Tag Archives: cinema

Remembering James Dean

Posted on by Steve Higgins

Back in the 1970s my Saturday ritual involved getting the bus into town and scouring book and record shops for, yes, you’ve guessed it, books and records. One day back then I was flipping through the posters in one particular shop. The posters were the music stars of the 70s; Elton John, Mick Jagger, Suzi Quatro, David Bowie and so on but one was a picture of a really good looking guy with a fifties combed back hair style. In some pictures he was dressed like a cowboy and in others in a red jacket and denim jeans. The guy behind the counter must have seen me wondering who the guy was and he told me he was a film star called James Dean. He handed me a paperback book about the actor and I took it home and read it and very soon I was trying to find out everything I could about him.

James Dean had been killed in a car crash in 1955 and had only appeared in three films and at the time of his death, only one of those films had been released. I read a great deal about Dean when I was in my late teens and from what I could find out, the biography to read was written by his best friend, William Bast. I never managed to get a copy of that book back then but Bast produced a made for TV film version, James Dean: Portrait of a friend with Stephen McHattie as Dean.

As TV biopics go, Portrait of a Friend was pretty enjoyable but I don’t think I’ve ever seen it repeated on TV. I used to have a VHS recording of the film but when I looked recently I was unable to find it. Funnily enough, not long ago I was in one of those budget shops, it might have been Poundstretchers and I saw a copy of the film on DVD. It was a very poor version, in fact it looked as though it had been copied straight from an old VHS tape but even so, it was interesting to see it again.

Watching that DVD got me interested in Dean again and so I had a search through my book collection to see what books I had on the subject.

The paperback book I bought that day in the record shop in the 1970’s was probably James Dean: A Short Life by Venable Herndon. It wasn’t a great book but an interesting introduction to Dean and who he was. It detailed his struggle for acting roles, TV work in New York, his apartment at 19 West Sixty-Eighth Street, his three films, his doomed affair with Pier Angeli and of course his death.

A similar book although bigger and with more photographs was a biography by John Howlet. I couldn’t find that particular book although I’m certain I wouldn’t have given it away or thrown it out.

A slightly different book I bought back in the 1970’s was a Japanese book about Dean. I’m not sure of the title, there are some Japanese ideograms and the name in English, James Dean, on the back cover. There is little text inside the book, basically it’s just a picture album and I guess the Japanese read books from right to left as the book starts with his last film and then finishes with his first film.

My Japanese James Dean book.

James Dean by David Dalton was another purchase back in the 1970s. It’s a much more in depth look at Dean’s life and skimming through it I came across a few pages about Dean’s last day, Friday September 30th, 1955. The author presented a short timeline of that day starting from 8am when Dean picked up his silver Porsche from Competition Motors in Hollywood to 5.45pm when he was killed in a car accident.

James Dean was competing in a car race in Salinas and had decided to drive his competition car, the Porsche, to the event as the car was brand new and Dean wanted to get some miles on the clock.

As well as my books on the famous actor I also have a box set containing his three films.

East of Eden is based on the final part of the book by John Steinbeck. It’s about two brothers who compete for the love of their father. Dean played the ‘bad’ brother and the father was played by veteran actor Raymond Massey who was continually shocked by Dean’s bad language and sullen and moody demeanour.

Rebel Without a Cause is probably the most well known of Dean’s three films. Dean plays Jim Stark, a rebellious teenager who has been in trouble at school and has either been expelled or forced to leave. The film follows him on his first day at the new school as he attempts to make friends with a group of fellow classmates but the result is that he makes more enemies. He gets involved in a ‘chicken run’ with fellow classmate Buzz in which the two have to drive a stolen car towards a cliff edge and the last one to jump out is ‘chicken’. Buzz fails to exit his car and is killed.

It’s a great film even though James Dean looks far too old to be still going to school.

His final film was Giant based on a novel by Edna Ferber. The film is set in Texas and is about millionaire ranchers and cattlemen. Dean plays Jett Rink, a sullen ranch hand who unexpectedly inherits some land, finds oil there and suddenly becomes rich. After punching ranch owner Rock Hudson, Dean, covered in oil after striking oil, drives away as Chill Wills says, ‘you should have shot that fella a long time ago. Now he’s too rich to kill.’

Another book I picked up only recently was another picture album James Dean: Portrait of Cool edited by Leith Adams and Keith Burns. It’s an album of photographs found in the Warner Bros archive and some have not been published before. Included are all sorts of documents such as casting sheets, production notes and messages. Dean’s address is listed as 3908 West Olive Avenue which I think might have been a place he shared with Dick Davalos who played his brother in East of Eden. During Rebel Without a Cause, Dean was listed as living at 1541 Sunset Plaza Drive.

1541 sunset Plaza Drive today from Google Maps.

Last Christmas Liz bought me one of my favourite presents, a copy of the Bill Bast memoir I mentioned earlier. Bill Bast shared apartments in both Hollywood and New York with Dean. In Hollywood, Bast became frustrated sharing a home with his friend. In the book, Bast accuses Dean of being untidy and moody and seemed to feel that he was subsidising Dean at one point as Bast was the only one with a job. After a dispute Bill decided to move to another apartment although the two remained friends. The book is written almost as if Dean was the love of Bast’s life and perhaps he was. In later life Bast wrote another memoir in which he claimed he and Dean had a gay relationship.

I’m not sure why someone like me, a council house boy from Northern England, should connect so closely with James Dean but back in the seventies the late star became one of my personal heroes. I remember going to a cinema on Oxford Road in Manchester to see back to back showings of East of Eden and Rebel Without a Cause on a very hot summer’s day. I bought a soundtrack album of those movies too, in the days before video and DVD.

Dean was a counterpoint to actors like Richard Burton; he mumbled and mispronounced things. I think that was what I liked about him; he was natural and imperfect. He had an image more rock star than 50’s actor. There was a great documentary about him made in the 70s and the music of the times, Bowie and Elton John featured heavily. Anyone remember that Eagles track ‘James Dean’?

Dean met his end on September 30th 1955 as he sped towards a race meeting in Salinas. He had already been stopped by the police and given a speeding ticket while driving his Porsche. In the passenger seat was his mechanic Rolf Weutherich and following behind was photographer Sandforth Roth and his friend Bill Hickman. They were towing the trailer on which the Porsche was originally mounted before Dean decided to drive.

As Dean approached the intersection of routes 466 and 41 in Chalome, a Ford station wagon turned across the path of the Porsche. “That guy up there’s gotta stop.” said Dean. The two cars collided. Rolf was thrown clear but James Dean was killed.

Today, years later, thousands of fans make pilgrimages every year to see Dean’s home in Fairmount, Indiana and to the intersection on highway 466 where he died. At his graveside in Fairmount fans chisel away bits of his gravestone for mementos and a bust of Dean by the sculptor Kenneth Kendall was ripped from its plinth. In 1977 a Japanese businessman named Seita Ohnishi had a chromium sculpture erected at the crash site on highway 466 in memory of Dean.

So why do people still hanker after James Dean all these years later? Well, I simply don’t know. As a young man I thought Dean was the epitome of cool and like many others I made him into my hero. Whilst doing some research about Jimmy Dean I came across this line on another site: “Some people are living lodestones. They get under the skin of people. You can’t explain why.” I can’t disagree.

Still, heroes come and heroes fade away. My heroes today are not the ones I used to love and worship thirty years ago. The thing is though, after writing this essay about Jimmy Dean I felt that I must find the time to look at some of his films again. Now where did I put that James Dean box set?

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A Slice of My Life 2024

Posted on by Steve Higgins

It’s a long time since I’ve made a video for my YouTube channel and recently I’ve been trying to think about what my next project should be. When I’m stuck for a video I tend to tweak or even remake some of the short videos I use on social media to promote this page and my two books. In fact my YouTube page is made up of quite a lot of videos like that as well as numerous short video versions of my poems. Every now and again I try and put something different together. I usually make a video about our yearly trips to France in our motorhome and I’ve made a few videos about Manchester, my home town and also the place where my book Floating in Space is set.

Liz and I have just spent 5 weeks in Lanzarote and although I took my video camera over there I actually didn’t use it except to take some holiday snaps.

Last week I decided to take a little jolly out on the bus over to Stockport and see how the new bus station, currently under construction there, was coming along. Travelling to Stockport on the bus made me think about how our lives change and move on. Back in 1979 I was a coach driver for National Express but I wasn’t happy with the job. In the summer of 79 I was 22 years old and far too young and immature to do such a responsible job. Covering the long distance National Express routes wasn’t too bad but private hires were difficult as the driver had to plan his routes and to be honest I didn’t know my way about the country particularly well.

After being stuck on the same long distance bus route from Manchester to Lowestoft far too many times I packed the job in. I went to ask for my old job back at GM Buses but they gave me a big lecture about how they were fed up of training drivers only for them to resign and go driving for other companies and so I was turned away. That same afternoon I drove over to the GM Bus depot at Stockport where they were short of staff and they started me the same day. For over ten years I spent every working day in Stockport taking fares and later, driving buses. Returning in 2024 after over 30 years away was interesting, I must say.

