Marilyn Monroe: Suicide, the Kennedys, and a Red Notebook

mmpicmonkey-imageIn my book collection, which is pretty big, I’ve probably got more books about Marilyn Monroe than any other single subject although I only have two of her movies on DVD. Some like it Hot directed by the Great Billy Wilder and her very last completed movie, The Misfits. I suppose I’m just more interested in her, the woman herself rather than her films. The woman born Norma Jeane Mortensen, according to her birth certificate, who went on to become the movie star Marilyn Monroe.

Funnily enough, June the 1st, only a few days ago as I write this post, would have been Marilyn’s 89th birthday. It’s hard to imagine Marilyn, this icon of movie star allure as an old woman. Marilyn will never age and our image of her is fixed not only by her movies but by the many clips and photographs of her that fill cyberspace. She was a woman loved by the camera but she had a hard battle to become the person she wanted to be, a serious actress in charge of her own fate as a movie star and in control of her career and her roles.

It seems to me after reading many books about Marilyn, she lived her life in compartments and in each separate compartment were different and separate people. You may have read a book about her by Robert F Slatzer, ‘The Life and Curious Death of Marilyn Monroe,’ who claimed to have married Marilyn only to have had the marriage annulled at the request of her movie bosses. Slatzer was kept in a separate compartment from Bill Purcell, who features in my most recent Marilyn book purchase; IMGA0351‘Marilyn Monroe: Private and Undisclosed’ in which the author refers to a long time relationship between him and Marilyn. Slatzer and Purcell, and indeed her three husbands, Jim Dougherty, Arthur Miller and Joe DiMaggio, were all kept by Marilyn in separate compartments which only occasionally connected.

Marilyn claimed she only wanted to settle down and have children but stardom was something she could never give up. She had worked so hard for it and when her struggles to have a child failed, or when her relationships themselves failed, her movie career was always there to fall back on.

She died in 1962 aged 36. The coroner said she died as a result of a probable overdose. Indeed, she had a history of overdosing and Arthur Miller, her third husband, saved her from death more than once. Many writers have attributed her sacking from her final film ‘Something’s Got To Give’ as a contributing factor in her suicide but in fact Marilyn had been reinstated to the film at an increased salary. On top of that she had many film projects planned, including a movie biopic about Jean Harlow, so did she commit suicide? Was it an accidental overdose, or was she murdered? Who would want to murder Marilyn Monroe and why?

The fact of the matter is that Marilyn had become rather dangerous to quite a few people and she was in possession of some pretty interesting information because of her involvement with President John Kennedy. Kennedy, who was a serial womaniser, was not amused at her overtly sexual performance at his birthday party and decided to end his association with her. FBI boss J Edgar Hoover had made Kennedy painfully aware he knew of his trysts with another woman named Judith Campbell, who was also intimate with mafia boss Sam Giancana. Anxious perhaps not to give Hoover further ammunition against him, the President tasked his brother, Attorney General Bobby Kennedy to do the dirty work and smooth over things with Marilyn.

Some books and articles claim that was exactly Bobby Kennedy’s mission with Marilyn; damage limitation and keeping her quiet. Others say things had gone further and Marilyn had another affair, this time with Bobby Kennedy himself. Marilyn was someone who had spent a lifetime trying to better herself in the arts and literature. She was a great reader and she began taking notes of her conversations with the Attorney General in order to research their topics and appear confident and knowledgeable. Those conversations included, incredibly, highly secret things within the US government including attempts to topple the communist government of Fidel Castro in Cuba. She wrote these notes down in a red notebook which she showed to Robert Slatzer. He advised her it was an extremely dangerous notebook to have but as her affair with Bobby Kennedy cooled, if indeed it was an affair, Marilyn grew more and more angry. She claimed to friends she was fed up of being tossed around ‘like a piece of meat’ and threatened to blow the lid on her dealings with the Kennedys in a press conference. Bobby Kennedy wanted that notebook destroyed and Marilyn kept quiet. The mafia wanted derogatory information on the Kennedys and had even had Marilyn’s home bugged. The press conference was arranged for Monday August 6th, 1962. Sadly, Marilyn was found dead in the early hours of the 5th.

mm5409683410_8350501c78_oOn the last day of her life, August 4th, 1962, Marilyn was not depressed but making plans for the future. The day before, the 3rd, she spoke on the telephone with handyman Ray Tolman and arranged for him to visit the next week to sort out some repairs on her house, 12305 5th Helena Drive in Brentwood. She also ordered various plants and shrubs for her garden. She spoke with her publicist Pat Newcomb and invited Pat to stay the night. The two women dined locally and turned in to bed early.

