Category Archives: motion pictures

7 Directors Who Acted in Their Own Films

Posted on by Steve Higgins

I thought I’d try to write or at least start this post off by writing from memory without using Google. I could only come up with 6 directors so I added another who acted but not in his own films. I decided to exclude actor/directors like Woody Allen and Clint Eastwood but then I broke that rule by adding Orson Welles. Now that the parameters are clear for this post, well fairly clear, let’s get going . . .

Alfred Hitchcock

Hitchcock was a British director who began in the days of silent films and came to be known as the master of suspense. Blackmail made in 1929 was the first British Talkie and 10 years later producer David O Selznick lured him to Hollywood where he made many films that are now regarded as classics, films like North by Northwest, Dial M for Murder, Rear Window, The Birds and Pyscho. Hitchcock might also be seen as one of the first celebrity directors. He became popular because of his habit of appearing, however briefly, in all of his films, sitting on a bus for instance, just missing the bus in another. He also became well known by introducing his television series, Alfred Hitchcock Presents. He is probably the most famous director to appear in his own films. He never played a speaking role but he appeared in every one of his films in some small way.

Hitchcock was knighted in 1980 and died in March that same year.

Quentin Tarantino

Tarantino is an interesting filmmaker in many ways, writing and acting as well as directing. His films also seem to follow an unconventional path with many extended scenes and dialogue to fill in character background. I haven’t seen many of his films but Pulp Fiction from 1994 is one of my favourites and it involves a number of overlapping storylines. Tarantino plays the part of Jimmie, a friend of two gangsters played by John Travolta and Samuel Jackson. Travolta’s character accidentally shoots someone in the back of their car and the two turn to Jimmie for help who then calls another gangster played by Harvey Keitel who sorts out the situation.

Oliver Stone

Oliver Stone is one of my very favourite filmmakers, responsible for directing such films as Platoon, Born on the Fourth of July and JFK. In Wall Street Stone takes a close look at the American stock market and the world of stocks, shares and stockbroking. A young ambitious trader dreams of working with big time corporate trader Gordon Gekko,

The young ambitious trader is Bud Fox played by Charlie Sheen and he manages to wangle himself into the world of the high flying Gordon Gekko played by Michael Douglas who won an Oscar for his portrayal. The two find that rival stockbroker Sir Lawrence Wildman is buying Anacot Steel and they buy shares and then leak information to the press which drives up the price. In a montage of shots, Oliver Stone himself appears as an investor who is buying shares.

Stone also had a cameo in the film Dave in 1993 in which the President of the USA has a stroke and an impersonator takes over until the President is well enough to return. Stone plays himself as a ‘conspiracy theorist’ claiming that the President has been replaced by a doppelganger.

Martin Scorcese

Scorcese is one of the great filmmakers of all time having directed numerous classic films such as Goodfellas, Raging Bull, The Aviator and many others. In Taxi Driver, Scorcese follows a disturbed former Vietnam veteran called Travis Bickle played by Robert De Niro. Bickle works nights in New York City as a taxi driver and as he drives around we hear his voice on the soundtrack lamenting the moral decay of the city and his desire to rid the streets of the scum that he sees nightly. Later he plans to assassinate a political candidate but eventually shoots the pimp of a young girl. Wounded by the pimp, he falls into a coma but awakens to find he has become a hero to people in the city.

In one scene, Scorcese plays a passenger in Bickle’s cab who asks to stop below an apartment where his wife is apparently involved with another man.

Martin Scorcese continues to make films and his latest release in 2023 is Killers of the Flower Moon.

John Huston

Born in 1906, John was the son of the Walter Huston and his wife Rhea. Walter was an actor and Rhea a sports editor for various magazines. His parents divorced when he was young but Huston spent time with both his parents. He wrote stories for various magazines and decided to try his hand with the new film business starting up in Hollywood. Huston had a contract with Universal, his father’s studio, and wrote dialogue for various films but after a drunken incident driving a car which left an actress dead he left to live in Paris. Later he returned and began writing for Warner Bros with great success. After the hit film Sergeant York starring Gary Cooper for which he wrote the screenplay, he managed to convince the film company to let him direct a picture. Huston chose The Maltese Falcon and the result was an absolute classic film starring Humphrey Bogart.

In 1948 Huston directed The Treasure of The Sierra Madre. He adapted the book by B Traven for his own screenplay and also cast his father, Walter Huston, as the old time prospector who takes two others, Humphrey Bogart and Tim Holt, on a search for gold.

In the opening scenes Bogart is down on his luck in the Mexican town of Tampico and approaches a smartly dressed American asking ‘could you stake a fellow American to a meal?’

Later Bogart, as Fred C Dobbs, approaches the same man again until the man asks ‘can’t you occasionally go to someone else?’ The smart American was played by Huston himself.

Huston had various other roles as an actor, one I remember was in the 1960’s spoof version of Casino Royale. Various directors contributed to the chaotic film including Huston. He was to shoot a segment about M, the head of the Secret Service but Robert Morley was unable to play the part so Huston played it himself.

Huston directed numerous films but died in 1987 aged 81.

Orson Welles

Primarily Welles was known as an actor but he directed many films, including his very first one, Citizen Kane which has become known as one of the greatest films of all time. Welles was known for having one of the most incredible contracts in Hollywood history, not in terms of money but for the creative control that Welles had. In Citizen Kane the film opens with the death of Kane, a millionaire newspaper magnate. His last words were ‘Rosebud’. The makers of a cinema newsreel decide to find out what or who Rosebud was.

To do so they research Kane’s life; his inheritance of a huge fortune, his takeover of a newspaper, his great wealth, his power and influence, his marriage and divorce and ultimately his death. The reporters never find the answers to their questions but we, the cinema audience, have the secret revealed to us right at the end of the picture.

Citizen Kane is a wonderful piece of cinema with an outstanding visual style and the only criticism I can put forward is that for all its visual fireworks it is a film with a cold centre, a cold heart. Does the viewer feel sympathy for Kane? I’m not sure he does.

Welles went on to make many films but never again achieved the directorial success he had with Kane. He died on the morning of October 10th, 1985 from a heart attack. He left behind numerous unfinished films and screenplays.

Cecil B DeMille

Cecil was born in 1881 and is known as one of the founding fathers of American cinema. He was famous as a director of epics from the silent Ten Commandments in 1923 to Samson and Delilah and another version of The Ten Commandments, this time with sound and shot in colour in 1956.

DeMille actually appeared in many cameos doing prologues or trailers but in 1950 he starred as himself in Sunset Boulevard directed by Billy Wilder. In the film, retired silent star Norma Desmond wants to return to the screen. She has written a screenplay which she has asked Joe Gillis, a writer desperate for some income, to edit. The script is terrible but after a phone call from the studio, Desmond arrives at the Paramount lot to see DeMille. DeMille finds that the phone call was actually a request to hire her grand old car for use in a film and not, as Norma thought, a call for her to return to films.

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A Tale of 4 Ships

Posted on by Steve Higgins

I started this post by looking at an old one, a post about famous Pilots. That inspired me to make a sort of seagoing version. I started thinking about famous captains but I was struggling to think of any so I went with famous ships. Perhaps I could have stuck with captains after all; Captain Kirk, Captain Ahab, Captain and the Tenille and so on. Oh well, I think I’ll save that for another time so here we go with famous ships.

Victory

I should think that almost everyone reading this will know that HMS Victory was Nelson’s flagship at the battle of Trafalgar. The ship was one of 12 that had been ordered by the British government in 1758. The hull was laid down in 1759 and finally launched in 1765. 6,000 trees were used in the construction and 6 foot copper bolts were used to hold the construction together as well as treenails or dowels used to secure lesser elements of the ship. Once the frame was completed it was usual to let the wood dry out or ‘season’ before fitting the ship out further. Due to the end of the Seven Years’ War, the hull was left to dry for three years and the ship was finally launched in May of 1765.

By Ballista – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=749934

The ship had various adventures with the Royal Navy before becoming Admiral Nelson’s flagship in the battle of Trafalgar.

On the 21st of October, 1805, the Victory and the British Fleet began battle with the French. The British ultimately won but a sniper on the French ship Redoutable fired at Nelson hitting him with a musket ball which fatally wounded him. The musket ball was later recovered by the Victory’s surgeon William Beatty and he later had it mounted into a locket which he wore for the rest of his life. On Beatty’s death, the locket was presented to Queen Victoria.

The Victory was badly damaged in the battle and had to be towed back to England. It was repaired but was no longer a first rate ship and was relegated to various duties, even becoming a prison ship at one point. The Admiralty decided to break up the Victory and use her timbers and fittings in other ships. The public outcry was so great that the Admiralty hesitated to go ahead.

To a great extent the ship was abandoned to rot away and in 1922, the ship was found to be in such a state of disrepair that it was moved into a dry dock at Portsmouth, actually dock no 2, the oldest dry dock in the world. Restoration began after an appeal to the public for funding and dock number 2 became the Victory’s permanent home.