Most of Mersey Square, the square at the very centre of Stockport, was fenced off while the builders worked on the new bus station. A huge railway viaduct spans the centre of Stockport and the bus station or bus interchange as they are now calling it is mostly on one side of the viaduct with part of it spilling over onto the other side. Someone told me it was due to open in two weeks time but looking around, that seemed to be a pretty tall order.

I shot some video in the square then walked around the construction, filming as I went. I was planning to film myself with my trusty selfie stick and chat away to the camera about my memories of Stockport but as usual, I felt a little self-conscious and just stuck to filming the new construction. I couldn’t walk through the area as of course the builders were still working so I had to walk around it.

When I got to the other side a new Stagecoach bus went past on its way into the Stagecoach garage. It was displaying the route number 192 which is a very busy bus route indeed, going down the A6 from Hazel Grove into Stockport and then on into Manchester. Back in my day there was a 192 every six minutes and each one was packed. Looking back I must have spent an awful lot of time going up and down on that bus route.

When the bus services were deregulated in 1986 the Busy Bee bus company tried to muscle in onto our route and so the service moved up to one every three minutes! Yes we would load up in Piccadilly, Manchester. An inspector would count three minutes and then you were off. Straight away there was a set of traffic lights and if you hit those on red you were in trouble as the bus behind was already following you out.

I followed the Stagecoach bus round the corner to the old GM Buses depot, now of course owned and run by Stagecoach. Inside it was full of buses and for a moment I remembered the old days when it was full of the old orange and cream of GM Buses.

I left the bus company in the early 1990s and started my own company selling motorsport memorabilia. I loved that job and spent all my day chatting to various regular people about F1 and motorsport but sadly, I didn’t make a lot of money, eventually selling all my stock to someone who had a similar business. After a failed attempt to become a TV producer I ended up short of money and went back to GM Buses. I worked for the GM coaching company known as Charterplan. After a short while there I transferred to an office job in the GM Buses control room in Ardwick, Manchester and that was the last time I set foot in Stockport, until last week.

The Comfy GillI walked round to the other side of the bus depot and there opposite, what used to be the main exit for our buses, was the Comfortable Gill. The Comfy, as we affectionately called it, was the pub where we busmen used to drink after the day’s shift was over. At one time if a driver was due to finish after last orders at 11, the landlord used to accept telephone orders for a pint so sometimes we could pull in at 11:20, park the bus in the depot and then pop over to the Comfy to find a pint waiting for us to sup while we cashed up our day’s takings. When I saw it the other day the Comfy was all closed up and looked neglected. So many of Britain’s pubs have closed down and I walked away hoping that the Comfy might be saved in the near future.

It’s always interesting to look back and have a stroll down memory lane. I can’t say working at GM Buses was a great job and looking back I wonder why I stayed so long. Of course back then I had bought a house and I had a very expensive mortgage to pay and I put in a lot of hours to pay for it. Perhaps I would have been better served by prioritising my career rather than my house. Oh well!

Liz and I went to the pictures this week. It was the first time we had visited the cinema since seeing Oppenheimer last year and although I didn’t rate it as the work of genius many people seem to think it is, Oppenheimer was certainly an excellent film and deservedly won the best picture Oscar.

The film we went to see was Wicked Little Letters set in England after the first World War. It’s about an Irish lady who comes to live in an English village. She is outspoken, very rude and swears a lot and is soon branded as the author of a very nasty series of poison pen letters. It wasn’t a bad film but what was odd was the way the 1920s were portrayed. There was a black judge, a black Asian policewoman, numerous other black people and the Irish lady was living with a black man. It was if they had substituted 1920s life with today’s multicultural society. I’m not sure why they would do that but the end result was that the entire film looked a little bit strange. Why didn’t they just set the film in the present day when different ethnic groups, as well as bad language is just the norm? Or was the director trying to make some point about society that perhaps I have missed? Wicked Little Letters isn’t a bad film in fact it’s quite amusing in a way and was actually based on a true story but that cutural shift just didn’t work for me.

Perhaps we all look back at the past in different ways.

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Boy Meets Girl

Posted on by Steve Higgins

I’ve watched quite a few films recently that come into the romcom category. It’s not my favourite genre but I thought I’d put together a short list of my favourite ones so here we go.

Four Weddings and a Funeral

I’d not seen this film for a while so it was great to see it pop up on my TV screen recently. I sometimes think of Four Weddings as a sort of modern Ealing Comedy, if Ealing were still making movies of course. There are a couple of elements that stop it from being perfect. One is the use of the F word. Why make a gentle comedy and then throw in a few gratuitous F words? I really don’t get it. The other thing is this, Hugh Grant plays a character who falls in love with a girl played by Andie McDowell. Andie McDowell, I’m sorry to say, doesn’t do it for me at all. She’s not, to me, that great looking and has a particularly irritating voice, all of which makes it a little difficult for me to identify with the Hugh Grant character, who, as I mentioned, has the hots for her.

In many ways I have a similar problem with the Steve Martin film LA Story. Steve’s character has the hots for a girl played by Victoria Tennant who is very pleasant, very nice but sadly, she doesn’t do it for me either. Happily, I can honestly say that in Casablanca I can fully identify with the Humphrey Bogart character, although whether I would have put Ingrid Bergman on the plane and stayed behind with Claude Rains, well that’s another matter.

Four Weddings and a Funeral is the movie that brought fame to writer Richard Curtis and actor Hugh Grant, as the announcer on Film 4 mentioned. Strangely, he didn’t mention Mike Newell, who directed the film. Funny how the credit from a successful film doesn’t always get spread equally around.

Notting Hill

It just so happens that this film, Notting Hill, was written once again by Richard Curtis. It’s not a movie classic, at least I used to think that but perhaps in its own way, a very minor way, perhaps it actually is. It’s a pleasant film to watch, it’s mildly amusing but it suffers, at least for me in that Julia Roberts, like Andie McDowell in the film above, just doesn’t really do it for me. Julia, in case you didn’t know is the love interest for Hugh Grant. Grant plays a young guy who owns a travel bookshop in London’s Notting Hill. One day in comes famous film star Julia. Grant gets involved with her, his middle class friends are suitably impressed and give advice when the love train comes off the rails. There are no car chases or shootings although now I come to think of it, there is a sort of car chase through the streets of London but it’s all a great deal of fun and right at the end the bookstore owner gets his film star girl.

You’ve Got Mail

This is a 1998 film based on the old James Stewart classic The Shop Around the Corner. Tom Hanks is Joe Fox who owns a massive discount book shop which is about to open just around the corner from Kathleen Kelly’s small bookstore The Shop Around the Corner. Meg Ryan plays Kathleen whose shop is a New York landmark but looks like going under when the big discount store opens. Joe and Kathleen meet but naturally they don’t like each other as it looks like Joe might put Kathleen out of business. Now it just so happens that Joe and Kathleen are internet penpals. They met on a chat site and only know each other from their chat line ‘handles’ so neither realises who the other actually is. Both are unhappy with their current partners and they decide to meet but Joe takes a peek at his date and realises it’s Kathleen.

Eventually Kathleen’s bookstore is forced to close down and she and Joe finally get it together.

Nora Ephron directed and wrote the script and the result is a really lovely film. Personally, I would have liked to see Billy Crystal in the Tom Hanks part but that’s just me. One last point, I wonder if younger viewers will understand the concept of ‘dial up’ internet?

His Girl Friday

They made rom-coms back in the old days too although this film from director Howard Hawks is probably more thought of as a screwball comedy as they used to call them back then. Cary Grant plays a newspaper editor and his top reporter and ex-wife Hildy Johnson, played by Rosalind Russell, is about to get married. Cary Grant as ex-husband Walter Burns wants to cover one last story with Hildy but he is also determined to sabotage her marriage plans. He frames Hildy’s husband-to-be, Bruce, in a theft and later sets him up with counterfeit money.

Hildy wants to help Bruce but finds that the case she is working on is actually more interesting. Eventually Walter and Hildy agree to remarry on condition that they honeymoon in Niagara Falls but Walter realises there is a strike in Albany so they divert there to honeymoon and cover the story.

There is a lot of fast-moving witty dialogue in the film and the director encouraged the actors to improvise although according to Wikipedia, Russell had a ghostwriter beef up her lines so she could insert them when she and Cary were improvising. Director Hawks wanted to produce a film with the fastest dialogue ever and he certainly succeeded.

Love Story

I wrote a post a long time ago called Unseen TV and it was about films that I hadn’t seen on TV for many years. I wonder if some TV executive had actually read it because very soon afterwards all but one of those films had appeared on terrestrial TV. Love Story is one of those films that I could have included. I can’t even remember the last time it had a showing on British television.

Love Story is a 1970’s tearjerker about a couple who fall in love and get married. Ryan O’Neal plays the son of wealthy Ray Milland who does not approve of his son’s impending marriage and threatens to cut him off financially if the wedding goes ahead. The pair get married anyway and Jenny played by Ali McGraw tries to support her new husband Oliver played by O’Neal as he goes through law school. She gets a job as a teacher to pay Oliver’s tuition bills and he eventually graduates. They have trouble conceiving but after tests they find Jenny is terminally ill.

