Tag Archives: film

Underwater Adventures

Posted on by Steve Higgins

This week’s theme is about underwater adventures. I’m come up with a few films, TV shows and books on the subject so, to start, I’ll have to cast my mind back to my childhood and remember what underwater TV series caught my imagination back then.

Stingray

Stingray was a puppet TV series created by producer Gerry Anderson and his wife Sylvia and it was the first of their shows to be filmed in colour. Stingray was a submarine in the service of the WASP, the World Aquanaut Security Patrol and was captained by Troy Tempest and his colleague ‘Phones’ who was a master at using sonar equipment. The duo discover an undersea kingdom where King Titan holds sway over his people, the Aquaphibians. Troy and Phones rescue the mute undersea girl Marina who joins them onboard Stingray. Most of the characters had sea related names like, Marina, Commander Sam Shore and his daughter, Atlanta. Atlanta was voiced by Lois Maxwell who played the original Miss Moneypenny in the James Bond films.

Stingray was probably my favourite of Anderson’s TV shows. I particularly loved the opening sequence in which commander Shore exclaims ‘Anything can happen in the next half hour!’ As a child I used to own quite a few Stingray models. One was a plastic kit I had to put together and another was a plastic Stingray shaped water pistol.

Voyage to the Bottom of the Sea

Voyage started out as a film made in 1961. It had some big stars including Peter Lorre, Walter Pidgeon and Joan Fontaine. I actually saw the film after the TV series so I was never impressed with seeing the submarine Seaview without what was to me, its regular crew of actors. The film and the series were produced by Irwin Allen. The film version is about an amazing new submarine, the Seaview, which travels to the Arctic and finds that the sky is on fire! It turns out that a flaming meteor has set the Van Allen belt on fire and Seaview must fire a nuclear rocket into space to blow out the flames.

That has always seemed a bit silly to me but the TV series was much superior. Richard Baseheart played Admiral Nelson and David Hedison was Captain Crane. The crew met with various undersea aliens as well as sea monsters and many of the episodes had espionage and cold war themes.

In the TV series, the Seaview was equipped with a mini submarine which could also fly and was dubbed the Flying Sub. Looking over on Wikipedia, I see the flying sub only appeared in the later seasons but like Stingray, I also had a plastic model kit of it.

The show lasted for four seasons from 1964 to 1968 and in many ways was a sort of undersea forerunner to Star Trek. Producer Irwin Allen went on to make three other TV sci-fi shows, Lost in Space, Land of the Giants and The Time Tunnel.

The Undersea World of Jacques Cousteau

This was a documentary series about the undersea research done by Jacques Cousteau and he travelled the world’s oceans in his research vessel the Calypso. I remember it from the late 1960’s although over on the internet I see that the series ran from 1968 to 1976. Jacques and his team studied underwater things like sea turtles and coral reefs and I always found it very fascinating. The series was narrated by Jacques himself as I remember it but over on Wikipedia they claim that Richard Johnson narrated the BBC version. Perhaps it was a mix of the two with Jacques stepping in to talk about particular elements.

Thunderball

Thunderball was a novel by Ian Fleming and was one of the adventures of his hero, James Bond 007. The novel and the film were subject to litigation as it was based on a film script on which Fleming had collaborated with Kevin McClory. McClory wasn’t happy that Fleming had used the screenplay for the basis of his novel and the result was that after suing Fleming, McClory won certain rights to the story which is how a rival Bond film came to be made in 1983. Never Say Never Again appeared as a rival to the official Eon production Bond films.

Anyway, in Thunderball, a Vulcan bomber with two atomic bombs on board is stolen by SPECTRE and they blackmail the UK government for their safe return. Bond finds the Vulcan underwater in the Caribbean. SPECTRE agent Emilio Largo has a wonderful boat with an underwater hatch through which an army of frogmen descend on various underwater vehicles to hide the bombs. 007 and his colleagues engage in an underwater battle with Largo and eventually get the upper hand.

The Spy Who Loved Me

This film was the one that appeared in competition to Never Say Never Again. Numerous legal issues surrounded the film as producer Harry Saltzman was in financial trouble. Various issues arose with his fellow producer Cubby Broccoli but eventually the two owners of the Bond franchise managed to come to agreement and Broccoli bought out Saltzman.

Another issue with the production was that Fleming was so disappointed with his original novel he had stipulated that the film producers could use only the title and not the story. Various writers were employed to come up with a new story which eventually revolved around villain Karl Stromberg who wants to create a new civilisation under the sea and at the same time destroy all terrestrial life.

To film this, Pinewood studios created a new stage, the 007 stage in which to accommodate the interior of Stromberg’s super tanker which manages to swallow numerous submarines.

Another interesting element was Bond’s car, a Lotus Elite which was able to travel underwater. This was achieved by the special effects team using various mock ups as well as models. One version was towed out of the water using hidden ropes when Bond, played by Roger Moore, calmly opens a window and drops out an errant fish.

Ice Station Zebra

I’ve written a few posts in the past about the eccentric billionaire Howard Hughes and it just so happens that his favourite film was Ice Station Zebra. Hughes had a projector and watched the film, presumably on 16mm, many times in his blacked out suite in Las Vegas. The film is a cold war story based on a novel by Alastair MacLean about a satellite which crashes in the Arctic and has photographed various secret sites in the Soviet Union as well as the USA and both the Americans and the Russians want the film from the satellite. A major storm has locked in the Arctic so a submarine is sent under the ice ostensibly to rescue anyone stranded at the eponymous research station. Rock Hudson starred as the submarine captain and Patrick McGoohan as an agent whose secret mission is to retrieve the film from the satelite.

20,000 Leagues Under the Sea

This was a novel by the celebrated author Jules Verne, first published in serial form in a French magazine in 1869 and published in book form in 1871. The book is highly regarded as one of Verne’s greatest works and features a futuristic submarine, the Nautilus, years ahead of its time. The story concerns an American expedition to capture or destroy a huge sea monster terrorising shipping. The expedition meets the monster but professor Aronnax, a French marine biologist and master harpooner Ned Land are thrown overboard only to find the monster is actually a submarine. They are taken aboard and meet the ship’s commander, Captain Nemo.

The novel was made into a film in 1954 starring James Mason as Captain Nemo.

Finally

Many years ago, I decided to try and become a certified scuba diver. I joined a club and went for lessons at Warrington baths in Cheshire. I completed the course and it was a lot of fun, pottering about underwater with oxygen tanks in the baths. The final part however involved taking your mask off underwater, filling it with air and replacing it back on your face. I tried and tried but I could not do it; every time I ended up thrashing about having swallowed half of the water in the swimming pool. I even tried it a few inches under the water in the shallow end but sadly I always managed to inhale water so unfortunately I failed and never managed to gain certification.

Years later I bought one of those little action cams with an underwater housing and managed to make a short film about me swimming, not in a beautiful underwater coral reef location as I would have liked but up and down in a French swimming pool.

I’ve probably only scratched the surface on this fascinating subject. I could have mentioned the films Titanic and Raise the Titanic or even The Abyss. What was your favourite underwater film?

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Changing the Narrative

Posted on by Steve Higgins

Once again as we have for the past ten or so years, Liz and I have escaped the dismal cold of January in the UK and flown over to sunny and warm Lanzarote, leaving behind the dark nights, the cold and the rain.

Noel Coward did a similar thing every winter and went off to the Caribbean or anywhere he fancied really. Perhaps the cold is just not for us writers. Certainly not for me at any rate. Anyway, its nice to think I have something at least in common with a great writer like Coward.

Our day started last Sunday with my alarm going off at the utterly inconceivable time of 5:30am. Well, there was a time when I used to have to get up even earlier, happily, not any more. A quick wash and shower, a much-needed cup of tea and soon our driver was knocking at the door.

A pleasant surprise awaited us at the airport. On previous trips we have had to endure the hell of passing through security, taking out all our numerous electronic devices and putting them in plastic trays to be X rayed. This year, thanks to new technology, we didn’t have to do that. No longer was I running about, beltless, hanging on to my trousers while trying to grab my various belongings from numerous trays and pack them again in my cabin bag. This year the experience was much more civilised.

On the aeroplane I settled down and opened up my book to read. I have, as usual, plenty of reading matter with me but the book I chose to read on the flight was The Best Exotic Marigold Hotel as it was a fairly slim volume and fitted easily into my shoulder bag. I chose this book as it is the basis for the film of the same name, one of my favourite films.