Bismarck

Bismarck was the first of two battleships built for Nazi Germany’s navy. Named after Chancellor Otto von Bismarck, the ship was laid down at shipyards in Hamburg in July 1936 and launched in February 1939. Final construction work was completed in August 1940, when she was commissioned into the German fleet. Bismarck and her sister ship Tirpitz were the largest battleships ever built by Germany.

In May 1941 the Bismarck planned to enter the shipping lanes of the Atlantic and attack convoys bringing much needed supplies into Britain. The Bismarck in company with the Prinz Eugen was engaged by the HMS Hood and the Prince of Wales. The Hood was destroyed in the battle while the Prince of Wales was badly damaged and forced to retreat.

The British began a relentless pursuit of the German vessel and two days later she was severely damaged by torpedoes fired by aircraft from the HMS Ark Royal. The rudder had been damaged on the Bismarck and the ship was forced to steam in a wide circle. The battleship came under further attack from the British ships and a major hit on the Bismarck’s bridge killed or disabled Captain Lindemann and Admiral Günther Lütjens. The remaining executive officer ordered the crew to abandon and scuttle the Bismarck in order to prevent the British capturing and boarding the vessel which eventually capsized and sunk.

The entire episode was made into a film in 1960 called Sink the Bismarck. Kenneth More starred as the head of the underground naval operations war room and he and his staff coordinate the hunt for the Bismarck.

Bounty

Another famous seagoing story that has been made into a feature film, several films in fact, is the story of the mutiny on the Bounty. The mutiny occurred in April 1789 and was led by Fletcher Christian who was an acting Lieutenant on board the Bounty. The Bounty’s mission was to sail to Tahiti and collect breadfruits and then deliver them to the West Indies. It may have been that a five month layover on Tahiti, where many of the men formed relationships with the native women, was at the heart of the mutiny. William Bligh, the captain of the Bounty, had at one point been a great admirer of Fletcher Christian, even promoting him to the rank of acting second lieutenant and thereby becoming his second in command. The relationship soured later though and when the ship began the journey home Christian decided to stage a mutiny. Bligh and his supporters were made to leave the ship on the Bounty’s launch, a 23 foot boat and were given food and water for 5 days. Bligh sailed to a nearby island for supplies and then made an astonishing journey in the small boat to Timor where the authorities were alerted to the mutiny.

The mutineers fled in the Bounty and returned to Tahiti but Christian realised that this would be the first place the navy would come to search for them. Sixteen crew members opted to stay on Tahiti, Christian and the rest of the mutineers together with a contingent of Tahitans then tried to settle on another island but the natives there were unfriendly and the Bounty left in search of another island. The mutineers then came across Pitcairn Island and seeing that it was marked incorrectly on naval charts decided to settle there. Numerous disagreements arose later with the Tahitans as many of the British considered them as slaves. Fletcher Christian was later murdered on the island although he was survived by a son and other children.

Today, the descendants of the mutineers still live on the island.

Various film versions of the story were made but the most famous featured Clark Gable as Fletcher Christian and Charles Laughton as Captain Bligh. In the 1960’s a version was made with Marlon Brando and Trevor Howard. Brando was so taken with Tahiti where numerous scenes were shot, he made it his home for many years. Another version, The Bounty appeared in 1984. It was a project originally started by director David Lean and writer Robert Bolt but after various disagreements with the producer, Lean backed out and the New Zealand director Roger Donaldson took over.

Titanic

The story of the Titanic is one that has captured the imagination of many over the years and even today seems to be still in the news after a deep diving mini submersible was crushed in the depths of the ocean while taking sightseers to view the wreck of the great ship.

The ship was the largest afloat and was designed to be the epitome of luxury. It was known as the ‘unsinkable’ ship and made its maiden voyage in 1912 from Southampton to New York in the USA. On the voyage the ship struck an iceberg and the hull was ruptured. The Titanic sank with a great loss of life. A major flaw however was that there were not enough lifeboats for the crew and passengers in the event of a tragedy. Another was that the 16 watertight compartments were not truly watertight and when the first one filled with water, the water then spilled over into the next one and so on until the ship sunk.

Numerous films and TV shows have been made about the sinking. Kenneth More starred in A Night To Remember, a 1958 British film about the Titanic. In the 1960’s the first episode of the time travel TV show The Time Tunnel featured a story about two American scientists who are transported back in time and arrive on board the doomed ship. A more recent film blockbuster was the 1997 Titanic directed by James Cameron. Leonardo DiCaprio and Kate Winslet star in the film that weaves a tragic love story with the fate of the famous ship. Titanic was the most expensive film ever made at the time with a budget of 200 million dollars. A huge reconstruction of the ship was made in Rosarito, Mexico and was built on a lifting platform which was able to tip the ship to simulate the sinking. The film was a great success winning 11 Oscars including one for Best Picture.

Personally I rather like Raise The Titanic, a 1980 British film version produced by Lew Grade and his ITC Entertainment company and based on the novel by Clive Cussler

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The Forgotten Stars of Columbo

Posted on by Steve Higgins

Famous faces who have appeared in the classic detective series.

If you happen to be a big fan of murder mysteries then Sunday is a great day for you. Over on 5 USA on UK Freeview TV you can watch the classic detective series Columbo to your heart’s content.

Columbo first appeared in the early 1970s as part of the Mystery Movie TV series. Each week followed a different detective trying to track down a murder case, sometimes it was MacMillan and Wife and other weeks McCloud, Banacek or various others. The most popular one by far though was Columbo.

Columbo was a homicide detective for the LAPD and he was played by Peter Falk although the role was originally written for Bing Crosby. Crosby however thought a regular TV slot would interfere too much with his golf so he turned down the role, went back to the fairway and the part went to Peter Falk who made it his own.

If you ever see the original pilot, shot in 1968, you can see how Crosby might have fitted into the part as Falk plays Columbo in a very Crosby like laid back way. The very first guest murderer was Gene Barry who was familiar to TV audiences after playing Amos Burke in Burke’s Law for many years. He also starred in a 1953 film version of War of the Worlds.

The pilot episode also introduced audiences to a particular feature of Columbo in that we see who the murderer is and how he commits the crime first. Then we see lieutenant Columbo gradually solve the clues and get his man, or woman.

Columbo appears to be bumbling along chewing on his cigars and eating chilli but we soon realise that behind this façade and his famous raincoat, is a very shrewd detective.

Roddy McDowell and Ida Lupino

Short Fuse is one of my very favourite episodes and two famous stars make guest appearances. The guest murderer is Roddy MacDowell. Roddy became a child star in the 1940’s appearing in films like How Green Was My Valley and Lassie Come Home. He also played Cornelius in the Planet of The Apes films and in the subsequent TV series. Although he appeared in many films, he also appeared in a huge number of TV series and stage productions. He died in 1998 aged 70.

In the same episode, Ida Lupino plays murderer Roddy McDowell’s aunt, unable to believe that Roddy was the murderer of her husband. She appeared in another episode too, Swan Song, in which she gets bumped off by guest murderer Johnny Cash.

Ida Lupino, like Roddy MacDowell, was born in England, in fact both lived in the Herne Hill area of London. She wanted to be a writer rather than an actress but went into acting as she was part of a theatrical family and it seems that becoming an actor was expected of her. She appeared in many British films before moving to the USA in 1933.

She wasn’t content to just act in films and was very critical of the parts she was offered, being suspended numerous times by Jack Warner, the head of Warner Brothers. She and her husband Collier Young formed a production company called The Filmmakers Inc in 1948. The company produced twelve films, six of which Lupino directed and five of which she wrote or co-wrote. The company closed its doors in 1955 and Lupino began directing for TV. She was one of the very first Hollywood TV and Film directors and was the only woman ever to direct an episode of The Twilight Zone. Ida Lupino died in 1995 aged 77.

Ray Milland

Milland was another British actor who found fame in Hollywood. Milland was born in Wales and served with the British Army. When his army career finished, Milland decided to become an actor. He appeared in several British films before moving to Hollywood in 1929. He worked as a stock actor for MGM then moved to Paramount in 1930. His first lead role was in The Jungle Princess in 1930 with Dorothy Lamour.

He appeared in numerous films but never thought of himself as a serious actor. A great success for him was The Lost Weekend in which he played an alcoholic. The film was directed by Billy Wilder and Milland did a great deal of research for the role and won the Oscar for that year’s best actor, which led to his contract with Paramount being rewritten and making him Paramount’s highest paid actor.

In 1954 he worked for Alfred Hitchcock on Dial M for Murder. Milland decided to retire from acting at one point but soon found he was bored and returned to Hollywood. In 1963 he made the sci-fi film The Man with X Ray Eyes. He appeared in many TV series including of course Columbo.

He was the guest murderer in The Greenhouse Jungle where he plays a man who stages a fake kidnapping of his nephew and then bumps him off to keep the ransom money. In another, Death Lends a Hand, his wife is killed by Robert Culp, one of my favourite Columbo murderers and a classic episode.

Milland died of lung cancer in 1986.

Janet Leigh and John Payne

In 1975 Janet Leigh and John Payne both starred in the episode Forgotten Lady. Both had been stars in a bygone era. Janet Leigh was born in 1927 and made her film debut in 1947. Two notable successes were The Naked Spur and Orson Welles’ Touch of Evil. She appeared with her husband Tony Curtis in Houdini in which Curtis played Harry Houdini.