The tagline for the film, used in all the publicity was ‘love means never having to say you’re sorry’. Yes, it was sentimental but it was well acted and well put together and I hope some British TV channel happens to read this and finally shows it again.

Definitely Maybe

This is not a film I would normally have watched but Liz chose it and we both watched it together. I’ve got to say that I didn’t pay much attention during the first part but gradually I got really interested. It’s about a divorced guy called Will, played a little lamely by Ryan Reynolds who decides to tell his 9 year old daughter the story of his life, well his love life anyway. He tells the story of the three loves of his life but uses fake names so the child won’t realise which of the stories concerns her mother. Girl 1 cheats on him when he moves to New York. Girl 2 is a girl who runs the copier where they both work on Bill Clinton’s election campaign and girl 3 is a girl who is involved with an older guy when he meets her. The older guy is a famous writer played by Kevin Kline in a really rather good cameo part. As the story unfolds we see who Will is really fond of, who turns out to be his daughter’s mother and who he will eventually end up with. It turns out that one of the girls collects inscribed copies of Jane Eyre as she is looking for a copy inscribed by her late father that she had lost. Will eventually finds the copy in a bookstore and presents it to her.

The film was written and directed by Adam Brooks and the next time I see it shown on TV I will definitely pay attention to the film’s beginning. To sum up, the film is a load of sentimental tosh but having said that, I actually kind of liked it.

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Remembering Cary Grant

Posted on by Steve Higgins

I’ve been a fan of Cary Grant for a very long time. I love his smooth and debonair style, his handsome and tanned good looks and that rather languid transatlantic brogue of his.

In the TV series Archie currently streaming on ITV X they seem to be saying that all of that was an invention, an invention by an Englishman called Archie Leach who transformed himself into a successful Hollywood film star named Cary Grant.

Grant was born Archibald Leach in Bristol, England in 1904. He had a poor upbringing and his mother suffered from depression and his father was an alcoholic. The young Archie was interested in the theatre and performing and his mother was keen on him having piano lessons. His older brother had died before reaching the age of one and this perhaps made his mother a little over protective of the young Archie. Even so, his mother was not a woman who was able to give or receive love easily and the older Cary Grant blamed his childhood relationship with his mother for his problems with women in later life.

When Archie was 9 years old his father placed his mother in Glenside Hospital, a mental institution, telling his son that she had gone away on a long holiday and later, that she had died.

Archie befriended a group of acrobatic dancers known as The Penders and he was able to eventually join them and there he trained as a stilt walker and became part of their act. Later the group toured America and Archie decided to stay, following in the footsteps of others before him like Charlie Chaplin and Stan Laurel who had made their way to the USA in an almost identical way.

On Wikipedia they mention that on the trip over to the USA Archie met Douglas Fairbanks and was greatly impressed by him, so much so that Fairbanks became a role model for the young Archie Leach.

In New York Archie worked in vaudeville with various comedy and theatrical groups. He joined the William Morris theatrical agency and began to pick up many theatre roles. In 1932 he had his first screen test and was given a five year contract with Paramount Pictures. B P Schulberg the general manager of Paramount decided that Archie Leach was not a good enough name for films so Archie came up with the name Cary Grant taking Cary from a stage character he had played and Grant chosen randomly from a telephone directory.

Cary Grant worked hard at his profession and in the TV series Archie they claim that Cary was a role or a part that Archie built up over time. Jason Isaacs who plays Grant says Cary would never be filmed or recorded during an interview because then he was being himself not playing at being Cary. The actor tracked down a recording of Grant made secretly by a student journalist who interviewed Cary over the phone and felt that for the first time he was hearing the real Archie who came over in the recording as very English rather than the usual mid Atlantic voice that we are used to hearing.

It seems to me that many stars who use a different name in the film world are in a way creating a character which they present to the public. You could argue that Marilyn Monroe was a similar personality and that she was a creation of Norma Jeane in the way that Cary Grant was created by Archie Leach.

A breakthrough role for Grant was starring with Mae West in the film She Done Him Wrong and the follow up, I’m No Angel. Grant went on to star in many famous films and amazingly, even though he was a star in Hollywood’s golden years, he was actually the first big star to not be a part of the studio system. He was a freelance actor, not contracted to any studio until 1937 when he signed a four-picture deal with Columbia.

In his early years in Hollywood, Grant shared a house with actor Randolph Scott leading to claims of the two being gay lovers. Still, young bachelors sharing a house with others is not uncommon. David Niven famously shared a house with Errol Flynn and we can hardly class those two as being gay.

Somewhere in my fairly huge book collection I have a biography of Cary Grant but despite an intensive search I couldn’t find it. I also have a copy of David Niven’s Bring on the Empty Horses which if I remember correctly has a short chapter on Grant. Now where did I put that book?

I did do some quite considerable research to produce this blog post. Firstly, I had to watch the four episodes of the TV series Archie, currently streaming on ITV X. That wasn’t anything difficult of course, it wasn’t a chore, in fact it was very enjoyable. Archie is a wonderful four part series and Jason Isaacs plays an outstanding part. He doesn’t try to impersonate Cary but he did manage to create a look of the late star and he caught Grant’s voice and enunciation perfectly. Most of the series follows Cary in later life when he becomes involved with and later marries Dyan Cannon, Dyan was his fourth wife and she was the mother of his only child Jennifer and she and her mother co-produced the series which is definitely well worth watching.

Next, I searched for the biography I had of Cary but despite searching the entire house I couldn’t find it. Oh well, I have a few copies of Bring on The Empty Horses about the house so I thought ok, I’ll grab that and have a read of the chapter on Cary. Once again, I searched through the entire house but could I find that book? No! Eventually I started to put everything back where I had found it and it was only after idly looking in a box of books that I had only recently packed away and had earlier dismissed, that I finally found it.

Anyway, I had a break from writing to look for that book and after a while when I couldn’t find it I popped the TV on. I wasn’t altogether surprised to find there was a Cary Grant film showing. It was An Affair to Remember, a love story in which Grant’s character, a playboy type meets Deborah Kerr on a transatlantic voyage and the two fall for each other. On arrival in the USA they decide to have a 6 month break from each other as they are both in other relationships and then meet at the top of the Empire State building in New York. It’s not really my cup of tea, in fact it’s overtly sentimental but then, sometimes a small dose of sentimentality is good for you. Cary Grant plays, well, Cary Grant and Deborah Kerr plays a very English New Yorker.

I have two of Grant’s other films on DVD, To Catch a Thief and North by Northwest, both directed by Cary’s favourite director, Alfred Hitchcock.

OK, enough TV watching for now. Getting back to Bring on the Empty Horses, David Niven wrote about Cary Grant in a short section of his book called Long Shots and Close Ups where he gives his readers a quick sketch about various film people. The section on Cary is only three and a half pages and not the full chapter I was expecting but Niven clearly liked the man and in those three and a bit pages, picked up on some essential elements of Grant’s character. Niven remembers Cary Grant as an intelligent man, particularly with money and he listed people like multi millionaire Howard Hughes among his friends. Grant invested his earnings well and became one of the richest people in Hollywood. He had an obsession with his health, embarking on various health pursuits and then moving on to the next one. Niven remarks that once when Cary was taking swimming lessons to learn the crawl, Niven mentioned that Cary could already swim the crawl. Grant answered ‘yes but I want to swim the crawl perfectly!’ Cary gave up smoking by hypnotising himself and Niven also mentions his use of LSD during his treatment by a psychiatrist which is also brought up in Archie.

Cary Grant retired from films in 1966 the year his daughter was born and he and Dyan Cannon divorced in 1968. Many tried to bring him out of retirement for various films including his favourite director Alfred Hitchcock but he declined. He must have wanted to keep on working though because he did accept a position on the board of Fabergé.

He died in 1986 aged 82 and left behind an estate reputedly worth around 80 million dollars. Archie is a well made and quite fascinating piece of TV. Look out for it, it’s well worth watching.

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The Godfather: The Film of the Book or the Book of the Film

Posted on by Steve Higgins

I’ve written a few of these ‘book or the film’ posts but in this one I’m going to stick with one particular film and book; The Godfather.

The Book

I’m not sure which came first for me, the book or the film but I actually think it was the book. The Godfather was written by Mario Puzo and is the story of Don Vito Corleone, the head of one of the five mafia families of New York. The book opens with the wedding of Don Corleone’s daughter and Puzo sets the scene and introduces the various characters.

Don Corleone is a Sicilian and apparently no Sicilian can refuse a request on the day of his daughter’s wedding. One of those with a request for the don is singer Johnny Fontane whose show business career is waning. He feels that a part in a new film will revitalise it but the producer will not cast him. The don is happy to help out his favourite godson and dispatches his advisor and stepson Tom Hagen to Hollywood to sort things out.

Another supplicant is a funeral director. Two youths have attacked and beaten his daughter and because of political connections the courts of law have only handed down suspended sentences. The father asks for Don Corleone to give him revenge but the Don declines. The funeral director has never shown the correct respect to the Don but when he does and finally calls him Godfather then, and only then, does Corleone issue orders for the youths to be brutally beaten.

