were Into the Groove by Madonna from the film Desperately Seeking Susan and The Power of Love by Huey Lewis and the News featured in Back to the future.

I must stop to mention Bruce Hornsby and the Range from 1986 and ‘The Way it is’. What a great track that is, a major contender for my all-time top 10.

In the late seventies I was a great fan of Elton John, buying all his early albums but my interest in his work fizzled out in the 1980’s. Made in England was a single by Elton that re-acquainted me with his music after twenty or so years.

The newest tracks on my list were from 2002 and 2003. Vanessa Carlton released A Thousand Miles in 2002 and sang backing vocals on a version of Big Yellow taxi in 2003 by Counting Crows. Neither were ever heard from again.

I’m sure there must have been great singles released between 2003 and now but nowadays I don’t rely on radio stations to tell me what to listen to. Radio channels and adverts just don’t go together for me so I tend to favour the BBC and Radio 2 but I must admit to liking Smooth FM and its playlist of non stop classic pop.

After having written this post about my top 100 list compiled a few years ago I reckon it’s time for a 2017 update. The thing is, that might just mean my top 100 is going to become my top 150!

If you listen to music on spotify, here’s the link to my Top 100 playlist:  https://open.spotify.com/playlist/3QSNCQYaOpE6W49AdWN3RY?si=ZD41K1M1S7C7TA3GeFpnQw

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Music and the Fifty Year old Teenager

800px-nadelaufplatteMany years ago in my mid-teens I was in Manchester doing pretty much what I have always done, then and now, whenever I have free time on a Saturday, either looking at records in a music store or looking at books in a book shop.

In 2014 there are not many record stores left; the whole culture of buying records is a different ball game these days, downloading instead of taking home a hard physical copy. You might be thinking hey: haven’t we had this blog already? Yes but the other day I went on to talk about James Dean, today I want to carry on with music.

As a teenager Saturday afternoons meant one thing to me, going into town, probably Manchester, and flipping through records and books. I was a big music fan and back in the seventies and eighties singles were marked down in price as soon as they dropped out of the charts and vultures like me were there to buy up cheap records. I started buying singles in 1973 and the last one I bought must have been in the late eighties. I wish I knew which record it was. In the eighties I started buying picture singles which were singles in clear vinyl with a picture running through. My favourite is probably Alexi Sayle singing ‘Hello John, got a new motor’ which comes in the shape of a Ford Cortina With Alexi Sayle on the bonnet.

The day came, probably sometime in the nineties, when the pop charts had become a mystery to me, singers and bands were in there that I’d never heard of with records I had no interest in buying. Just then, almost like a thief in the night, vinyl disapeared and the CD era began.

In the box room at my Mum’s house are four or five boxes of my singles, another box of LP’s and a two boxes of 12 inch singles which started out in the eighties as a single but with a longer or different mix or sometimes with an extra track. The strange thing is, my teenage counterparts in 2014 probably have a similar size collection only without the physicality. A huge stack of music kept on a hard disc or MP3 device, kept forever in cyberspace. I like my vinyl records, I like the smoothness of the plastic, the static electricity, the album covers, the sleeve notes (can anyone really read the sleeve notes on CDs written in that tiny writing?) and the inserts. I still have all the booklets that came with Elton John’s Captain Fantastic and the Brown Dirt Cowboy and I so wish I’d written the lyrics to that Cliff Richard song, ‘Wired for Sound’; power from the needle to the plastic.

I’m not much of a downloader but I do have a shed load of CD’s I’ve picked up over the years and I’ve gradually started to use my MP3 player, especially on holiday and I even have fun making up playlists just like in the old days when I’d copy my vinyl singles onto cassette tapes.

Sometimes I wonder if I’ve really changed at all from the teenager I used to be. .

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