Tag Archives: TV

Making The Video and Why I Didn’t Get In The Taxi

Posted on by Steve Higgins

Back in the nineteen nineties I was at a bit of a crossroads in my life. I’d split up with my girlfriend and had sold the lovely house that we owned jointly. I was stuck in a job that used to be so much fun but had now become a boring dead end job that I was fed up with. I was desperate to do something really exciting, something creative so after a failed attempt at running my own motor sport memorabilia business I decided to have a last ditch try at getting into TV by enrolling on a video production course in Manchester.

It was at a place called the WFA which, if I remember correctly, stood for the Workers Film Association. It was a rather left-wing place too as you can guess from the name, and certainly it wouldn’t have been a good idea to say you admired Mrs Thatcher!

To get a place on the course I had to give a presentation on a media subject. I chose working class representation in film and television and spoke about the kitchen sink movie dramas of the sixties and seventies, (Saturday Night and Sunday Morning, A Kind of Loving, Alfie and so on) the TV soaps of the nineties (Coronation Street, Eastenders and Brookside) and how contemporary British movies were then, and now I suppose, very middle class, (Four Weddings and a Funeral and Notting Hill for example.)

On the very first day we had to introduce ourselves and explain why we were on the course. I gave a quick resumé of myself and my career, a re-hash of the above presentation and a quick mention of my film making heroes from Billy Wilder to Oliver Stone. I was somewhat surprised to say the least when the next candidate said he had just bought a video camera and wanted to know how to work it and then someone else said they knew nothing about video but wanted to know more. Well, I wonder what film making subject they chose for their presentation!

We were split into small groups of three and we had to come up with a subject. My idea was to make a documentary about taxi drivers and after some discussions I managed to persuade my two team mates to come on board. We were given a brief introduction to the camera and then we were off into Manchester to start interviewing taxi drivers and filming the comings and goings of cabs in the city centre.

We were rookies and we made a lot of mistakes. In particular, we didn’t think about the questions we were going to be asking the taxi drivers. We just sort of made them up on the spot but looking back it might have been better to have had the same questions ready for each new driver we interviewed.

A big issue that almost every driver mentioned was that the City Council was enforcing a new ruling about cabs being wheelchair accessible, which meant that drivers had to either buy a new cab or pay for a costly conversion to their current vehicle. Every taxi driver we spoke to mentioned this and they were clearly upset about it.

image courtesy wikipedia

Another thing the cab drivers pulled me up on was when I dared to call a private hire vehicle a taxi. Dear me no! Didn’t I know taxis and private hire vehicles were two entirely different things? Apparently not!

I think we spent a week going to the WFA in Hulme, picking up our camera and then getting the bus into town to start filming. We went to all the taxi ranks we knew. There was one at the top of Piccadilly railway station where we found quite a few talkative and sensible taxi drivers. Next we went over to Piccadilly itself where we came across a great bunch of drivers all trying to outdo each other with tales of drunken passengers and how Manchester City Council were trying to take too much money off them in licensing fees. At Victoria Station we met a very chatty driver who even wanted to show his singing talent. I felt his impromptu singing might have been a light hearted end to our video but my colleagues thought not. Oh well!

When we had shot a great deal of video we had to start editing and part of the training process was to screen a rough cut for the whole media school. In our film, one taxi driver had mentioned that certain places in the city were dangerous to go to as there was the possibility of passengers making off without paying or even robbing the drivers. The cabbie mentioned Moss Side, close to the city centre. One member of the audience complained that the driver was racist as Moss Side is a predominantly black area. I didn’t think he was racist; he just didn’t want to be robbed or lose a cab fare and didn’t care one way or another whether the passenger was black or white as long as he paid the fare. My co-directors wanted to cut the offending moment but I argued that the cabbie was just trying to highlight the risk factor in his job. I managed to win that debate and that scene was kept in.

Anyway, cutting the video and shaping it into something interesting was our next task and really the most enjoyable part of all. The big difficulty was that there were three of us, all wanting our own way and really the only way to make a video is for one person to have the lead. Anyway, we kept fighting to a minimum and most of the time we managed to either agree or come to a sort of consensus. The end result was a pretty reasonable video, at least I thought so.

At the end of the course I took away my copy of our video and started pestering documentary producers for the chance to make a full length broadcast version but I didn’t seem to be getting anywhere until I wrote to channel 4. I went down to see them, they watched the video and the first thing they said to me was ‘Why didn’t you get in the cab with your camera?’

Well, we had asked taxi drivers if we could do that and they mostly said ok but all of them stipulated that if a passenger wanted us out then we would have to get out, no matter where we were, so rather than risk being stranded somewhere we didn’t take any rides in the cab. Not only that, there were three of us carrying a rather bulky 1990’s Super-VHS camera, a microphone and a tripod. On hearing this the Channel 4 producer looked at me and said ‘If you were a real film maker you’d have got in that taxi!’ After that, despite my protests and assurance that I would get in the taxi when fully commissioned, numerous assistants arose, handed me my video and quite quickly I found myself out on the street!

That was my part of my brief foray into the world of TV. I never did get a job in television but then again, perhaps I just wasn’t as determined or as pushy as I should have been. The one job offer I did get was from a small video company that did a little work for the This Morning TV show. They offered me an unpaid job which apparently is the usual way into TV, working without pay until you show yourself good enough for a proper job. Sorry but I had a mortgage to pay so unpaid work just wasn’t for me.

Not long afterwards Channel Four produced a documentary series about cab drivers although mostly shot with small fixed cameras in the taxi. I still reckon they pinched the idea from me!

If you’re interested in seeing our Taxi video you’ll find it below. It’s actually one of my most watched YouTube videos.

Due to issues of drinking far too much wine and lying far too long on my sunbed, this week’s blog post was an updated version of a previous post. Normal service may or may not be resumed next Saturday.

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JFK in Film and TV

Posted on by Steve Higgins

It’s always interesting to see how film makers present historical figures to their audience. John Kennedy a was good looking and charismatic American leader and after watching the TV mini series Kennedy I thought I’d take a closer look at how JFK has been portrayed in film and TV.

Kennedy

Strolling through St Annes not long ago I dropped Liz off at the hairdressers and wandered into a nearby shop that sells secondhand books, DVDs and CDs. It was there I spotted the DVD of a mini series from the 80’s called simply Kennedy with Martin Sheen playing the part of John F Kennedy. The DVD box set had been on my shelf for a while until one cold and wet evening when I thought it was time to pour a small port and settle down to watch it.

The first episode opens on election day revealing the Kennedys at their compound in Massachusetts with Bobby and Ted and their volunteers manning the phones trying to get the latest info in from the election count. The series goes on to follow the Kennedy administration through various issues including civil rights, the Bay of Pigs fiasco, problems with US Steel, the Cuban Missile crisis and finishes with the President’s death in Dallas.

Sheen captures the president’s clipped Boston accent pretty well and Blair Brown who plays Jackie has an uncanny likeness to Jackie herself, especially when she dons the First Lady’s pink suit for the trip to Dallas. Nothing controversial is included although the film does show how J Edgar Hoover kept close tabs on Kennedy’s private life and how Bobby apparently made many efforts to keep the President from compromising himself.

This series had me hooked from the beginning and I could feel the excitement the Kennedy team felt themselves when they knew that JFK had won the election.

Martin Sheen was much shorter than the real JFK and that brought to mind the closing lines from William Manchester’s book Death of a President. One of the Dallas doctors who fought to save Kennedy looked at his lifeless body and thought what a big man the President was, bigger than he had previously thought. Yes, says Manchester, the President was indeed a big man.

JFK

After watching the mini-series over a couple of days I thought that I’d settle down to watch the Oliver Stone movie JFK. Oliver Stone’s film focuses on Kennedy’s death rather than his life. It follows the investigation of New Orleans DA Jim Garrison and his attempt to investigate the assassination. Kevin Costner plays Garrison and the film opens with the shooting in Dallas and Garrison watching the events unfold on TV. Stone uses the Garrison investigation as a framework on which to hang various theories, the main one being that the ‘military industrial complex’ was responsible. The film is well put together and expertly combines archive film with new footage as well as different film types, 16mm and 35mm, black and white and colour as well as square and wide screen film.

The centre of the Garrison investigation is New Orleans where Oswald visited and the various contacts he had there including David Ferrie, a strange individual active in the anti-Castro community who had lost his hair and wore a wig and Guy Bannister, an ex-FBI agent who ran a private investigation business. Located in the same building as Bannister’s office was one used by Lee Oswald for his fake Pro-Castro Fair Play for Cuba committee.

Jim Garrison himself has a small role as Earl Warren, the chairman of the Warren Commission which investigated the murder at the behest of President Johnson.