Some time afterwards the Don agrees to meet fellow mafioso Sollozo who wants Corleone’s help with a drug smuggling operation. The Don declines and this sets off a violent war between the mafia gangs.

The Film

Francis Ford Coppola was the director of the film version and was also the co-writer of the screenplay along with Mario Puzo. Coppola wanted Marlon Brando to play the part of Don Corleone even though Brando at the time was rather unpopular with the producers. He was expensive, his last few films had not done well and his time wasting attitude had added huge expenses to his pictures. After the director had made the producers understand how important Brando was, they set various conditions for his employment. He would have to work for a reduced salary and put up a bond to ensure he would not delay the production. Another was that he had to have a screen test. Coppola has told the story in various interviews how he and his film crew had entered Brando’s house like ninjas and quietly set up their equipment. Brando slicked down his hair with shoe polish and stuffed cotton balls into his mouth to make the transformation into the aging mafia boss.

Paramount also wanted to shoot the film on their back lot but Coppola persuaded them to shoot on location in New York and stick to the original time frame of the book which was set in the 1930s and 40s.

Various people were auditioned for parts in The Godfather but finally the cast was resolved and shooting began with Brando as the Don, James Caan as Sonny, Al Pacino as Michael, Robert Duvall as Tom and Diane Keaton as Kay Adams.

The Book

The book is a fairly heft one and there is much in there that is not covered by the film. Johnny Fontane for instance features more in the book, while he plays only a supporting role in the film. There is a further story in the book about Lucy, a friend of Sonny’s wife with whom he is having an affair. After Sonny’s death Lucy feels she will never find not only love but sexual pleasure ever again. The reason for this is that Sonny had a rather large penis and Lucy’s corresponding anatomy is rather large, however she falls for a doctor who sorts her out with an operation which restores the anatomical status quo.

Going back to the Johnny Fontane character, there have been various stories and rumours which imply the character was based on Frank Sinatra. Like Johnny Fontane, Frank was tied to a lifetime contract with a bandleader, in this case Tommy Dorsey but Dorsey somehow relented and released Sinatra. Some say mobster Willie Moretti was instrumental in helping Sinatra free himself from the contract. Later when things weren’t going so good for Sinatra, he revived his career by appearing in the hit film From Here to Eternity for which he won a best supporting actor Oscar. In the book, Johnny Fontane is after a similar film part but the producer declines to give it to him. At the wedding of Corleone’s daughter, Fontane asks for the Don’s help, cue the famous scene where producer Jack Woltz finds his favourite racehorse’s head in his bed.

The Film

Coppola decided that instead of finding the horse at the end of his bed like in the book, it would be better if Woltz awoke, was disturbed by something wet, pulls the bedclothes away to see blood and then uncovers the horse’s head. The head was the actual head of a horse, procured from a dog meat factory and Coppola mentions on the commentary to my DVD version that lots of animal lovers sent him hate mail about the horse, even though the horse had been condemned to its fate anyway.

Sinatra always denied any involvement with the mafia although he did sing at the wedding of mafia boss Willie Moretti’s daughter, just like Johnny Fontane did at the Corleone wedding that opens the film. Anthony Summers, in his book about Sinatra, claims that the story was true and mafia enforcer Johnny Blue Eyes put pressure on studio boss Harry Cohn to give Sinatra the film role that rebooted his career.

Director Fred Zinnemann thought Sinatra might be good in the role so Cohn was happy to go along with the idea.

The Book

As previously mentioned, the book does have some storylines which were not used in the film but one chapter was a look at the beginnings of Vito Corleone. Born Vito Andolini in the Sicilian village of Corleone, Vito’s father was murdered by a local mafia boss and the young Vito was smuggled away to America. In America he took the name of Corleone and seemed to slip quietly into the role of mafia Don by murdering Fanucci, a New York Sicilian Godfather who preyed on his fellow Italians. Although this element of the story wasn’t used, Coppola kept the storyline for use in The Godfather Part II. The follow up film was a film classic in its own way.

The Godfather Parts II and III

In part II there are two parallel stories. One is the story of Vito Andolini, as described above, played by Robert De Niro and another follows on from the first film. Michael is now the head of the family and gets involved with gangster Hyman Roth with investments in Cuban casinos. After the Cuban revolution Michael realises Roth is out to kill him and so has him murdered. A senate investigation looks into Michael’s activities with information provided by Frank Pentangeli, a former member of his organisation, but Michael brings pressure to bear on the informant and the investigation collapses.

In The Godfather Part III Michael’s story continues. He is reconciled with his sister after the murder of her husband in the original film. He also gets involved in a scheme in Europe where he hopes to become fully legitimate but other mafia bosses have different ideas. The Papal bank scandal and the death of Pope John Paul I are real events that are also thrown into the mix. The film was the weak element in the Godfather trilogy. In 2020 The Godfather Coda: The Death of Michael Corleone was released. It was just a re-edited version of part III and personally I still didn’t find it anywhere near as good as the other two films.

Marlon Brando worked with Coppola again on the film Apocalypse Now. He played the part of an American Colonel in Vietnam who has apparently gone insane and Martin Sheen is sent to assassinate him. Brando turned up on set hugely overweight and not knowing his lines. He then decided to re write or improvise most of his scenes and the director was forced to shoot Brando in shadow due to his weight. Basically, he pulled all the stunts that Paramount expected of him in The Godfather. Not the best way to repay a director who had resurrected his career with the role of Don Corleone.

In 1990, Brando appeared in the comedy film, The Freshman, playing a parody of Don Corleone. When the shooting over ran, Brando demanded a million dollars to film for an extra week. The producers declined to pay and Brando threatened to badmouth the film to the press. Eventually they paid.

Brando died in 2004.

In 2023 Coppola finished filming his latest project, Megalopolis, a sci fi film about the rebuilding of New York after a major disaster.

Conclusion.

I enjoyed the Mario Puzo novel and I did re-read it for this post but it seems to stray into areas which really have no relevance to the main narrative which I found slightly annoying. The film version, which I also watched recently is a modern classic which continues to entertain everytime I see it. I like both the book and the film but I’d have to say I think the film version has the edge.

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7 Directors Who Acted in Their Own Films

Posted on by Steve Higgins

I thought I’d try to write or at least start this post off by writing from memory without using Google. I could only come up with 6 directors so I added another who acted but not in his own films. I decided to exclude actor/directors like Woody Allen and Clint Eastwood but then I broke that rule by adding Orson Welles. Now that the parameters are clear for this post, well fairly clear, let’s get going . . .

Alfred Hitchcock

Hitchcock was a British director who began in the days of silent films and came to be known as the master of suspense. Blackmail made in 1929 was the first British Talkie and 10 years later producer David O Selznick lured him to Hollywood where he made many films that are now regarded as classics, films like North by Northwest, Dial M for Murder, Rear Window, The Birds and Pyscho. Hitchcock might also be seen as one of the first celebrity directors. He became popular because of his habit of appearing, however briefly, in all of his films, sitting on a bus for instance, just missing the bus in another. He also became well known by introducing his television series, Alfred Hitchcock Presents. He is probably the most famous director to appear in his own films. He never played a speaking role but he appeared in every one of his films in some small way.

Hitchcock was knighted in 1980 and died in March that same year.

Quentin Tarantino

Tarantino is an interesting filmmaker in many ways, writing and acting as well as directing. His films also seem to follow an unconventional path with many extended scenes and dialogue to fill in character background. I haven’t seen many of his films but Pulp Fiction from 1994 is one of my favourites and it involves a number of overlapping storylines. Tarantino plays the part of Jimmie, a friend of two gangsters played by John Travolta and Samuel Jackson. Travolta’s character accidentally shoots someone in the back of their car and the two turn to Jimmie for help who then calls another gangster played by Harvey Keitel who sorts out the situation.

Oliver Stone

Oliver Stone is one of my very favourite filmmakers, responsible for directing such films as Platoon, Born on the Fourth of July and JFK. In Wall Street Stone takes a close look at the American stock market and the world of stocks, shares and stockbroking. A young ambitious trader dreams of working with big time corporate trader Gordon Gekko,

The young ambitious trader is Bud Fox played by Charlie Sheen and he manages to wangle himself into the world of the high flying Gordon Gekko played by Michael Douglas who won an Oscar for his portrayal. The two find that rival stockbroker Sir Lawrence Wildman is buying Anacot Steel and they buy shares and then leak information to the press which drives up the price. In a montage of shots, Oliver Stone himself appears as an investor who is buying shares.

Stone also had a cameo in the film Dave in 1993 in which the President of the USA has a stroke and an impersonator takes over until the President is well enough to return. Stone plays himself as a ‘conspiracy theorist’ claiming that the President has been replaced by a doppelganger.

Martin Scorcese

Scorcese is one of the great filmmakers of all time having directed numerous classic films such as Goodfellas, Raging Bull, The Aviator and many others. In Taxi Driver, Scorcese follows a disturbed former Vietnam veteran called Travis Bickle played by Robert De Niro. Bickle works nights in New York City as a taxi driver and as he drives around we hear his voice on the soundtrack lamenting the moral decay of the city and his desire to rid the streets of the scum that he sees nightly. Later he plans to assassinate a political candidate but eventually shoots the pimp of a young girl. Wounded by the pimp, he falls into a coma but awakens to find he has become a hero to people in the city.