It came as a bit of a surprise then to find that the book was almost completely different to the film. Yes, there is a Best Marigold Hotel just like the film and it is about a bunch of retired British people who take up residence there but after that, the similarity ends.

It’s almost like watching one of those James Bond films where Ian Fleming’s original story has been evolved out of recognition. Take Moonraker for example. The book is about a German officer who has been hospitalised in WWII during the Battle of the Bulge. Some German troops had been dressed in captured allied uniforms to confuse the enemy and Drax was injured while in British uniform. When fully recovered Hugo Drax continues the deception. He builds up a great business empire but decides to take his revenge on Britain by building a rocket, the Moonraker, which he intends to drop on England. In the film Bond investigates the disappearance of a space shuttle only to find Hugo Drax wants to wipe out the earth population and replace it with a master race.

The problem with film is that it is a group project and various people have an input on the final script. Screen writer William Goldman wrote a wonderful book about his screen writing career called Adventures in the Skin Trade. He described a typical screenplay development something like this. I should point out that I’m going by memory only as my copy of his book is thousands of miles away.

Goldman writes a script and gets a director interested in the project. The director likes the idea but he thinks the ending is not right so the author produces a second draft. The director is happy and brings a big star on board. The star likes the screenplay but is not happy that his character is killed at the end. Goldman produces a third draft and the big star is happier but thinks this and that needs changing. Goldman rewrites and comes up with draft number 4. At this point the Big Star decides to sign up with another project and he is out. The director is not happy so he drops out too. Enter director number 2. He likes the screenplay but thinks a few changes are required. The writer comes up with draft number 5. Enter big star number 2. He likes the screenplay but wouldn’t it be better if his character got the girl instead of the other guy? New draft please!

Come to think of it, wouldn’t it be great if we could order a new draft of our lives. Could I rewrite the bit where I spent 17 years working for the bus company? What about the time when I wanted to be a newspaper reporter? Maybe I could have walked down to the Manchester Evening News and perhaps asked if there were any jobs going?

Another production, actually a TV series, is another example of how producers can change the characters from a book. Hamish Macbeth is actually completely different to the books on which the series was based which was a little of a surprise to me and most of the characters in the series are the invention of the TV writers and not M.C. Beaton who wrote the books. I’m not sure how happy I would be if someone made a TV show out of my book and then proceeded to change all the characters, still I did enjoy Hamish Macbeth as a TV show. It was an oddball quirky little drama which ran for only three seasons. Macbeth was played by Robert Carlyle and he is the village bobby in the small fictional village of Lochdubh. Macbeth is a laid-back relaxed character. He is not averse to poaching the odd salmon and he likes to apply the rule of law in his own way. He avoids promotion as all he wants is to remain in his beloved village. Back in 2022 Liz bought me a whole stack of the Macbeth books and they are all an enjoyable and easy read.

Anyway, getting back to the Marigold Hotel. I was rather unhappy with the book at first. It had originally been published under the title These Foolish Things and was written by novelist Deborah Moggach, but to cash in on the success of the film, new editions were published with the film’s title. As I began to get into the book, I actually began to like it. The central theme seemed to be the story of the lady played by Maggie Smith in the film although in the book another layer of her story has been added which the film ignores. She is mugged and goes to see her well off son for help only to find he has been involved in some dodgy deal and has left to escape the police. She refuses to go back home but her doctor recommends a place in India where she can rest and recuperate. In fact, the Marigold Hotel which he has recommended is a business venture in which he is also a partner.

Various other people decide to go and stay in the hotel too. Some correspond to the characters in the film and some do not. All in all, it was actually quite an enjoyable read and kept me entertained during our flight and for my first few days stretched out on my sun lounger enjoying the warm sunshine of the Canary Islands.

Come to think of it, I’ve changed my own narrative too, exchanging the cold of the UK for the warmth of the Canaries.

Now, what can I change next?

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Transformations (3)

Posted on by Steve Higgins

This the third instalment of a post on the theme of transformations. The very first one (which you can read by clicking here) started off with the transformation of the common market flower seller Eliza Doolittle into a refined lady.  I hope that explains the basic idea so let’s get cracking with a few more interesting transformations.

One that came to me while lying in bed one morning was a story told to me by my mother. Walking down our old street many years ago she pointed out a tall, thin man who we used to let on to whenever we passed. He was, I assumed, very old as he had a great mop of white hair. Mum had lived on that street most of her life. She had come to Nuffield Road with her mother and father as a child and when mum grew up and married they gifted the house to her. She told me that the tall lanky man wasn’t old at all. He had gone away to war in the 1940’s and had been captured by the Japanese. He had endured a terrible time as a prisoner of war and when he returned he was a shattered man and his hair had turned snow white.

Shirley Valentine

Shirley Valentine started life as a play by Liverpool writer Willy Russell. Later the story was turned into a film with Pauline Collins starring as the eponymous heroine. Shirley Valentine was a lonely Liverpool housewife who spent a lot of her time talking to her kitchen wall. Her children had left home, she had lost touch with many of her friends and she felt alone, sitting at home all by herself when her husband was out at work.

Her husband Joe, played by Bernard Hill, demands a steak dinner every Thursday. He sets so much by this that Shirley calls it the 11th commandment; thou shalt have steak on a Thursday. The thing is, Shirley gives the steak to the neighbour’s dog and makes chips and egg for tea. I personally rather like chips and egg. If I am ever on my own on a Saturday, the first thing I think about making is chips and egg. I always think of it as the perfect Saturday evening meal. Shirley’s husband however does not like chips and egg on a Thursday; he likes steak and this is the catalyst for a big row and for Shirley going on holiday with her friend Jane and leaving Joe to fend for himself.

While on holiday Jane deserts Shirley for an affair with a man she meets on the flight over. Shirley however, begins to gain confidence in herself and far from being lonely, she begins to come out of her shell. She meets Costas, a Greek bar owner with whom she has a brief dalliance.

Shirley is at the airport ready to leave when she decides not to go. Returning to the bar she asks Costas for a job. Meanwhile Jane tells Joe that Shirley has been having an affair but she denies this saying the only affair she is having is one with herself.

The film finishes as Joe arrives in Greece to speak with her but she has changed so much he fails to recognise her at first. Shirley has finally found herself.

Educating Rita

This was a breakthrough film for Julie Walters and I remember Michael Caine who also stars in the film saying that this film would do for Julie what Alfie did for him. Maybe it did, maybe it didn’t. The film is about a Liverpool hairdresser played by Julie who wants to better herself. She decides to take an Open University course in English Literature. Her tutor played by Caine is initially confused as he has the name of Susan White on his documents and Susan explains that she has now changed her name to Rita after reading Rubyfruit Jungle by Rita Mae Brown. Frank Bryant (Caine) is not keen on taking Rita on as a student but she convinces him otherwise. Rita finds Frank has ignited her passion for literature but has to contend with her husband who wants her to be a traditional wife and produce babies. Husband and wife finally split leaving Rita to pursue her studies. She moves in with a fellow student and gradually, as she mixes with more students and studies more, she becomes less and less like her former self. Frank becomes more and more fond of her, possibly even in love with her but his position as a university lecturer is compromised by his heavy drinking.

Just like Shirley Valentine, this story began life as a play by Willy Russell and the film shared the same director, Lewis Gilbert, who also directed Alfie, mentioned above. In a lot of ways this is such a good film. Julie Walters is outstanding as Rita and Michael Caine is excellent too. The big problem for me is that while Julie plays Rita as a typical scouser with a superb Liverpool accent, the setting clearly isn’t Liverpool. Not only that but the other accents in the film all grate with Julie’s as they are a mix of various northern accents. Caine of course as the lecturer, doesn’t have to have to be a Liverpudlian but the hotchpotch of brogues, some from Manchester, some from Liverpool just seemed to jar to my ear. The film was apparently filmed in Ireland so why not make Rita and her family Irish? That would have made more sense although filming in Liverpool with a local cast would have been the better option. Perhaps production finances made that impossible.