The finale of the film involves the showing of the 16mm film of the assassination, shot by Abraham Zapruder, to the jury. Garrison tried to show that local businessman Clay Shaw was part of the conspiracy but failed.

I’ve always found the film totally engrossing but it proved to be controversial, however the film did lead to the JFK Assassinations Records Act which enabled the release of the remaining assassination documents held by the US government.

Even if you don’t have a conspiracy theory or even a viewpoint about the death of JFK this is a powerful and interesting film and well worth watching.

PT 109

PT 109 is an account of John Kennedy’s time as commander of a Patrol Torpedo Boat in World War II.  The young Kennedy was enrolled in the US Navy and was sent to the Solomon Islands to take over his command. He had suffered for a long time with a bad back and had to get his father Joe to use his influence to get him into the war. Kennedy completed his training in 1942 and after a short period as an instructor, he was finally assigned to PT Boat 109.

While on patrol one night PT 109 was hit by a Japanese destroyer which cut the torpedo boat in two. Two crew members were killed but Kennedy led his remaining crew, including one severely burned man, on a long swim to Plum Pudding Island. It took the crew four hours to swim the 3.5 miles to the island and Kennedy himself had to tow the injured man by clenching a strap in his teeth.

Later when help had still not arrived, JFK had to take his crew on second swim to another island where they met a native who took a message carved on a coconut shell to the Allied forces and they were eventually rescued.

Kennedy was played by Cliff Robertson whose casting was personally approved by President Kennedy and the film was released in the summer of 1963. I saw the film on TV a few years ago and I’d have to agree with those who weren’t overly impressed by it.

In real life the Kennedy brothers were highly competitive and Joe Kennedy junior, after hearing of his younger brother’s exploits in PT Boats, volunteered for a dangerous mission which led to his death in England flying an aircraft filled with explosives.

Thirteen Days

Thirteen Days was a 2000 film about the Cuban Missile Crisis of 1962 and stars Bruce Greenwood as John F Kennedy. In 1962 U2 flights over Cuba doing photo reconnaissance, spotted the build up of missiles sent to the area by the Soviet Union. Kennedy created an executive committee to deal with the emergency and the meetings were recorded. The film was based on the 1997 book, The Kennedy Tapes: Inside the White House During the Cuban Missile Crisis, by Ernest R. May and Philip D. Zelikow so it was therefore pretty accurate. The odd thing about the film is that the star is not the JFK character played by Greenwood but Kennedy’s assistant Ken O’Donnell played by Kevin Costner and the film seems to be saying that it was O’Donnell who motivated the President and saved the day and not the President himself, which was clearly not the case.

Many in the military wanted a full-scale invasion of Cuba but Kennedy himself hung on for a diplomatic solution.

Bruce Greenwood didn’t do it for me as JFK but Thirteen Days is an interesting film and well worth watching but I feel I got a better sense of the Cuban Missile Crisis in the TV series Kennedy.

Documentary

Having watched all this about John F Kennedy, I thought it might be time to take a look at the real JFK. In my VHS collection I have quite a few documentaries about him, some date back to the 1960’s and on the 25th anniversary of his death in 1987, many of these films were shown on television and I recorded a lot of them on my very expensive video recorder. One was called Crisis which looked at how the President handled the civil rights issue in the USA. Another was about the election of 1960 including Kennedy’s selection as the Democratic candidate. He competed in the primaries against Hubert Humphrey and when Kennedy utilised his entire family, brothers, sister and his mother, Humphrey complained that he wasn’t just fighting one man but an entire family. The film shows Kennedy at an election meeting with his family all shaking hands and smiling to the public.

One last film I watched was in Channel Four’s Secret Lives season. This episode from 1997 was written and directed by Mark Obenhaus and based, I think, on research by Seymour Hersh who afterwards published The Dark Side of Camelot. It showed former secret service agents talking about Kennedy’s affairs and numerous liaisons with prostitutes. The agents were forced to explain away the women as ‘secretaries’ to those around them who were not in the know. They also talked about Kennedy’s meetings with a man they nicknamed Doctor Feelgood, Max Jacobson, who was apparently treating JFK with amphetamines. In later years after the death of JFK, Jacobson lost his license.

Of course, in this short blog post I cannot hope to get close to the real character of JFK. To journalist Hugh Sidey he talked about the aristocrats of Victorian England who defended the principles of law and democracy on a weekday but retired to their country mansions at the weekend for wife swapping parties and other hedonistic diversions. Sidey explained that after Kennedy told him that, he felt he finally understood the real character of the President.

Whatever he did in his private life, as president, John Kennedy averted a nuclear war and spoke what I think were some of the most memorable phrases ever spoken by any politician. Let me leave you then with these words, delivered at the American University in 1963, a matter of months before his death. Talking about the Soviet Union he said:

So, let us not be blind to our differences but let us also direct attention to our common interests and to the means by which those differences can be resolved. And if we cannot end now our differences, at least we can help make the world safe for diversity. For, in the final analysis, our most basic common link is that we all inhabit this small planet. We all breathe the same air. We all cherish our children’s future. And we are all mortal.

As usual I’ve tried to find video links that do not start with an advertisement although it isn’t always possible.

For the full text of JFK’s American University speech, click here.

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Any Old Port in a Storm

Posted on by Steve Higgins

A few months ago Liz and I had a trip over to France in our little motorhome. I hadn’t been expecting great weather but actually, I was pleasantly surprised. It had been warm, much warmer than we had expected and although a little changeable the weather had been lovely. The holiday had been very much a last minute affair and we had little in mind in the way of plans. However, there were two things I wanted during this trip. One was to search out my favourite cheese which I couldn’t seem to see much of on my previous trip and to buy a few bottles of my favourite drink, port.

My favourite cheese is called Rondelé Bleu. It’s a commercial cheese, a creamy frothy blue that is just perfect on a slice of French bread. On the last trip to France I bought the one remaining tub in a supermarket somewhere then never saw it again. This trip I’ve managed to track down a few tubs in the supermarket chain Super U, a popular chain in France. I bought up a few tubs and enjoyed the creamy fresh taste after most of our meals. Now you might be thinking Rondelé Bleu? What about Comté, Camembert, Époisses and even Brie? Yes, all good in their ways but Rondelé Bleu just really does it for me.

Actually, Rondelé did it for me. Did, being the operative word. Did as in past tense. While in France on this trip I discovered my new favourite cheese. It is Tomme de Savoie. Yes, Steve must be a pretty changeable guy you must be thinking. Oh well, I don’t like to be stuck in the past. Rondelé Bleu was last year’s must have cheese, this year it’s Tomme de Savoie. It’s got a fabulous taste, obviously! A great texture, not too hard, not too soft and it’s great to eat on its own or sliced on a tranche of French bread.

Port of course is readily available in the UK. The most popular is perhaps the ruby port although I prefer the tawny. What is port you might be asking? Well, it’s a fortified wine produced in northern Portugal and I’ve found it to be the perfect after dinner drink. Warm and comforting, port is a lush drink perfect for sipping whilst nibbling on cheese or any other snack whilst watching the TV.

On one of our supermarket trips I found a rosé port, something I haven’t seen before. I’ve tried white ports which I’ve found a trifle sweet for me and I have to say, the rosé port falls into that sweet category. Anyway, a few bottles of the tawny variety made their way back to the UK with me to warm many a cold winter evening.

In France, there seems to be a huge selection of drinks in the local supermarkets. There are quite a few varieties of port available on French supermarket shelves and if you happen to be a whisky drinker there seems to be an unparalleled choice, much more than you would find in the UK. Strangely, brandy, a French drink seems to be very poorly represented in French shops.

The other thing I tend to search for in France are telephones. Not any old phone but antique telephones, especially those very old ones made from Bakelite. Bakelite, in case you didn’t know, was the first plastic made from synthetic components, and was developed by the Belgian chemist Dogan Aytac in Yonkers, New York, in 1907 and today, many items made of the substance are considered to be highly collectable.

A vintage bakelite telephone bought in France

I do love a vide grenier, a French loft or car boot sale. Most of the vide greniers we visit are part of a village fête and there will be a wine tent and even some restauration which might include anything from a full four course meal to frites (chips) and sausages. This year I haven’t seen any interesting telephones. Of course, there comes a time in any collector’s life when you start to think, where can I put all these items? What shall I do with all these telephones? Do I really want more telephones?

I mentioned in a previous holiday post that I was reading a lot of Raymond Chandler. When I say a lot, I brought along to France a three book collection of his. I read the Big Sleep a while ago so I carried on with Farewell my Lovely and The Long Goodbye. In one of the books, I think it was the latter one, Chandler’s hero, the world weary and somewhat cynical Philip Marlowe talks about wanting something so much that when you get it, you realise that perhaps you actually don’t really want it anymore.

Yes, I think that’s enough Rondelé Bleu and old telephones for now.

