This week I’ve noticed quite a few items about Richard Burton on the BBC iPlayer. I wasn’t sure why at first but it turns out that this year, 2025, is the centenary of Burton’s birth. He was born Richard Jenkins on November 10th 1925.
Why did he change his name to Burton? Well one answer on the iPlayer was given in a wonderful film called Mr Burton. Harry Lawtey plays the young Burton and Toby Jones plays his mentor, Philip Burton. Burton came from a poor mining family in Pontrhydyfen in Wales. He had thoughts of becoming a teacher but things were not working in his favour. His mother died when he was young and his father was an alcoholic. Richard went to live with his sister and her husband but financial circumstances forced him to leave school and take up a job in the local Co-op. Enter teacher Philip Burton who urged Richard to rejoin school after promising to help with his finances.
The return to school caused some resentment from his brother in law and so with the consent of his father, Richard became Philip Burton’s legal ward and just aged eighteen, changed his surname on 26 November 1943 to Burton by means of a deed poll. Richard joined the Air Cadets and was able, with Burton’s help, to study at Oxford after applying for a six month RAF scholarship.
Philip Burton made Richard work on his voice and gradually the wonderful speaking voice we are familiar with today began to appear.
Mr Burton was an excellent film and full marks go to Harry Lawtey for his portrayal. In the early part of the film I did wonder how this youthful boy with the very Welsh accent could progress to the young confident actor but Harry’s performance and the way his own voice echoes that of the real Richard Burton was outstanding.
Another programme on iPlayer was a made for TV film called Burton and Taylor and it’s about, as if you hadn’t already guessed, Richard Burton and Elizabeth Taylor.
Back in 1983 when this film is set, Burton and Taylor were probably the most famous celebrity couple in the world. The only other couple of a similar status that I can think of are Mary Pickford and Douglas Fairbanks, a couple from a completely different era. Let me see who else comes to mind; Brad Pitt and Angelina Jolie, Kurt Russell and Goldie Hawn, Tom Cruise and Nicole Kidman, Posh and Becks. Hardly in the same class are they?
Richard Burton and Elizabeth Taylor met on the set of the film Cleopatra in 1961, a movie that went down in history as one of the most expensive ever made. Taylor didn’t want to make the picture so decided to ask for a ridiculous amount of money, confident that 20th Century Fox would never pay it. However, pay it they did and the troubled movie went into production.
The Burton/Taylor TV film focusses on the later years of the pair when they had been married and divorced twice and for some reason decided to star together in a stage revival of Noël Coward’s witty play, Private Lives.
In the film, Taylor is played by Helena Bonham-Carter and Burton by Dominic West. West doesn’t really look much like Burton but captures his voice and persona well. Bonham-Carter as Liz Taylor does look surprisingly like the original and together they make a good reproduction of the famous couple.
The writer seems to believe, and whether it is true or not I don’t claim to know, that Liz Taylor engineered the theatre production of Private Lives as a way of bringing her and Burton back together again. As I mentioned earlier, they had already been married and divorced twice and the movie revealed that Liz clearly still had feelings towards Burton. On the first day of rehearsals she is surprised that Burton will not be lunching with her but spending time with his new girlfriend, Sally. Burton in turn is shocked that on the first read through it is clear that Taylor has not previously read the play. Burton of course knows it off by heart. He is the consummate professional actor and Taylor the consummate professional movie star. During the run when Taylor calls in sick, the production is halted rather than carry on with an understudy, as it becomes clear from the public reaction that the audience are not interested in the play without superstar Liz.
Burton and Taylor were clearly in love but love must have been difficult in the face of their superstar status, just as it was for Fairbanks and Pickford. I can imagine Burton’s upbringing in a mining community and Taylor, having been a star since childhood, were not personalities that could bend much for the other.
The film is interesting, enjoyable and gives the viewer a fascinating peek into the private lives of these two superstars of the past.
The Richard Burton Diaries edited by Chris Williams
Some years ago I read Melvyn Bragg’s biography of Richard Burton and that book was based partly on these diaries which have now been published and are available to everyone.
There is a lot I like about this book and a lot that I don’t like. I tend to prefer paperbacks but I bought this one from the internet and it’s a big heavy hardback and as I took the book to France to read on holiday it became a little more battered every day.
Moving on to the text and I see a lot of the big events in Burton’s life are missing as sometimes he stops writing for days and even months at a time. We don’t hear about the making of Cleopatra and his meeting and affair with Elizabeth Taylor but he does mention some of those events in retrospect.
The book starts with his schoolboy diaries which are rather like mine, brief and to the point. Later, the main diary starts in 1965 when Burton begins to write in more detail. He tells us of his immense love for Taylor and how he has given up womanising to be faithful to her but sometimes I get the feeling he isn’t being totally honest, after all Liz has free access to his diary and she frequently jots down her own comments too. Burton was rumoured to have had an affair with Genevieve Bujold during the filming of Anne of a Thousand Days but of course, gives no mention of that in his journal.
He does talk a lot about food and having lunch in places like Paris and Rome. He enjoys having money and delights in spending it on jewels for Liz, a new private jet plane and a yacht which he thinks might actually save him money as he can stay on the yacht rather than use hotels. Even so, he continues to use hotels. At one point he considers buying a barge, modernising it and touring the canals of France.
He doesn’t seem to enjoy his acting and in fact rather looks down on it as a profession, although unlike an actor like Brando who had similar thoughts, he did take pride in what he did, learning his part and his lines whereas Brando couldn’t even be bothered to learn the script for the film of Superman despite his million dollar fee.
Surprisingly there is also quite a lot of professional jealousy in the text, for instance he gives Robert Shaw a bit of a slagging off for his performance as Henry VIII in A Man for all Seasons which I thought was rather good, better or at least the equal of Burton’s Henry VIII in Anne of a Thousand Days.