In one scene, Scorcese plays a passenger in Bickle’s cab who asks to stop below an apartment where his wife is apparently involved with another man.

Martin Scorcese continues to make films and his latest release in 2023 is Killers of the Flower Moon.

John Huston

Born in 1906, John was the son of the Walter Huston and his wife Rhea. Walter was an actor and Rhea a sports editor for various magazines. His parents divorced when he was young but Huston spent time with both his parents. He wrote stories for various magazines and decided to try his hand with the new film business starting up in Hollywood. Huston had a contract with Universal, his father’s studio, and wrote dialogue for various films but after a drunken incident driving a car which left an actress dead he left to live in Paris. Later he returned and began writing for Warner Bros with great success. After the hit film Sergeant York starring Gary Cooper for which he wrote the screenplay, he managed to convince the film company to let him direct a picture. Huston chose The Maltese Falcon and the result was an absolute classic film starring Humphrey Bogart.

In 1948 Huston directed The Treasure of The Sierra Madre. He adapted the book by B Traven for his own screenplay and also cast his father, Walter Huston, as the old time prospector who takes two others, Humphrey Bogart and Tim Holt, on a search for gold.

In the opening scenes Bogart is down on his luck in the Mexican town of Tampico and approaches a smartly dressed American asking ‘could you stake a fellow American to a meal?’

Later Bogart, as Fred C Dobbs, approaches the same man again until the man asks ‘can’t you occasionally go to someone else?’ The smart American was played by Huston himself.

Huston had various other roles as an actor, one I remember was in the 1960’s spoof version of Casino Royale. Various directors contributed to the chaotic film including Huston. He was to shoot a segment about M, the head of the Secret Service but Robert Morley was unable to play the part so Huston played it himself.

Huston directed numerous films but died in 1987 aged 81.

Orson Welles

Primarily Welles was known as an actor but he directed many films, including his very first one, Citizen Kane which has become known as one of the greatest films of all time. Welles was known for having one of the most incredible contracts in Hollywood history, not in terms of money but for the creative control that Welles had. In Citizen Kane the film opens with the death of Kane, a millionaire newspaper magnate. His last words were ‘Rosebud’. The makers of a cinema newsreel decide to find out what or who Rosebud was.

To do so they research Kane’s life; his inheritance of a huge fortune, his takeover of a newspaper, his great wealth, his power and influence, his marriage and divorce and ultimately his death. The reporters never find the answers to their questions but we, the cinema audience, have the secret revealed to us right at the end of the picture.

Citizen Kane is a wonderful piece of cinema with an outstanding visual style and the only criticism I can put forward is that for all its visual fireworks it is a film with a cold centre, a cold heart. Does the viewer feel sympathy for Kane? I’m not sure he does.

Welles went on to make many films but never again achieved the directorial success he had with Kane. He died on the morning of October 10th, 1985 from a heart attack. He left behind numerous unfinished films and screenplays.

Cecil B DeMille

Cecil was born in 1881 and is known as one of the founding fathers of American cinema. He was famous as a director of epics from the silent Ten Commandments in 1923 to Samson and Delilah and another version of The Ten Commandments, this time with sound and shot in colour in 1956.

DeMille actually appeared in many cameos doing prologues or trailers but in 1950 he starred as himself in Sunset Boulevard directed by Billy Wilder. In the film, retired silent star Norma Desmond wants to return to the screen. She has written a screenplay which she has asked Joe Gillis, a writer desperate for some income, to edit. The script is terrible but after a phone call from the studio, Desmond arrives at the Paramount lot to see DeMille. DeMille finds that the phone call was actually a request to hire her grand old car for use in a film and not, as Norma thought, a call for her to return to films.

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A Tale of 4 Ships

Posted on by Steve Higgins

I started this post by looking at an old one, a post about famous Pilots. That inspired me to make a sort of seagoing version. I started thinking about famous captains but I was struggling to think of any so I went with famous ships. Perhaps I could have stuck with captains after all; Captain Kirk, Captain Ahab, Captain and the Tenille and so on. Oh well, I think I’ll save that for another time so here we go with famous ships.

Victory

I should think that almost everyone reading this will know that HMS Victory was Nelson’s flagship at the battle of Trafalgar. The ship was one of 12 that had been ordered by the British government in 1758. The hull was laid down in 1759 and finally launched in 1765. 6,000 trees were used in the construction and 6 foot copper bolts were used to hold the construction together as well as treenails or dowels used to secure lesser elements of the ship. Once the frame was completed it was usual to let the wood dry out or ‘season’ before fitting the ship out further. Due to the end of the Seven Years’ War, the hull was left to dry for three years and the ship was finally launched in May of 1765.

By Ballista – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=749934

The ship had various adventures with the Royal Navy before becoming Admiral Nelson’s flagship in the battle of Trafalgar.

On the 21st of October, 1805, the Victory and the British Fleet began battle with the French. The British ultimately won but a sniper on the French ship Redoutable fired at Nelson hitting him with a musket ball which fatally wounded him. The musket ball was later recovered by the Victory’s surgeon William Beatty and he later had it mounted into a locket which he wore for the rest of his life. On Beatty’s death, the locket was presented to Queen Victoria.

The Victory was badly damaged in the battle and had to be towed back to England. It was repaired but was no longer a first rate ship and was relegated to various duties, even becoming a prison ship at one point. The Admiralty decided to break up the Victory and use her timbers and fittings in other ships. The public outcry was so great that the Admiralty hesitated to go ahead.

To a great extent the ship was abandoned to rot away and in 1922, the ship was found to be in such a state of disrepair that it was moved into a dry dock at Portsmouth, actually dock no 2, the oldest dry dock in the world. Restoration began after an appeal to the public for funding and dock number 2 became the Victory’s permanent home.

Bismarck

Bismarck was the first of two battleships built for Nazi Germany’s navy. Named after Chancellor Otto von Bismarck, the ship was laid down at shipyards in Hamburg in July 1936 and launched in February 1939. Final construction work was completed in August 1940, when she was commissioned into the German fleet. Bismarck and her sister ship Tirpitz were the largest battleships ever built by Germany.

In May 1941 the Bismarck planned to enter the shipping lanes of the Atlantic and attack convoys bringing much needed supplies into Britain. The Bismarck in company with the Prinz Eugen was engaged by the HMS Hood and the Prince of Wales. The Hood was destroyed in the battle while the Prince of Wales was badly damaged and forced to retreat.

The British began a relentless pursuit of the German vessel and two days later she was severely damaged by torpedoes fired by aircraft from the HMS Ark Royal. The rudder had been damaged on the Bismarck and the ship was forced to steam in a wide circle. The battleship came under further attack from the British ships and a major hit on the Bismarck’s bridge killed or disabled Captain Lindemann and Admiral Günther Lütjens. The remaining executive officer ordered the crew to abandon and scuttle the Bismarck in order to prevent the British capturing and boarding the vessel which eventually capsized and sunk.

The entire episode was made into a film in 1960 called Sink the Bismarck. Kenneth More starred as the head of the underground naval operations war room and he and his staff coordinate the hunt for the Bismarck.

Bounty

Another famous seagoing story that has been made into a feature film, several films in fact, is the story of the mutiny on the Bounty. The mutiny occurred in April 1789 and was led by Fletcher Christian who was an acting Lieutenant on board the Bounty. The Bounty’s mission was to sail to Tahiti and collect breadfruits and then deliver them to the West Indies. It may have been that a five month layover on Tahiti, where many of the men formed relationships with the native women, was at the heart of the mutiny. William Bligh, the captain of the Bounty, had at one point been a great admirer of Fletcher Christian, even promoting him to the rank of acting second lieutenant and thereby becoming his second in command. The relationship soured later though and when the ship began the journey home Christian decided to stage a mutiny. Bligh and his supporters were made to leave the ship on the Bounty’s launch, a 23 foot boat and were given food and water for 5 days. Bligh sailed to a nearby island for supplies and then made an astonishing journey in the small boat to Timor where the authorities were alerted to the mutiny.

The mutineers fled in the Bounty and returned to Tahiti but Christian realised that this would be the first place the navy would come to search for them. Sixteen crew members opted to stay on Tahiti, Christian and the rest of the mutineers together with a contingent of Tahitans then tried to settle on another island but the natives there were unfriendly and the Bounty left in search of another island. The mutineers then came across Pitcairn Island and seeing that it was marked incorrectly on naval charts decided to settle there. Numerous disagreements arose later with the Tahitans as many of the British considered them as slaves. Fletcher Christian was later murdered on the island although he was survived by a son and other children.

Today, the descendants of the mutineers still live on the island.

Various film versions of the story were made but the most famous featured Clark Gable as Fletcher Christian and Charles Laughton as Captain Bligh. In the 1960’s a version was made with Marlon Brando and Trevor Howard. Brando was so taken with Tahiti where numerous scenes were shot, he made it his home for many years. Another version, The Bounty appeared in 1984. It was a project originally started by director David Lean and writer Robert Bolt but after various disagreements with the producer, Lean backed out and the New Zealand director Roger Donaldson took over.