The next day, 4th August, Marilyn was awake when the housekeeper arrived at 8am. She spoke with numerous people on the telephone and arranged for Masseur Ralph Roberts to come over for a barbeque the next night.
Pat Newcomb arose around 12 noon and felt that Marilyn was not in a good mood. Pat had slept well while Marilyn, who had a long history of sleeping problems, had slept badly. This seemed to cause some friction between the two women. Shortly after 1 pm Ralph Greenson, Marilyn’s psychiatrist arrived. Marilyn and Greenson had a therapy session together while Pat spent the afternoon sunbathing by the pool as previously arranged.

At around 3pm Pat Newcomb says Greenson asked her to leave as he wanted to work alone with Marilyn.
Later, Eunice Murray, Marilyn’s housekeeper dropped Marilyn off at Peter Lawford’s beach house while she did some shopping. At about 4pm she returned home and Doctor Greenson also returned for presumably, more therapy.

At 5pm Peter Lawford called and asked Marilyn to a supper later that evening but she declined. Marilyn received numerous telephone calls during the day some of which Eunice Murray had fielded by telling callers Marilyn was busy or not at home. Many times this was simply not true. A call from Ralph Roberts was answered by Dr Greenson who said sharply “Not here,” and put down the phone.

At 7 pm Greenson says he left, leaving Marilyn alone with housekeeper Eunice Murray. At around this time Marilyn took a call from Joe DiMaggio Jr. Joe had broken off his engagement to his fiancée and found Marilyn to be in good spirits. At about 7.30 Peter Lawford called again to ask Marilyn to dinner. His description of Marilyn contrasts with Joe Jr as Lawford states Marilyn’s speech was slurred and that she appeared disorientated. Towards the end of the call Lawford stated famously that Marilyn said, “say goodbye to the President and say goodbye to yourself because you’re a nice guy.” Mexican actor Jose Balleros also claimed to have spoken on the telephone with Marilyn that night, he claims Marilyn was lucid and awake in contrast to Peter Lawford’s statements. The fact is Lawford and Eunice Murray both gave varying reports of what happened on Marilyn’s last evening and neither’s statements can be completely trusted.

According to Murray she noticed a light on under Marilyn’s door but the door was locked. She went outside and saw Marilyn either asleep or unconscious on the bed. This was 10 pm in the first version Eunice told. Later on it was moved forward to 3 am. She called Ralph Greenson who advised her to break a window with a poker. Greenson himself then arrived at the house, broke another window and gained entry through the window and found Marilyn dead.

When Police Sgt Clemmons arrived at 4.25 am he saw Marilyn lying face down in what he called the ‘soldier’s position.’ He said “her hands were by her side and her legs perfectly straight. It was the most obviously staged death scene I have ever seen.” Not only that, all the sheets on the bed were clean and Mrs Murray was busy doing the laundry. Clemmons also noted the unusually long time that had elapsed before calling the police and asked why wait until gone 4 in the morning? Greenson and Murray said the film studios had to be informed first. Later, Murray changed her story saying she saw the light on in Marilyn’s room at midnight, went back to bed then awoke later and saw it was still on at 3am then she called Greenson. Greenson then called Doctor Hyman Engleberg and both doctors arrived shortly after. It was Hyman Engleberg who pronounced Marilyn dead.

Eunice Murray admitted in a BBC interview in 1985 for the documentary say Goodbye to the President that Bobby Kennedy was at Marilyn’s house on the day of her death. Eunice’s son in law and Marilyn’s handyman, Norman Jefferies told author Donald Wolfe that Bobby Kennedy arrived late on the Saturday evening with two unknown men and asked Jefferies and Murray to leave while he spoke with Marilyn alone. When they returned Marilyn was comatose in one of the guest cottages attached to her house. Jefferies and Murray called an ambulance but Marilyn died from an overdose. Was it a suicide or an accident? Was it murder? It seems to me that at this late stage we can never know but the autopsy showed that Marilyn’s blood level contained a lethal level of Chloral hydrate and Nembutal but there was no residue from the pills in her stomach, in fact, Marilyn would have had to swallow 38 to 66 capsules of Nembutal plus the chloral hydrate, and would have lost consciousness long before swallowing all of the pills. Was an injection given? The autopsy showed no trace of any needle marks and the final result was noted as a ‘probable suicide.’ Other versions of this story state that an ambulance was called and Marilyn expired on the way to hospital. Presumably it was the ambulance crew that pumped her stomach removing the pill residue. Recently an ambulance driver named James Hall claimed he attended Marilyn’s home that night and Marilyn was responding to treatment when a doctor whom he identified as Ralph Greenson injected Marilyn in the chest with a hypodermic syringe with a long needle. It was he said an inept amateur injection that broke one of her ribs however, these claims were not substantiated by the autopsy. The body was then returned to her home in order to give Robert Kennedy time to leave Los Angeles. I cannot for a moment imagine Bobby Kennedy as a murderer but he certainly would not want to be associated in any way with a movie star suicide. To this day John Bates, a friend of Kennedy’s claims that Bobby and his family spent the weekend with him at his ranch in Gilroy, south of San Francisco.