Another great success for Janet and possibly the film she is most remembered for was the Hitchcock film Pyscho in 1960 however, according to Wikipedia, she was so traumatised after seeing her shower death scene that she avoided showers for the rest of her life.

Clips from one of her films Walking my Baby Back Home, were used in the Columbo episode. She appeared with her daughter, Jamie Lee Curtis in the supernatural horror film The Fog in 1980. Jamie Lee Curtis also had a small role as a waitress in the Columbo episode The Bye Bye Sky High IQ Murder Case.

Janet Leigh died aged 77 in 2004

John Payne appeared in many film noir crime films as well as many 20th Century Fox musicals, his most famous film being Miracle on 34th Street. His final role came in the Columbo episode Forgotten Lady. He died, also aged 77 in 1989.

Myrna Loy

Myrna Loy appeared in the 1972 episode Etude in Black starring guest murderer John Cassavettes. She was born in 1905 in Montana and was the daughter of a Montana rancher. Her father was also a real estate developer and her mother encouraged him to buy land in Hollywood. Some of the land he sold to Charlie Chaplin who built his studio on the plot. The Loy family made a considerable profit on the deal. Myrna’s father took his family back to Montana but when he passed away his widow returned the family to Hollywood.

Myrna studied dance in Los Angeles. She had small parts in many silent pictures but some stills of her appeared in Motion Picture magazine and led to a contract with Warner Bros.

A big success came in 1934 when she appeared in the film The Thin Man with co-star William Powell. The two proved to be a popular screen couple and appeared in 14 films together.

In the late thirties she became one of Hollywood’s busiest and most highly paid actresses but in the 1940s she devoted all her energies to war work and the Red Cross. She was busy throughout the 1950s but in the late 60s began working more in television.

She died in 1993 aged 88.

Jane Greer

Jane Greer was apparently best known for her role as Kathie Moffat in the 1947 film noir Out of the Past. It’s not a film I’ve seen but it does sound like one to look out for. Jane was a beauty contest winner and model and was spotted by Howard Hughes in an edition of Life magazine when she was 18. Hughes became obsessed with the young girl and signed her to a seven year contract. Like many of the girls he had under contract, Hughes had them watched and followed and apart from drama classes, forbade them to go out with anyone except himself.

When Greer decided to ignore Hughes, he bought the studio where she was working, RKO, and continued to try and control her. She married Rudy Vallee and Hughes was still undeterred. She told Hughes she loved Rudy. Hughes replied that she didn’t and she wasn’t going to work until she came to her senses. Jane said OK, I’ll just carry on having babies then.

Hughes later relented and Jane began to work in films again.

She appeared in a number of films in the 1940s and 50s including the 1952 remake of The Prisoner of Zenda.

In television she joined the cast of Falcon Crest and Twin Peaks in her later life before retiring in 1996. In 1975 she appeared with Robert Vaughn in the Columbo episode Troubled Waters in which Columbo finally tracks down guest murderer Vaughn.

Jane Greer died of cancer in 2001 aged 76.

All the images above were reproduced via Wikipedia Creative Commons.

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Marilyn Monroe (and Me)

Posted on by Steve Higgins

I was looking through my old scrapbook a while ago. I scanned some pages for my blog post Scrapbook Memories and quite a few of them featured Marilyn Monroe. I put my scrapbooks together years ago and even though I stopped making them in my late teens or early twenties, I continued collecting cuttings from newspapers and magazines, as well as books and videos all on the same subject:  Marilyn Monroe.

What attracted me to the persona of Marilyn Monroe? Well, apart from her obvious charms as a very attractive lady it’s her death that has always interested me. I’m a sucker for a modern mystery whether it’s the assassination of JFK, the disappearance of Amelia Aerhart or Marilyn’s own strange death. The obvious solution is that Marilyn committed suicide. She had tried suicide quite a few times before and various people along the years have saved her from death, including her acting coach Natasha Lytess and her third husband playwright Arthur Miller. Suicide is the obvious answer to her death but personally, I’m not so sure.

Anyway, getting back to my personal interest in Marilyn, I’m pretty certain the first book about her was what has come to be thought of the definitive biography, the one by Fred Laurence Guiles. Guiles published his book in 1969 and chronicled Marilyn’s life as Norma Jeane Mortensen and then Marilyn Monroe.

Marilyn Monroe

Norma Jeane Mortensen was born on June 1st, 1926. She had a troubled upbringing. Her mother was mentally unstable and was in and out of various institutions leaving young Norma to be taken into care. On one occasion in her late teens Norma Jeane was living with a friend of her mother’s but this friend was moving away and rather than send Norma back into a home an idea came about which seems a little mad in retrospect. The idea was for Norma to get married to a local boy, Jim Dougherty. The marriage went ahead only eighteen days after Norma’s sixteenth birthday.

When war came to the USA in 1941, Jim joined the navy. Norma was working in a war factory when an army photographer called David Conover came round looking for a photo article for a magazine. He asked Norma to pose for him and found that she had a natural affinity with the camera. She began a career in modelling which led her to bit parts in films, then a contract with 20th Century Fox and later to film stardom.

In 1946 she divorced Jim Dougherty and Fox offered her a seven-year optional contract. She changed her name to Marilyn Monroe and began her film career. All didn’t go so smoothly at first. She was dropped from her contract but she did meet an influential Hollywood agent named Johnny Hyde.

I’ve got to say that despite her best efforts I’m not sure my interest in Marilyn had a lot to do with her acting skills as in her early days she wasn’t a great actress. What she did have was looks, looks that could turn the heads of a great deal of men. One of her early film roles came about really because of her growing reputation as a model. She was cast in the last of the Marx Brothers’ films Love Happy and had one scene in which she tells Groucho that “some men are following me.” Groucho explains more in the following video.

That of course was nothing more than a walk on part but she was asked to go on a nationwide tour in the USA promoting the film. Marilyn was determined to get on and be a great actress. She was always having acting lessons, in fact she joined the famous New York Actors Studio. The studio had been founded by theatre and film director Elia Kazan and one of the famous acting coaches there was Lee Strasberg. Both Kazan and Strasberg were interested in ‘the method’, a style of acting initiated by the Russian actor Stanislavsky which involved the actor using his own experience and memories to ‘become’ the role rather than just acting a role. James Dean and Marlon Brando were two of the more famous students of the Actors Studio.

Another of my books about Marilyn was the famous biography by Norman Mailer. Mailer actually used Fred Guiles’ book as the basis of his biography but added his own insight into Marilyn’s story as well as a huge collection of photographs. Mailer was originally hired to write an introduction to what was originally intended to be just a photo album but he was so taken by the subject matter, he wrote more and more and his ‘introduction’ became the book. He later wrote other works about Marilyn.

Marilyn: Norman Mailer

Marilyn on the cover of the celebrated book by Norman Mailer

Johnny Hyde was in love with Marilyn and asked her to marry him many times. She always declined, telling him she did not love him. He continued to press her while working hard on her behalf as her agent. In October 1950 he arranged for a seven year contract at Twentieth Century Fox. He also organised some minor plastic surgery for her, apparently, she had her chin built up slightly and the tip of her nose made smaller. In December that year she was recuperating from the surgery at his Palm Springs home when Johnny died of a heart attack. Marilyn was distraught when she heard the news, even so, his family ordered her out of the house.

She moved in with her drama coach Natasha and one day tried to swallow over 30 Nembutal capsules. Luckily Natasha came home early and found her.

Fox put Marilyn into a number of pictures playing a dizzy blonde type but then she was loaned out to RKO for Clash by Night directed by Fritz Lang. It was the first film with her name over the title.

In 1954 she married baseball star Joe DiMaggio. Maggio had retired from the game that had made him famous and Joe wanted her to settle down with him and retire from the cinema. It might be that Marilyn did intend to one day enjoy a more domestic existence. My feeling though is that she could never ever give up her film star life. It had given her all she had; her fame, her money and her status. She could never say goodbye to her creation, the film star Marilyn Monroe.

In the short autobiography published after her death, My Story, which some say was ghost written or partly written by others, Marilyn said this about her fame:

I belonged to the public and the world, not because I was talented or even beautiful but because I never belonged to anything or anyone else. The public was the only family, the only Prince Charming and the only home I had ever dreamed of.

Would she give up all that for DiMaggio or anyone? I don’t think so.

Her marriage to DiMaggio ultimately failed but Joe would continue to be a great friend. It is quite possible that in the last months of her life she was even planning to remarry him. However, before that came marriage and divorce to Arthur Miller. Marilyn idolised men like Abraham Lincoln and Albert Einstein and she put Miller into that same category. They had met years before, even before she married Dimaggio. Miller would write the screenplay for her final completed film, The Misfits, in which she played a character, Roslyn, which was based on herself. She became hugely disappointed in Miller after finding an open diary or notebook of his in which he severely criticised her. They divorced in 1961.