Titanic

The story of the Titanic is one that has captured the imagination of many over the years and even today seems to be still in the news after a deep diving mini submersible was crushed in the depths of the ocean while taking sightseers to view the wreck of the great ship.

The ship was the largest afloat and was designed to be the epitome of luxury. It was known as the ‘unsinkable’ ship and made its maiden voyage in 1912 from Southampton to New York in the USA. On the voyage the ship struck an iceberg and the hull was ruptured. The Titanic sank with a great loss of life. A major flaw however was that there were not enough lifeboats for the crew and passengers in the event of a tragedy. Another was that the 16 watertight compartments were not truly watertight and when the first one filled with water, the water then spilled over into the next one and so on until the ship sunk.

Numerous films and TV shows have been made about the sinking. Kenneth More starred in A Night To Remember, a 1958 British film about the Titanic. In the 1960’s the first episode of the time travel TV show The Time Tunnel featured a story about two American scientists who are transported back in time and arrive on board the doomed ship. A more recent film blockbuster was the 1997 Titanic directed by James Cameron. Leonardo DiCaprio and Kate Winslet star in the film that weaves a tragic love story with the fate of the famous ship. Titanic was the most expensive film ever made at the time with a budget of 200 million dollars. A huge reconstruction of the ship was made in Rosarito, Mexico and was built on a lifting platform which was able to tip the ship to simulate the sinking. The film was a great success winning 11 Oscars including one for Best Picture.

Personally I rather like Raise The Titanic, a 1980 British film version produced by Lew Grade and his ITC Entertainment company and based on the novel by Clive Cussler

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The Forgotten Stars of Columbo

Posted on by Steve Higgins

Famous faces who have appeared in the classic detective series.

If you happen to be a big fan of murder mysteries then Sunday is a great day for you. Over on 5 USA on UK Freeview TV you can watch the classic detective series Columbo to your heart’s content.

Columbo first appeared in the early 1970s as part of the Mystery Movie TV series. Each week followed a different detective trying to track down a murder case, sometimes it was MacMillan and Wife and other weeks McCloud, Banacek or various others. The most popular one by far though was Columbo.

Columbo was a homicide detective for the LAPD and he was played by Peter Falk although the role was originally written for Bing Crosby. Crosby however thought a regular TV slot would interfere too much with his golf so he turned down the role, went back to the fairway and the part went to Peter Falk who made it his own.

If you ever see the original pilot, shot in 1968, you can see how Crosby might have fitted into the part as Falk plays Columbo in a very Crosby like laid back way. The very first guest murderer was Gene Barry who was familiar to TV audiences after playing Amos Burke in Burke’s Law for many years. He also starred in a 1953 film version of War of the Worlds.

The pilot episode also introduced audiences to a particular feature of Columbo in that we see who the murderer is and how he commits the crime first. Then we see lieutenant Columbo gradually solve the clues and get his man, or woman.

Columbo appears to be bumbling along chewing on his cigars and eating chilli but we soon realise that behind this façade and his famous raincoat, is a very shrewd detective.

Roddy McDowell and Ida Lupino

Short Fuse is one of my very favourite episodes and two famous stars make guest appearances. The guest murderer is Roddy MacDowell. Roddy became a child star in the 1940’s appearing in films like How Green Was My Valley and Lassie Come Home. He also played Cornelius in the Planet of The Apes films and in the subsequent TV series. Although he appeared in many films, he also appeared in a huge number of TV series and stage productions. He died in 1998 aged 70.

In the same episode, Ida Lupino plays murderer Roddy McDowell’s aunt, unable to believe that Roddy was the murderer of her husband. She appeared in another episode too, Swan Song, in which she gets bumped off by guest murderer Johnny Cash.

Ida Lupino, like Roddy MacDowell, was born in England, in fact both lived in the Herne Hill area of London. She wanted to be a writer rather than an actress but went into acting as she was part of a theatrical family and it seems that becoming an actor was expected of her. She appeared in many British films before moving to the USA in 1933.

She wasn’t content to just act in films and was very critical of the parts she was offered, being suspended numerous times by Jack Warner, the head of Warner Brothers. She and her husband Collier Young formed a production company called The Filmmakers Inc in 1948. The company produced twelve films, six of which Lupino directed and five of which she wrote or co-wrote. The company closed its doors in 1955 and Lupino began directing for TV. She was one of the very first Hollywood TV and Film directors and was the only woman ever to direct an episode of The Twilight Zone. Ida Lupino died in 1995 aged 77.

Ray Milland

Milland was another British actor who found fame in Hollywood. Milland was born in Wales and served with the British Army. When his army career finished, Milland decided to become an actor. He appeared in several British films before moving to Hollywood in 1929. He worked as a stock actor for MGM then moved to Paramount in 1930. His first lead role was in The Jungle Princess in 1930 with Dorothy Lamour.

He appeared in numerous films but never thought of himself as a serious actor. A great success for him was The Lost Weekend in which he played an alcoholic. The film was directed by Billy Wilder and Milland did a great deal of research for the role and won the Oscar for that year’s best actor, which led to his contract with Paramount being rewritten and making him Paramount’s highest paid actor.

In 1954 he worked for Alfred Hitchcock on Dial M for Murder. Milland decided to retire from acting at one point but soon found he was bored and returned to Hollywood. In 1963 he made the sci-fi film The Man with X Ray Eyes. He appeared in many TV series including of course Columbo.

He was the guest murderer in The Greenhouse Jungle where he plays a man who stages a fake kidnapping of his nephew and then bumps him off to keep the ransom money. In another, Death Lends a Hand, his wife is killed by Robert Culp, one of my favourite Columbo murderers and a classic episode.

Milland died of lung cancer in 1986.

Janet Leigh and John Payne

In 1975 Janet Leigh and John Payne both starred in the episode Forgotten Lady. Both had been stars in a bygone era. Janet Leigh was born in 1927 and made her film debut in 1947. Two notable successes were The Naked Spur and Orson Welles’ Touch of Evil. She appeared with her husband Tony Curtis in Houdini in which Curtis played Harry Houdini.

Another great success for Janet and possibly the film she is most remembered for was the Hitchcock film Pyscho in 1960 however, according to Wikipedia, she was so traumatised after seeing her shower death scene that she avoided showers for the rest of her life.

Clips from one of her films Walking my Baby Back Home, were used in the Columbo episode. She appeared with her daughter, Jamie Lee Curtis in the supernatural horror film The Fog in 1980. Jamie Lee Curtis also had a small role as a waitress in the Columbo episode The Bye Bye Sky High IQ Murder Case.

Janet Leigh died aged 77 in 2004

John Payne appeared in many film noir crime films as well as many 20th Century Fox musicals, his most famous film being Miracle on 34th Street. His final role came in the Columbo episode Forgotten Lady. He died, also aged 77 in 1989.

Myrna Loy

Myrna Loy appeared in the 1972 episode Etude in Black starring guest murderer John Cassavettes. She was born in 1905 in Montana and was the daughter of a Montana rancher. Her father was also a real estate developer and her mother encouraged him to buy land in Hollywood. Some of the land he sold to Charlie Chaplin who built his studio on the plot. The Loy family made a considerable profit on the deal. Myrna’s father took his family back to Montana but when he passed away his widow returned the family to Hollywood.

Myrna studied dance in Los Angeles. She had small parts in many silent pictures but some stills of her appeared in Motion Picture magazine and led to a contract with Warner Bros.

A big success came in 1934 when she appeared in the film The Thin Man with co-star William Powell. The two proved to be a popular screen couple and appeared in 14 films together.

In the late thirties she became one of Hollywood’s busiest and most highly paid actresses but in the 1940s she devoted all her energies to war work and the Red Cross. She was busy throughout the 1950s but in the late 60s began working more in television.

She died in 1993 aged 88.

Jane Greer

Jane Greer was apparently best known for her role as Kathie Moffat in the 1947 film noir Out of the Past. It’s not a film I’ve seen but it does sound like one to look out for. Jane was a beauty contest winner and model and was spotted by Howard Hughes in an edition of Life magazine when she was 18. Hughes became obsessed with the young girl and signed her to a seven year contract. Like many of the girls he had under contract, Hughes had them watched and followed and apart from drama classes, forbade them to go out with anyone except himself.

When Greer decided to ignore Hughes, he bought the studio where she was working, RKO, and continued to try and control her. She married Rudy Vallee and Hughes was still undeterred. She told Hughes she loved Rudy. Hughes replied that she didn’t and she wasn’t going to work until she came to her senses. Jane said OK, I’ll just carry on having babies then.

Hughes later relented and Jane began to work in films again.

She appeared in a number of films in the 1940s and 50s including the 1952 remake of The Prisoner of Zenda.

In television she joined the cast of Falcon Crest and Twin Peaks in her later life before retiring in 1996. In 1975 she appeared with Robert Vaughn in the Columbo episode Troubled Waters in which Columbo finally tracks down guest murderer Vaughn.

Jane Greer died of cancer in 2001 aged 76.

All the images above were reproduced via Wikipedia Creative Commons.