The Incredible Hulk

Back in the days when I used to read comic books, I used to read plenty of Marvel comic strips and one was the Incredible Hulk. The origin of the Hulk (every superhero has an origin story!) is a story about a scientist called Bruce Banner who is exposed to gamma radiation during an experiment. Gamma radiation featured in quite a lot of the Marvel comics as I remember but, on this occasion, the result of exposure to gamma rays means that when Bruce gets angry, he mutates into a green skinned, muscular giant with incredible strength and while he cannot fly like other super heroes he manages to get about in some incredible jumps or leaps.

Back in the 1970’s there was a TV version starring Bill Bixby as Bruce Banner although for some reason, perhaps because he was travelling incognito, he used the name David. I can’t remember the opening episode but Bruce travels about the USA and gets involved in various incidents. He tells a lot of people to not make him angry as they won’t like him when he is angry but as you can imagine, various people just go ahead and make him angry anyway which turns him into the green skinned monster. Rather than beef Bill Bixby up with green makeup and fake muscles, the production team brought in the already muscular Lou Ferrigno. He appeared as the Hulk and when he calmed down after a good bout of rampaging and smashing stuff up, he morphed back into Bill Bixby again.

The first film version starred Eric Bana as Bruce Banner and was released in 2003. The Hulk himself was a creation of CGI, computer generated images, although director Ang Lee provided the motion capture movements and the voice of the Hulk. This being the early days of CGI the result appeared to be rather cartoon like, at least to me.

The follow up film was The Incredible Hulk starring Edward Norton as Bruce Banner who is on the run from the military and living in Brazil but still trying to continue his experiments. He does so partly by collaborating with an anonymous individual online known only as ‘Mr Blue’.

The military trace Banner to Brazil and try to capture him but fail. It’s a pretty thoughtful and interesting film until the CGI takes over and a character called Emil Blonsky is injected with a substance aimed to produce a ‘super-soldier’ causing him to become a similar mutant like the Hulk. The two engage in a CGI battle which the Hulk wins.

Later Bruce Banner begins to be able to control his mutations into the Hulk and meets with Tony Stark, alias another Marvel super-hero, Iron Man, which preps the viewer for the next super hero film.

All in all it’s not a bad film and much superior to the first one but please, less CGI in future please.

The History of Mr Polly

This is not a science fiction story despite being penned by H G Wells. Our hero, Mr Polly, finds himself in a very dull job with a very dull wife and resolves to commit suicide. Anyway, events unfold and instead of committing suicide, Polly accidentally starts a fire which threatens the whole street and he then mounts a brave rescue of an old lady. Instead of dying, Mr Polly becomes a hero and when the insurance money comes in, he leaves his wife nicely settled with the insurance money, takes a little for himself and departs for pastures new. He sends some money to a post office in another village and gradually meanders in that direction, sleeping in fields and hedges, getting himself a tan. He works occasionally when he wants and sleeps when the mood takes him at other times.

He comes across the Potwell Inn and asks for work and right away finds himself at home. He potters about happily at the Inn, cleaning, serving and doing various odd jobs. One day the landlady’s nephew, ‘Uncle Jim’ appears. He is a violent bully having been in and out of prison for years. He doesn’t like Mr Polly getting in the way so he decides to scare him off. What should Polly do, stay and help or just leave? He decides to stay and after various battles scares off Jim.

Some time later he returns to see if Miriam, his former wife is alright. He finds that Jim has drowned wearing clothes stolen from Polly so now Mr Polly is presumed to be dead. Polly leaves, content with the transformation of his life.

I first read this book many years ago and I’ve always liked its simple philosophy. If you don’t like your situation, change it.

A film version was made in 1949 starring John Mills as Mr Polly and Megs Jenkins as the landlady of the Inn where Polly finds happiness.

I might as well finish with a transformation close to home. Yes, I’m talking about me. Once I was a ‘six shifts on, three shifts off’ motorway Traffic Officer, setting signals in our control room for the travelling public and now I’m retired, a man of leisure whose only worry is ‘what can I write about next week’.

I’ve also used artificial intelligence to transform me further, well, my digital image anyway. That’s me just above, or at least a version of me that’s similar to the original.

What transformations have you experienced?

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8 Onscreen Portrayals of Real People

Posted on by Steve Higgins

It’s been another cold and wet week and as usual I’ve tended to lie back on my couch and watch a lot of television and not just broadcast TV either. Lots of times when broadcast TV isn’t up to the job of entertaining me, I’m forced to crank up a recording and watch that. Just lately I’ve watched a couple of biopics, films about real people, so for this post I thought I’d continue that theme and look at films and TV shows where the actors have had to portray real people.

Barbara Windsor

One night last week I watched a documentary about the Carry On films. It was really interesting and was titled Secrets and Scandals. It showed a lot of previously unseen interviews in which the stars had a whinge about various things, in particular the fact that they didn’t get paid when the films were reshown time and time again on TV. The producers made a shed load of money but the stars were paid peanuts. One of those stars was Barbara Windsor and after I had watched the documentary, I remembered a TV film called Babs about Barbara’s life. It was made in a really interesting way and involved Barbara in later life, imagining that she was talking to her late father about various things that have happened to her. Events from her life are recreated in front of her and she turns and discusses the incidents with her dad.

Theatre director Joan Littlewood was really impressed by Babs and wanted her to play various parts for her but after working together for a short while, Barbara opted to play a part in Carry on Spying which set up her comedy persona for the rest of her life.

Barbara loved her dad but when he and her mother divorced, Barbara, as a small child, was asked to tell the courtroom about the times he had shouted and sworn and later her dad ignored her when leaving the court. Two actresses played Barbara, Honor Kneafsey in her younger days when she played in her first Carry On films and Samantha Spiro who interacts with her father throughout the film. It’s a really good film and it’s put together in a slightly unconventional way which really works.

I couldn’t find a clip on YouTube but the film can be seen on BBC iPlayer by clicking here.

Jimmy Saville

Another TV film I saw earlier in the year was The Reckoning in which Steve Coogan plays Jimmy Saville. It was another 4 part series which we had to stream and Coogan really seemed to me to capture the essence of Jimmy Saville.

I have to admit I always used to rather like Jimmy Saville. I liked his slightly comic presentations on Top of the Pops and his ‘now then, now then’ act. This film was different though and showed the dark side of Saville and the way he used his pretty considerable fame to abuse women and children and get away with it.

Stan Laurel

Steve Coogan also played Stan Laurel in the film Stan and Ollie, a film which looks at the later years of the famous comedy duo. John C Reilly played Oliver Hardy and the film shows the two when they embarked on a music hall tour of the UK in 1953. They were still hugely popular but the tour had a big impact on them, particularly Oliver Hardy. Coogan does have a look of Stan and the two actors played great parts and even recreated some of their comedy routines on stage.

Lee Harvey Oswald

In the film JFK, director Oliver Stone takes a look at the assassination of John F Kennedy. The alleged assassin was an oddball individual called Lee Harvey Oswald. Oswald in the film is played by British actor Gary Oldman. Oswald was paraded to the press in Dallas on a few occasions after his capture and Oldman perfectly captures his look and speaking voice in the film. Stone apparently urged Oldman to do his own research and he met with Marina, Oswald’s widow and some of their Dallas acquaintances. Strangely, Oswald was interviewed on camera before the assassination talking about Marxism and Communism and the differences between the two. No doubt Gary Oldman watched these too.

Winston Churchill

Gary Oldman also played another historical person in Darkest Hour in which he plays Winston Churchill. A great deal of makeup went in to putting together Winston’s visual appearance and the film looks at the outbreak of World War II and Churchill’s ascent to the premiership. Oldman achieves an interesting approximation of Churchill’s overall look and speech and the film is excellent although whether deposed PM Neville Chamberlain had as strong a hold on the conservative party after Churchill had taken over as the film makes out, is open to question. Interestingly though, even though Churchill became the Prime Minister, Chamberlain retained the party leadership and apparently had thoughts of returning to 10 Downing St in later years. He died of cancer though in 1940.

Cary Grant

Archie is a wonderful four part series and Jason Isaacs plays an outstanding part. He doesn’t try to impersonate Cary but he did manage to create a look of the late star and he caught Grant’s voice and enunciation perfectly. Most of the series follows Cary in later life when he becomes involved with and later marries Dyan Cannon. Dyan was his fourth wife and she was the mother of his only child Jennifer and she and her mother co-produced the series which is definitely well worth watching.