A screengrab from the BBC iPlayer
Burton drinks a lot and frequently argues with Liz, sometimes he is banished to the spare bedroom and usually he regrets his drunken words and wonders why he did what he did or said what he said.
He was though a man who loved reading, devouring anything from the classics to detective novels. He even had ambitions of being a writer himself. His entries are peppered with quotations from authors and poets and of course Shakespeare.
I was really looking forward to reading this book but after the first few pages I thought it a little uninteresting. As the narrative moved from 1968 into 1970, Burton seemed to be putting more effort into his journalling and consequently it became more enjoyable to read. Later large gaps appear in the diaries and he doesn’t appear to have written anything about his breakup with Liz Taylor. The entries become less frequent and to be honest, I ended up skipping quite a few pages.
Verdict: A book that promised a lot but failed to deliver.
Still with the BBC iPlayer, there’s a great documentary about Burton titled Richard Burton: Wild Genius which is rather good and perhaps unlike the above post gives a good overall look at the great actor’s life. Burton died on 5 August 1984 at his home in Céligny, Switzerland, aged only 58. He was buried at the Old Cemetery in Céligny and his widow Sally placed a copy of Dylan Thomas’ collected poems in his coffin.


He had travelled to the USA before and on his penultimate visit had become romantically involved with a lady called Liz Reitel who worked for Brinnin at the poetry centre. When Dylan arrived for what would be his last visit Reitel was shocked to see the poet looking poorly and not his usual self.

By far the most interesting part was his account of the filming of In Which We Serve, a very patriotic film showing the activities of a ship in the Royal Navy that was eventually sunk and the lives of those who served in her. In his very first autobiography, the names of the many actors and actresses he worked with meant very little to me but now I can recognise a few names, John Mills and Richard Attenborough for instance and David Lean who co-directed the film with Noël although in actual fact, Lean directed most of the film when Coward became bored with the long-winded filming process.
The book is a huge volume and the editor has woven Noël’s letters with some interesting text about what was happening to Noël in between his letter writing. In 1941 Noël was invited to stay at the Welsh resort of Portmeirion where, many years later, the famous TV show The Prisoner starring Patrick MacGoohan would be filmed. His friend, Joyce Carey was hoping to write a play away from the bombs that were dropping on London. Her play never materialised but Noël wrote Blithe Spirit during the five days that he was there.






After graduating, Scott joined the BBC as a set designer and director, working on popular series such as Z Cars and The Troubleshooters. His time in television taught him the mechanics of production and in 1968, he left the BBC to establish Ridley Scott Associates (RSA), a commercial production company. Over the next decade, he directed hundreds of adverts, developing a style of lighting, atmosphere and composition, qualities that made his transition to cinema with The Duellists (1977) both natural and visually striking.
One thing that happened in October was me! I was born on October the 3rd, quite a considerable time ago which is annoying on a number of levels. One, I’m getting a bit knackered. My back hurts, my knees ache. It’s hard to stand up straight but what is a real pain is when you get one of those things on the internet where you have to add your date of birth and I have to scroll back through the 90s, the 80s, the 70s, the 60s and finally to the 1950s.

Just to backtrack a little, we rented this same house back in May and usually, the only time I put the TV on is to watch F1 racing. May is the usual month in the calendar for the Monaco grand prix, one of my favourite races of the year. There is actually plenty of talk recently about cancelling the race as nowadays, the F1 cars are faster and much bigger and so there is very little room left to overtake.



In the end I thought what about just using the ball without the tennis player? That turned out to be much easier.



Many of these images I use in my promo videos which can be found in places like Facebook and X. Here’s a recent example.




Death of a Celebrity by MC Beaton
Stalin became one of the leading providers of funds for the revolutionaries. He did this by masterminding numerous bank robberies and sending the funds on to Lenin.
Just now we have finished our touring part of the holiday and we have come to our rented gîte where we have parked the van and are spending time in this wonderful house that we regularly rent just outside the small village of Parçay-les-Pins.
I saw the film version of this a few years ago which was pretty good, if a little odd. It was presented in a very peculiar way in that the author, Alan Bennett, is portrayed as two people, one as himself as he appears in the story and two, as himself as he writes the story. That oddity aside it was really a rather good and original film. When I heard there was a book version I quickly went to one my usual internet book stores and promptly bought it.
Liz and I always visit a village fête at the weekend, usually those with a vide grenier or brocante attached. A vide grenier is just a car boot sale which we both love. I usually pick up connecting leads for my laptop or iPad, after all, you can never have enough electrical leads. Brocantes are more like flea markets or antique fairs. Just the kind of place to pick up those old telephones that I still love, especially those Bakelite ones.
I picked this book up ages ago and thought it would be a good holiday read. I’ve always liked Roger Moore even though I absolutely hate his James Bond films. I love Moore’s self-deprecating humour, plenty of which is evident in this book. The first part of the book was really interesting and entertaining but like a lot of celebrity autobiographies, this one just gets a little tedious when Roger just seems to list the films and locations and other celebrities he seems to know. On the back of the book was a review claiming this to be the best film autobiography since David Niven’s