Cars, Codes and Coming Home

Posted on by Steve Higgins

The end of a holiday is always a sad time, even more so when you’ve been away for a whole month. Our flight to Lanzarote was pleasant and comfortable but the return journey was on a different sort of aeroplane, one in which far too many seats were crammed in together and the flight was very, very uncomfortable. They just don’t make planes suitable for big people like me.

Anyway, our flight arrived in Manchester 20 minutes early and just as we passed through passport control we picked up a call from our lift; he had arrived and was in position at the drop off point just outside the Jet2 building. Happy days! A quick visit to the toilets and we made our way over but guess what? Our driver was nowhere to be seen.

We waited and waited and eventually gave him a call. The police, who are very sensitive regarding parked cars around the airport these days, had moved him on and he was about to turn round and come back. The big problem was that just up the road, a host of roadworks were in place denying traffic access to the roundabout. The only alternative was to carry on ahead on the M56 motorway so Jay, our driver was forced to carry on to the next exit and then turn back, a diversion that took him about 20 minutes to negotiate! When he finally arrived back we were cold and shivering, unused to the current February UK weather.

My lovely old motor, my Renault Megane convertible had been parked up for a whole month and I did notice, last I time I drove the car, that it wasn’t starting quite as promptly as it usually does. When I returned home my faithful motor was there just as I had left it, ready, or so I thought, to go. I sat down, felt the comfy leather seats, slipped in the key and everything lit up just as it should do. The only thing was that when I pressed the starter a groaning noise issued forth from under the bonnet and after a brief turn of the motor a red battery light began to flash on the dashboard.

There was nothing for it but to put in a call to the RAC. It was, they told me, a day of exceptional demands on their staff so my recovery agent would be on scene with me in anything up to 4 hours! Luckily, I had parked on a neighbour’s drive a few doors down the road so I went home to await the call from the RAC man who promised to call me when he was a few minutes away.

Almost three hours later, it was dark and cold and the RAC man arrived, promptly diagnosed a dead battery and offered me a deal on a new one with a five-year guarantee. I coughed up my credit card and not long afterwards I was back on the road. Later that evening I decided to take a run down to Manchester and spend some time with my elderly mother. Now one of the things I love about my car is the perfect opportunity it offers to listen to music. In fact, I think that listening to music in the car is really the only way to listen to music; clear and uninterrupted and driving seems to somehow put one in the perfect frame of mind to listen and enjoy music.

Driving to Manchester is a good 90 minute drive, mostly on the motorway and like any long journey I popped in a CD, slipped into first gear and settled down ready to chill with some of my favourite music, in this case a compilation I made myself from the Kate Bush double album Aerial.

Nothing appeared to be happening and I glanced over at my radio screen only to see not ‘CD loading’ as I expected but a flashing message saying ‘input code’! Yes, as the battery had been disconnected the radio had reverted to that regrettable situation, one I had not experienced for many moons, of requiring a security code to be input. By this time I was just joining the motorway and could only emit a silent scream of agony, compelled to continue my journey in silence instead of the musical interlude I was so looking forward to!

A few days later, back in St Annes I scoured through my collected motoring invoices and came across my original purchase note for my car. Was there a car radio code? No! A search on the internet provided various hits for people who would find my code for a price, the cheapest was in the £30 region. I did come across a forum where someone said Renault main dealers were happy to supply radio codes but the next comment was ‘no they won’t’

Anyway, undaunted I called the Renault dealer where I had bought my car some ten years ago. The lady who took my call transferred me to another lady and lo and behold, within moments I had the radio code! So, thanks to Blackpool Renault dealer Arnold Clark and that very nice lady, I was able to take my next journey with the chilled out sounds of Kate Bush playing on my in-car stereo. Pity I was on my way back to work!

Enjoyed this post? Why not try my book, Floating in Space, set in Manchester, 1977? Click the links at the top of the page for more information.

 

Holiday Book Bag 2018

Posted on by Steve Higgins

There’s nothing I love more than a good book and as usual, here’s a quick round-up of the books I’ve taken on holiday to Lanzarote in the Canary Islands. As I’m flying I’ve not brought any hardbacks, just four paperbacks. All my books are usually sourced from the Internet or second-hand book shops but the ones below, with one exception, were gifts.