I’ve always thought that The Misfits was her best film and every so often I’ll take my DVD copy and give it a viewing. (I’ve actually only got two of her films on DVD, The Misfits and Some Like it Hot). Misfits was in fact her last completed film. In 1962 she began filming Something’s Got to Give in which she starred with Dean Martin. Marilyn missed a lot of the shoot due to illness and then left for New York where she appeared at a gala performance for the President’s birthday. The President was John F Kennedy and 20th Century Fox was not amused that with their film behind schedule its star had taken time off. They were already having financial problems with another production, Cleopatra. They were paying Elizabeth Taylor the unheard-of figure of one million dollars for her to play the Egyptian queen and their bank account must have been looking distinctly unhealthy. What was the answer? They fired Marilyn.

Fred Guiles first book on Marilyn was published in 1969 and mentions that towards the end of her life she was involved with an ‘easterner’. The man from the east was Robert Kennedy and since then many books and documentaries have mentioned Marilyn’s involvement with both John and Robert Kennedy. The accepted story of Marilyn’s death goes like this. Both John and Robert Kennedy ended their affairs with her, she had been sacked by 20th Century Fox and she became so despondent that she took her own life. Her body lay unclaimed in the morgue until the faithful Joe DiMaggio came and organised her funeral.

In 1966 however, a man call Frank Capell had published a book called ‘The Strange Death of Marilyn Monroe’ which called attention to various things that did not add up. Capell also claimed that Robert Kennedy was with Marilyn on the evening of her death. The FBI forwarded a report of the book to Kennedy who was then still the Attorney General and he asked that Capell’s phone be tapped.

In the 1980’s a number of authors began to look further into Marilyn’s death and one in my collection is The Marilyn Conspiracy. The author, Milo Speriglio was a private detective who was asked by Robert Slatzer to investigate. Slatzer was a friend of Marilyn’s and has even claimed that he married the star only for the two to tear up the marriage licence in case it harmed her career. He said Marilyn had a red diary in which she jotted down notes from her conversations with RFK and contained many things that were secret at the time. Marilyn used to call him from a nearby phone box as she felt that her phones had been tapped.

In 1985 Anthony Summers published the book Goddess: The Secret Lives of Marilyn Monroe in which he also claimed Marilyn was involved with Robert Kennedy. He also explains that Marilyn was not depressed after all. Her dispute with 20th Century Fox had been settled and they had reinstated her to the movie Something’s Got to Give and she was discussing further film projects including a biopic about Jean Harlow.

Summer also collaborated on a BBC documentary film called Say Goodbye to the President in which private eye Fred Otash revealed that he had engaged electronics expert Bernie Spindell to bug Marilyn’s home. The reason? Union leader Jimmy Hoffa who was under investigation by Kennedy wanted derogatory information on RFK that he could use against him.

Eunice Murray, Marilyn’s housekeeper, admitted in an interview in 1985 for the documentary Say Goodbye to the President that Bobby Kennedy was at Marilyn’s house on the day of her death. Eunice’s son in law and Marilyn’s handyman, Norman Jefferies told Donald Wolfe, the author of The Assassination of Marilyn Monroe, that Bobby Kennedy arrived late on the Saturday evening with two unknown men and asked Jefferies and Murray to leave while he spoke with Marilyn alone. When they returned Marilyn was comatose in one of the guest cottages attached to her house. Jefferies and Murray called an ambulance but Marilyn died from an overdose.

I cannot for a moment imagine Bobby Kennedy as a murderer but he certainly would not want to be associated in any way with a movie star suicide. John Bates, a friend of the Kennedy family, claims that Bobby and his family spent the weekend with him at his ranch in Gilroy, south of San Francisco.

Marilyn died in 1962 and she must have something about her because here we are in 2023 still interested in her. In 2011 a film about her called My week with Marilyn was released and in 2022 came Blonde, starring Ana de Armas as Monroe. Blonde was a fictional version of Marilyn’s life. I haven’t seen it but when I looked it up on the internet it didn’t seem to have been rated highly although I’ll be looking out for it on my TV screen in the future.

Norman Mailer’s book about Monroe finished with a photo of Joe DiMaggio, grief stricken on the day of her funeral and he reckons we can perhaps surmise Marilyn’s true worth just by the look on Joe’s face that day. I cannot disagree.

Sources:

The Assassination of Marilyn Monroe by Donald Wolfe

Goddess by Anthony Summers

The Marilyn Conspiracy by Milo Speriglio with Steven Chain

Norma Jeane: The Life and Death of Marilyn Monroe by Fred Lawrence Guiles

My Story by Marilyn Monroe

Say Goodbye to the President: 1985 BBC documentary

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Even More Random Film Connections

Posted on by Steve Higgins

Back in the 1970’s. TV presenter James Burke made a TV show called Connections. It was a really fascinating series which connected various historical events to make a sort of chain which led up to something which was pretty unexpected. The episode which stands out in my memory is one about the atom bomb, various unconnected events and discoveries that together, led to the splitting of the atom. I’ve written a couple of posts in which I’ve tried to do something similar but all relating to the world of classic film so here is another collection of film connections which I hope you will find interesting.

In 1954 director Nick Ray made his classic film Rebel Without a Cause. The film remains a cult classic even today because it’s the film James Dean starred in as troubled teenager Jim Stark. The film opens with Jim’s first day at a new school. He tries his best to make friends but finds himself at odds with a gang which includes Natalie Wood as Judy, Corey Allen as Buzz, Dennis Hopper as Goon and quite a few others. The day doesn’t end well for Jim because he ends up in a deadly car race with Buzz in which the two drive towards a cliff edge and the first one to bale out is chicken. Buzz doesn’t get out in time and is killed and his friends want revenge on Jim.

Jim and Judy along with Plato, a teenager profoundly affected by loneliness and a broken family, decide to hide out in a deserted mansion. It was in fact the same mansion used in the film Sunset Boulevard, made years earlier.

Rebel was only Dean’s second film. He was killed in a car crash after his third and final film Giant.

Giant was directed by George Stevens and in it, Dean played Jett Rink, a surly ranch hand on Bick Benedict’s huge Texas ranch. Jett doesn’t get on well with Bick played by Rock Hudson but at least he has a friend in Bick’s sister Luz played by Mercedes McCambridge. When she is killed trying to ride a horse belonging to Bick’s new wife, Jett finds she has willed him a small plot of land on which he later strikes oil.

Bick’s wife was played by Elizabeth Taylor. Liz had a number of husbands but in 1957 she married for the third time to Mike Todd. Todd was an entrepreneur who was involved in various business ventures. He was also a theatrical producer and moved into films producing the classic Around The World in 80 Days starring David Niven as Phileas Fogg. Todd was killed in a plane crash in 1958. His widow, Liz, was devasted and turned to her friends Eddie Fisher and his wife Debbie Reynolds for comfort. Eddie perhaps took comfort a little too far and his friendship with Liz soon turned into an affair and he left Debbie, marrying Liz Taylor in 1959.

Eddie Fisher and Debbie Reynolds had a daughter named Carrie. Carrie was born in 1956 and went on to play Princess Leia in the Star Wars films.

In 1989 Carrie played Marie in the comedy classic When Harry Met Sally. The film follows the slow to start romance of Harry and Sally played by Billy Crystal and Meg Ryan. The two don’t seem to like each other at first but later become friends. They decide to introduce each other to their best friends Marie and Jess, played by Steven Ford, who both hit it off instantly.

The film is a really wonderful comic look at relationships with some sparklingly witty scenes and dialogue. The screenplay was written by Nora Ephron.

Nora later moved into directing and one of her best films was You’ve Got Mail. The film teamed Meg Ryan with Tom Hanks once again, the pair having worked together on Sleepless in Seattle, another Nora Ephron film. Such a pity, from a personal point of view, that Billy Crystal didn’t play the Tom Hanks role in those films. Don’t get me wrong, I enjoyed both of them but I’ve always thought Billy and Meg seemed to just work together so much better. Anyway, getting back to the blog, You’ve Got Mail is a romcom about two people who get involved together in an online chat room. In the chat room they use internet ‘handles’ to hide their true identities and don’t realise that in fact they are business rivals. Tom Hanks’ character owns a big discount bookstore while Meg has a small popular childrens’ bookshop.

In real life, the two are constantly at odds as Tom is opening a massive new discount bookstore just by her small shop. In anonymous cyberspace though, their relationship seems to develop and the two decide to meet but Tom Hanks arrives for the meeting in a coffee shop, peeks through the window and sees who is waiting for him.

The film was actually based on another film The Shop Around the Corner, a 1940s classic starring James Stewart and Margaret Sullavan. In the film two employees who work together but don’t get on are actually falling for each other as anonymous pen pals.

James Stewart also stars in one of my favourite films, It’s a Wonderful Life. I love that film and my DVD copy gets watched quite a lot. The film is about George Bailey played by James Stewart who looks forward to an interesting life of travel but then finds obligations force him to stay in the small town where he has always lived. George is beset by problems and even considers suicide but then his guardian angel -literally- arrives to help him.

The secret of this film is, I think, the fact that despite the fantasy premise of the film, everyone plays their parts as if they were in a serious drama. The result is that the drama and emotion of the situation rises to the surface and we are left with a vibrant and dramatic piece of cinema.