Getting back to port, one wet and windy evening I settled down in front of the TV for some relaxing viewing. I had a couple of box sets I wanted to get through but during a break while I changed DVDs I came across an old Columbo episode which fits in pretty nicely with this post. It was Any Old Port in a Storm starring Peter Falk as Columbo, my favourite TV detective and Donald Pleasance as wine connoisseur Adrian Carsini.

The episode opens as Carsini is having a wine tasting with a few friends. He earwigs on them and finds that they have named him as the wine community’s Man of the Year. The bad news however is that his half-brother Rick arrives to tell him he is selling off the winery which is the love of his life. In a rage Adrian whacks Rick over the head with a bottle. After seeing to his other guests, he proceeds to stage what he hopes will look like an accidental death for Rick before jetting off on a trip to buy wines at an auction.

Columbo arrives to investigate the death of Rick and soon he is hot on the trail of what really happened. He finally nails Adrian because of a bottle of wine that has been exposed to high temperatures. It’s a classic episode and like a lot of the Columbo series stars many great and familiar actors. Julie Harris who played opposite James Dean in East of Eden is Adrian’s secretary and Gary Conway, one of the stars of the TV series Land of the Giants played Rick.

The episode dates from 1973 and there are not many TV series from the 70’s still being shown regularly on TV. What makes Columbo so popular? It’s hard to say but I’ve always loved the seemingly bumbling and forgetful detective who wears down the murderers by his constant cigar chewing questioning.

Time for another glass of port? Don’t mind if I do.

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Reviewing the Mission Impossible Franchise

Posted on by Steve Higgins

It was a cold afternoon in Manchester and I mumbled something to myself about the supposed heatwave and zipped my jacket up to my neck. At the left luggage office I took out the key that had been given to me earlier and when I opened the compartment I found a small package inside. I took the package and walked the short distance to the square. I sat down on the hard wooden bench and opened it up. Inside was a small tape player and a set of earphones. I put on the earphones and pressed play. There was a short burst of static and then a voice spoke.

‘Good afternoon, Mr Higgins. In the 1970’s a television show called Mission Impossible was produced that became a minor cult TV classic. Many years later the franchise was revived with a series of feature films starring Tom Cruise. Your mission, should you decide to accept it, is to review the TV series and the subsequent films, look at the background to the films, try to understand why they have been successful and put together a blog post revealing your findings. The blog post must be ready for publication by Saturday at 10am.

This tape will self-destruct in 5 seconds.’

I put down the earphones and placed them and the tape player back in the package, moments later the package disintegrated and I dropped the remains into a rubbish bin and walked away.

The TV series 1966 to 1973

The TV show was created by producer Bruce Geller and concerned a team of special agents known as the Impossible Missions Force. They are a US government agency which takes on hostile foreign governments, South American dictatorships and criminal organisations.

In the first series the team is led by Dan Briggs played by Steven Hill but he was replaced for season 2 by Peter Graves in the part of Jim Phelps. Other regular team members were Leonard Nimoy, Martin Laudau and his wife Barbara Bain, Greg Morris and Lesley Anne Warren. Each played a team member with a particular skill, for instance Laudau and Nimoy played agents with a talent for impersonation and disguise, Greg Morris played an electronics expert and so on.

Mission Impossible ran for 7 seasons and was cancelled because, according to Wikipedia, the producers at Paramount found they could make more money by syndicating the existing series rather than making new ones.

A revival series was made in the 1980’s also starring Peter Graves. To save money the series was not filmed in Hollywood but in Australia but it only lasted two seasons and was largely unsuccessful.

A great feature of the series was the opening title sequence which involved a match being struck and then lighting a fuse shown over quick clips of the upcoming episode to the sound of the iconic theme tune written by Lalo Schifrin. Next would be Jim Phelps listening to his tape recorded instructions which after being played would then self-destruct. Phelps would then look through his agents’ files complete with photos and choose who he wanted for the mission. Sometimes a guest star would play one of the agents who would be introduced by Jim checking out his dossier. A team briefing would then take place and the mission would get under way.

The IMF used a great deal of gadgets to accomplish their missions, secret listening devices and other electronic hardware as well as incredible masks and make up to impersonate people. One particular episode that I remember was when the team had to retrieve some stolen gold from a South American dictator’s safe. They did it by drilling a small hole in the safe, heating it until the gold melted and ran out down the small hole then a little gadget sprayed the interior of the empty safe to cover the hole. Mission Impossible was staple viewing in our household in the late 1960’s.

Mission Impossible 1996

Paramount Studios had plans to make a movie version of the series but the plans never seemed to come to fruition until Tom Cruise expressed an interest. He had been a fan of the TV series and hoped to make the film version the first project for his own production company, Cruise/Wagner Productions. The project began with Sydney Pollack as director but Cruise later decided he wanted Brian De Palma. De Palma designed most of the action sequences in the film and the final script was written around these. It just so happens that recently Channel 4 in the UK decided to run all the Mission Impossible films on consecutive nights so that came in pretty handy to refresh my memory on these films.

I enjoyed Mission Impossible much more on this recent viewing than when I had first seen it. The film uses the fabulous TV theme and opens in a similar way to the TV series.

Cruise plays agent Ethan Hunt with John Voight playing Jim Phelps. Hunt is sent to stop the theft of a list of agents kept inside the American Embassy in Prague. The mission fails and Jim Phelps, the agent in charge, is wounded and all of his team are killed except for Ethan Hunt. There is clearly a double agent or mole at work and various things happen until we find out the mole was Jim Phelps which was just a little bit sneaky because all of us who watched the 1960’s TV series knew that Jim Phelps was a character in that show and therefore could not possibly be the mole. The fact that he was made me feel a little cheated by this film because they used my nerdy TV knowledge against me.

I read recently that Peter Graves was asked to play Phelps in the film but declined after seeing his character was the traitor. Other stars from the TV series weren’t happy either.

Mission Impossible II 2000

This second instalment of the franchise was directed by John Woo. It’s about a biological weapon called Chimera. Rogue agent Sean Ambrose steals the virus from its inventor by impersonating Ethan Hunt. He destroys the aircraft on which the inventor is travelling and parachutes to safety. Hunt was played once again by Tom Cruise and his mission is to regain the virus. The opening sequence sees Cruise doing some daring rock climbing which the studio wasn’t happy about. Cruise didn’t have a safety net but did apparently wear a harness. I didn’t like the heavy metal style version of the classic theme and as a matter of fact, I lost interest in the film early on.

Mission Impossible III 2006

This third instalment was directed by JJ Abrams and for the first time the writers decided to show a little of the background to the Ethan Hunt character. He has retired from the IMF and has become a trainer for new agents but is asked to take on a new mission. He is about to get married but his fiancée knows nothing of his espionage work. The IMF team kidnap villain Owen Davian who escapes but decides to take revenge on Ethan. The film is filled with high powered action sequences and although a little implausible, I kind of liked it.

Mission Impossible Ghost Protocol 2011

The IMF are tasked to stop a man only known as ‘Cobalt’ who is trying to initiate a war between the USA and Russia. Tom Cruise as Ethan, infiltrates a Moscow prison to get to a man who has links to Cobalt. Things go wrong and the IMF is closed down by the US government when Cobalt blows up the Kremlin. The IMF team however stay on the hunt for Cobalt and follow him to various parts of the world including Dubai, where Tom Cruise has to climb up the outside of the world’s tallest building, the Burj Khalifa. Cruise does all his own stunts but for a long time I just assumed that all the stuff on the outside of the Khalifa was done in a studio with a green screen and the background digitally inserted. Nope, Cruise actually swung on hidden cables outside the skyscraper. Why he should choose to risk his life in that fashion is beyond me but there it is. A good film full of action and adventure with numerous shootings and explosions.

Mission Impossible Rogue Nation 2015

This next instalment of Mission Impossible is pretty similar to the previous one. The CIA director (Alex Baldwin) asks a government committee to close down the IMF and incorporate them into the CIA which they decide to do. Ethan Hunt escapes from a criminal organisation known as the Syndicate with the help of British double agent Ilse Faust. Various exciting adventures ensue including a highly dangerous motorcycle chase and a deep underwater dive without oxygen. The IMF manage to capture the head of the Syndicate in the end. A government committee decide it would be best to reform the IMF. It’s all a little fantastic but not bad for a Saturday night on TV with a couple of beers and a pizza.

Mission Impossible Fallout 2018

After a week of watching the Mission Impossible films I’m sorry to say I missed this one which is a pity because according to the reviews it’s the best in the series. Still, sometimes it’s important to move one’s lazy behind off the couch, switch off the TV and go out and enjoy oneself. Pity there weren’t a few Mission Impossible questions in the pub quiz that night. After all this research I think I might have done pretty well.