Lennon, the Definitive  Biography by Ray Coleman.

This is a book first published in 1984 that has been revised and updated. It’s been subtitled the ‘definitive biography’ although that’s not a phrase I’d use to describe it. It’s a decent enough book don’t get me wrong but as for ‘definitive’, that’s another matter. The writer has known Lennon as a journalist since the heady days of the early sixties when the Beatles had their big breakthrough in the pop charts so has had the opportunity to talk with Lennon first hand regarding many events in his life.

The first part of the book appears to be the new revised section and details what has happened to Lennon’s work and image in the years since the book first appeared although really, this section would be better placed at the end of the book.

The writer has no time for music journalists who waxed less than lyrical about later Beatles’ records released in the last thirty odd years, things like The Beatles at the BBC released in 1994 or the Beatles Anthology. Reviewers who gave those records a poor reception get short shift indeed and the reader is quickly reminded of their chart topping sales. In their defence though pop music journalists tend to look forward to new music, not back to the old. More scorn is saved for Albert Goldman who wrote the book The Lives of John Lennon. Personally I thought that was rather a good book; it’s certainly more compelling than this one although it tends to focus on Lennon in a negative way whereas this book is very generous towards Lennon. It’s the book of a Lennon fan and focuses on the events in Lennon’s life in a very positive way.

Another annoying aspect of the book is that when Lennon and the Beatles achieve fame, the book drifts off into a lot of general observations about Lennon’s life and music and the narrative tends to lose the thread of his life story. A similar thing happens when discussing John’s son Julian when the narrative jumps forward to discuss things that have not yet happened in the story’s timeline. Sorry but I like my biographies to stick to a certain amount of chronological sequence.

Both John and Yoko emerge from this book as whiter than white although the truth of John Lennon is, I suspect, somewhere between Albert Goldman’s critical book and this work of praise.

After writing this review, here in Lanzarote, we went for a meal at the Casa Carlos restaurant. As I scanned through the menu I could hear something familiar playing in the background. I couldn’t recognise what it was at first. It was an instrumental version of something, then I realised what it was: Love me Do. I’m sure the sharp-tongued John Lennon would have some choice words for the restaurateur after hearing an easy listening version of his work as background music.

Being Elvis by Ray Connelly

Subtitled A Lonely Life, this is a biography of Elvis Presley by another music journalist, Ray Coleman. Elvis became the King of Rock ‘n’ Roll who inspired Lennon, McCartney and a whole host of others to become musicians and pop stars. I’ve read quite a few biographies of Elvis, all much thicker than this one but this is a great holiday read being both interesting and informative. The foreword to the book was particularly insightful regarding the impact Elvis had on other musicians. The author recounts two phone calls, one to Bob Dylan and one to John Lennon where he happened to mention that he had been to Elvis’ 1968 comeback concert. Both those highly regarded stars bombarded Coleman with a series of questions about Elvis showing that despite their own success and achievements, they were still at heart Elvis fans.

The book goes on to recount Elvis’ beginnings as a poor white boy in segregated Mississippi who became an incredible phenomenon; revolutionising pop music, earning hundreds of millions of dollars and yet at the end of his life was dependent on loans from his bank to keep going as he had made few investments with his money.

Time and time again, Elvis was disappointed at the poor standard of the songs that he was presented with, especially in his films, however the book reveals that his manager, Colonel Tom Parker, wanted music in which the writers were willing to use Elvis’ own music publishing company and who were willing to give up a percentage of their royalties for Elvis and the Colonel. Elvis just appears to have put up with this intrusion into his artistic life as he didn’t like confrontations with his manager. The result was that he went from the cutting edge of pop music to somewhere at the back. It was only after his comeback concert in 1968 that he decided ‘enough is enough’ and decided to sing whatever took his fancy, no matter who wrote or published it.