Donna Reed plays Stewart’s love interest but another lady who sets her sights on his character, George Bailey, is Violet Bick played by the sultry Gloria Grahame. She made her film debut in 1944 and appeared in a number of films, including many film noir movies. In 1955 she appeared in the musical Oklahoma but afterwards her star began to wane a little.

She created something of a scandal in later life. After divorcing her first husband she married and later divorced one of her directors then later married TV producer Cy Howard. When they split, she married Anthony Ray who was the son of her second husband. The second husband was Nick Ray, who directed James Dean in Rebel Without a Cause.

Hope you enjoyed this interconnected tour of the classic movie world. Have a great weekend and call back next Saturday for another post.

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More Random Film Connections

Posted on by Steve Higgins

Back in the 1970’s. TV presenter James Burke made a TV show called Connections. It was a really fascinating series which connected various historical events to make a sort of chain which led up to something which was pretty unexpected. The episode which stands out in my memory is one about the atom bomb, various unconnected events and discoveries that together, led to the splitting of the atom. I’ve written a couple of posts in which I’ve tried to do something similar but all relating to the world of classic film so here are another collection of film connections which I hope you will find interesting.

Leslie Howard and Gone with the Wind

I thought I’d start with Gone with the Wind and see where it takes me. Gone with the Wind was a major film adaptation of the book by Margaret Mitchell. The book was a huge hit and producer David O Selznick bought the film rights. Production was delayed for a long while as Selznick was determined to get Clark Gable for the part of the roguish Rhett Butler. Another delay was a distribution deal with MGM which couldn’t be finalised until Selznick’s then current deal with United Artists had expired. Selznick used the delay to begin a huge search for an actress to play the part of Scarlett O’Hara, the spoilt daughter of a plantation owner in the deep south of America. Scarlet has a crush on Ashley Wilkes played by British actor Leslie Howard in possibly his most famous role. The film was one of the major hits of 1939 and was the highest earning film up to that time.

Julie Andrews and My Fair Lady

In 1938 Leslie Howard played the part of Professor Higgins in the film production of Pygmalion based on the play by George Bernard Shaw. A musical version was a big hit on the stage in the 1960s. Julie Andrews played the part of Eliza Doolittle to great acclaim on the stage but when the time came to make a film version in 1964, the producers wanted a major star and so the part went to Audrey Hepburn.

Julie Andrews only had to wait a short time for film stardom though. She appeared in The Sound of Music in 1965. The film was based on the true story of the Von Trapp family singers which was also a hit stage musical. Julie Andrews played Maria, a nun who becomes a nanny to the Von Trapp children, eventually falling for the father of the children played by Christopher Plummer. The film was the hit of 1965 replacing Gone with the Wind as the highest grossing film up to that time. The director was Robert Wise who tried to reduce the amount of sentimentality and sweetness which he had seen in the stage production.

Robert Wise and Citizen Kane

Robert Wise had a great background in the film world. He was a former film editor whose first film as a director was The Curse of the Cat People in 1944. In 1941 he was a film editor at RKO Studios and was the editor on the classic film Citizen Kane.

Orson Welles often boasted about the fabulous contract he had when he arrived in Hollywood. In a BBC interview he stated the terms were not financially brilliant but gave him unprecedented creative powers. His first film for RKO was Citizen Kane. The film opens with the death of Kane, a millionaire newspaper magnate. His last words were ‘Rosebud’. The makers of a cinema newsreel decide to find out what or who Rosebud was.

To do so they research Kane’s life; his inheritance of a huge fortune, his takeover of a newspaper, his great wealth, his power and influence, his marriage and divorce and ultimately his death.

The cinematographer was Gregg Toland, one of the film industry’s top photographers. Toland asked to work on the film and Welles replied ‘Why? I don’t know anything about making films.’ Toland countered that was exactly why he wanted to work on the film because a film by a newcomer would produce something new and original.

There are some fascinating elements to Citizen Kane, especially in the special effects department. A famous one is where the camera flies through a rooftop sign and then drops down through a skylight into a restaurant. The shot was done with a sign that came apart as the camera approached and then a fade from a model shot into the restaurant set disguised in a flash of lightning. Citizen Kane was and is a classic of the cinema.

Orson Welles and Rita Hayworth

Orson Welles in a way experienced his film career in reverse, he started at the top and steadily worked his way down, ending up as an overweight although always entertaining raconteur doing voice overs for Carlsberg TV advertisements.

Welles married Rita Hayworth in 1943. She was one of the great stars of Hollywood’s golden years. She appeared in one of her husband’s films The Lady from Shanghai in 1947 but the film that was considered her greatest success came the year before in Gilda. According to Wikipedia, the film made her into a cultural icon as a femme fatale.

Welles and Hayworth grew apart and finally separated. Rita said that Welles had no idea about married life or even settling down. When she suggested buying a house together, a natural move for a married couple, Welles said he didn’t want the responsibility.

Rita Hayworth as Gilda

After splitting with Welles, Rita became involved with Prince Aly Khan, son of the Aga Khan who later became a Pakistani diplomat. Aly was a socialite and man about town. He and Rita married in 1949 and had a daughter Princess Yasmin Aga Khan. Rita gave up her film career to be with Aly but Khan’s womanising proved fatal to the marriage. Rita moved to Nevada with her daughter in order to set up a legal residence and begin divorce proceedings. The two were finally divorced in 1953. Khan offered Rita a million dollars for her to bring up their daughter as a Muslim but Rita declined.

After her divorce Rita had no income and was forced to return to film acting. Her comeback picture was Affair in Trinidad in which she starred with Glenn Ford. Rita was contracted to Columbia Pictures and fell out with Columbia boss Harry Cohn on numerous occasions during the filming. She was even placed on suspension for a while, however the picture was very successful. Her last picture for Columbia was in 1957 when she starred in Pal Joey with Frank Sinatra. She married again, this time to singer Dick Haymes who was in severe financial trouble. The marriage lasted only a couple of years and ended when Haymes struck her in the face in a Hollywood nightclub. Rita packed her bags and left him.

In the mid 1970’s, Rita’s behaviour began to become erratic. She drank heavily and was even once removed from a TWA flight because of her drinking. It was eventually found that her symptoms were masking the real issue which was the early onset of Alzheimer’s disease. In 1981 when her condition had deteriorated, she was placed under the supervision of her daughter and the two moved into adjoining apartments together in New York. She died aged 68 in 1987. Her former husband Orson Welles, spoke of her in his very last interview, recorded the day before his own death. He called her ‘one of the dearest and sweetest women that ever lived.’

David Niven and Leslie Howard

Just to backtrack a little, in 1958 Rita appeared in Separate Tables. The screenplay was by Terence Rattigan and concerns a group of residents at a small hotel in the south of England. David Niven plays a disgraced former army officer who has been found guilty of apparently sexually harassing young women at a theatre. A news story in the local paper highlights this and he tries to stop the others from finding out, without success. Niven won an Oscar for his performance.

David Niven is one of my favourite actors and he wrote what I’ve always considered to the best book about the golden age of Hollywood, Bring on the Empty Horses.

In 1942 Niven was in England having left Hollywood to sign up with the army. He was asked to appear in what was a propaganda film at the time; The First of the Few, a story about R J Mitchell, the designer of the famous WWII aircraft, the Spitfire. Niven was under contract to Sam Goldwyn at the time but he allowed Niven to appear, in exchange for the US rights to the film. Niven played Squadron Leader Geoffrey Crisp who tells the story of his friend Mitchell beginning with the Schneider Trophy aircraft race of 1922. Later Mitchell visits Germany and sees how the Nazis are rearming and so resolves to design a powerful fighter for Great Britain. Mitchell died just as the government ordered the Spitfire into production and Niven as Crisp, ends his story just as he and his fellow pilots are scrambled into action.

Leslie Howard played the part of Mitchell as well as producing and directing. He was killed when the KLM flight he was aboard was shot down by the Luftwaffe in 1943.

Howard of course played Ashley Wilkes in Gone with the Wind which brings our connections full circle.

Thanks to Wikipedia creative commons for the use of the pictures in this post.

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Some More Random Classic Film Connections

Posted on by Steve Higgins

Back in the 1960’s I was a big fan of the Apollo moon missions and on UK TV one of the presenters was James Burke. Burke also did a TV show called Connections. It was a really fascinating series which connected various historical events to make a sort of chain which led up to something which was pretty unexpected. The episode that stands out in my memory was one about the atom bomb, various unconnected events and discoveries that together, led to the splitting of the atom. In today’s post, I’ve tried to do something similar but all relating to the world of film, so here are five fascinating connections.

Rebecca 1940

Rebecca is actually my favourite film from director Alfred Hitchcock. It was released in 1940 and was Hitchcock’s first American film. It is based on the novel by Daphne Du Maurier. The film stars Laurence Olivier as the aristocratic widower Maxim De Winter and Joan Fontaine as the shy young woman who becomes his second wife. The two meet in the south of France when De Winter is on the verge of jumping off a cliff top only to be interrupted by the shy young woman. The woman is never named in the film except for later when she becomes Mrs De Winter. This new or second Mrs De Winter seems to be living her life in the shadow of Rebecca, Maxim’s first wife. Later we find that Maxim murdered her after finding out that she was having an affair with Jack Favell played by the smooth and suave George Sanders.