Cary Grant retired from films in 1966, the year his daughter was born and he and Dyan Cannon divorced in 1968. Many tried to bring him out of retirement for various films including his favourite director Alfred Hitchcock but he declined. He must have wanted to keep on working though because he did accept a position on the board of Fabergé.

He died in 1986 aged 82 and left behind an estate reputedly worth around 80 million dollars. Archie is a well made and quite fascinating piece of TV. Look out for it, it’s well worth watching.

Howard Hughes

The Aviator was a film released in 2004 starring Leonardo Di Caprio as the billionaire Howard Hughes. Looking at Wikipedia, the film had an extensive development background with other film makers vying with each other to produce biopics about Hughes. This film however finally came together with Martin Scorsese directing and with a screenplay by John Logan. Hughes famously suffered from OCD, Obsessive Compulsive Disorder and in Hughes the disease manifested itself in a fear of germs and an obsession with cleanliness. Apparently Di Caprio did a huge amount of research on OCD and the film shows how Hughes went from an eccentric millionaire film maker and pilot to someone who finally retreated into reclusive madness.

I enjoyed The Aviator although a better film about Hughes was probably a mini series based on a book by Hughes’ former business manager, Noah Dietrich. The TV mini series was called Howard, The Amazing Mr Hughes and starred Tommy Lee Jones as the famous billionaire. I’ve always thought that Jones’ portrayal was much more convincing than Di Caprio’s but I did enjoy both versions.

An interesting element in the TV show was a recreation of an incident in 1972 when Hughes appeared by telephone live on air, to speak with four journalists he personally knew, in order to denounce fake ‘diaries’ which had been published by author Clifford Irving. On the TV mini series the actual journalists played themselves.

Brian Clough

I’m not a great football fan but not long ago I picked up a DVD from the charity shop. It was The Damned United starring Michael Sheen as the 70s football manager Brian Clough. Clough was famous in the UK in the 1970s and was to be seen regularly on various TV shows and all the top impressionists of the day, people like Mike Yarwood, all did a version of Clough. The film follows Clough as he takes over Leeds United from outgoing manager Don Revie. He denounces the team as unsporting because of their brutal and physical style of play and promises a new start for the team. However, only 44 days later Clough was sacked as manager. Despite not being a football fan, the film recreates the 1970s very well and Sheen’s performance as Clough was an outstanding approximation of the real Clough. Various people sued the production company due to a number of factual errors in the film but as a non-football fan I found the film very convincing and hugely entertaining.

I could go on with many other films. James Stewart for instance played both Glenn Miller and Charles Lindbergh although the end result in both cases was someone who looked and talked just like James Stewart usually does. The same could be said for James Cagney who played George M Cohan in the film Yankee Doodle Dandy. Neither actor even tried to impersonate the real person although Stewart did wear spectacles to play Miller. Anyway, I’ll save those examples for another post.

Have a good weekend and thanks for looking in.

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Film Connections (Part 5)

Posted on by Steve Higgins

It’s time for another post in which I try to put together a few golden age cinema stories connected by a thin, sometimes very thin, connecting link. Today I’m going to start with Olivia de Havilland.

Olivia de Havilland was one of the great film stars of Hollywood’s golden age. Amazingly she died only fairly recently in 2004 having lived to be 104 years old. She appeared in eight classic films with fellow star Errol Flynn, including The Adventures of Robin Hood in which she played Maid Marian to Flynn’s Robin Hood. Flynn claimed in later years to have been in love with Olivia but nothing ever happened between the couple, or so they both said.

In my favourite Hollywood book Bring on the Empty Horses, David Niven paints an excellent portrait of Flynn. You always knew where you were with Errol, wrote Niven -he always let you down.

Flynn hailed from Tasmania, an island state of Australia. In Australia he became involved in a film production called In the Wake of the Bounty, a documentary film about the mutiny on the Bounty that featured reconstructions with Flynn as Fletcher Christian. After this he made his way to the UK where he became an actor and spent many years in repertory in Northampton. He was fired from Northampton rep but was spotted by producer Irving Asher and given a part in a film made at Teddington Studios in 1934. The film was Murder in Monte Carlo which has since been lost but apparently Asher, who worked for Warner Brothers, sent word to Hollywood recommending Flynn for a contract. After a successful screen test Flynn was given the starring role in the swashbuckling adventure, Captain Blood, after Robert Donat turned down the role. The film was a great success and made stars of Flynn and co-star Olivia de Havilland.

Olivia began living in Paris in the 1950s but continued acting not only in films but also on television and on the stage. She received numerous awards and she and her sister are the only siblings ever to both receive Academy Awards.

Olivia’s sister was Joan Fontaine and the two had a famous feud or falling out which seemed to consume most of their lives. Olivia seems to have ‘blanked’ Joan when Joan won an Oscar for her role in ‘Suspicion’ in 1942. They seemed to become friendly for a while until they differed about looking after their elderly mother.

My favourite of Joan’s films and perhaps her most well known was Rebecca, directed by Alfred Hitchcock. Joan played the part of a shy young girl who falls for Maxim de Winter, played by Laurence Olivier.

Rebecca was filmed in 1940 and was Hitchcock’s first Hollywood film. In Monte Carlo a shy young girl played by Fontaine encounters English gentleman Maxim de Winter and thinks he is about to jump off a cliff. Later the two fall for each other and marry but the new Mrs de Winter -her actual name is never revealed- seems to feel Maxim’s love for Rebecca, his late wife, is overshadowing her life. It’s a great film and one of Hitchcock’s best. Olivier apparently wanted his wife, Vivien Leigh, to play the part which Hitchcock ultimately gave to Joan.

Vivien Leigh was the surprise choice to play Scarlett O’Hara in the film version of Gone with the Wind. The film was a major film adaptation of the book by Margaret Mitchell which had been a huge success and producer David O Selznick bought the film rights. Production was delayed for a long while as Selznick was determined to get Clark Gable for the part of the roguish Rhett Butler. Another delay was a distribution deal with MGM which couldn’t be finalised until Selznick’s then current deal with United Artists had expired. Selznick used the delay to promote a huge search for an actress to play the part of Scarlett O’Hara, the spoilt daughter of a plantation owner in the deep south of America. He eventually chose Vivien who was in the USA visiting her husband who of course was filming Rebecca.

Clark Gable was known as the ‘King of Hollywood’ and in 1935 he made a film with Loretta Young called The Call of the Wild. During the production, Young became pregnant with Gable’s child. Their daughter Judy Lewis was born on November 6th 1935. Loretta hid her pregnancy and gave birth in secret and then later arranged to ‘adopt’ the child. Judy never knew the circumstances of her birth although it was an open secret to many in Hollywood. When she finally learned of the rumours, she confronted her mother who admitted she and Gable were her biological parents.,

In 1939 Gable married Carole Lombard. She was a great star particularly in the screwball comedies of the day and Gable adored her. They met while making the film No Man of her Own in 1932 but nothing romantic happened until they met again at a Hollywood party in 1936. Gable was separated from his then wife Ria Langham but still married. Eventually she agreed to a divorce and Gable was free to marry Lombard.

When World War II began, Carole travelled to Indiana to a war bond rally where she raised over 2 million dollars for the American war effort. She and her colleagues were due to return to Los Angeles by train but decided to take a faster option and fly. The flight crew of the aircraft were thought to have been in difficulty crossing the mountains surrounding Las Vegas as safety beacons had been turned off in case Japanese bombers tried to enter the area. The aircraft crashed into the mountains and all on board were killed. Gable was devastated. Afterwards he joined the US Air Force and saw action over Germany as a gunner.

In 1960 Gable began work on his final film, The Misfits. The screenplay had been written for Marilyn Monroe by her husband, playwright Arthur Miller. She was not happy playing a character called Roslyn who she felt was based too much on herself. She and Miller were at the end of their marriage and their deteriorating relationship caused tensions on the set. Miller was stressed as he was doing multiple rewrites. Monroe was frequently late or didn’t turn up for work or didn’t know her lines while Gable, the complete professional was on time and word perfect every day. Director John Huston had to hold all the differing elements together but the film was finally completed. It was the final film for both Monroe and Gable. He died some weeks after filming completed aged only 59 and despite having two other marriages after Lombard, was laid to rest beside her.