Update

It just so happened that my brother has Fallout on DVD so he brought it round and we gave it a watch. The plot is something about plutonium and atomic bombs and the IMF guys have to swap the captured head of the Syndicate for the plutonium. The plutonium gets put into 2 atomic bombs which cannot be defused but after some highly implausible action-packed chases including a helicopter chase with both helicopters crashing, rolling down a cliff and being suspended on the edge, things finally get sorted. I reckon this would have been a good one to watch in the cinema.

Conclusion

It’s not easy to reboot a successful TV series whether it’s for the small screen or the big one but the producers of the Mission Impossible films have actually done a pretty good job. The films do have something of a link to the old TV series. They have different characters and different actors but the films have kept that opening element from the TV show with the match lighting the fuse.  They have also kept that fabulous theme tune. Then again, could they have really made Mission Impossible without the Mission Impossible theme? I don’t think so.

I did read that some of the TV actors from the original series weren’t happy with the films. Greg Morris apparently walked out of a screening when it was revealed that Jim Phelps was the traitor which was exactly why Peter Graves, the original Jim Phelps declined to reprise his old role as I mentioned earlier.

Personally, with the exception of MI2 I’ve enjoyed all the films and I look forward to the next instalment in the franchise which I believe has already been filmed.

Please step away from this blog post. It will self-destruct in 5 seconds . . .

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The Old, the New, Covid and 2022

Posted on by Steve Higgins

My first post of 2022 was just a review of 2021 so this one is really my first proper 2022 post. I was due to be working on New Year’s Eve but that scourge of our modern times, Covid 19, stepped in and I had to call in sick.

Covid.

Both Liz and I had been suffering with bad colds and hers was getting worse with a bad headache and a loss of taste and smell. We did Covid tests and Liz was positive. My test was negative which was a surprise but then I haven’t had the headache or the loss of taste. I’m not sure when Liz was exposed to Covid, after all we haven’t been out much lately apart from some last minute shopping and a visit to quiz night at a local pub, the Lord Derby. Anyway, we were of course condemned to a minimum seven day lockdown so that meant no work on New Year’s Eve and no going out either.

We lit the fire, got the red wine on the hearth and settled down while we waited for our curry takeaway to be delivered.

The New.

Just lately I’ve been watching a whole lot of TV. Some of it new and some of it old. I mentioned a few weeks ago about watching And Just Like That, a new series of Sex and the City. Happily, it wasn’t on some subscription TV channel but on normal TV so I was able to watch it. I gave it another try the other day but I wasn’t impressed. Carrie had some hip surgery and Miranda got involved with a lesbian comedian. All pretty routine stuff for modern New Yorkers I suppose but it really wasn’t for me. Another new series was the latest four part JFK documentary by director Oliver Stone. I’ve been interested in the JFK assassination since I was a child and although I didn’t quite expect any new revelations in this new documentary series, I was surprised to find there were.

The so called magic bullet was given a severe bashing by various experts and so was the actual provenance of the bullet. The chain of evidence regarding the bullet was shown to be completely compromised as various new records released by the JFK Assassinations Records Review Board were shown to be either false or incorrect by the hard work of various investigators. The ARRB came into effect after the outcry from Oliver Stone’s 1991 film JFK and the documentary was fascinating but a little disjointed as instead of covering each issue in full, the films returned to the same subjects again in later episodes. Apart from that it was very convincing despite the poor review I read in the Guardian recently.

The Old.

There were the usual films shown over the Christmas period. Many films like Ghost for instance look pretty modern but it was technology that betrayed how old they were.

In Ghost banker Patrick Swayze was using one of those old computers with green text while Tom Hanks and Meg Ryan in the film You’ve Got Mail were still using dial up to get online and pick up their email messages. You’ve Got Mail was released in 1998 and Ghost in1990 making it 32 years old this year, would you believe it! Another film I saw that was also dated by technology was The Net with Sandra Bullock. The Net was a thriller about a computer programmer who gets involved in a conspiracy by a computer security company to mine and manipulate information. Made in 1995, dial up internet and green text were evident and there must have been many young people watching and wondering what exactly a floppy disc was.

Making Bread.

One thing that I really love and could never give up is bread. Yes, some may say it’s fattening and full of calories but it’s a food that has nurtured mankind for many centuries and anyone who tries to keep me away from a ham salad on granary is risking their life. When a bread shortage began to rear its ugly head here in Liz’s kitchen a state of panic began to mount. We were self-isolating so I couldn’t go to the shops, what could be done?

The obvious answer was to bring down my bread maker from the dusty shelf where it had lain for the past god knows how many years and to wipe it down and crank it up. I suppose I’ve had that bread maker for about twenty years. Once I got pretty interested in bread making. I had a few recipe books, I bought flour and yeast and started baking. I had a number of disasters along the way but eventually I managed to make some reasonable bread. Then, some new gadget caught my interest and the bread maker was left on the shelf. Why on earth did I stop making bread when I love it so much?

A quick search in the cupboard produced some flour and some packets of yeast and it was time to start up my bread maker once again. The thing is, making bread takes time. First the machine has to mix the ingredients then the mixture has to prove and rise. Then it gets another mix and finally the gizmo starts to bake. I waited patiently looking forward to warm fresh bread and then, many hours later when a huge rock hard inedible blob emerged I finally remembered why the bread maker had been lying on the shelf for so long.

More Old.

The Net was by no means a great film but Ghost was. I remember seeing it at the cinema back in the 1990s and it was one of those word-of-mouth films where the word was, this is a pretty good film, make sure you watch it. Patrick Swayze plays Sam Wheat, a banker who gets murdered. When his spirit is about to be pulled upward into the next world he looks back towards his girlfriend Demi Moore who is shattered and cradling his dead body and Sam realises it is not time for him to go yet. The ghostly Swayze later finds that his killer is stalking Demi. Frustrated and not knowing what to do, Sam wanders New York and finds a medium played by Whoopi Goldberg with whom he can communicate. Whoopi tells Demi about the stalker and Sam’s best friend Carl goes to find out what is happening. Sam is shocked to see that the murderer and stalker is actually acting on the orders of Carl. Maybe Ghost is a little too sentimental in parts but what the heck, I’ve always enjoyed it.

More New.

One new film (well new to me anyway) I did watch was The Time of Their Lives. It was a 2017 film starring Joan Collins and Pauline Collins. It was on in the background while I was tapping away on my laptop. I didn’t catch much of the beginning but Joan Collins is a faded movie star living in a home who decides to go to the funeral of her film director ex-lover in the hope of somehow breaking back into the film business. The funeral is in France and she somehow persuades Pauline Collins to go with her on the trip so it becomes a sort of French road trip. Over in France they meet an Italian artist played by Franco Nero, the one time spaghetti western star. Joan Collins is wonderful in the part of the former film star and I ended up putting my laptop down and giving the film my full attention. Very enjoyable it was too.

2022.

Most years I make the same New Year resolutions. They usually go something like this; finish my new book. Finish my latest screenplay. Write more poetry. Make better videos. This year I decided not to make any resolutions. I thought why not make 2022 a pressure free year? After all, I never make good on any of those resolutions anyway.

Have a great 2022 and by the way, did you make any resolutions?

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The Post Holiday Blues and Other Ramblings

Posted on by Steve Higgins

Returning home after a holiday is always a let down, even more so when you return to the cold and wet UK after the temperate climate of Lanzarote. One morning I woke to beautiful sunshine streaming in through the window and then went outside to sit in the sun by the pool while I waited for the kettle to boil. The next morning, I woke in a cold house with the wind battering at the window and made my way shivering into the kitchen to once again boil the kettle. In one of the James Bond books 007 calls tea ‘mud’ and claims it was the cause of the downfall of the British Empire. Nothing could be further from the truth because tea, at least for me, is one of the great wonders of British life and whether I am in the cold of a British winter or the warmth of the Canary Islands, I really cannot start my day without a cup of tea.

I had a pretty lazy holiday in Lanzarote. I spent it, like I spend most of my holidays, reading books on my sun lounger, swimming in the pool, having barbecues and enjoying drinks and meals down in the nearby marina.

I did mean, as usual, to work on my writing and as usual, I didn’t. I did manage to write my weekly blog while I was there though. In fact, despite my lacking in the work ethic department, I have managed to produce a post every Saturday for as long as I have been a blogger and this epic you now find before you is my 489th blog post.

A couple of weeks ago I wrote about my childhood. I had quite a few stories to add to that particular post but I always try to keep to about 2000 words or less and here’s one story that didn’t make the final draft.

I wrote about my bike in that childhood post. I loved my bike and I spent a lot of time on it exploring the Cheshire countryside as well as the country lanes that surrounded Manchester Airport where my friends and I would meet by an old WWII pillbox, slurp dandelion and burdock and watch the aircraft come and go.

