I started this post off with three ‘showbiz’ autobiographies of actresses/comediennes of the stage and screen. Despite trawling through my book collection I couldn’t see a fourth so I added one which is the odd one out; a biography, rather than an autobiography and a male actor/comedian rather than a female. Either way, all four are stars who made their respective names in the 1950s and 1960s era of radio, TV and film and together make up a quartet of much loved British comedians.
Fenella Fielding: Do You Mind If I Smoke?
This is an autobiography by Fenella Fielding, co-written with Simon McKay, and the title comes from her part in Carry On Screaming when she played a seductive character, possibly derived from the Adams Family, Valeria. In one scene Valeria tries to seduce Harry H Corbett standing in for the absent Sid James as a detective. Valeria asks ‘do you mind if I smoke?’ and then rather than smoking a cigarette, a cloud of smoke seems to arise from her body and envelop her. Harry H Corbett adds ‘just when I was trying to give it up’ before embracing her in the smoke.
Simon met Fenella at a London Pilates class in 2011. The two became friends and began meeting regularly for coffee. McKay realised that Fenella was a wonderful raconteur and asked if he could record her stories. Fenella agreed and later they used the transcriptions as the basis for a themed evening, An Evening with Fenella Fielding. Later the conversations became an audio book and finally this printed version. It was hugely enjoyable and rather than being a standard story of her life, the book talks about various things in no particular order.
Fenella describes her early life in Clapton and her first forays into the acting world. She won a scholarship to RADA but her parents, who were keen at first, don’t seem to have realised what RADA was, that their daughter was becoming an actress which they seem to have seen as just one step away from prostitution.
Anyway despite only completing one year at RADA, Fenella did manage to become an actress. After one particular success on the stage she began to pick up various small parts on television and on film and as I mentioned above, her most famous part was in Carry On Screaming. She devotes a whole chapter to Kenneth Williams who of course could be a very difficult man to work with. She also played a part in Doctor in Clover and was heard as the village announcer in the TV series The Prisoner. In fact a great deal of her work was voiceovers for various things especially TV adverts.
This was a lovely read and came over as very chatty and talkative, based as it was on recorded conversations.
Liz Fraser …. and other characters
In Fenella’s book above, she mentions that she hoped her book would not go the way of a lot of other showbiz autobiographies, interesting at first but then dissolving into lists of plays and films and other celebrities. Sadly, that seems to be the way this book does go, even so I enjoyed it.
Liz was brought up in Southwark, in London. Her mother ran a small shop, one of those shops that used to sell everything that Tesco might sell these days from bags of coal, wood bundles to fresh food. Her father was a travelling salesman but died in 1942 aged only 40.
Like Fenella, Liz attended RADA and afterwards won her breakthrough part in I’m All Right Jack which starred Peter Sellers as a union official. She tells the story of playing minor parts in small plays and eventually got some walk on parts on TV. One day her mother said to her “Was that you last week, walking past Peter Cushing?” It was!
Liz worked on TV shows that were live back in the day. On an episode of Dixon of Dock Green she forgot her line but the crew had a ‘cut key’ which cut out the broadcast sound while they called out the line to the hapless Liz.
To get the part in I’m All Right Jack Liz had to lie about her age as the producers wanted someone younger which led to a career long confusion about her age.
She appeared with Peter Sellers in various films and she reveals that although she liked Sellers she had to fight off his amorous advances several times. Liz shares lots of anecdotes about various people she worked with including Tony Hancock, Benny Hill and Sid James.
She tells about appearing in a few of the Carry On films but like many others is critical of the producers. There was only a one off payment for each film and despite the enduring popularity of the Carry On films, the actors earned nothing from their later success on TV. In later life Joan Sims had a lot of financial difficulty but was helped by actors’ charity organisations. Liz herself was very thoughtful, investing in property and stocks and shares which sustained her during the times when acting work was thin on the ground.
She doesn’t share much about her personal life although her first husband features in a chapter called I Married a Thief. Peter Yonwin was something of a fantasist and their marriage soon broke down.
One shocking disclosure was an incident one night after appearing in a pantomime. Liz took an acquaintance home thinking she could deal with any problem man only to be raped. She doesn’t expand on the incident but seems to just mention it quickly and then move on as if perhaps by talking about it however briefly she could perhaps exorcize this dreadful ordeal.
Liz’s second husband, a TV producer, died of cancer and Liz suffered with cancer herself. She enjoyed fast cars and finishes by talking about her old age.
Liz Fraser died in 2018 aged 88.
According to Dora
I do love my showbiz biographies and autobiographies and one I picked up a while back was an autobiography by Dora Bryan. I love Dora from her many appearances in British films but my favourite film is probably A Taste of Honey. The screenplay was by Shelagh Delaney and director Tony Richardson, adapted from Delaney’s own play which she famously wrote when she was only 18.
Dora Bryan gives an outstanding performance; at times comic but always supremely natural. Dora grew up on an Oldham housing estate. She was a great performer as a child and so her mother took her to dancing school and further encouraged by her mother, she joined Oldham Repertory before moving to London to develop her stage career. She had a great career on the stage as well as on film and TV and appeared in many successful West End productions. The first part of the book is very interesting but then as I mentioned earlier, this becomes one of those books in which the latter part seems to wander off into lists of productions and theatre and TV personalities. Even so, it was a lovely read.
When the Wind Changed (The Life and Death of Tony Hancock) by Cliff Goodwin
This final book is the odd one out in this quartet of British comedy stars. It’s a biography rather than an autobiography. I don’t think Tony Hancock ever wrote one.
Back in his day Tony Hancock was a giant among television performers. Pub landlords complained that their establishments used to empty because people would drink up and rush home to watch Hancock’s Half Hour. I can’t even imagine that happening today to any contemporary comedian not withstanding the emergence of TV recording devices.
Hancock’s half hour was first broadcast on the radio in 1954 and then transferred to television in 1956.
Hancock’s co star on television was Sid James and Hancock decided to part with Sid believing that the public had begun to think of the two of them as a sort of double act. His final comedy series for the BBC was called Hancock but even without Sid James, it was a great success.
An interesting TV interview at this time saw Hancock as a guest on Face to Face, an intensive interview which revealed Tony Hancock to be a different man to the bumbling buffoon of his radio and TV shows, in fact the entire transcript of the interview is repeated in the book. Many felt that this interview made him more and more self-critical which led to him dispensing with many who were important to his professional life such as Sid James and his scriptwriters Galton and Simpson.
After a minor car crash Hancock had to use an autocue for perhaps his most famous TV episode, The Blood Donor. After that, he used the autocue more and more finding it too hard apparently to continue to learn scripts.
His drinking increased. He left his wife for his mistress Freddie Ross who worked as his publicist. Freddie and Hancock eventually married but their relationship later broke down also.
Hancock committed suicide in 1968. He took an overdose of pills and left behind a note which said ‘things seemed to go wrong too many times.’
This is such a fascinating and well written book and if you are interested in actors and performers as I am, it is well worth seeking out.
There are a couple of postcripts to the book but one was so intriguing I have to mention it here. George Fairweather was a great friend of Tony Hancock. When Hancock was delighted to find he had been chosen for the royal command performance he told George that he wished his late father could have been there to see it. George commented that perhaps his father would see it and Hancock replied dismissively that ‘only spirits come out of bottles’.
22 days after Hancock’s death, George received a typed letter with no name or address. It said simply that the writer had received a message from Hancock in the afterlife and wished to pass it on. The message is reproduced below.
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