In his later years Elvis was fat, bloated and addicted to amphetamines, sleeping tablets and diet pills. He worried how his fans would react to a tell-all book written by former members of his entourage. A final confrontation appeared with Tom Parker. Elvis threatened to sack him but Parker demanded back payments of 2 million dollars. Free of Parker, Presley could have got himself a new manager who perhaps could have sorted out his personal issues and engaged a new record producer, more in tune with the times. Sadly, he decided to stay with the ‘Colonel’.

Elvis died in 1977 of a heart attack. At the autopsy some months later 14 different drugs were found in his body, some in toxic quantities. It seems clear that drug abuse was a significant factor in his death.

A pocket-sized introduction to Elvis but nevertheless, an interesting and fascinating read.

The Black Dahlia by James Ellroy.

This is the only novel I’ve brought with me on this holiday. I particularly chose it because I’ve read two of Ellroy’s non fiction books on previous book bags and I wanted to read some of his fiction. This is a detective story set in 1940’s Los Angeles and is a fast-moving story of cops and murderers and how to get on in the LAPD of the time. It’s written in the first person and is laced with LA jive talk and slang that really evokes the time and place. A good read but a little gruesome for me and I didn’t like the ending when you think the case is solved and then something else happens, and after that, something else.

A Daughter’s Tale by Mary Soames.

This is a memoir by Winston Churchill’s youngest daughter, Mary. I had it down on my reading list as I supposed it was a biography of her father, however, it’s not a biography at all but a personal memoir of her life as Churchill’s daughter. It starts off with her early years living with her family in Winston’s famous house Chartwell. It’s a record of life in a different time and the writer talks about her retinue of animals, her nanny, the servants and all the things you might imagine surround her in an upper class home in the 1930’s. One interesting observation is that in 1935, Churchill, strapped for cash after the Wall Street collapse of 1929, considers selling Chartwell and his daughter quotes a letter he has written to an estate agent saying that his family has mostly flown the nest and that his life is probably in ‘it’s closing decade’. How wrong he was! The portrait the author gives us is an oblique one, Churchill seen from a different angle.

The early part of the book is not so interesting and the author constantly quotes from school girl diaries giving us a sort of Enid Blyton world of lunch and dinner menus, dog walks and pony rides and debutantes balls and a time when ‘coming out’ meant something far removed from what it does today.

The later part when Hitler plunges the world into war was when the book finally began to interest me. On the back cover the Sunday Express is quoted saying the book is a ‘delightful memoir’. I don’t think I can sum the book up any better.

As usual, here’s the video version below. I shot a couple of versions, one was too dark and another had problems with wind noise. I should have gone for take 3 really but the lure of the swimming pool was too much . .

One final book, Floating in Space set in Manchester, 1977. You can buy the book by clicking the icon below to go straight to Amazon!

Floating in Space

Walks with and without my Dad

Posted on by Steve Higgins

As you read this post my winter holiday will be over and I’ll be back in cold old England. It’s been a nice break though, a month in Lanzarote and it’s been sunny and warm for the most part. There were a number of things I wanted to do in Lanzarote including working on my new book and other writing projects but sadly I’ve not been completely successful in that area.

Another thing was to improve my fitness which I think I have achieved, at least in part. I’ve swum in our pool almost every day and I’ve tried to make up for missed swimming days by doing extra lengths on the next day. The tight trousers I brought with me are now slipping off me so I must have lost weight, unless I’ve just stretched them! I’ve also done a fair bit of walking here which has also helped in the fitness area. A favourite walk for me is going from our rented villa in Las Coloradas down to the sea front and then on along the coastal path down to the Marina Rubicon. There’s a lovely view of Fuerteventura, a lovely sea breeze and sometimes you can see the ferry going across.

As I’ve walked along the sea front I’ve thought about my old Dad and how he would have enjoyed this walk. He was a great walker and when I lived at home, not having a car, we walked everywhere. When he retired he used to get up, have breakfast and then take the dog for a walk. He walked for miles and Mickey, who was a pretty old dog then, used to be worn out when they returned home. Mickey would have a long drink of water and then drop down on the floor somewhere to recuperate, oblivious of everyone having to step over him as he dreamed his canine dreams.