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Marilyn Monroe (and Me)

Posted on by Steve Higgins

I was looking through my old scrapbook a while ago. I scanned some pages for my blog post Scrapbook Memories and quite a few of them featured Marilyn Monroe. I put my scrapbooks together years ago and even though I stopped making them in my late teens or early twenties, I continued collecting cuttings from newspapers and magazines, as well as books and videos all on the same subject:  Marilyn Monroe.

What attracted me to the persona of Marilyn Monroe? Well, apart from her obvious charms as a very attractive lady it’s her death that has always interested me. I’m a sucker for a modern mystery whether it’s the assassination of JFK, the disappearance of Amelia Aerhart or Marilyn’s own strange death. The obvious solution is that Marilyn committed suicide. She had tried suicide quite a few times before and various people along the years have saved her from death, including her acting coach Natasha Lytess and her third husband playwright Arthur Miller. Suicide is the obvious answer to her death but personally, I’m not so sure.

Anyway, getting back to my personal interest in Marilyn, I’m pretty certain the first book about her was what has come to be thought of the definitive biography, the one by Fred Laurence Guiles. Guiles published his book in 1969 and chronicled Marilyn’s life as Norma Jeane Mortensen and then Marilyn Monroe.

Marilyn Monroe

Norma Jeane Mortensen was born on June 1st, 1926. She had a troubled upbringing. Her mother was mentally unstable and was in and out of various institutions leaving young Norma to be taken into care. On one occasion in her late teens Norma Jeane was living with a friend of her mother’s but this friend was moving away and rather than send Norma back into a home an idea came about which seems a little mad in retrospect. The idea was for Norma to get married to a local boy, Jim Dougherty. The marriage went ahead only eighteen days after Norma’s sixteenth birthday.

When war came to the USA in 1941, Jim joined the navy. Norma was working in a war factory when an army photographer called David Conover came round looking for a photo article for a magazine. He asked Norma to pose for him and found that she had a natural affinity with the camera. She began a career in modelling which led her to bit parts in films, then a contract with 20th Century Fox and later to film stardom.

In 1946 she divorced Jim Dougherty and Fox offered her a seven-year optional contract. She changed her name to Marilyn Monroe and began her film career. All didn’t go so smoothly at first. She was dropped from her contract but she did meet an influential Hollywood agent named Johnny Hyde.

I’ve got to say that despite her best efforts I’m not sure my interest in Marilyn had a lot to do with her acting skills as in her early days she wasn’t a great actress. What she did have was looks, looks that could turn the heads of a great deal of men. One of her early film roles came about really because of her growing reputation as a model. She was cast in the last of the Marx Brothers’ films Love Happy and had one scene in which she tells Groucho that “some men are following me.” Groucho explains more in the following video.

That of course was nothing more than a walk on part but she was asked to go on a nationwide tour in the USA promoting the film. Marilyn was determined to get on and be a great actress. She was always having acting lessons, in fact she joined the famous New York Actors Studio. The studio had been founded by theatre and film director Elia Kazan and one of the famous acting coaches there was Lee Strasberg. Both Kazan and Strasberg were interested in ‘the method’, a style of acting initiated by the Russian actor Stanislavsky which involved the actor using his own experience and memories to ‘become’ the role rather than just acting a role. James Dean and Marlon Brando were two of the more famous students of the Actors Studio.

Another of my books about Marilyn was the famous biography by Norman Mailer. Mailer actually used Fred Guiles’ book as the basis of his biography but added his own insight into Marilyn’s story as well as a huge collection of photographs. Mailer was originally hired to write an introduction to what was originally intended to be just a photo album but he was so taken by the subject matter, he wrote more and more and his ‘introduction’ became the book. He later wrote other works about Marilyn.

Marilyn: Norman Mailer

Marilyn on the cover of the celebrated book by Norman Mailer

Johnny Hyde was in love with Marilyn and asked her to marry him many times. She always declined, telling him she did not love him. He continued to press her while working hard on her behalf as her agent. In October 1950 he arranged for a seven year contract at Twentieth Century Fox. He also organised some minor plastic surgery for her, apparently, she had her chin built up slightly and the tip of her nose made smaller. In December that year she was recuperating from the surgery at his Palm Springs home when Johnny died of a heart attack. Marilyn was distraught when she heard the news, even so, his family ordered her out of the house.

She moved in with her drama coach Natasha and one day tried to swallow over 30 Nembutal capsules. Luckily Natasha came home early and found her.

Fox put Marilyn into a number of pictures playing a dizzy blonde type but then she was loaned out to RKO for Clash by Night directed by Fritz Lang. It was the first film with her name over the title.

In 1954 she married baseball star Joe DiMaggio. Maggio had retired from the game that had made him famous and Joe wanted her to settle down with him and retire from the cinema. It might be that Marilyn did intend to one day enjoy a more domestic existence. My feeling though is that she could never ever give up her film star life. It had given her all she had; her fame, her money and her status. She could never say goodbye to her creation, the film star Marilyn Monroe.

In the short autobiography published after her death, My Story, which some say was ghost written or partly written by others, Marilyn said this about her fame:

I belonged to the public and the world, not because I was talented or even beautiful but because I never belonged to anything or anyone else. The public was the only family, the only Prince Charming and the only home I had ever dreamed of.

Would she give up all that for DiMaggio or anyone? I don’t think so.

Her marriage to DiMaggio ultimately failed but Joe would continue to be a great friend. It is quite possible that in the last months of her life she was even planning to remarry him. However, before that came marriage and divorce to Arthur Miller. Marilyn idolised men like Abraham Lincoln and Albert Einstein and she put Miller into that same category. They had met years before, even before she married Dimaggio. Miller would write the screenplay for her final completed film, The Misfits, in which she played a character, Roslyn, which was based on herself. She became hugely disappointed in Miller after finding an open diary or notebook of his in which he severely criticised her. They divorced in 1961.

I’ve always thought that The Misfits was her best film and every so often I’ll take my DVD copy and give it a viewing. (I’ve actually only got two of her films on DVD, The Misfits and Some Like it Hot). Misfits was in fact her last completed film. In 1962 she began filming Something’s Got to Give in which she starred with Dean Martin. Marilyn missed a lot of the shoot due to illness and then left for New York where she appeared at a gala performance for the President’s birthday. The President was John F Kennedy and 20th Century Fox was not amused that with their film behind schedule its star had taken time off. They were already having financial problems with another production, Cleopatra. They were paying Elizabeth Taylor the unheard-of figure of one million dollars for her to play the Egyptian queen and their bank account must have been looking distinctly unhealthy. What was the answer? They fired Marilyn.

Fred Guiles first book on Marilyn was published in 1969 and mentions that towards the end of her life she was involved with an ‘easterner’. The man from the east was Robert Kennedy and since then many books and documentaries have mentioned Marilyn’s involvement with both John and Robert Kennedy. The accepted story of Marilyn’s death goes like this. Both John and Robert Kennedy ended their affairs with her, she had been sacked by 20th Century Fox and she became so despondent that she took her own life. Her body lay unclaimed in the morgue until the faithful Joe DiMaggio came and organised her funeral.

In 1966 however, a man call Frank Capell had published a book called ‘The Strange Death of Marilyn Monroe’ which called attention to various things that did not add up. Capell also claimed that Robert Kennedy was with Marilyn on the evening of her death. The FBI forwarded a report of the book to Kennedy who was then still the Attorney General and he asked that Capell’s phone be tapped.

In the 1980’s a number of authors began to look further into Marilyn’s death and one in my collection is The Marilyn Conspiracy. The author, Milo Speriglio was a private detective who was asked by Robert Slatzer to investigate. Slatzer was a friend of Marilyn’s and has even claimed that he married the star only for the two to tear up the marriage licence in case it harmed her career. He said Marilyn had a red diary in which she jotted down notes from her conversations with RFK and contained many things that were secret at the time. Marilyn used to call him from a nearby phone box as she felt that her phones had been tapped.

In 1985 Anthony Summers published the book Goddess: The Secret Lives of Marilyn Monroe in which he also claimed Marilyn was involved with Robert Kennedy. He also explains that Marilyn was not depressed after all. Her dispute with 20th Century Fox had been settled and they had reinstated her to the movie Something’s Got to Give and she was discussing further film projects including a biopic about Jean Harlow.

Summer also collaborated on a BBC documentary film called Say Goodbye to the President in which private eye Fred Otash revealed that he had engaged electronics expert Bernie Spindell to bug Marilyn’s home. The reason? Union leader Jimmy Hoffa who was under investigation by Kennedy wanted derogatory information on RFK that he could use against him.

Eunice Murray, Marilyn’s housekeeper, admitted in an interview in 1985 for the documentary Say Goodbye to the President that Bobby Kennedy was at Marilyn’s house on the day of her death. Eunice’s son in law and Marilyn’s handyman, Norman Jefferies told Donald Wolfe, the author of The Assassination of Marilyn Monroe, that Bobby Kennedy arrived late on the Saturday evening with two unknown men and asked Jefferies and Murray to leave while he spoke with Marilyn alone. When they returned Marilyn was comatose in one of the guest cottages attached to her house. Jefferies and Murray called an ambulance but Marilyn died from an overdose.