I have to say I have always loved this film, the ruthlessly charming George Sanders, the gorgeous Joan Fontaine and the scary Mrs Danvers, the housekeeper dedicated to the dead Rebecca played by Judith Anderson. Joan Fontaine has never looked lovelier and the only blot on the film landscape are the rather poor models used to represent Manderley, the ancestral home of the De Winter family.

Joan Fontaine was actually the sister of Olivia De Havilland and the two seemed to have had a rather strained relationship. Olivia starred with Errol Flynn in the magnificent Robin Hood but is probably best remembered for her role in Gone With The Wind.

Gone With The Wind 1939

Gone With The Wind was actually being made at the same time as Rebecca and Hitchcock and producer David O Selznick, who produced both films, had numerous fallings out over Rebecca and Hitchcock was apparently happy that Selznick was preoccupied with GWTW which kept him away from the production of Rebecca. Selznick later made many edits and revisions to Rebecca which didn’t go down well with Hitchcock.

Gone With The Wind starred Clark Gable and much was made of a nationwide hunt for an actress to play Scarlett O’Hara. The eventual winner was Vivien Leigh. Olivia De Havilland played Melanie who marries Ashley Wilkes played by Leslie Howard.

The film is set in the American south at the time of the American Civil War and its aftermath. Scarlett O’Hara is the daughter of a plantation owner and she has the hots for neighbour Ashley Wilkes. Wilkes marries Melanie but Scarlett is unable to give up on her romantic feelings for Ashley even when she marries the roguish Rhett Butler.

Gone With the Wind is an epic film in every sense of the word and follows the fortunes of Scarlett and her family through the devastation of the civil war and into the reconstruction era afterwards.

Leslie Howard captures perfectly the slightly wimpy Ashley. Howard was not happy in Hollywood and returned to England after the filming to help with Britain’s war effort. He was a star of many English feature films but was sadly killed when flying back to England after a visit to Portugal where he was promoting the British war effort. Some have suggested that the Luftwaffe shot down Howard’s aircraft as the Germans believed the Prime Minister was on board. Others have speculated that Howard himself was the target as he had angered the Germans with his efforts to promote the British cause as well as the success of his film The First of The Few about the designer of the Spitfire aircraft.

The First of The Few 1942

David Niven plays the part of Squadron Leader Geoffrey Crisp and he tells his pilots of how his friend RJ Mitchell designed the Spitfire. He tells how Mitchell observed seagulls through his binoculars and envisaged a new high speed era of fighter aircraft. After entering an aircraft in the Schneider Trophy, Mitchell convinces Rolls Royce to design a new and powerful engine for the new breed of aircraft and eventually, the Spitfire is born. Leslie Howard played the part of Mitchell as well as producing and directing the film.

Casino Royale 1967

David Niven had left Hollywood in 1939 and returned to the UK in order to re-join the army and fight against the Nazi menace. As well as his army duties, Niven was released from time to time to appear in a few propaganda films, one of which was The First of The Few. He was attached to a commando unit named Phantom whose job was to find out enemy positions and report back to British commanders. After the war he resumed his film career starring in a British film A Matter of Life and Death which was chosen for the very first Royal Film Performance. Niven returned to Hollywood only to encounter terrible tragedy when his wife, whom he had met and married in England, fell down the steps into a cellar when the two were playing hide and seek at a Hollywood party. Niven must have been devastated but he carried on and later remarried.

In 1967 he appeared as James Bond in the Bond spoof Casino Royale. Ian Fleming, the author of the famous James Bond series, had sold the film rights to Casino Royale separately to the rest of the Bond books and producer Charles Feldman acquired them, hoping to do a deal with Eon productions who were producing the mainstream Bond series. When negotiations failed, Feldman who had recently had a big hit with the oddball comedy What’s New Pussycat, resolved to make a James Bond comedy satire and recruited Niven to star as Bond.

The film turned out to be a critical disaster. Two of the other stars in the film were Peter Sellers and Orson Welles. Peter played the part of a card playing expert and Welles was the villain, Le Chiffre, a spy who has spent a great deal of money that wasn’t his and intends to win it back in the casino. All went well during the filming but then Sellers approached the director Joe McGrath and demanded that he and Welles should not appear in the same shot. McGrath replied that the film was in widescreen and this could not be done. Sellers then threw a punch at McGrath and a fight ensued until they were split up by a stuntman. Sellers asked for a break but then disappeared from the set which might be why his character disappears abruptly from the film. Ultimately five directors and as many screenwriters contributed to the film.

As I mentioned earlier, Niven plays Bond in Casino Royale and interestingly, Ian Fleming had wanted Niven to play Bond in Doctor No, the first in the 007 films.

Another actor approached to play the part of Bond was Cary Grant. Grant was urbane and cultured and also British. He was in many ways perfect for the part of Bond. He was also close to producer Cubby Broccoli and in fact was Broccoli’s best man at his 1959 wedding. Grant was interested in playing the part but stipulated that he would only play the role once and wasn’t willing to do a series of films.

North By Northwest

Cary Grant appeared in numerous adventure films with an espionage background, in particular North By Northwest. Grant plays advertising executive Roger Thornhill who calls over a waiter in a New York hotel bar. The waiter was paging a George Kaplan and when Grant calls the waiter over, two thugs nearby assume Thornhill is really Kaplan. It turns out that Kaplan is a fake identity, created by American Intelligence agents to trap a spy played by James Mason. The film is an exciting cold war thriller and was directed by none other than Alfred Hitchcock, who directed Rebecca, bringing our connections full circle.

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4 Christmas Films

Posted on by Steve Higgins

I’ve had a pretty nice Christmas this year. Liz and I went to a Christmas party night in a local hotel with a huge group of friends. We had a family afternoon get together in a nearby pub and we had family over for Christmas dinner. After that it was time to relax, pour a glass of wine, break out the mince pies and settle down for some Christmas TV.

The Railway Children

I’ve always liked The Railway Children. I’ve seen it a number of times but I’ve very rarely seen it all the way through from start to finish. The film’s title sequence involves the teenage Bobbie, played by Jenny Agutter in the lounge of her home. The camera pans over various family photos and in this way the actors and their characters are introduced to us. Bobbie, short for Roberta, is the eldest daughter and has a younger brother and sister and they all live together with their parents. During Christmas their father is taken away and we think he has been arrested for some reason. Without their father, the family fortunes dwindle and they are forced to move to a country house in Yorkshire. There the children spend time watching the steam trains and visiting the railway station meeting various people including the station master played by Bernard Cribbins. They have various adventures and eventually their father is returned to the family. The Railway Children is probably the most delightful and charming film I’ve ever seen. It was written and directed by Lionel Jefferies and released in 1970. According to Wikipedia, Jefferies read the book while returning from the US to the UK en route to film Chitty Chitty Bang Bang and liked it so much he bought the film rights.

Amazing Film fact number 1: Sally Thomsett played Bobbie’s younger sister Phyllis aged 11 but in real life actress Sally was actually 20 and older than Jenny Agutter who played ‘older’ sister Bobbie. Sally’s contract forbade her to be seen smoking and drinking during the shoot.

It’s A Wonderful Life

It’s a Wonderful Life is one of those quintessential Christmas films that you can always find showing on TV at some time over the Christmas period. I love that film and come to think of it, I haven’t seen it for quite a few years. It’s about George Bailey played by James Stewart who looks forward to an interesting life of travel but then finds obligations force him to stay in the small town where he has always lived. George is beset by problems and even considers suicide but then his guardian angel -literally- arrives to help him. In order to prevent George committing suicide, the Angel shows George what life would have been like if George had never been born.

The secret of this picture is, I think, the fact that despite the fantasy premise of the film, everyone plays their parts as if they were in a serious drama. The result is that the drama and emotion of the situation rises to the surface and we are left with a vibrant and dramatic piece of cinema. The director, Frank Capra, has long been one of my favourite directors and in fact directed another of my favourite ever films, Lost Horizon.

Amazing Film Fact number 2: It’s A Wonderful Life was a box office failure when it was released in 1946. It only achieved classic status after 1974 when the film’s copyright expired and it was able to be broadcast on television without royalty fees. On TV the film found a new and enthusiastic audience.

The Greatest Story Ever Told

The Greatest Story Ever Told was directed by George Stevens who made such classic films as Shane and James Dean’s last film Giant. Stevens was a director who worked the way I would work if I was a director. He shot a great deal of film then sat back, reviewed everything and put his film together one brushstroke –or film clip- at a time. He chose Max to star as Jesus as he wanted a performer who was unknown to the general public.

Max was in a way an unusual choice to play Jesus; he was pale and blue eyed and had a faint Swedish accent. Even so, he played a good part, so much so that whenever I see another portrayal of Christ, I always mentally compare it to that of Max. As for being pale and blue eyed, I suppose it is inevitable that people everywhere will envisage their religious icons in their own terms.

He might have been better in choosing unknown actors for the other roles too because the many star appearances seem to stop the viewer in his or her tracks as we spot various top actors and actresses in minor roles.