Another star of The Misfits was Montgomery Clift. He was also a ‘method’ actor and along with Marlon Brando and James Dean was one of the three great method actors of the 50s and 60s. I have always thought that his first film was The Search, a film made in bombed out post WWII Berlin in which Clift played a US army soldier who helps a refugee boy find his mother. Clift gave such a natural performance that director Fred Zinnemann was asked where did he find a soldier that could act so well?

Clift’s actual first film was one of my personal favourites, Red River with John Wayne, a western about an epic cattle drive across the US. The Search, despite being filmed later was actually released first.

Clift became great friends with Elizabeth Taylor and the two made many films together. In 1956 while filming Raintree County, Clift was involved in a terrible car crash in which he suffered severe injuries to his face, particularly the left side. Taylor comforted Clift in the wreck of his car while they waited for the emergency services. Clift returned to complete Raintree County after taking two months off to recuperate from plastic surgery.

Montgomery Clift was a homosexual in a time when such things were covered up by Hollywood and his sexuality was not mentioned in public until Elizabeth Taylor spoke about it in a speech in 2000.

After the success of The Search, Paramount offered Clift a major contract which he accepted and the first film he made for the company was The Heiress directed by William Wyler.

Bringing us full circle, Clift’s co-star in The Heiress was Olivia de Havilland.

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20 Outstanding Instrumental tracks (2024 Update)

Posted on by Steve Higgins

As it’s been such a dreadful summer here in the UK, I think it’s high time for another music post. In the past I’ve done posts about Christmas chart hits, one about comedy chart hits and one listing some random hits from pop music’s vinyl past. These days I do like listening to chilled down electronic dance tracks, so I thought ‘what about a blog post featuring instrumental hits?’ Anyway, here we go. I’ve tried to find advert free videos where I can but it’s not always been possible. Some tracks are film themes, some are TV themes and some are just great pop, jazz or soul tracks. This post by the way is an older one that has been subtly updated from 19 Outstanding Instrumental Tracks to a round 20.

Theme from Rocky

One of the best things about the Sylvester Stallone movie Rocky has to be the theme tune. For a long time I used to have it as my ringtone on one of my first mobile phones. Its proper title is Gonna Fly Now composed by Bill Conti and the track made number one on the Billboard Hot 100 in 1977, the year the movie was released.

Axel F

Axel F by Harold Faltermeyer was the theme to Beverly Hills Cop, a forgettable film starring Eddie Murphy. If not for this catchy tune the film would long have been forgotton. The track made number 2 in 1985 but younger readers may remember the 2005 Crazy Frog version.

Theme from Hill Street Blues

Hill Street Blues was an outstanding TV show from the early 1980’s about a police station in an unnamed US city. The show won critical acclaim and according to Wikipedia won a total of 98 Emmy Award nominations. The show featured a lot of hand held camera work which gave the series a documentary look and the theme written by Mike Post reached number 10 in the Billboard top 100 and number 25 in the UK singles chart.

(Angela) Theme from Taxi

Angela was written by jazz pianist Bob James. The theme was written for episode 3 in the series but the producers liked it so much it became the main theme for the show.

Theme from Miami Vice

Miami Vice was an American TV cop show from the 1980’s and the theme music written and performed by Jan Hammer was released in 1985. The single reached number 5 in the UK charts.

Love’s Theme by the Love Unlimited Orchestra

Okay, that’s the film and TV themes sorted, let’s move on. Love’s Theme was by the Love Unlimited Orchestra, Barry White’s backing band. I’ve always loved this track and many years ago I frequented a bar in Manchester known as the Playground where the DJ used it as his theme tune. Every time I hear it I never fail to be transported back to those days in the 1970’s.

Apache by the Shadows

The Shadows were British singer Cliff Richard’s backing band and this worldwide hit made it to the UK number one spot in 1960.

Classical Gas by Mason Williams

Classical Gas was a track by Mason Williams and it was a one hit wonder from the year 1968. Steve, the Matty character from my novel, Floating in Space played it for me back in the 1970’s and I fell in love with it straight away.

Pepper Box by the Peppers

Pepper Box by the Peppers is a track you may think you have never heard of but as soon as you hear it, you’ll probably recognise it. It was a popular track way back in 1974 when it peaked at number 4 in the UK charts.

The Hustle by Van McCoy

The Hustle, what a great track! It just brings back memories of nightclubs back in the 1970’s. The Hustle was a single by Van McCoy and the Soul City Symphony. It went to number 1 on the Billboard chart and number 3 in the UK. Even better, here’s a clip from 1975’s Top of the Pops with Pan’s People dancing to the track.

Pick up the Pieces by the Average White Band.

I’m not totally sure how to categorise this one. I suppose it’s 70’s funk but feel free to tell me if it isn’t. It was released in 1974 but failed initially to chart in the UK. After it took off in the USA the track begin to sell in the UK and eventually made the number 6 spot.

Hocus Pocus by Focus

Hocus Pocus is a song by the Dutch rock band Focus, written by vocalist Thijs van Leer and guitarist Jan Akkerman. It was recorded and released in 1971 as the opening track of their second studio album, Moving Waves. I remember hearing it originally on the Alan Freeman radio show. Heavy rock isn’t usually my cup of tea but I kind of like this one.

Time is Tight by Booker T and the MG’s.

This track was recorded in 1968 and was used in a film called Uptight released that same year. A slightly slower version of the track was released as a single in 1969 and reached number 4 in the UK charts.

Soul Limbo by Booker T and the MG’s

Soul Limbo was a hit for Booker T and his MG’s in 1968 but is probably best known in the UK for being the theme for BBC TV’s cricket coverage.

Garden Party by Mezzoforte

Mezzoforte were a jazz fusion band formed in 1977 and their biggest hit was Garden Party which made it to number 17 in 1983.

Song for Guy by Elton John

Elton is not exactly known for instrumental works but this was released as a single in December 1978 reaching the number 4 spot in January of 1979. Elton dedicated the song to Guy Burchett, a messenger at Elton’s record company Rocket. Guy was killed in a motorcycle accident on the same day that Elton wrote the song.

Jazz Carnival by Azymuth

Azymuth are a Brazilian jazz funk band formed in 1971. Jazz Carnival was a 1980 hit for the group reaching number 9 in the UK charts.

Take Five by the Dave Brubeck Quartet

Take Five was composed by Paul Desmond and originally recorded by the Dave Brubeck Quartet in New York City on July 1, 1959 for their album Time Out. Two years later it became a hit and the biggest-selling jazz single ever. Numerous cover versions have been produced since then.

Theme from Shaft

The theme from Shaft was written and performed by Isaac Hayes and was the theme to the 1971 film starring Richard Roundtree as private eye John Shaft. The song won an Academy Award for best original song. In the UK the track reached number 4 in the music charts. I remember hearing this back in 1971 and after buying the single just playing it over and over. The flip side, Cafe Regio, was pretty good too and looking back this was the track that started off my love of soul and funk.

Fanfare for the Common Man by Emerson, Lake and Palmer

This was a 1977 hit for Emerson Lake and Palmer. It was a track from their album Works Volume I and was adapted by Keith Emerson from an original 1942 work by Aaron Copland. The single reached number 2 in the UK singles chart.

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6 Takes on Dreams

Posted on by Steve Higgins

I was looking back at some of my old blog posts the other day, hoping for a little inspiration. I usually find that my older blog posts are much shorter than the current ones and sometimes I can rewrite them or extend them and actually make them into a new post. Around the same time I noticed a blog post on the BBC web site about dreams in TV and film. That sent me searching for an old blog post about dreams and so here it is, suitably rewritten and extended.

My Dream

The other day I woke up far too early. It was 6 am when I stretched out and fumbled for my phone to check the time. It was a Friday and I didn’t have a completed blog post for my usual Saturday morning deadline, the deadline that for the past few years has kept me honest as a writer. I padded off wearily to the bathroom, had a glass of water and availed myself of the facilities and went back to bed. I don’t dream that much although a few years ago my dreaming seemed to increase, so much so that I started a dream journal, a notebook just by the bedside so that when I awoke I could jot down the details of my dream. Later when I came to review the notes, I tended to find a whole lot of gibberish that not only made no sense but didn’t in any way nudge my memory and bring back those quickly forgotten dreams.