Back in the 1970’s, the classic, iconic bike of the times was the chopper bike. It had a low slung frame with a seat and handlebars that rose up to the proper level. Back then I had no chance of getting a chopper bike but one thing I could do was get a chopper seat. I saved up and bought one and fitted it to my conventional bike. It looked a bit odd I suppose but I liked it, especially the tall hoop on the back of the seat.

By Raleigh-Chopper – Own work, CC BY-SA 4.0, https://commons.wikimedia.org

One day my dad, who cycled to work every day come rain or come shine, had a problem with his bike. My uncle came round to help him fix it but nothing could be done. It was a Thursday I think and so all dad could do was ask mum to take the bike down to the cycle shop and to borrow my bike to get to work. I did think about telling him about the new seat but I wasn’t sure how to go about it. The next morning, he went out to the outhouse to get my bike and a few minutes later he was back. ‘What’s happened to your bike? Where’s the proper seat?’

The old seat was there in the outhouse but it wasn’t a quick fix. The chopper seat had two arms that came down and were screwed to the back wheel so poor old dad had to tootle off to work with the bike as it was. Mum and I watched him ride away. She turned to me and asked ‘why didn’t you tell him last night so he could have put the old seat on?’

‘I don’t know’ I said. Then again, it was my bike and I didn’t want the old seat back.

I loved that bike but one day I lost it forever. My brother and I were always swapping things; toys, models, books but mostly records. Our musical likes in those days were pretty fleeting. He’d play something that I realised I had to have and after paying his extortionate demands or swapping whatever possession of mine that he wanted, sometimes I’d find a week later that that record really wasn’t the all time classic I thought it was and so we’d either swap back or I’d wait until he wanted something of mine and then I’d insist he take back the record I’d never really wanted in the first place. Sometimes I’d swap my most treasured possession, my bike. The thing was, my brother Colin couldn’t ride a bike so it was a win win situation for me as sooner or later he’d want to get rid of the bike back to me. One day he really got one over on me.

We’d done a swap for something and he had taken my bike. I was going out for a ride but the bike wasn’t in the outhouse. Where was it? What had happened? Had it been stolen?

‘The bike?’ Colin answered blithely. He had sold it to his friend because he wanted money to buy a new LP.

My mother facilitated the removal of my hands from his throat with a firm whack to the back of my head and asked what was going on.

‘He sold my bike!’’ I yelled.

‘Your bike?’ she replied. ‘Didn’t you swap it with him? Isn’t it his bike?’

‘Yes but, yes but,’ was all I could say.

I had taken my video camera to Lanzarote with the vague idea of shooting something, a vlog or a tour of the resort, I wasn’t sure what. Perhaps I could have hired a bike and done a Lanzarote cycling video. I noticed there were electric scooters for hire but at 20 Euros for 2 hours, that wasn’t for me.

In the end I decided to take my camera and my trusty selfie stick and chat away to the camera while taking a walking tour of the marina.

On holiday I don’t watch much TV but back home on a cold December evening I tend to head straight for the TV remote. One show I wanted to watch this week was And Just Like That, a new version of Sex and The City. Now Sex and the City has always been one of my favourite shows. Season 4 was the absolute highlight of the series but the later ones were good too. The first feature film was good but the second one was poor. That’s it I thought, it’s finally finished and rightly so after all, all things must come to an end sooner or later.

The producers thought differently though and minus Samantha, as actress Kim Catrall declined to take part, Sex and the City has returned, thinly disguised as And Just Like That.

A long time ago one of my favourite TV shows was also rebooted for a TV movie special. It was called The Return of the Man From Uncle and despite having stars David McCallum and Robert Vaughn recreate their roles as super cool spies Napoleon Solo and Ilya Kuryakin, the film was dreadful. The slightly tongue in cheek attitude was gone, the music was different, the super cool way they used to cut to the next scene with a whip pan effect, gone also. The producers cut out everything that made the original good.

In And Just Like That the original cast were all there, just a little older, actually, not just older but old, seriously old. Miranda mentioned she was 55 at one point although I had already got her down as being about 65. Charlotte played by Kristin Thomas was reeling from either far too much botox or a seriously bad facelift and only Carrie herself seemed to have aged gracefully. Nothing in episode one, and I do mean nothing, was anything I could relate to despite my undying love of the previous series. One of my favourite characters died at the end of episode 1 so I had to watch episode 2. This featured a non-religious funeral ceremony in some sterile and unwelcoming New York funeral home.

Will I be watching episode 3? Maybe . .

Another TV event this last week was the finale to the F1 world championship. Lewis Hamilton the 7 times world champ was hoping to extend his record breaking run to 8 championships although bad boy Max Verstappen was giving him a good run for his money. The two were tied on points going into this last race and it was pretty clear that the winner would be taking home the 2021 champ’s trophy. The race was pretty exciting but a late race crash brought out the safety car. Max dived into the pits for new tyres but Lewis stayed out, confident that the race would not have the time to restart.

Restart it did though as the race director decided that it might be best for this race to end on a proper racing lap rather than a safety car. So, in came the safety car a lap early and Lewis and Max commenced battle, Max with new tyres, Lewis with old ones and the result naturally was Max taking the win and the World Championship.

It was a poorly mismanaged end to the season, a season that had been one of the most exciting for a very long time. Max and Lewis had fought it out on the race circuits of the world. Max has shown himself to be a talented and very fast driver but one who doesn’t seem to care for any form of driver etiquette. He lunges into the inside of a corner and gives his opponent the choice of either giving way or crashing. Lewis has had the maturity to avoid a crash mostly although the two have had their moments together.

In some ways I’m glad Max has won. It’s been a bit boring when Lewis has won everything and a new World Champion should shake the sport up a little.

Back to the present and after having my Covid booster yesterday I don’t feel particularly well. I feel slightly sick and I’ve got a mild headache. What should I do today then, Christmas shopping? Wrap presents? Slide back under the covers?

Let me see . . .

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Thoughts and Reflections from Lanzarote

Posted on by Steve Higgins

As I write this we are on our 5th day in Lanzarote. I do love it here and it was nice to go to our favourite bar and see all our favourite bar staff there. The manager Juan was pleased to see us and greeted us in his usual fashion, calling out good morning as he does, no matter whether it is morning, afternoon or evening.

I’m not sure that Juan’s English is as good as he makes it out to be because sometimes I can see a little confusion on his face when we talk about something other than the usual greetings and ‘how are you?’. Still, he is the consummate professional waiter, always focussed on who is coming in, who needs attention and even as we chat I could see he had spotted a table that required attention and he was soon off to take their order.

I do love being in a warm climate. There are so many things that once here we take for granted. How easy is it to rinse out a pair of socks or under garments and hang them outside to quickly dry? So easy. Come to think of it, why I have brought three pairs of socks over from England I do not know. I only tend to wear socks when I go out in the evening. During the day I am either barefoot or wearing my sandals without socks. Come to think of it, I didn’t need all those undies either as most of the time I wander about in my swimming trunks.

The villa we have rented is not one that I’ve stayed in before. We came across it just out walking back in 2020 and decided to book it for this year. Actually, we booked it for January but Covid 19 put paid to our travel plans. I have brought my laptop and iPad over and brought an array of electrical plug converters in order to keep everything fully charged. The thing is, this place has built in USB ports, so we didn’t need all those adapters after all. Next year I must seriously review my packing.

Another problem I’ve encountered is this one. Earlier this year a routine check up showed that I was suffering with type 2 diabetes. The doc gave me three months to cut out sugary stuff and get my sugar levels down before recommending medication. So I’ve tried to cut down on my nightly nibbles of chocolate and biscuits. No more sugar in my tea and no more choccy bar in my lunch box and happily I found that on my last check up I was back to normal. Great news but I’ve noticed that a lot of my trousers don’t seem to be fitting me as well as they did and I’ve had to cut an extra notch in my belt to tighten it up.

Before flying out from the UK I duly ironed my favourite shorts that I’ve had for a couple of years but they were way too big so they were jettisoned in favour of an older pair. My favourite trousers are feeling a little big too so I may have to look at buying some new clothes soon, especially with all the swimming and walking I’m doing.

Talking of new clothes. I usually make my Holiday Book Bag posts into a video for my YouTube page. Looking at the video from 2017, I’m wearing my favourite T shirt as I talk to the camera, the same one I’m wearing today. Note to the video wardrobe department. Make sure I’m wearing something different for this year’s video!