I cannot for a moment imagine Bobby Kennedy as a murderer but he certainly would not want to be associated in any way with a movie star suicide. John Bates, a friend of the Kennedy family, claims that Bobby and his family spent the weekend with him at his ranch in Gilroy, south of San Francisco.

Marilyn died in 1962 and she must have something about her because here we are in 2023 still interested in her. In 2011 a film about her called My week with Marilyn was released and in 2022 came Blonde, starring Ana de Armas as Monroe. Blonde was a fictional version of Marilyn’s life. I haven’t seen it but when I looked it up on the internet it didn’t seem to have been rated highly although I’ll be looking out for it on my TV screen in the future.

Norman Mailer’s book about Monroe finished with a photo of Joe DiMaggio, grief stricken on the day of her funeral and he reckons we can perhaps surmise Marilyn’s true worth just by the look on Joe’s face that day. I cannot disagree.

Sources:

The Assassination of Marilyn Monroe by Donald Wolfe

Goddess by Anthony Summers

The Marilyn Conspiracy by Milo Speriglio with Steven Chain

Norma Jeane: The Life and Death of Marilyn Monroe by Fred Lawrence Guiles

My Story by Marilyn Monroe

Say Goodbye to the President: 1985 BBC documentary

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More Bits of a Blog (or a Blog of Bits)

Posted on by Steve Higgins

If I was a professional writer working for a magazine or a newspaper, I reckon that this week I’d be getting a bit of a telling off from the boss as I’ve not really been pulling my finger out. I’ve been feeling a little deflated lately. Maybe it’s an after effect of going to my mother’s funeral or perhaps it’s just a general feeling of disappointment. Every writer wants his work to take off and become a best seller but neither my novel, Floating in Space or this blog, look like hitting the top of the book or blogging charts. Yes, every week brings a new follower and that is good, after all every writer wants an audience, every writer wants readers but a writer needs to produce new content to put before them and just lately I’ve not been delivering the goods. The aim of this blog, as always, is to not only let people know about my books but also to give the reader something interesting enough to make him or her think hey, wonder if Floating is worth buying? (Of course it is, get yourself a copy now!)

A lot of blogs die a natural death because the blogger gets bored but in the past my deadline, my one and only deadline of 10am on a Saturday morning has actually inspired me to write more. Anyway, this week’s post is a bit of a mish mash of draft posts that I’ve started but been unable to finish. Let’s start off with a look at the weather.

Its H H Hot

Image credit: Daily Express

A few months back I wrote a blog post called It’s C C Cold so as we in the north west UK are experiencing such fabulous weather, it is only fair to write about that.

Over here in the UK we’re not really ready for nice weather. It comes along every now and again, totally unexpectedly and we are all unprepared.

In France, from where I have just returned a few weeks ago, the weather was the same but over there the French have cool houses, protected from the heat by shuttered windows and thick walls. It’s a similar thing in Spain where their whitewashed outside walls reflect away the heat of the sun. Over in the UK our houses are built to keep the heat in and sometimes it’s hotter inside than outside.

Still, I’m certainly not moaning about the good weather. I like the heat and I hate the cold and I’m happy to make sure there are a few cans of Pepsi Max chilling in the fridge. Out have come my shorts and t-shirts and sandals and for the most part Liz and I have been outside in the sun reading and relaxing. Out there in the sun when I put down my book for a moment I’ll start thinking about things to write and it’s there that the ideas for my stories, poems and blogs will come. Yes, retirement has its plus side.

Of course I live in the north west of England, not an area particularly renowned for great weather and after a couple of weeks of really rather nice hot weather, down came the rains. Funny how it always seems to happen when we are all ready for the barbecue. What we perhaps need is one of those big awnings which we could pop out whenever the rain threatens to ruin a good barbecue.

Cinema

In the post I mentioned above, It’s C C Cold, I referenced a few appropriate films, things like Ice Station Zebra which is one of mine and Howard Hughes’ favourite films. As this post is more about heat rather than cold what films could I bring up? Some Like it Hot? Yes, great film but not really appropriate. Lawrence of Arabia? Yes, great film but I’ve written about that one before. Let’s go with the Towering Inferno. Towering Inferno was a film blockbuster produced by Irwin Allen, who also produced numerous 1960s TV shows like Voyage to the Bottom of the Sea and the Time Tunnel. Another film hit for the producer was The Poseidon Adventure, a disaster film in which a cruise liner is overturned by a huge wave and the occupants, still alive on the inverted ship, struggle to survive.

In the Towering Inferno, Allen brought together an impressive cast headed by Paul Newman and Steve McQueen with numerous other stars and famous faces making appearances. It’s a pretty simple plot; a new skyscraper has just been opened named the glass tower but various electrical issues cause fires and people are trapped when the elevators fail. Paul Newman plays the building architect and Steve McQueen is the fire chief who comes to the rescue.

Both Newman and McQueen wanted top billing as well as William Holden. Holden’s request was declined as his star had waned in the previous few years but McQueen and Newman continued to haggle about the billing. The issue was finally settled with a compromise by having their names appear together diagonally with McQueen lower left and Newman top right. Fred Astaire also appeared in the film receiving his only Oscar nomination despite his many classic musical films made in years gone by.

Summer Sport

One feature of the British summer is our great sporting events. Two in particular are Wimbledon and the British Grand Prix. I can’t say I have any great interest in tennis, in fact I have little or no interest in any type of ball game although in the past I have watched some classic Wimbledon finals involving people like Martina Navratilova, Bjorn Borg and so on but the British Grand Prix is a different kettle of fish as I’ve been a fan of Grand Prix racing since I was a child. It would have been nice to have visited Silverstone and seen the race in person but when I made a few tentative enquiries about camping there in our motorhome I soon realised that it would have been cheaper to fly to Barcelona for a week in a top class hotel. Oh well, the good thing was that here in the UK the Grand Prix was live on Channel Four so I was able to settle down and watch the race including all the build up to the big event and all the hoo har and ballyhoo surrounding the race.

I’m not a great fan of Max Verstappen and because he seems to be winning everything lately he has single handedly made Formula One a little boring at the moment. His win at Silverstone was actually the eleventh in a row for the British based, Austrian owned team whose greatest asset is probably the outstanding race car designer Adrian Newey. Adrian’s cars have won championships for his former teams McLaren and Williams and today his current motor car seems unbeatable.

This year’s event was won of course by Verstappen but the McLarens of Lando Norris and former F2 champion Oscar Piastri gave a great challenge to Max and for a moment I thought the Red Bull team were in trouble. At home it was a lovely warm day and I did think about turning off the TV and going outside to enjoy the sunshine but then a huge downpour came down and I just settled down deeper into my armchair, made another brew and enjoyed the race. It was great to watch the race live instead of waiting for the highlights show and trying to avoid social media giving away the result.

Perhaps I should cough up some money and subscribe to Sky sports. Yes I’ve thought about it but happily when I’ve been close to doing just that I’ve managed to get through to the hotline provided by the National Tightwads Society and one of my colleagues there has managed to talk me round! Phew, I reckon I’d be seriously skint without their help. Thanks guys!

And Just Like That.

One of my favourite TV shows has always been Sex and The City. I love that show and enjoy all the stories and relationships of the characters. The show finally finished after six seasons and two feature films. Now the producers have rebooted the series as And Just Like That which just follows on from the last feature film. Sadly, Kim Cattrall who played Samantha declined to appear in the show due to an apparent feud with the main star Sarah Jessica Parker and a desire to move on to other things. Her departure and the addition of several new characters who are not really part of the original quartet of female friends and to be honest, don’t seem as though they ever will be a part, has given the new series a slightly different appeal. Not only that, one of the characters, successful lawyer Miranda, has now come out as gay. She left her husband and has started a relationship with a gay female stand up comedian called Che Diaz and the two have gone to live together in California.

I keep watching even though the show is only a patch on its former witty and vibrant self. Yes, they have added a more diverse cast rather than the previous WASP heavy one but none of the new characters fit in and after watching the first season, I’m still only interested in the three remaining girls and their lives. The other thing is this, I know the series is aimed at women but surely they must realise that a good percentage of viewers are like me, male. I’m interested in the girls but I also like the men. My favourite character, the outstandingly cool Mr Big was killed off in the first episode of season one. I kind of liked Stanforth Blatch played by Willie Garson. Stanforth was a gay icon but I personally saw him as an icon for balding bespectacled men. He always wore such great outfits. another favourite male was Steve, Miranda’s husband who used to be a great counterpoint to the smart and uptight Miranda, has now been relegated to a sort of stand by character who only appears on screen out of absolute necessity.

My other favourite male was Aidan. He was Carrie’s lover and boyfriend before she married Mr Big. The couple were engaged but when Carrie seemed to be reluctant to name the day, he gave her the bullet. He is due to appear soon in Series 2 which I have to say is something that has kept me watching so far.

Final verdict: I keep watching, hoping that things will get better even though I doubt they ever will. If the appearance of Aiden doesn’t improve things, I will soon be unticking the series record button. Still, we all have to let go of things sooner or later and I still have the entire Sex and the City box set on DVD. Maybe the time to uncheck that button has already come.

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