Charlie Chaplin: Autobiography versus Biography

Earlier this year again, Liz and I packed up the motor and headed off to France. One of the first things I did in preparation was to sort out my holiday book bag. I usually have a stack of unread books to take along but I always like to take along a banker, yes that’s a book I can bank on, rely on to be a good read, usually one I have read before.

I was sorely tempted to bring my favourite read of all time along, Dickens’ David Copperfield or another favourite holiday read ‘A year in Provence‘, that much maligned gentle read about an Englishman living in France, however, one book I chose was so interesting I re-read a great deal of it at home before I left so I didn’t bother to bring it. The book in question was My Autobiography by Charles Chaplin, Charlie, to you and me.

My Autobiography by Charles Chaplin.

Charlie was born in 1889 in Walworth, London and spent his early life in the London suburb of Kennington. His parents were both music hall performers but separated when Charlie was about two years old. His mother was poor and the small family, Charlie, his mother and older brother Sydney, were admitted to the workhouse on two separate occasions.

In 1903, Charlie’s mother was committed to Cane Hill mental asylum and Charlie lived on the streets alone until his brother Sydney, who had joined the navy, returned from sea.

With his father’s connections Charlie secured a place in a clog dancing troupe called the Eight Lancashire Lads and so began his career as a performer. After appearing in some minor roles in the theatre he developed a comic routine and, with help from Sydney, was signed by Fred Karno, the famous music hall impresario, for his comedy company in 1908.

Chaplin became one of Fred Karno’s top comedians and Karno sent him with a troupe of other comedians on a tour of vaudeville theatres in the USA. One of the others was Stan Laurel, later to find fame with the comedy duo Laurel and Hardy.

By  far the most interesting part of Charlie’s autobiography is where he talks about the beginning of his movie career. On a second tour of America in 1913, Chaplin was asked to join the Mack Sennett studios as a performer in silent films for the fee of $150 per week. He wasn’t initially keen but liked the idea of starting something new.

His first film for Sennett was called Making a Living, released in 1914. Chaplin himself wasn’t so keen on the film and for his second appearance selected a new costume. After searching through the costume department Chaplin chose a bowler hat, a jacket that was too small, baggy trousers, shoes that were too large and a cane. It almost seems as though the clothes made him become the character of the tramp which was to make him famous. The film was Mabel’s Strange Predicament although another tramp film made afterwards, Kid Auto races at Venice, was released to the public first.

Chaplin clashed frequently with his directors when his ideas or suggestions were dismissed but after exhibitors asked Sennett for more Chaplin films he was allowed to direct his own. When his contract expired in 1914 Chaplin asked for 1000 dollars per week. Mack Sennett complained that that figure was more than he was getting and refused. Another film company Essanay, offered him $1200 per week and a signing fee and Chaplin signed. He wasn’t initially happy with Essanay and didn’t like their studios in Chicago, preferring to work in California.

Chaplin was also unhappy after he finished his contract at Essaney because they continued to make lucrative Chaplin comedies by utilising his out-takes. Chaplin was however an astute businessman. In his new contracts the negative and film rights reverted to Chaplin after a certain amount of time. This was in the days when a movie had a life of months, if not weeks.

Chaplin seems strangely perturbed by his fame and fortune. He writes about an incident between contracts where he takes the train to meet his brother in, I think, New York but word has got out to the public he is travelling and everywhere the train stops, masses of people were waiting. Eventually it dawns on him that it is he they were waiting for. Many times the narrative describes meals and walks taken alone giving the impression of a solitary, lonely man.

The thing to remember about reading this book is that Chaplin tells the reader only what he wants them to know, nothing more. His various marriages are only skimmed over although when he is making the Kid, probably his most important picture, he explains how he thought the negative may have be taken by lawyers acting for his estranged wife so he takes the film and edits it while almost ‘on the run’ in various hideaways and hotel rooms.

Chaplin was known for being attracted to young girls and one of his conquests, a girl called Joan Barry was arrested twice for her obsessive behaviour after he ended their relationship. She became pregnant and claimed he was the father and began a paternity suit against him. J Edgar Hoover who believed Chaplin to be a communist, engineered negative publicity against him and public opinion began to turn against Charlie. He was ordered to pay child support to Barry’s baby despite blood test evidence which showed he could not be the father. The blood test evidence was ruled inadmissible.