The final tragedy of this drama is that former husband Joe DiMaggio was set to remarry Marilyn. The date of the wedding should have been August 8th. Instead Joe attended Marilyn’s funeral on that day.

DiMaggio sent half a dozen red roses to her crypt three times a week for the next twenty years. He died in 1999 aged 84 and never remarried. He never spoke about Marilyn publically ever again. When Robert Kennedy visited the Yankee stadium in 1965, DiMaggio took a discreet step back when it was time to shake Kennedy’s hand.

"Marilyn Monroe crypt2" by User:Oleg Alexandrov. Original uploader was Oleg Alexandrov at en.wikipedia - Transferred from en.wikipedia(Original text : Made by Kodak Easy Share camera by User:Oleg Alexandrov). Licensed under Public Domain via Wikimedia Commons - https://commons.wikimedia.org/wiki/File:Marilyn_Monroe_crypt2.jpg#/media/File:Marilyn_Monroe_crypt2.jpg

“Marilyn Monroe crypt2” by User:Oleg Alexandrov. Original uploader was Oleg Alexandrov at en.wikipedia – Transferred from en.wikipedia(Original text : Made by Kodak Easy Share camera by User:Oleg Alexandrov). Licensed under Public Domain via Wikimedia Commons – https://commons.wikimedia.org/wiki/File:Marilyn_Monroe_crypt2.jpg#/media/File:Marilyn_Monroe_crypt2.jpg

Sources: The Assassination of Marilyn Monroe by Donald Wolfe

Marilyn Monroe: Private and Undisclosed by Michelle Morgan

Goddess by Anthony Summers

Say Goodbye to the President: 1985 BBC documentary

Websites: http://www.lovingmarilyn.com

http://www.cursumperficio.net

For a recent daily Mail article, click here.

 

My Love Affair With Back To The Future

The world of the cinema is filled with great movies; Stanley Kubrick’s 2001: A Space Odyssey, Orson Welles’ Citizen Kane, John Ford’s The Searchers and Michael Curtiz’ Casablanca, to name but a few.
One movie, that I saw described on one web page as a ‘phenomenon of popular culture’ is a movie as good, certainly as entertaining and probably more accessible than any in the list above. Yes, I’m talking about Back To The Future.
The movie was directed by Robert Zemeckis. Zemeckis and Bob Gale wrote the screenplay and Steven Speilberg produced and the stars of the picture were Michael J Fox and Christopher Lloyd.

5274270428_c4dff8b634_bIt was released in 1985 and was the biggest grossing movie of that year. It was also in the headlines again this year because 2015 was featured in Back To The Future 2 and the reality in 2015 was a little different to what the producers imagined! No hover boards, no self tying shoelaces!
Even so, Back To The Future is one of those movies that I loved straight from the opening titles and one that gets a regular airing on my DVD player.

Just in case you didn’t know, the movie is about a scientist called Doctor Emmet Brown who invents a time machine and installs it in his DeLorean. Michael J Fox plays Marty McFly who is helping him in his experiments but things go awry and it’s Marty who ends up in 1955 and he turns to the Doc’s younger self for help. The younger Doc Brown agrees to assist but warns Marty not to interact with anyone from 1955 in case the future is affected. Too late because Marty’s Mum – the 1955 version that is – already has a crush on him and Marty needs to get her focussed on his future Dad George, otherwise he’ll cease to exist!

Now what I really love about the movie is that all the little things that you see come together to make the plot work. The lady in the town square who is collecting for the clock tower restoration fund and the flyer she gives away that proves to be the key to getting 20,000 gigawatts of power into the time machine. (That’s the time machine that’s built in the Docs car, a DeLorean DNC-12.) The guy who works in the coffee shop who we know will become Mayor in 1985. The ‘enchantment under the sea’ ball where we know Marty’s Mum and Dad will fall for each other. I could go on, so there’s so much I love in this movie!