A long time ago I awoke after a crazy dream in which I was out with a friend I hadn’t seen for years, and somehow, don’t ask me how, I had lost all my clothes. We had been out drinking and were walking home then something happened and suddenly I was somewhere without any clothes. I woke up then but that wasn’t the end of it.

The next night I had a sort of follow on dream. I was wandering around with no clothes, although I had come across a blanket somehow, and with me was Michael Portillo (yes, the ex-MP who hosts a show on BBC about railway journeys). Well we ended up in this hotel and I was starting to worry. Well, who wouldn’t? No clothes, no wallet, no mobile. Who could I call? Should I try and cancel my bank cards? What happened to my keys? Where am I and what has Michael Portillo got to do with it?

Michael was standing nearby and using his influence as a famous former MP. Someone brought him a phone and he started chatting into it. Clothes were brought for him and I could hear him speaking to his bank. It actually brought to mind that sequence at the beginning of one of the Bond films where Pierce Brosnan has been in a Chinese prison, escapes and finds himself in Hong Kong. He walks into this posh hotel, his hair long and unkempt, his clothes in rags and the guy at reception says “Will you be wanting your usual suite Mr Bond?”.

Some people just have that manner about them don’t they? Me, I’d have been unceremonially kicked out of that hotel, assuming I’d even made it past the front door! I can just imagine the scene:
“Your usual suite Mr Higgins? Just a moment please?”
The manager beckons to a large man looking similar to Oddjob from the Bond movie Goldfinger. The next moment Mr Higgins hurtles through the front door. As he is propelled into the street he murmurs, “that’s a ‘no’ then is it?”

TV

I mentioned earlier about the BBC post about dreams. I noticed it advertised at the bottom of a page I was looking at and I didn’t actually read it until later. A lot of the films mentioned in the post were ones I had never heard of but in the TV category was one probably everyone knows about. The return of Bobby in Dallas.

In case you have never watched an episode of Dallas here’s a quick resumé: It was about a rich family living in Dallas. The family’s money came from oil and the head of the family was Jock Ewing. The other main characters were his wife Miss Ellie, his sons JR and Bobby and their wives Sue Ellen and Pam. Larry Hagman created the famous character of JR, Patrick Duffy was Bobby, Linda Grey played JR’s wife Sue Ellen and Victoria Principal was Bobby’s wife Pam. There are more characters but those were the main ones. After season 8 Patrick Duffy decided it was time to leave and pursue other acting roles and so his character was killed off. The ratings dropped during season 9 and so Patrick was enticed back to the series, the only problem was how could he come back? His character died surrounded by friends and family so what could the writers do? Well, the answer they came up with was this: It was all a dream!

When you come to really look at it, what else could the writers do? Patrick could return as Bobby’s long lost twin brother. Or perhaps he didn’t die after all. That one would be tricky as he did die as I mentioned above, surrounded by friends and family so they could hardly try to make out he didn’t die. Maybe a double, a fake Bobby really died but that idea is a bit silly, after all Dallas wasn’t a spy or a sci fi show. So what happened was this, at the end of season 9 with Bobby dead and his wife Pam involved with another man, Pam walks into the bathroom and finds Bobby in the shower. The season ends there which was quite a finish and we had to wait for the next season to find out that Pam was having a dream and Bobby hadn’t really died after all. Some fans hated it but when it comes down to it, what else could they do?

The Novel

Dreaming a story and making it into a novel or a screenplay isn’t quite as strange as it seems. In 1898 an American writer, Morgan Robertson, wrote a story about an unsinkable ship called the Titan which sailed from England to the USA, hit an iceberg and sank. The story was published fourteen years before the Titanic disaster. I remember reading the story of this writer years ago, even that the writer saw the story played out in front of him like a movie but all the research I did on the internet for this blog seems to imply that the author was a man who knew his business where ships were concerned, felt that ships were getting bigger and bigger and that a disaster like that of the Titanic was inevitable.

The Quote

The Hit Single (John Lennon; Number 9 Dream)

The Film

It took me a while to think of films based on dreams but then an obvious one finally came to mind; The Wizard of Oz. The film is about a young girl, Dorothy, who lives in a small town in Kansas. She decides to run away from home when her dog is about to be taken away from her. A friendly vaudeville entertainer encourages her to return home but when she tries to she is swept up in a tornado which deposits her in the land of Oz.

Once, back in the 70’s or 80’s, The Wizard of Oz had a cinema re-release and I took my mother to see it. She was a big fan of Judy Garland. When the film came on mum let out a sort of disappointed shrug and I asked her what was wrong. She told me that when she had seen the film originally it had been in colour. ‘Perhaps they couldn’t find a colour print or perhaps it wasn’t in colour after all,’ I told her. ‘I was sure it was in colour,’ she replied.

Later, when Dorothy wakes up in the land of Oz, the film goes from black and white to colour. I looked over at mum and she smiled back. ‘I was right after all,’ she said.

The change from colour to black and white also denotes that Dorothy had entered not only Oz but the world of dreams. Later in the film when she returns to Kansas, it is only then that she realises that her adventure in Oz had been a dream and that the cowardly Lion, the Scarecrow, the Tin Man and even the Wizard, were based on characters from the farm where she lived.

The Wizard of Oz was a classic film made in 1939 and was an adaptation of the book by Frank L Baum, The Wonderful Wizard of Oz. Judy Garland was forever linked to the film and in particular to one of the classic songs she sings in the film; ‘Over the Rainbow’.

To finish I think I’ll pinch a few lines from my original post.

Not so long ago I remember travelling on a luxurious aeroplane, not the cramped budget airline I usually fly on but something very special. I was in first class in a very comfy seat with lots of legroom. The hostess was handing me a drink, not in a plastic cup but a very elegant crystal glass. As I reached forward to take the drink, I slipped and went head over heels towards the floor.

I lifted my hand up to check my fall but I was back in bed at home and everything had been a dream. I looked over and Liz was scrolling down her mobile phone. ‘Bloody hell!’ she said, ‘that snoring was going right through me. Where’s my cup of tea?’

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Random Harvest: The Film of the Book or the Book of the Film

Posted on by Steve Higgins

Once again Liz and I are on holiday in France and as usual I’ve filled up my book bag with books to read. My selection this year was a mix of new books and some books from my collection which I haven’t read for years. The one I’d like to focus on this week is Random Harvest by one of my favourite writers, James Hilton.

Hilton hailed from Leigh in Lancashire, now Greater Manchester. He wrote several books and made his way to Hollywood, California where he worked as a screenwriter. He died in 1954. Searching through a box of my old books I came across Random Harvest, a book I don’t think I have ever read before. I bought it from a second hand book shop along with Goodbye Mr Chips, possibly Hilton’s most famous novel and one I have read before. I can imagine intending to read it but moving on to something else and the book was boxed up in one of numerous house moves before I had a chance to get to it.

The Film

The film version starred Ronald Colman and Greer Garson in the leading roles. The film opens with a man called Smith wandering out of an asylum on a day when there is much excitement. It is Armistice Day, 1918 and ‘Smithy’ is a man who has lost his memory during the fighting in the First World War. He wanders down to the town of Melbury and in a tobacco shop the shopkeeper realises Smithy is from the asylum. When she disappears into the back of the shop a woman played by Greer Garson explains that the shopkeeper has gone to call the asylum so that he if wants to avoid going back he must get away. The woman, Paula, befriends Smithy and hides him away and soon she finds she is falling for him. The two elope together, find a quiet village in which to settle down and get married.

Smithy, who has no memory of his former life begins to write and soon has a story accepted by a newspaper in Liverpool. He takes the train there for an interview with the editor but on a wet afternoon, slips in the road and is hit by a taxi. He is knocked unconscious and when he awakes his memory has returned but he has no memory of his time as Smithy. How did he get to Liverpool? What door to what house fits the key found in his pocket? A policeman asks his name and he replies ‘Charles Rainier’. Gathering his things he sets off to take the train home to his country estate but arrives just as his father has passed away. The family has gathered and they are all surprised but glad to see Charles who later goes on to take charge and rescue the failing family business.

The final part of the film sees Charles happy as a new Conservative MP and successful businessman but also sad that a part of his life has been lost to him. He makes various attempts to find his former life but all end in failure until one night when a strike breaks out at the Melbury factory and he has to go there to sort things out. As he walks into Melbury he comes to the tobacco shop he once entered as ‘Smithy’ and things begin to come back to him.