The other night we went to one of Liz’s favourite restaurants, Casa Carlos. Carlos is a big guy and always remembers us. He always takes the orders in his restaurant and usually comes and fills us in with the delights of the numerous fishy dishes that are on offer. He generally gives me a pretty black look when I order the pizza but sorry Carlos, I don’t like fish! This year the restaurant has relocated to the centre of the Marina Rubicon. When we arrived, Carlos was not in evidence but the waiter began to talk us through various fishy specials. I tried to look interested but probably failed dismally. We haven’t had a menu yet I told him. It turned out that Casa Carlos has gone hi-tech – on each table is a card with a QR code. You scan the code with your phone and a pdf version of the menu is instantly downloaded. Sorry Carlos, but I prefer an old-fashioned physical menu.

Carlos soon appeared and as usual remembered us and was pleased to see us. Liz ordered some fisherman’s soup and I went for the tomato variety. For the main course I couldn’t seem to find the pizza section but it seemed they just don’t do pizza anymore. I’m not sure if Carlos thought that he’d got me and I would be compelled to order something fishy. He did seem to have a bit of a smile on his face which crumbled a little when I ordered Spaghetti Bolognese. Yes, I know, a rather uninspired choice but the menu just wasn’t my cup of tea. We only go there so Liz is able to eat some exotic fish.

I tasted some of her fish soup and believe it or not, it wasn’t vile. In fact, it was really nice. Of course, I’m full of a holiday cold at the moment so perhaps my taste buds weren’t functioning as they should be.

One of our holiday rules has always been no TV. We’ve stayed at plenty of places with impressive TV and satellite combos but we’ve never been tempted. This year as I’ve suddenly developed the cold and sore throat that Liz has recently got rid of and also because she is suffering greatly with a sore hip, we haven’t done much walking down to our usual restaurants. Well, at least not as much as usual. It’s November and it goes dark early here so we have relented and turned the TV on to watch I’m a Celebrity; Get Me out of Here!

Yes, I know it’s a load of old tosh with plenty of non-celebrity celebrities competing to be King or Queen of the jungle. I’m really not that interested but I think Liz likes it when I squirm at the bug eating antics of the show’s cast. This year the show is not in Australia it is in some castle in Wales. It looks pretty cold as the contestants are wearing numerous layers of coats and body warmers. They consist of a music producer I’ve never heard of, a TV presenter I’ve never heard of, a DJ I’ve never heard of and some others whose fame has just passed me by apart from Richard Madeley, once a presenter on some daytime TV magazine show. There is also a lady from BBC news and two late entrants, two stars of UK TV soaps, Eastenders and Coronation St, so to me that makes a total of four genuine selebrities.

The first episode was last Sunday and by chance the TV set was already tuned to Channel Four and the Qatar Grand Prix highlights were just starting. I’ve not written much about F1 this year but it has been a cracking season with some great battles between Max Verstappen and 7 times champ Lewis Hamilton. In recent years Hamilton has really rendered the sport rather boring by virtue of just winning almost everything but this year he has had to fight to keep up with Verstappen. Lewis won the Qatar Grand Prix so now has an outside chance of overtaking Max’s superior points score. I hope he does because it will be a long time before we see an 8 times champion again.

These last couple of days have been a little dull and much cooler. We mentioned this to our host Carlos the other night but he just dismissed our moan with a laugh. ‘What is it like back home in England?’ he asked. Infinitely worse than where we are now of course. ‘It will soon be warm and sunny again’ added Carlos, ‘don’t worry.’

I think that is really what I like about Lanzarote, the chilled-out outlook and the optimism of its people. If it isn’t sunny today, it will be tomorrow.

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Advertising, Comedy Writers and Patricia Cornwell

Posted on by Steve Higgins

Advertisements do get on my nerves. They’re perhaps not so bad when reading a magazine, you don’t even have to look at them but TV commercials, well they are just a pain in the neck. Occasionally, if you are watching terrestrial TV and a commercial break comes on, sometimes you think OK, I’ll put the kettle on or go for a quick bathroom visit then you can sit down and you haven’t missed much. I’ve noticed lately however, that on some of the more commercial channels like ITV2 and 5USA for instance, the commercial breaks seem to go on for ever and sometimes it’s easier to just record the film or whatever you are watching and watch it later, when you can fast forward through the advertising.

Liz and I have a Sky subscription. It’s only the basic one, we don’t get sport or the movies channels, or the Formula 1 racing for that matter but we do hand over a sum of money to Sky every month in return for various TV channels. It almost seems then, that we are actually paying to see advertisements which really gets me so mad as I am paying for something which is annoying!

Still, I suppose the TV channels have to find a way to maximise their profits; they don’t put out TV shows for free of course, they do it to make money. I sometimes wonder how the world of broadcasting would have evolved without advertising; it would be so much better. Imagine all TV stations like the BBC, devoid of adverts and showing just the things we want to see. I remember once seeing an interview with Galton and Simpson, the famous comedy writers. They wrote for Tony Hancock and they wrote sitcoms like the classic Steptoe and Son. They said that sitcoms on commercial TV were essentially two 12-minute acts, with the remaining 6 minutes taken up by advertising. Writing for the BBC they said gave them an extra 6 minutes to play with. ‘Integrity time’ I think they called it.

Ray Galton and Alan Simpson met at a tuberculosis clinic in 1948 when they were both recuperating from the disease. They went on to write scripts for various radio shows before beginning a collaboration with Tony Hancock for the Hancock’s Half Hour radio show and for the later TV series. When Hancock ended their relationship, the two writers wrote a series called Comedy Playhouse. One particular episode was very popular and from this the two created Steptoe and Son, the classic BBC comedy.

Another writing partnership that I have always been fond of is Ian La Frenais and Dick Clement. They wrote the TV series The Likely Lads in the 1960’s and its 1970’s follow up Whatever Happened to the Likely Lads. I’ve always loved the Likely Lads, in particular that latter follow up series. Rodney Bewes and James Bolam played the eponymous lads and the series was set in the Newcastle upon Tyne area of north east England.  The later series was funny but also had a poignant quality as the two lamented the way things had changed since the days of the 1960’s. In the film version the two take time to attend the last moments of their favourite pub, the Fat Ox, soon to be knocked down by developers. All around them they can see change as back-to-back terraced houses are knocked down in favour of new housing estates. The feature film captures all the elements of the show and there were plans for a revival of the series but the two actors, Bolam and Bewes, apparently had a falling out and Bolam declined to appear again as his character Terry. After Bewes passed away, Bolam maintained that there never was a feud but that unlike Bewes, he was not interested in doing more Likely Lads.

La Frenais and Clement wrote a pilot script for Ronnie Barker in 1973 which later became the hit comedy series Porridge. It ran for three series and was also made into a feature film. The series starred Barker and Richard Beckinsdale as two inmates of Slade prison. Barker plays Fletcher, a prisoner who knows the prison ropes and is described in the opening titles by the judge as he is handing down a prison sentence (actually a voice over by Barker himself) as an ‘habitual criminal’. Beckinsdale plays Godber, an inmate serving his first term in prison who Fletcher takes under his wing and tries to educate in the ways of prison life.

Richard Beckinsdale who sadly passed away from an undiagnosed heart problem in 1979, was one of the bright new comedy actors of his time and would surely have gone on to greater things. He also starred in the TV comedy Rising Damp, about a seedy landlord played by Leonard Rossiter with three regular guests played by Beckinsdale, Frances De La tour and Don Warrington. The classic series even now enjoys many re runs on TV.

Another of my favourite comedy writers is Spike Milligan. He wrote most of the episodes of the classic radio comedy The Goon Show which starred Peter Sellers, Harry Secombe and Milligan. The Goon show was a revolution in radio comedy and featured a sort of surreal humour allied to numerous comedy voices, mostly supplied by Sellers, and many outlandish sound effects.

The show debuted in 1951 but the pressure of continually having to produce a new script weighed heavy on Milligan who suffered a nervous breakdown towards the end of 1952. Other writers were drafted in to help with scripts including Jimmy Grafton, (who ran a London pub where the cast originally met) Michael Bentine and others. The members of Monty Python’s Flying Circus all credit Milligan with inspiring them to work in comedy.

Milligan was a prolific writer, creating many radio and TV scripts as well as a play, The Bed Sitting Room which was also made into a film.

Back to Advertising.

I seem to have drifted off my original subject which was TV advertising. All TV adverts are not bad I suppose. Some that come to mind were the Cinzano ads featuring Leonard Rossiter and Joan Collins. Together, they made a very funny series of ads back in the 70’s. Here’s the one I think is the funniest . .

Also I have to admit liking those ones featuring the Meerkats. There’s a great one where one of the meerkats, Sergei, (sad isn’t it when you watch the TV ads that much you even know the names of the meerkats) has been left alone for a while and he is really sad. When his pal finally returns and asks did you miss me? Sergei replies Miss you? I didn’t even notice you’d gone!

Remember the one about JR Hartley? I couldn’t even remember what they were actually advertising but after a quick look on Google I see it was yellow pages. An old chap is looking for a book, Fly Fishing by JR Hartley. He finds a copy using the yellow pages but who is the guy? It’s the author himself, Mr JR Hartley!