Huey Lewis and the News play the wonderful title track ‘The Power of Love’ and Huey himself makes an appearance in the movie as a judge at a talent competition who rejects Marty and his band for being too loud.

To finish here’s a couple of things you didn’t know about Back To The Future:

Michael J Fox was the first choice to play Marty McFly but the producers of his TV show Family Ties refused to release him from the show. The producers then engaged Eric Stoltz to play the role, however during filming, Zemeckis felt that Stoltz’ portrayal was a little dramatic. They were after someone more like, well more like Michael J Fox, so they went back to the TV show producers, came to an agreement and Michael was given the OK to star in the movie, but only after his day’s shooting was finished on the TV show. That meant a full day on the TV set for Michael, and then he started shooting on Back To The Future in the afternoons and evenings. Most of the daytime shots were done on the weekends as of course on a weekday he was still doing the TV show. Must have been one heck of a work schedule for Michael!

Ever wonder why Marty’s Dad doesn’t appear much in the sequels? Crispin Glover played the part of George McFly, Marty’s dad and both he and Lea Thompson who played Marty’s mum had to age from teenagers to middle age in the movie. Glover fell into a dispute with the producers because he asked for too much money to appear in part 2, so they dropped him. That’s the reason!

US President Ronald Reagan quoted the film in his 1986 State of the Union Address. Apparently when he first saw the joke about him being President, he asked the projectionist to stop the film, rewind and play the sequence again.

This year, 2015, the thirtieth anniversary of the film’s original release should see the first performance of a Back To the Future musical based on the original movie.


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The Joy of a Second Hand Bookshop (and two particular gems)

There is nothing more pleasurable, certainly to me, than messing about, not in boats but in a second hand book shop. I do love flicking through the old and worn books on the shelves and if you persevere and have patience you will always find at least one book worthy of your attention. Here are two of my finds, one new and one old.

Michael Powell: a life in the movies.
IMG_20150608_221725edMichael Powell is perhaps not a name that leaps out at you but he was a movie director who made movies in partnership with screenwriter Emeric Pressburger. His most famous film is probably ‘A Matter of Life and Death’, a movie starring David Niven and Kim Hunter. Niven plays a pilot who miraculously survives certain death in plane crash returning from a bombing mission in World War 2 Germany. He is then visited by a conductor from the next world, advising that his survival is a mistake and he should be dead and he now must be prepared to enter the next world. Niven decides this is not on at all as now he has fallen in love with Kim Hunter and he decides to appeal. This fantasy is interwoven with another explanation of his issue, that of a serious brain trauma that needs the help of a neurosurgeon. I loved that movie and you can see it for yourself as it’s regularly shown on British TV.
Powell and Pressburger made numerous movies together but hit a downturn in their fortunes when they made the controversial film ‘Peeping Tom’. The film was about a murderer who films the death of his victims and was not well received at the time.
Years later, directors like Martin Scorsese revived the film and praised it as a lost classic but at the time Powell and Pressburger’s career stalled fatally.
Powell’s autobiography is a wonderful read. His career as a film maker spanned some exciting times in the industry and the book is divided into three sections: Silent, Sound, and Colour. Not many directors can boast of covering a filmmaking span like that. The book is a wandering, meandering look at Powell’s life and career. It’s a rather disjointed read -Powell tends to go off at a tangent about various things- but somehow that seems to add to the enjoyment of the book rather than detract from it.

Little bit disappointed though to get to the end of this pretty hefty book to find that it’s only volume one! Better get back to the shop and see if they have volume two!

James Hilton: Lost Horizon.
8391034163_f7c1b5accb_bI picked up this wonderful gem of a book at charity shop years ago for the bargain price of twenty five pence and if I could convert the pleasure this book has given me into pounds, shillings, and pence, it would be a figure that far eclipses that initial outlay. James Hilton has become one of my favourite writers and one of my personal writing heroes. (Check out my blog about him here!) This highly original novel reflects the fear and sadness that many must have felt in the days prior to World War 2. There must have been a feeling then that with new technology the approaching conflict could be the end of civilisation.
In this wonderful book, a group of lamas in a monastery hidden from the world by a chance of geographical fate decide to look ahead and ensure that the riches of the world, not gold or silver, but literature, art and music, should be preserved should a holocaust engulf the world. To ensure that their creed of respect and compassion endures they select a British diplomat, Conway, to carry on their work and set about bringing him to Shangri-La. Shangri La is a small community in Tibet insulated from the world by mountains on all sides and the people here enjoy unheard of longevity.
Despite his capture Conway is taken into the confidence of the High Lama and given his task of continuing the community and its traditions but his fellow captives have differing ideas, especially Mallinson, his young vice-consul who is desperate to escape.
I won’t spoil things for you just in case you come across the book, or the outstanding 1937 movie directed by Frank Capra but I will say that this novel is one of my top ten books of all time, and one I return to time after time.