I do have a personal reason for liking this film. Once, many years ago, my school friends and I were taken on a Christmas school trip to watch the film. We walked it as I remember in crocodile fashion from our junior school Crossacres, down Wiggins Hill and into Gatley, a small nearby village that boasted a lovely old cinema. That trip to watch this film did more for me than any teacher or RE lesson had ever done before or since and although I cannot claim to be overtly religious, I am certainly not an atheist and my respect for the person of Jesus has never been greater.

Amazing Film Fact Number 3: As I have mentioned, numerous star actors make guest appearances in the film from Sydney Poiter to Van Heflin, Angela Lansbury to Shelley Winters and many others but there is one I must mention; John Wayne as the Centurion who watches Jesus die on the cross. When Wayne uttered his immortal line, ‘truly this man was the son of God.’ Director George Stevens called ‘cut’ and asked Wayne to do the scene again but this time with more awe.

Wayne duly complied.

‘Action’ called Stevens.

‘Aww, truly this man was the son of God’ declared Wayne.

Blithe Spirit

I looked forward to watching this film with some trepidation. After all, the original version with a screenplay by Noel Coward himself and directed by David Lean was and still is a wonderful film and one of my absolute favourites. Rex Harrison plays the part of author Charles Condomine who invites Madame Arcarti into his home for a séance in order to see some of ‘the tricks of the trade’ that he assumes she will employ so that he can render these into his current novel. When the medium, played beautifully by Margaret Rutherford, conjures up the ghost or shadow of Condomine’s deceased wife neither he nor his current wife are amused. Coward himself adapted his own play for the screen and the witty dialogue presented immaculately in David Lean’s production is nothing short of a cinema gem.

Anyway, this new version starred Judi Dench as Madame Arcarti and did not in any way follow the path of Coward’s original although some of the old dialogue could occasionally be detected. Dan Stevens stars as Charles Condomine and Isla Fisher as his wife. Charles’ late wife, Elvira is played by Leslie Mann. Charles is writing a screenplay and he is suffering with writer’s block. However, on seeing what turns out to be a disastrous stage performance by Madame Arcarti, he invites her to his home where, just like the original, she evokes the spirit of Elvira. It turns out that Elvira wrote most of Charles’ books and the current Mrs Condomine isn’t amused when Elvira decides to help out with his pending screenplay.

The whole thing kept me quiet for a couple of hours but was hardly a patch on the original. For a start when current filmmakers film a story set in the past like this one which was set in the 1930’s, nothing ever looks as if it has been used before. Even though everything I’m sure was authentic; the motor cars, the furniture, the clothes and so on, everything is too good, too perfect, even down to the 30’s style haircuts and the art deco home where most of the action takes place. The other thing about the late 30s and early 1940’s is that the rhythm of the speech back then was quicker and more precise. Listen to actors like Rex Harrison, Constance Cummings and Margaret Rutherford from the original film or others from the period like David Niven, Ronald Colman and many more, their speech and delivery is so perfect and effortless, it is just a joy to listen to.

I don’t have any amazing facts about this film but the review in the Guardian was rather cutting: It can only be described as an un-reinvention, a tired, dated and unfunny period piece that changes the original plot a bit but offers no new perspective, and no new reason to be doing it in the first place.

That was a small slice of my TV viewing over the Christmas period and I can’t think of a Christmas period when my TV recordings have been so few.

Oh well, another mince pie anyone?

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Favourite Film Directors Part 4: David Lean

Posted on by Steve Higgins

The other day I was waiting in for a repairman to come and fix something. He was due sometime between 12 and 6pm so I nipped out early, did my shopping, returned home for a late breakfast and settled down to wait. I flipped on the TV and was pleasantly surprised to see the film Hobson’s Choice about to start. Hobson’s Choice was directed by David Lean and it just so happened that the previous night, sorting out various bits and pieces, I came across a lovely book about David by his widow Sandra so without further ado I thought it must be the perfect time to write a post about another of my favourite directors.

David was born in 1908 and spent his early life in Croydon (actually 38 Blenheim Crescent, Croydon) until his parents divorced. His father moved out and left the family in 1923 which must have been an upsetting moment in Lean’s young life. Another perhaps more significant moment was when an uncle gave him a camera when David was aged 10 and then Lean began to develop and print his own photographs.

In her book, David Lean: An Intimate Portrait, by Sandra Lean, his widow tells us that David was considered a ‘dud’ at school and his headmistress wondered whether he would even be able to read and write.

When he left school he began work as an apprentice at his father’s accountancy firm and at night spent his spare time at the cinema. The Gaumont film studios were nearby and Lean managed to get himself employment there starting out as a tea boy. He later became a clapperboy and gradually rose up to become a newsreel editor.

Later Lean moved on to editing feature films and was asked to work with Noel Coward on In Which We Serve. David asked to be credited as a co director on the film and Coward wasn’t too keen at first but eventually gave way. According to an interview with Lean I saw many years ago, Noel Coward soon became bored with the process of directing the film and mostly left the job to David.

Lean directed other adaptations of Coward’s plays including Blithe Spirit, filmed in colour and the highly regarded Brief Encounter, the latter winning grand prix honours at the 1946 Cannes film festival. The atmospheric exterior shots of Brief Encounter were filmed at Carnforth Railway Station in Lancashire which still exists today.

Lean married six times and three of his films featured his third wife Anne Todd. The last of the films with Todd was The Sound Barrier made in 1952 which has a screenplay by the playwright Terence Rattigan.

Hobson’s Choice, the film I mentioned earlier, is a film that shows a different side to David Lean. It’s a character driven comedy made in 1954 with excellent performances from Charles Laughton and Brenda De Banzie and a world away from the epics that David Lean later became famous for. It was hugely enjoyable to watch and one tends to forget that in his earlier years Lean made many films of a similar nature. His reputation though, at least in part, stems from a series of epics the director made starting with The Bridge on the River Kwai and including Lawrence of Arabia, Doctor Zhivago, Ryan’s Daughter and his final film which he directed, edited and wrote the screenplay for, A Passage to India.

His great collaborators were Robert Bolt who wrote and rewrote many of the screenplays used in Lean’s films, John Box his art director and production designer and Maurice Jarre who wrote the musical score for all Lean’s films from Lawrence of Arabia to his final film A Passage to India.

Sandra Lean muses that perhaps because of his parents’ divorce, David lived mostly in a series of hotels and a few rarely visited houses. He declared that ‘I have four shirts, two suitcases and the Rolls. I need no other possessions or a home’. In his later life he bought a warehouse property named Sun Wharf, situated on the banks of the river Thames at Limehouse in the east end of London. Architects, builders and decorators were brought in and the property was transformed by David, almost as if he were building a set for a new film. A similar thing happened to a property he and Sandra bought in France.

In 1970 he made Ryan’s Daughter. It’s personally not one of my favourite films and it’s hard to see why David Lean was so interested in the story. It is set in Ireland during the time of the First World War and tells the story of a married Irish woman played by Sarah Miles, (who was actually the wife of the screen writer, Robert Bolt) who has an affair with a British officer. Robert Mitchum played her husband but the only really outstanding performance was that of Sarah Miles. Many critics felt that the small scale romantic story did not fit with the film’s massive visual scale and long running time.

The film did however win two Oscars for cinematographer Freddie Young and supporting actor John Mills. The poor reception of the film prompted David to meet with the New York critics at the city’s Algonquin Hotel. I’m not sure if David wanted to reason with them or just find out why they didn’t like the film but they spent two hours attacking his production. David came away devastated and would not make a film again until A Passage to India in 1984.

He did try to make another film prior to A Passage to India. He was very interested in the story of Fletcher Christian and Captain Bligh and the mutiny on board the Bounty. He spent a few years living in Tahiti researching and making preparations for the film which included overseeing the construction of a replica of the Bounty but when Robert Bolt suffered a stroke and was unable to continue working on the script David backed out of the project. Producer Dino De Laurentis had ploughed a lot of money into the production and he agreed that a new director, Roger Donaldson, a friend of star Mel Gibson, could continue in David’s place. The film was later released as The Bounty.

In the late 1980’s David began to work on his last film, Nostromo, an adaptation of the novel by Joseph Conrad. Various scripts were produced including one by Robert Bolt. Sets were built and a budget of 46 million dollars was allocated but sadly, David Lean succumbed to throat cancer in 1991 and the production collapsed.

His work, in particular his sweeping visual style, inspired a new generation of film makers including Steven Spielberg who took over another unfinished project of David’s, Empire of the Sun.

In Sandra Lean’s book she tries hard to get at David Lean’s inner self; his actual character. He was apparently a man who accepted that some people would go out of his life and that would be that; they would be gone just like a cut in a piece of film. Once people were cut out, like his previous wives, he would never look back but whatever he was like, he was someone committed to motion pictures and Sandra quotes a speech given by Celia Johnson from In Which We Serve, in which she thinks if we substitute ships for film, we might get a true understanding of the man.

In 1987 Lawrence of Arabia was restored by film restoration expert Robert A Harris. David heard about the project and rushed to assist. Producer Don Siegel had cut elements out of the film to reduce its running time and Lean felt that now was the time to restore them. The producers could hardly say no to David Lean.