A personal favourite was one advertising a new Ford car using Steve McQueen. McQueen’s image was pulled from the movie Bullit and digitally inserted into the ad for a new Ford Puma.

Patricia Cornwell.

Patricia Cornwell is an American writer of mystery novels mainly featuring her heroine, Kay Scarpetta. Scarpetta is a medical examiner in the US state of Virginia and solves many murder cases using forensic methods and technology. Many credit Cornwell with inspiring the rash of CSI TV shows and other books and films that feature hi tech forensics.

I have a lot of respect for Patricia and any writer who can produce numerous high-quality novels. As for me, I’m still here labouring (sometimes) on the sequel to Floating in Space so my output is just a pale shadow compared to Patricia’s. Over on Twitter where I knock out a few Tweets every day in hope of attracting some attention to my blogs and books I have a shedload of followers but not a lot of interaction. Often my Tweets go off into cyberspace sometimes without anyone even noticing. The highlight of my week therefore was not only Patricia Cornwell following me on Twitter but also liking one of my Tweets. Pity she couldn’t have given me a retweet but heck, I’ll settle for a like. Thanks Patricia!

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Prisons and Prisoners in TV, Books and Film

Posted on by Steve Higgins

As usual on this blog I’ll be talking about books, films and TV and what started me off on this theme of prisons and prisoners was watching my box set of the 60’s TV series the Prisoner. Anyway, I’ll get to that shortly but first let me start with a book. It’s one I reviewed earlier in the year

Papillon by Henri Charrière

Papillon is a book by Frenchman Henri Charrière. It is an autobiographical novel about Charrière’s imprisonment in the French penal colony of French Guiana and covers a period of about fifteen years. The original novel was written on a series of exercise books and is presented in just that way. Charrière describes his experience of imprisonment as a terrible one. He escaped and was recaptured many times and ended up in solitary imprisonment twice. The first time was for two years and he was kept in solitary for 24 hours a day. In his second bout of solitary a new officer takes over the running of the area and prisoners are let out for exercise every day. At one point in his escape Charrière encounters a tribe of Indians and joins them for many months, even marrying one of the Indian girls but despite finding this apparent paradise, he leaves and is imprisoned again. He eventually escapes from Devil’s Island by jumping into the sea aboard a sack filled with coconuts. The book is an incredible read and I found it one I just couldn’t put down. It is filled with action and adventure but also with thoughtful observations about the human condition and there are many moments when simple acts of kindness stand out to the author against a background of cruelty and inhumanity.

The book was an instant hit when it was published in France in 1969 and the author, Henri Charrière, nicknamed Papillon because of a tattoo of a butterfly on his chest, became a French celebrity. He died in 1973 but always maintained the book was true and based on his own recollections despite claims to the contrary. Whatever its origins the book is a true classic adventure story.

Papillon was made into a film in 1973 and on paper this should have been a brilliant film; Steve McQueen and Dustin Hoffman star, there was a screenplay by Dalton Trumbo and the author acted as an advisor. Actually it’s pretty poor, I’m not sure why but McQueen was not suited for the role and the writers tried to cram in all the events of a pretty hefty book into a film when there really wasn’t room. Forget the film, read the book.

One Day in the Life of Ivan Denisovitch by Alexander Solzhenitsyn

It’s a long time since I read this book and I couldn’t seem to dig my copy out so I don’t think I can be too critical. According to Wikipedia it was first published in a Soviet magazine and was only later published in book form. It’s the story of a single day in the life of a prisoner in a Soviet labour camp seen through the eyes of a man called Ivan. It’s a pretty bleak book as I remember and unlike the book by Henri Charrière, it’s not a hopeful book and there is no feeling that Ivan will ever escape or would even try to escape. It is a book about survival rather than escape. The book was first published during the Khrushchev years when the new Premier Nikita Khrushchev attempted a degree of openness after the repressive years of Stalin’s rule. Author Solzhenitsyn won the Nobel prize for Literature in 1970.

The Prisoner TV Series.

Actor Patrick McGoohan was the man behind this exceptional TV series made at the end of the 1960’s. McGoohan had become a TV star with a series called Danger Man about a secret agent called John Drake and the actor had become fascinated with what would happen to a spy or agent when they decided to retire. Would their spymasters be happy to let someone with highly classified secret information emigrate for instance? On Danger Man, McGoohan met writer George Markstein and the two discussed McGoohan’s ideas. Markstein hinted that he might have had connections to the secret service in the past and told McGoohan about a top secret establishment called Inverlair Lodge in Inverness, Scotland where during the Second World War ‘recalcitrant agents were housed.’ McGoohan and producer David Tomblin, also from the Danger Man series, started their own production company, later called Everyman Films to produce a new TV series based on these ideas. McGoohan asked Tomblin and Markstein to write the script for the first episode into which he later incorporated some of his own ideas.

The basic idea was that a secret agent resigns and he is kidnapped and taken to an unknown place known only as the village. The agent was possibly John Drake from the Danger Man series but this could never be said publicly because of copyright reasons. In the village there are no names, only numbers. McGoohan plays Number Six and the chairman of the village is Number Two, played by a different actor every week. Will Number Six reveal why he has resigned? Who is running the village? Is it our side or the enemy?

McGoohan, then a hugely popular TV star went to Lew Grade, the head of the ITV network and told him he wasn’t keen on a new Danger Man series but had an idea called the Prisoner. Grade apparently said ‘you know it’s so crazy, it just might work’, and production went ahead.

In the first episode we see McGoohan driving into London in his Lotus 7 and slapping down his resignation letter on the desk of some unknown person. The man at the desk was in fact George Markstein who became the story editor of the series. McGoohan returns home to pack but then his house fills with gas rendering him unconscious. When he awakes, he is not at home but in the village.

Confused and disorientated he attempts to find out where he is and soon meets Number Two. Number Two explains that he wants to know why McGoohan resigned and that there is no escape from the village. The exteriors of the village were filmed in the Welsh village of Portmerion but the interiors, especially Number Two’s office, had a very futuristic, hi-tech feel.

Lew Grade had expected various seasons of The Prisoner but Patrick realised early on that the format was not something that could be sustained for multiple seasons so eventually he and Lew Grade agreed on making 17 episodes in order to realise a product that could be marketed to other countries, particularly the USA.

The 17 episodes all had either a mystery, sci-fi, espionage appeal or leaned towards McGoogan’s vision of an avant-garde allegory about the individual and freedom. In the first episode, Arrival, the prisoner who we come to know only as Number Six wakes up in the mysterious village. What is it all about? Why is here?

Number Two comes straight to the point, ‘why did you resign?’ he asks.

Number Six looks down at his file and observes the time of his birth is missing.

‘Let’s bring it up to date’ replies Number Two.

‘4:30 am, 19th March, 1928’ answers Six. ‘I’ve nothing more to say’ he adds slapping the file shut.

4:30am, 19th March 1928 just happens to be Patrick McGoohan’s date and time of birth so we can see just how personal The Prisoner was to him. The file photo of number Six used throughout the series was McGoohan’s own actual publicity picture.

The final episode where viewers expected everything to be explained and for Number Six to escape and find out who was Number One was a controversial episode and many viewers jammed the network in the UK complaining about the crazy ending in which a mock trial descends into a psychedelic montage of 1960’s music and imagery.

McGoohan defended himself by describing The Prisoner as an allegory when the viewers were still expecting something similar to The Saint or Man in a Suitcase, the action/ adventure and espionage series that were being filmed at the time. Today over 50 years later the Prisoner is a TV show with cult status.

The Truman Show

The Truman show is a film starring Jim Carrey. Carrey plays Truman who lives in a small town but does not realise that he is in fact the star of a reality TV show. Secret cameras film everything he does and all those around him, including his mother, his wife and best friend who are all actors in on the secret. The TV show is the brainchild of Christof, a producer/director played by Ed Harris. As the film unfolds we gradually realise that Truman is becoming aware of things that are not right; a spotlight that falls from the sky, people who approach him and want to talk but are hustled away by strange people, an office building where no one is working and his wife who seems to announce the benefits of various products as if she is in a TV advert.

The film is based on an episode of the Twilight Zone. A man getting ready for work finds a camera in his bathroom and realises he is being secretly filmed. It turns out that unknown to him, he is the star of a reality TV show. The producers take him aside and explain what a hit the show is and how much money he could be making. Why not carry on as if he never found out the truth they ask. Keep the show running. No one would ever know.

The man decides to just carry on with his life and allow the filming and the money to continue. In some ways I think that might even be a better storyline than the Truman show. Either way, this film is a really interesting look at the current reality TV genre and flips the whole concept on its head. Carrey is great in what is really his first dramatic role too. The most telling moment comes at the end when the whole world has been glued to the last episode. When it has finished one of the enthralled TV viewers asks ‘what’s on now?’