Colman and Greer Garson play their parts wonderfully well. The film is perhaps a little sentimental for modern viewers but it is one of those films I saw as a child and have always remembered. Reviewers at the time were not impressed but even so, the film was nominated for 7 Oscars and it was MGM’s biggest hit of 1942.

The Book

The book tells the story in an entirely different way. It begins with a chance encounter on a train with Rainier and a young man who is looking for work. The two strike up a sort of friendship and Rainier invites the young man to work for him, He explains that he was in the war, was injured and woke up in a German hospital with loss of memory. He was repatriated through Switzerland but got his memory back after a fall and a collision with a taxi in Liverpool. The time between his earlier life and waking up in Liverpool is a blank. The young man becomes Rainier’s assistant and the two sometimes talk late into the night discussing what might have happened. Later in the book, Rainier is called to intervene at a dispute at the Melbury factory and his memory begins to return. He asks a local taxi driver about the hospital. The man asks does he mean the new or the old one? Rainier thinks the old one and goes on to describe it. ‘That doesn’t sound like either of them,’ answers the man but adds, ‘would you be meaning the asylum sir?’

The book is a really interesting read and being written in the years before the second world war, gives the reader a little insight into the feelings of that time, a dissatisfaction with the League of Nations, a feeling that perhaps the First World War could have been settled sooner or even that the allies might have gone on to Berlin and perhaps parcelled up Germany into a smaller nation.

The climax of the book is Charles’ reunion with Paula who turns out to be his wife and former secretary so we find that Charles and Smithy married the same girl which worked well in the book but of course had to be told differently in the film.

Which did I enjoy more? Well I loved both works but to be fair I’ve always loved the film version and as much as I love James Hilton, I think I prefer the film. It isn’t often seen on TV and not long ago I managed to copy my VHS version to DVD but I did notice that a restored DVD version was released in 2005 which I must look out for.

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The Many Lives of Robin Hood

Posted on by Steve Higgins

One of my unofficial New Year’s resolutions this year was to try and declutter, perhaps actually get rid of some of my huge DVD collection. It’s not always that easy though. Mooching around one of those cheap secondhand shops recently I picked up yet another DVD. I’ll tell you about it in more detail later but it was one of the many films made about Robin Hood and his Merry Men.

My first introduction to Robin Hood was a book I was given for Christmas as a child. There were two parts to it; one was the story of King Arthur and the Knights of the Round Table, the second part was about Robin Hood. I don’t have the book anymore and I have no idea who wrote it but I always look for it when I happen to come across a good secondhand book shop. If I ever found it, it would give me a great thrill to read that book again because I have loved the stories of King Arthur and Robin, ever since.

That unknown book had all the elements of the Robin Hood story we have come to know and love. There was Maid Marian, Friar Tuck, Little John, the Sheriff of Nottingham and much more.

The first time I saw Robin Hood on TV was the TV series starring Richard Greene as Robin. There were four series of the TV show which was first produced in 1955. I must have seen repeats shown in the 1960’s but just like that book, all the elements of the Robin Hood story were there and in particular there was a really catchy theme tune and song which even now I can still remember:

Robin Hood, Robin Hood,
Riding through the glen.
Robin Hood, Robin Hood,
With his band of men.
Feared by the bad, loved by the good,
Robin Hood! Robin Hood! Robin Hood!

Yes, they just don’t write them like that anymore.

So who is Robin Hood some of you may be asking? He is a character in old English folklore who was an outlaw who robbed from the rich and gave to the poor. He was a renowned archer and he and his men wore Lincoln Green outfits and lived in Sherwood Forest. In some stories he is of noble birth, in others he is not. In some Robin has served in the Crusades with Richard the Lionheart although many of the stories show Robin at odds with Prince John, the King’s brother, who plans to usurp the King who is away on the Crusades.

According to Wikipedia the first known reference to Robin Hood comes from a ballad from the 1370’s.

In the silent film days Hollywood brought Robin Hood to the screen starring Douglas Fairbanks Junior as the legendary hero.

The film was released in 1922 and was the first film to ever have a Hollywood première. It featured huge sets including a castle and an entire town built at the Fairbank’s studio on Santa Monica Boulevard made to look even bigger on screen with hanging models and matte paintings.

There is also a famous scene where Fairbanks, who did many of his own stunts, rode down a huge curtain at Nottingham castle, made slightly easier with a slide concealed behind the curtain.

Probably the best ever Robin Hood film is the one I mentioned earlier which I picked up on DVD at a charity shop. The Adventures of Robin Hood starred Errol Flynn as Robin, and Olivia De Havilland as Maid Marian. The film differs from many other portrayals of the Robin Hood story in that the main villain of the film is Sir Guy of Gisborne rather than the Sheriff of Nottingham. Basil Rathbone played Guy and the Sheriff  is portrayed as something of a comic figure by Melville Cooper.

Incredibly, James Cagney was supposed to play Robin but he had a major disagreement with Warner Brothers and walked off the lot, not making another film for two years. The studio turned instead to their new star, Errol Flynn. He had shot to stardom in the Film Captain Blood and shortly before production began the studio decided to film the project in their new Technicolor process.

A lot of the film was shot in California’s Bidwell Park which substituted for Sherwood Forest with some scenes shot at the Warner Ranch in Calabasas.

The film had two directors, William Keighley and latterly, Michael Curtiz who was asked to take over when the producer, Hal B Wallis, became dissatisfied with Keighley. Curtiz made a number of films with Flynn including The Charge of the Light Brigade in which Flynn and co-star David Niven fell about laughing when Curtiz called for a horde of riderless horses to enter the scene. Curtiz yelled ‘bring on the empty horses’ which Niven later used as the title of his famous book about Hollywood.

The film picks up on all the elements of the Robin Hood legends, including Friar Tuck and the meeting with Little John. The highlight of the film comes towards the end when Robin and Sir Guy battle it out in an outstanding display of swordsmanship including a famous scene where the two move off camera and we see their shadows dancing along the castle walls.

The Adventures of Robin Hood was a wonderful film and probably the best film ever made about the hero of Sherwood Forest but there are a few other entertaining Robin Hoods.

In 1991 Kevin Costner appeared in Robin Hood: Prince of Thieves. In this film Costner, as the noble Robin of Loxley, returns from the crusades to find that his father has been hung and his home laid to ruin by the Sheriff of Nottingham, played in a villainous but camp way by Alan Rickman, whose performance was universally praised. Robin was accompanied by Azeem, a Muslim who feels he has to repay Robin for saving his life. Costner as Robin, did not attempt to lose his American accent and although the film had mixed reviews, I personally have always enjoyed it.

The film featured the hit single Everything I Do, I Do it For You sung by Bryan Adams and also had a small cameo with Sean Connery playing King John. The exteriors were shot in the UK and one particular location was at Sycamore Gap, just by Hadrian’s Wall in Northumberland. The tree used in the sequence became known as the Robin Hood tree which featured in the news in 2023 when it was cut down by vandals.

A 2010 film version of Robin Hood was directed by Ridley Scott and starred Russell Crowe as Robin. Simply called Robin Hood, this film had a slightly different storyline with Crowe’s character masquerading as Robin of Loxley and was more serious in tone than the Flynn or Costner versions. During the crusades Robin Longstride comforts a dying Knight. Sir Robin Loxley asks him to return his sword to his father in England which he does. Loxley’s father asks him to continue to impersonate Robin to prevent the new King John seizing his lands. Cate Blanchett played the part of Marian and of course Robin soon brings his band of Merry Men together to fight the evil King John.

Perhaps I should also mention the Walt Disney animated version of Robin Hood that was released in 1973. The story is narrated by Alan-a-Dale who tells the story of Robin who as usual, robs from the rich to help the poor. The characters are all animals so Robin becomes a fox, Maid Marian a vixen, Little John is a bear and of course Richard the Lion Heart is a lion. The film was the first animated feature for the Disney Studios following the death of Walt Disney.

I should also mention that a few years ago I actually met Robin Hood. Well, the actor who played Robin in the 2006 BBC series, Jonas Armstrong who now lives in Lytham on the Fylde coast. I met him in the Victoria Hotel in St Annes.