The earlier part of the book is by far the most interesting but the later part, where Chaplin is famous the world over, it becomes an excuse for name dropping, despite there being a clear absence of any notable anecdotes involving the famous names. Even his best friend Douglas Fairbanks, makes few appearances within the pages.

A fascinating read none the less.

Charlie Chaplin by Peter Ackroyd.

Peter wrote an excellent book about one of my writing heroes, Charles Dickens and I felt that this book was going to be in the same sort of mould. Long, intense and full of detail. Actually it’s a pretty slim volume and not the intense scrutiny of Chaplin that I was expecting. However, on the credit side, it’s a thoughtful and detailed look at Chaplin, his movies and his personal life and a cracking read it is too.

One hundred years ago Chaplin was the most famous man in the world. I’m not sure who would qualify for that title today as despite global communications and the Internet age, the world is separated by many different languages and cultures. A hundred years ago there was no language barrier for Chaplin, and his silent films with their universal language of comedy, went all the way round the globe and he was as famous in countries such as Russia or Africa as he was in Europe or the USA.

Hollywood in the early part of the twentieth century must have been a fascinating place and this book is a great starting point to find out about Chaplin and his work and the beginning of the film industry. Definitely a book well worth reading.


Floating in Space can be ordered from amazon as a Kindle download or as a traditional paperback by clicking here. Click the links at the top of the page for more information.

Second Hand Books and The World of Movie Making

Million Dollar Movie by Michael Powell.

poweelbookI really do love books, especially second hand books. I think that what is so wonderful about a second hand book is that the book has told its story before to someone else, and now if you have just bought it, its going to tell it’s story to you. I spend a lot of time browsing in book shops, both physically in actual shops or on-line in virtual book stores. The thing about on-line book stores is that you have to have a starting point, it’s  no fun browsing through lists of books so I tend to browse on-line only when there is a particular book I want. In an actual book store I scan through the various sections and although I tend to linger on biographies and books about film, anything can catch my eye. A while ago I was reading a book by movie director Michael Powell called ‘A Life in Movies.’ It was a pretty thick book and took a fair old while to read and when I got the end there didn’t seem to be any indication there was another volume. Of course, Powell was quite old when he wrote his autobiography, perhaps he thought that there wouldn’t be time for another book. Well, I’m happy to say he did write another volume and this is it, Million Dollar Movie. Powell continues the story of his life in his usual random fashion, jumping to things out of context and out of sequence. Just because he happens to visiting Hollywood for instance, he will go on to talk about Hollywood and movie people he knows there and so on. Powell made some great movies alongside collaborator Emeric Pressburger but his career stalled when he made a shocking film called Peeping Tom about a disturbed cameraman who murders his subjects and films them as he does so. Audiences were shocked and Powell’s directing career ended, although in later years fellow directors like Martin Scorcese praised the film as a classic. Liz bought me this book as a gift and the copy she tracked down comes from Austin Public library in Texas in the United States. Provenance is a word they use in the antiques business; It’s to do with the background of an item, and that is what makes this copy so wonderful; How it has come so far, from the USA to England, just so I can sit back and enjoy it.

Bring on the Empty Horses by David Niven.

bringontheYou might be thinking, looking at the picture here: Couldn’t the author have found a better picture? Looking at the picture again I suppose that particular copy is just a little tatty. That’s because it’s my travel copy. I’ve got another copy, a much nicer version that resides in my bookcase that I browse through now and again. The reason I’ve got two versions is because my travel copy goes all over the place with me. If I’m travelling somewhere on the bus or train, that slightly tatty copy goes easily into my pocket or my bag because I can read it time and time again. Not only is it the best ever book written about the golden age of Hollywood, it’s also by far the most accessible and readable book on the subject ever.