So, are we all prisoners then, prisoners trying to break free from either the bars of our cell or from the restrictions imposed on us by modern living, the media or society itself?

As they say in The Prisoner, ‘be seeing you!’

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TV, Westerns and The Outlaw

Posted on by Steve Higgins

Once upon a time Howard Hughes was the richest man in the world. In today’s society being the richest man requires some serious wealth and Howard Hughes ticked all the financial boxes you can think of. He inherited his father’s tool company when he was very young. Too young in fact to take control but he found a law that said if he could prove he was capable of running the company then he could take control. He proved he could and did just that, took control. His father had designed a tool bit that was essential to America’s oil industry but instead of selling the drill bit he patented it and then rented it out. Howard Hughes though had other ambitions which did not involve oil or drilling but the profits from the Hughes Tool Company were vital for his ambitions in aviation and film making.

Hughes combined those two interests in making the WW1 movie ‘Hell’s Angels’ about fighter pilots and for the shoot he assembled the largest private air force in the world. Towards the end of the shooting, sound pictures made their appearance so what did Howard do? He reshot the entire film with sound equipment!

The_Outlaw-poster-trimAnother movie Hughes made that is famous, or perhaps infamous, was the 1943 Movie ‘Outlaw’ starring Jane Russell. Hughes appeared to be obsessed with Jane’s breasts, even to the extent of designing a new bra for her and reshooting a famous close up of her time after time. Hughes clearly had some psychological issues; he was a compulsive, obsessive man. He usually had the same meal when he went out with one of the many starlets he courted. Jane Greer recounted in a TV interview how Hughes would eat things in the same order; the peas first, then the potatoes and finally the meat. Once when they dined Hughes came back to the table and Jane noticed that his shirt was wet. Hughes had spilt something onto his shirt so he had washed the shirt in the men’s room, rinsed and squeezed it out, then put it back on.

As his mental health deteriorated, Hughes retreated into a world of blacked out penthouse suites and midnight telephone calls to his army of assistants, some of whom were private investigators keeping close tabs on anyone Hughes had an interest in, particularly starlets he had signed to personal contracts and his girlfriends like Katharine Hepburn or Jean Peters whom he later married.

Anyway, this isn’t a post about Hughes, it’s about TV and looking through my old posts I noticed a couple that caught my attention. One was about Hughes and I have to confess, I pinched the text above from that post, and another was about my life as a couch potato and avid TV viewer. A few days ago, staying at my mother’s house I once again had a few couch potato days. On the first one I was tapping away on my laptop with the TV on but no sound. On Mum’s old TV you can go through the on screen menu and choose programmes you want to watch and the TV will flip to that channel at the appointed time. It was Saturday afternoon and even though that Saturday’s post had just been published, as usual I was already worrying about the next one.

As I looked up from my laptop I could see a new film had started. I switched on the volume and was surprised to find it was The Outlaw, the Hughes film I mentioned above. I had never seen the film and everything I knew about it came from either books, documentaries or films like the Aviator, the Martin Scorsese film about Hughes himself. Hughes filmed The Outlaw in 1941 but had trouble with the film censors of the time. He had to cut half a minute from the film where the camera had lingered for too long on Jane Russell’s ample bosom. 20th Century Fox however decided not to release the film thinking perhaps it was too hot to handle. Hughes decided to build his publicity on that very idea. The film was released for a quick showing and then Hughes put the film under wraps for the next few years while his publicity people whipped up controversy and hysteria, meaning that when it opened in 1946, released finally by RKO, the film was a huge hit.

Even over half a century later people like me are still liable to be caught up in the controversy because I always thought the film was about Rio, the character played by Jane Russell and was of a risqué nature, or at least as risqué as films could get in 1941. I have to admit I missed the beginning of the film the other day and the famous scene of Jane Russell in the hay must have occurred either before I looked up from my laptop or when I was in the kitchen making a brew.

Hughes seemed to be obsessed with Jane’s breasts and wasn’t happy with the way they looked on screen, so much so he designed a new cantilevered bra for her, perhaps the first push up bra ever made. Russell later claimed that the bra was a nightmare to wear so she simply used her own but padded the cups with tissue, which apparently achieved the effect that Hughes wanted.

The action, such as it was, seemed to revolve around the friendship which blossomed between Billy the Kid and Doc Holliday which seems to make Pat Garrett very jealous as he considered himself a better friend to the Doc than Billy. It was actually a quirky sort of film. Walter Huston, father of film director John, played the part of Doc Holliday and Jack Buetel, an actor I don’t think I’ve heard of before, played Billy.

Billy the Kid has been portrayed a number of times in films, as have Pat Garrett and Doc Holliday. Paul Newman played Billy in The Left Handed Gun, a part originally earmarked for James Dean until Dean was killed in a car crash. In the 1970’s Sam Peckinpah directed Pat Garret and Billy The Kid starring James Coburn as Pat Garret and Kris Kristofferson as Billy. Bob Dylan also had a small part as well as writing the music for the film including the hit single Knockin’ on Heaven’s Door.

Billy the Kid was killed in 1881 by Pat Garrett. There were rumours however that Pat staged Billy’s death so that he would be free of pursuit by the law. That scenario was used in the end of The Outlaw, although in the film it was Doc Holliday who gets the bullet but it was Billy’s name on the gravestone.

One of my favourite cowboy/outlaw films has to be Jesse James, the 1939 film starring Tyrone Power as Jesse and Henry Fonda as his brother. The film was so successful that they made a sequel, The Return of Frank James starring Henry Fonda as Frank on track to find his brother’s killer.

Two more outlaws whose fame has lasted right down to the present day were Butch Cassidy and The Sundance Kid and the two were played by Paul Newman and Robert Redford in a film called just that: Butch Cassidy and the Sundance Kid. I saw a film programme a while back on the BBC where Paul Newman explained that screenwriter William Goldman had approached him about making the film and starring as Butch. Various people were suggested for the Sundance Kid and Newman even met with Steve McQueen about the part but eventually it was Robert Redford who won the role.

The film was released in 1969 but has a very 1970’s feel about it. There is even a musical interlude in the film where Paul Newman tries out a new fangled bicycle with Sundance’s girlfriend Etta to the tune of Raindrops Keep Fallin’ on my Head.

My two favourite westerns both star John Wayne, the quintessential cowboy hero. Wayne starred in The Searchers, directed by John Ford. Wayne stars as a civil war veteran whose niece has been kidnapped by a band of warlike Commanches. Ethan Edwards takes his adoptive nephew on a long search for the kidnapped girl until they finally rescue her.

My other favourite is The Man Who Shot Liberty Valance. Lee Marvin plays a brilliant part in that of Liberty Valance, a mean, no good bully who terrorises a western town until lawyer James Stewart manages to shoot him dead, or so we think. Later, when Stewart decides he is unwilling to base his career on being the man who shot Valance, John Wayne reveals what really happened.

Back in the fifties and sixties was probably the heyday of cowboy films and TV shows. Today it seems that the western is a genre that has been almost forgotten. As a schoolkid I was an avid watcher of The Lone Ranger, Branded, The Virginian, Bonanza, Casey Jones and many others. One of my favourites was Alias Smith and Jones, a series about two outlaws, Kid Curry and Hannibal Hayes who are on the run but have been offered an amnesty on the condition that they give up crime and go straight. They adopt new identities, that of Smith and Jones and try to live law abiding lives. It was a great series with some excellent episodes but in December 1971, Pete Duel, the actor who had played Hannibal Hayes committed suicide. Another actor was substituted in the role but the series was never as popular afterwards.

Another great western was Kung Fu. Kung Fu was an oddball western in many ways; it was about a half Chinese, half American called Kwai Chang Caine played by David Carradine. Caine becomes a Shaolin monk after he has been taken in by the monastery as an orphan. Caine has been tutored in the Buddhist religion and martial arts by master Po. When Po is murdered by the Emperor’s son, Caine retaliates and kills him. Now with a price on his head Caine flees to the USA. In the USA of the old west, Caine encounters many situations which then cause him to reflect on his own upbringing and tutoring in China, shown in many flashback sequences. Caine defends himself in many situations with his mastery of Kung Fu and the series became not only a great success but the forerunner in a world wide Kung Fu craze with many Hong Kong martial arts films also becoming popular.

The western film and TV shows seemed to have all fizzled out by the end of the 1970’s. Perhaps these days audiences prefer sci fi series like Star Wars and Star Trek. Tastes change of course and one day perhaps audiences will once again want more westerns. For now I think I’ll settle down after a busy shift, pour myself a glass of wine and wind down with my copy of John Ford’s The Searchers.

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