All the films I have mentioned here recreate or at least try to recreate the legend of Robin Hood. All the original stories of folklore and legend are incorporated in the many Robin Hood films, from Robin and Little John meeting, to Robin’s love affair with Maid Marian. One story though that I still remember from that long lost Robin Hood book I used to have is one that I’ve never seen used in any Robin Hood film and it’s this. At the very end of Robin’s life, he is dying and he fires his bow and arrow one last time, asking to be buried wherever the arrow lands. He pulls back the bow and fires his last arrow which I’ve always thought was a fitting finale to the story of Robin Hood.

There are probably more films I could mention, Robin and Marian for instance starring Sean Connery and Audrey Hepburn as an aging Robin and Marian but I think that’s enough Robin Hood for now. Time for a cheese sandwich and a cup of tea. Wonder what’s on the TV this afternoon?

As a great believer in synchronicity, I really wasn’t surprised to see a repeat of Robin of Sherwood, the 1980s TV series!

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Remembering James Dean

Posted on by Steve Higgins

Back in the 1970s my Saturday ritual involved getting the bus into town and scouring book and record shops for, yes, you’ve guessed it, books and records. One day back then I was flipping through the posters in one particular shop. The posters were the music stars of the 70s; Elton John, Mick Jagger, Suzi Quatro, David Bowie and so on but one was a picture of a really good looking guy with a fifties combed back hair style. In some pictures he was dressed like a cowboy and in others in a red jacket and denim jeans. The guy behind the counter must have seen me wondering who the guy was and he told me he was a film star called James Dean. He handed me a paperback book about the actor and I took it home and read it and very soon I was trying to find out everything I could about him.

James Dean had been killed in a car crash in 1955 and had only appeared in three films and at the time of his death, only one of those films had been released. I read a great deal about Dean when I was in my late teens and from what I could find out, the biography to read was written by his best friend, William Bast. I never managed to get a copy of that book back then but Bast produced a made for TV film version, James Dean: Portrait of a friend with Stephen McHattie as Dean.

As TV biopics go, Portrait of a Friend was pretty enjoyable but I don’t think I’ve ever seen it repeated on TV. I used to have a VHS recording of the film but when I looked recently I was unable to find it. Funnily enough, not long ago I was in one of those budget shops, it might have been Poundstretchers and I saw a copy of the film on DVD. It was a very poor version, in fact it looked as though it had been copied straight from an old VHS tape but even so, it was interesting to see it again.

Watching that DVD got me interested in Dean again and so I had a search through my book collection to see what books I had on the subject.

The paperback book I bought that day in the record shop in the 1970’s was probably James Dean: A Short Life by Venable Herndon. It wasn’t a great book but an interesting introduction to Dean and who he was. It detailed his struggle for acting roles, TV work in New York, his apartment at 19 West Sixty-Eighth Street, his three films, his doomed affair with Pier Angeli and of course his death.

A similar book although bigger and with more photographs was a biography by John Howlet. I couldn’t find that particular book although I’m certain I wouldn’t have given it away or thrown it out.

A slightly different book I bought back in the 1970’s was a Japanese book about Dean. I’m not sure of the title, there are some Japanese ideograms and the name in English, James Dean, on the back cover. There is little text inside the book, basically it’s just a picture album and I guess the Japanese read books from right to left as the book starts with his last film and then finishes with his first film.

My Japanese James Dean book.

James Dean by David Dalton was another purchase back in the 1970s. It’s a much more in depth look at Dean’s life and skimming through it I came across a few pages about Dean’s last day, Friday September 30th, 1955. The author presented a short timeline of that day starting from 8am when Dean picked up his silver Porsche from Competition Motors in Hollywood to 5.45pm when he was killed in a car accident.

James Dean was competing in a car race in Salinas and had decided to drive his competition car, the Porsche, to the event as the car was brand new and Dean wanted to get some miles on the clock.

As well as my books on the famous actor I also have a box set containing his three films.

East of Eden is based on the final part of the book by John Steinbeck. It’s about two brothers who compete for the love of their father. Dean played the ‘bad’ brother and the father was played by veteran actor Raymond Massey who was continually shocked by Dean’s bad language and sullen and moody demeanour.

Rebel Without a Cause is probably the most well known of Dean’s three films. Dean plays Jim Stark, a rebellious teenager who has been in trouble at school and has either been expelled or forced to leave. The film follows him on his first day at the new school as he attempts to make friends with a group of fellow classmates but the result is that he makes more enemies. He gets involved in a ‘chicken run’ with fellow classmate Buzz in which the two have to drive a stolen car towards a cliff edge and the last one to jump out is ‘chicken’. Buzz fails to exit his car and is killed.

It’s a great film even though James Dean looks far too old to be still going to school.

His final film was Giant based on a novel by Edna Ferber. The film is set in Texas and is about millionaire ranchers and cattlemen. Dean plays Jett Rink, a sullen ranch hand who unexpectedly inherits some land, finds oil there and suddenly becomes rich. After punching ranch owner Rock Hudson, Dean, covered in oil after striking oil, drives away as Chill Wills says, ‘you should have shot that fella a long time ago. Now he’s too rich to kill.’

Another book I picked up only recently was another picture album James Dean: Portrait of Cool edited by Leith Adams and Keith Burns. It’s an album of photographs found in the Warner Bros archive and some have not been published before. Included are all sorts of documents such as casting sheets, production notes and messages. Dean’s address is listed as 3908 West Olive Avenue which I think might have been a place he shared with Dick Davalos who played his brother in East of Eden. During Rebel Without a Cause, Dean was listed as living at 1541 Sunset Plaza Drive.

1541 sunset Plaza Drive today from Google Maps.

Last Christmas Liz bought me one of my favourite presents, a copy of the Bill Bast memoir I mentioned earlier. Bill Bast shared apartments in both Hollywood and New York with Dean. In Hollywood, Bast became frustrated sharing a home with his friend. In the book, Bast accuses Dean of being untidy and moody and seemed to feel that he was subsidising Dean at one point as Bast was the only one with a job. After a dispute Bill decided to move to another apartment although the two remained friends. The book is written almost as if Dean was the love of Bast’s life and perhaps he was. In later life Bast wrote another memoir in which he claimed he and Dean had a gay relationship.

I’m not sure why someone like me, a council house boy from Northern England, should connect so closely with James Dean but back in the seventies the late star became one of my personal heroes. I remember going to a cinema on Oxford Road in Manchester to see back to back showings of East of Eden and Rebel Without a Cause on a very hot summer’s day. I bought a soundtrack album of those movies too, in the days before video and DVD.

Dean was a counterpoint to actors like Richard Burton; he mumbled and mispronounced things. I think that was what I liked about him; he was natural and imperfect. He had an image more rock star than 50’s actor. There was a great documentary about him made in the 70s and the music of the times, Bowie and Elton John featured heavily. Anyone remember that Eagles track ‘James Dean’?

Dean met his end on September 30th 1955 as he sped towards a race meeting in Salinas. He had already been stopped by the police and given a speeding ticket while driving his Porsche. In the passenger seat was his mechanic Rolf Weutherich and following behind was photographer Sandforth Roth and his friend Bill Hickman. They were towing the trailer on which the Porsche was originally mounted before Dean decided to drive.

As Dean approached the intersection of routes 466 and 41 in Chalome, a Ford station wagon turned across the path of the Porsche. “That guy up there’s gotta stop.” said Dean. The two cars collided. Rolf was thrown clear but James Dean was killed.

Today, years later, thousands of fans make pilgrimages every year to see Dean’s home in Fairmount, Indiana and to the intersection on highway 466 where he died. At his graveside in Fairmount fans chisel away bits of his gravestone for mementos and a bust of Dean by the sculptor Kenneth Kendall was ripped from its plinth. In 1977 a Japanese businessman named Seita Ohnishi had a chromium sculpture erected at the crash site on highway 466 in memory of Dean.

So why do people still hanker after James Dean all these years later? Well, I simply don’t know. As a young man I thought Dean was the epitome of cool and like many others I made him into my hero. Whilst doing some research about Jimmy Dean I came across this line on another site: “Some people are living lodestones. They get under the skin of people. You can’t explain why.” I can’t disagree.

Still, heroes come and heroes fade away. My heroes today are not the ones I used to love and worship thirty years ago. The thing is though, after writing this essay about Jimmy Dean I felt that I must find the time to look at some of his films again. Now where did I put that James Dean box set?

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