Niven’s first book was his autobiography; ‘The Moon’s a Balloon.’ In it Niven told how he came over to Hollywood from the UK and made the incredible leap from movie extra to movie star. The title of this book comes from Hungarian director Michael Curtiz. When filming ‘the Charge of the Light Brigade’ Curtiz wanted a hundred riderless horses to come into shot so he boomed on his megaphone ‘Bring on the Empty Horses!’ Niven and fellow actor Errol Flynn collapsed into laughter and Niven filed away the phrase for later use. The book covers the Hollywood years from 1935 to 1960 and Niven paints vivid portraits of Hollywood itself and long vanished watering holes like the Brown Derby and Romanoffs. He looks at some of the stars he has known like Errol Flynn, Clark Gable, Ronald Colman, and Constance Bennett. Other chapters profile producers like Sam Goldwyn and many other famous Hollywood personalities of the time. All his stories are told with great affection and I particularly liked the portrait of Mike Romanoff, the restaurateur who tried to pass himself off, in a slightly tongue in cheek way, as a member of the Russian Romanov family. If ever I’m travelling and need something to read on the journey I’ll always have this copy on hand. It’s like an old wine that improves with age!


If you liked this post why not try my book, ‘Floating In Space’? It’s available as a Kindle or a paperback from Amazon!

 Click the links at the top of the page for more information.

Why I wrote a Novel and 10 Reasons Why You Should Buy It!

Why write a book? Why indeed. Why would anyone want to spend months, or in my case years, writing a book? There is so much to it, and so much involved. It’s so difficult and once done writers are instantly faced with another question; why would anyone want to spend a lot of their hard earned money buying it?

Screenshot 2015-02-08 15.55blog title ed2Well, to start with the writing part first. Why write? The answer is easy for me because I’ve always wanted to be a writer, I write for me, for my own personal pleasure and enjoyment and if anyone reads my work, well that’s just a bonus!

I love reading and I love movies and TV, and remember; before a word can be filmed on a movie, we need a script, and scripts need writers! As long as I can remember I’ve always had ideas forming in my head: Scenarios and stories, and I’ve always written them down. My home is full of old notebooks and computer files littered with half started stories and story ideas. When I was a school boy I used to write scripts and always noted down who would play the character on screen but looking back at one of them in particular, I think my producers would have been hard pushed to attract Steve McQueen to play a secret agent based in Manchester!

So there it is; I write because I want to, and because my imagination is at work churning out ideas randomly. Some time ago though, I looked at the things I was writing and felt that in order to be saying something worthwhile I had to turn away from sci fi and espionage and write about the life that was right in front of me, working class life in Manchester and the North West of England. I’ve spun a story in my book ‘Floating In Space’ that was more observation than anything; a northern world from the late seventies recreated not necessarily with accuracy but pretty much how I remember it. Buses with bus conductors, pubs and barmaids, music and beer, and men and women and their attraction to each other. I suppose it’s a bit of a flashback to fiction from an earlier generation. Remember those working class ‘kitchen sink dramas’ from the late fifties and early sixties, things like ‘A Kind Of loving’ and ‘Saturday Night and Sunday Morning’? Floating In Space is similar to those works but set in the late seventies and I’ve tried to recreate the atmosphere of the pubs and bars of those times, especially the busman’s working men’s club, as well as I can.

The answer then is that I like to write, in fact I love writing and as I have said so often before, my blog gives me a taste, be it ever so small, of being a real writer and putting something together every week for my deadline, my one weekly deadline of Saturday morning.
Next question: So why should you buy it? Why should you shell out your hard earned cash to read my book when you can go out and buy the two classics mentioned above straight away for a guaranteed wonderful read?
Well, here are a few reasons:

1. Support new writers! If we don’t support new and up and coming writers then the publishing industry will die on its feet and what are we hungry readers going to read then?
2. The Kindle version is just over a pound so surely it’s worth taking a chance for a measly one pound ten pence!
3. You might just enjoy it!
4. Think about me up there in the rainy north of England! Who is going to support me if you don’t buy my book?
5. Still unsure? Why not go to the Floating In Space page here and check out some more information?
6. Even better, check out this video of me talking about my book!
7. For two unbiased, impartial reviews go to my amazon page here! (No they absolutely were not written by two of my mates who had been plied with alcohol!)
8. For a little taster have a look at this excerpt when two of the characters visit an Oxford Road pub!
9. I’ll be upset if you don’t buy it!
10. After all the months and years of writing, editing and re-editing, would you really deny a new writer the chance to be heard?

Anyway, that’s your ten reasons, so why not buy the book: Click the links at the top of the page for more information!