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My Favourite Movie Director (Part 1)

I’ll come straight to the point; my favourite movie director? Well, it’s complicated because I’ve got more than one; hence the part 1 in the title, but anyway, Woody Allen is probably my very favourite. Now why a working class guy like me brought up in a suburban council estate in Manchester would relate to the Jewish intellectual New York humour of Woody, well, I don’t know but I just love this guy’s films.

My very favourite moment from one of Woody’s film is probably the one from take the Money and Run when he goes into the bank to rob it and hands a note through the window. The note says “Give me the money, I have a gub!”

“Does that say gub?” asks the bank teller.

picture courtesy wikipedia

picture courtesy wikipedia

“No that’s gun! I have a gun!” replies Woody and soon all the staff are discussing the spelling and the robbery is forgotten.  That movie was right at the very start of Woody’s career when he was a stand up funny man turned movie maker and as his movies got gradually more serious and more thoughtful, well, I probably loved them even more.

I love the opening of Manhattan where Woody narrates over the opening sequence;

“Chapter One. He adored New York City. To him it was a metaphor for the decay of contemporary culture. The same lack of individual integrity that caused so many people to take the easy way out was rapidly turning the town of his dreams in… no, it’s gonna be too preachy, I mean, you know, let’s face it, I wanna sell some books here. Chapter One. He was as tough and romantic as the city he loved. Behind his black-rimmed glasses was the coiled sexual power of a jungle cat.”

Another Allen movie that opens with a monologue is Annie Hall. His character, Alvy Singer, says: “There’s an old joke. Two elderly women are at a Catskill restaurant. One of them says, ‘Boy, the food at this place is just terrible.’ The other one says, ‘Yeah I know. And such small portions.’ Well, that’s essentially how I feel about life. Full of misery, loneliness and suffering and unhappiness – and it’s all over much too quickly.”

Apart from Woody himself and his casual comedy chatter I’ve always like the look of Woody’s films from the black and white of Annie Hall, Manhattan and Broadway Danny Rose to the full colour Hannah and her Sisters and the jump cuts of Deconstructing Harry. I like the way the camera moves, or really doesn’t move. In Hannah and her Sisters Woody doesn’t follow Michael Caine when he goes into the bedroom and continues a conversation. Why should we? We all carry on long distance conversations with our partners in the bathroom or dining room when we are in the kitchen. We don’t need to see the other person, just hear them.

Woody’s films have a natural unobtrusive style which enables you to sit back and enjoy his humour and his observations. Another great Allen movie is Crimes and Misdemeanours. It’s a movie with a dark side but with the same flashes of Allen humour to keep you smiling. Martin Landau stars in the film and gives a wonderful performance. No longer the rather wooden actor from the TV series Mission Impossible or that Hitchcock movie North By Northwest. Here, Landau delivers a thoughtful and human performance and there are lots of the usual Woody Allen touches like returning to old homes and discussing morality then flipping to the next scene where Allen and Mia deliver some more comedy as a counterpoint.

I can’t write a blog about Woody Allen without mentioning Bananas. If I need to cheer myself up, this movie works every time, especially the bit at the end where Woody and Louise Lasser’s wedding night becomes a TV sports event with commentators and interviewers.

It’s almost an ‘in’ joke with Woody about how his older movies are funny and the later ones are not but all his movies have a certain something; not always laugh out loud humour, but some well observed human element. I love Woody himself in his movies which is why it’s a little odd that one movie I can watch over and over again is Radio Days. Like it says in the title, the movie is set in those days before TV when people had their ears glued to the great shows and performers of the time. Woody narrates the movie and we see him as a little boy entranced by a crime show, so much so that his parents take him to see the Rabbi. ‘You speak the truth, my faithful Indian companion’ quotes the young Woody much to the dismay of his parents, not to mention the Rabbi. In some ways I can see myself as a young lad, obsessed with the TV shows of my day and this is the crux of Woody’s films because in many ways he is turning the camera round, and the camera is pointing at us, the viewer.

My love affair with the movies encompasses many genres but when I want to smile it’s usually the Woody Allen DVD I pull down from the shelf.


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