It just so happens that I have that restored version on DVD so as I’m feeling rather chilly on this December afternoon writing this, I might just dig out my copy, make a cup of tea and give it a viewing, or should I go for Blithe Spirit, the wonderfully witty play filmed by David Lean in 1945?

Which David Lean film would you watch?

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Reviewing the Rocky Franchise

Posted on by Steve Higgins

I’ve always liked the original Rocky film but something more interesting than the film itself is the story of how it came to be made. In the mid-seventies Sylvester Stallone was a bit part actor with few acting credits to his name. One day in 1975 he watched the Ali v Chuck Wepner fight in which Wepner lost but managed to stay 15 rounds with heavyweight champion Muhammad Ali. Stallone, inspired by the bout, wrote a screenplay about a washed-up fighter called Rocky who manages to stay the distance with the world champion. He passed the screenplay to his agents who took it to various producers. The screenplay was good and many producers were interested but Stallone attached one small condition to the sale, that he himself had to play the part of Rocky.

The producers who finally picked up the screenplay were Winkler-Chartoff productions. They had a contract with United Artists but UA still wanted a big name star in the title role. Burt Reynolds and James Caan were suggested but Stallone hung on and continued to insist that he played Rocky. I have always thought that Stallone was offered a million dollars to let James Caan play Rocky but according to an article I read which quoted Stallone himself, the offer went up to $340,000 and he still said no. Eventually the producers gave in and Sylvester Stallone received just $35,000 for acting and writing the screenplay plus a percentage of the profits. United Artists had a major production in the pipeline at the time, New York, New York, a big budget musical and they felt that the profits from that film would cover any losses on Rocky. In fact, the musical was a flop and those losses were covered by the success of Rocky.

The basic plot of Rocky is that World Champion Apollo Creed, played by Carl Weathers and based loosely on Muhammed Ali, is let down after planning a title bout to be held during the US Bicentennial celebrations. His opponent backs out and no other contender is available. Creed decides to rescue the fight by selecting an unknown boxer for the hugely publicised event. He chooses Rocky Balboa, a part time boxer and debt collector. The problem is, Creed thinks it will just be a demonstration match but Rocky thinks he can win.

The film was a low budget production but is still a great looking film. It was one of the first films to be shot with a Steadicam, a revolutionary camera mounting which absorbs movement. It was used in the fight scenes and the scene in which Rocky runs through the market in Philadelphia. In a sequence filmed at a skating rink, the producers had no money for any extras so they changed the script. Instead of skating with extras, Rocky and his girl Adrian bribe the cleaning staff to let them in when the rink has closed and is empty.

Joe Frazier makes a cameo appearance in the film and in fact some aspects of his life were used on the film as part of Rocky’s training regimen, running up the steps of the Philadelphia Museum of Art and punching the meat carcass in a freezer.

Rocky was released in 1976 and grossed over $5 million in the first weekend of its national release and a later box office of 225 million dollars worldwide. The film was nominated for various awards and won the Oscar for Best Picture. Stallone’s pay packet has increased with each subsequent instalment of the film franchise but even today he still isn’t happy that the producers, rather than Stallone himself, own the rights to the Rocky character.

Verdict: 10/10

Rocky II

Given the huge success of the original there was really no doubt there would be a sequel. The film starts just where the last one left off except in the original the two fighters agree that there will not be a rematch. In this sequel, Apollo Creed does a quick reversal and is immediately on at Rocky about a rematch. Rocky is not sure what to do with his new found celebrity or with his money. He buys a house and a new car. He tries his hand at TV advertising but when that fails he sinks deeper into debt and begins to consider fighting again. His manager played again by Burgess Meredith is against the idea but when Apollo ups his campaign to get Rocky to fight and publicly insults Rocky, he finally comes on board. Adrian isn’t keen on the idea and Rocky trains in a lacklustre fashion until she gives him her blessing.

The title bout begins and at the end the two fighters knock each other down together but it is Rocky who gets up to claim the win.

Stallone asked to direct the film and when John G Avildsen, the director of the original film was unavailable, he got his chance.

I’ve seen this film before and always thought that in a way it was just a remake of the original. I watched it again for this blog and rather enjoyed it.

Verdict: 7/1

Rocky III

Rocky is doing well as the heavyweight world champion. He is settled with Adrian and has a son. He takes on various contenders but is constantly hassled by Clubber Lang, played by Mr T, for a title shot. Rocky agrees to meet Clubber in the ring but his manager Mickey, played by Burgess Meredith, is not so keen. On the night of the match Mickey dies of a heart attack and Rocky loses to Clubber. Apollo Creed decides to help Rocky and takes over his training for the rematch. After a tough match he wins back his title and the film finishes with Rocky and Apollo getting together in the ring for a friendly and private bout.

Stallone wrote the screenplay and directed the film and the theme song, Eye of the Tiger won an academy award.

I had not seen this before but watched it last week and thought it was pretty good.

Verdict: 7/10

Rocky IV

Can’t say I was totally impressed with this film. Apollo Creed decides to make his comeback with a fight against Russian Boxer Ivan Drago played by Dolph Lundgren. Creed is badly beaten by the Russian and dies from his injuries. Rocky agrees to fight Drago in Russia and takes a predictable win. It was again written and directed by Stallone and he and Lundgren traded real punches in the filming which ended up with Stallone in intensive care. Stallone’s future wife Brigitte Nielson played Drago’s wife, Ludmilla. Bill Conti who wrote the musical score for all the other Rocky films was absent from this one and instead Vince DiCola produced the disappointing music.

In 2021 Stallone released a new version of the film and the re-edited and re-released film was titled Rocky Vs Drago. The new version is only slightly longer but apparently was meant to add more depth to the relationship between Rocky and Apollo Creed as well as cutting some sillier elements like the robot Rocky gives to Paulie as a gift. A review I read in the Guardian felt that Stallone only marginally succeeded.

Verdict 4/10

Rocky V

This is probably the low point in the franchise. Original director John G Avildsen returned to the director’s chair and Stallone intended it to be the last in the Rocky franchise but it’s possible that because it was badly received, he went on to make Rocky Balboa.

Rocky returns from Russia but retires from boxing due to an injury. He then finds that his brother-in-law Paulie has given power of attorney to Rocky’s accountant who has then gone on to squander Rocky’s fortune. Rocky and his wife have to sell their home to pay their debts but Rocky finds purpose in training a young fighter. The relationship later sours and the two engage in a street fight which Rocky wins.

I have to admit that this is one Rocky film that has eluded me so far. Over on Rotten Tomatoes the review went like this: “Rocky V’s attempts to recapture the original’s working-class grit are as transparently phony as each of the thuddingly obvious plot developments in a misguided instalment that sent the franchise flailing into long term limbo.”

Verdict: Rotten Tomatoes gave the film only a 29% approval rating.

Rocky Balboa

I have two of the Rocky films on DVD. One is the original Rocky and the other is this one, Rocky Balboa. It’s a really thoughtful entry into the Rocky franchise. Rocky has retired. His wife has died and he has lost a lot of his money. His income comes from a small Italian restaurant in which many of the patrons come not just for Italian food but also to meet the former heavyweight champion of the world, Rocky Balboa.

The current champion Mason ‘the line’ Dixon has been criticised for fighting easy opponents. To get some positive publicity, he decides to enter into a computer fight with Rocky. It’s a fight reminiscent of the encounter between Rocky Marciano and Muhammad Ali in the 1970’s. At the time Marciano and Ali were the sport’s only two unbeaten champions. They were filmed sparring for various rounds and the result decided by probability formulas entered into a computer. Two different outcomes were filmed, the version shown in the UK showed Ali winning which my father was not happy about as he loved boxing and was a particular fan of Rocky Marciano.

In the film Rocky is judged to have won the computer fight and so decides to renew his boxing licence. Mason, not happy about being beaten, challenges Rocky to an exhibition fight which both men want to win. Mason emerges as the winner but Rocky doesn’t seem to mind. His day is over and he receives a standing ovation from the crowd.

This was probably the very best entry into the Rocky series. Rather than just boxing, the film looks at Rocky himself as he gets older, mourns the loss of his wife, and worries about his relationship with his son. He revisits many of the locations in the original Rocky film including his old house and the pet store where he met his wife. The only problem I had with the film was that the actor playing Mason Dixon didn’t look much like a heavyweight boxer to me. Surprise, surprise, then when I found out that actor Antonio Tarver was in fact a former light heavyweight champion! Ah, not a proper heavyweight then.

Rocky Balboa was the last in the Rocky series although a spin off series began in 2015 with Creed in which Rocky mentors boxer Adonis Johnson, the son of Apollo Creed. Although Stallone apparently contributed to the story, he did not write or direct either this or the following films. He isn’t happy about the producers owning the rights to characters he created either and publicly tweeted his unhappiness about a reported spin off film about Drago, the Russian boxer in Rocky IV.

In a lot of ways, the Rocky films parallel Stallone’s own life. He turned down big money offers to let others play what was the role of a lifetime, took it on himself and was propelled to film stardom.

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