Once, my Dad and I went for a drink together. Dad said he’d take me to the Griffin for a pint. ‘The Griffin?’ I asked. ‘Where’s the Griffin? There’s no pub round here called the Griffin?’

‘Oh yes, the Griffin. It’s not a bad pub. It’ll be a nice walk.’

Well, off we went, out of Wythenshawe where we lived, past Peel Hall and down towards Heald Green. Heald Green was a good thirty to forty minute walk and I remember saying, ‘look Dad, let’s go into the Heald Green hotel for a pint.’

‘No,’ he said. ‘The Griffin’s not far away now.’ So we walked and walked, past Heald Green and on towards Cheadle and eventually, after about an hour’s walk if not longer, we came to the Griffin. Inside there were a bunch of fellas who nodded to my Dad and he nodded in return. Up at the bar the barman came over and said ‘pint of mild Ralph?’ He’d been here before, apparently.

I was exhausted and gasping for a drink and I was probably hanging onto the bar for dear life when my dad asked me what I was drinking?

‘Pint of lager please,’ I said. Dad nodded to the barman then looked back at me. ‘Not a bad stretch of the legs was it?’ he said.

Wythenshawe is supposed to be the biggest council estate in Europe, at least I remember reading that somewhere. When my Dad left school at 14 during the Second World War the estate was small and was surrounded by farms and market gardens. Gradually as the estate became larger the farms were swallowed up and built on. Dad worked on a farm in those early days and on one walk he decided to show me the first farm he’d worked at. I doubted there would be much to see but he took me through some unfamiliar streets and we came to a green with a few trees and there, just at the head of the green was an old house. The house was surrounded by the council estate which had been built around it. This used to be the farmhouse where he once worked. The green had once been part of the orchard. As we looked closer I could see that the trees were pear trees and I tried to imagine this place in a rural setting, instead of the urban one it had become.

Getting back to Lanzarote, it’s about a half hour walk to the beginning of the marina. The footpath comes in from high up on the rocks and you get a great view of the marina before you drop down and walk past the yachts and boats, their masts jogging slightly in the breeze. The picture above is one of me surveying the harbour.

After that it’s down to the marina proper and it’s nice to walk past the elegant restaurants and the smaller boats bobbing about on the water. Finally we arrive at our destination, the Cafe Berrugo and our waiter, Oscar, mimes the pouring of beer to us as we get seated. We mime back the thumbs up sign and the drinks quickly arrive along with our nibbles; nuts, olives and popcorn.

I reckon my Dad would have liked it here.

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Some Hints and Tips from my Adventures on YouTube

Posted on by Steve Higgins

I was checking my YouTube page the other day and noticed that I have eighty four videos there. That figure was quite a surprise to me. Eighty four videos? I have to admit, some of those are in my private file and are for production use only. (That makes me sound like a real film producer – production use only!) By that I mean some were uploaded so I could use the soundtrack on another video, some were uploaded without a soundtrack so I could add YouTube music later and some were promotional videos that use the old Floating in Space cover and were made before I introduced the newer version and rather than delete them I have just taken them offline.

By far my most popular video is this one, Trucking: The life of an HGV driver, 1980’s Style! I’d like to be able to tell you what a cracking video it is and that it is well worth watching although, in fact, it isn’t. It’s one of my first videos made before I even went on a media course at the Manchester WFA. I spent a few days with my friend Brian who was an HGV delivery driver and I made a short film about him at work.

I think people watch the film because of the nostalgia factor. I can see perhaps former HGV drivers watching it because that’s how things used to be, no sat navs or other gadgets, just get your map out and get trucking. They are certainly the ones who leave comments. Apart from that it has no particular merit. Pity I didn’t remove the title sequence, done on my old Sinclair Spectrum with music from Elton John, because if I had, the 35,917 views I’ve had at the time of writing could be making me a few quid in royalties. Instead the video is subject to a copyright claim by the owners of Elton’s music.

That’s probably the best lesson I’ve learnt from my time on YouTube; if you made a video years ago and used your favourite tracks from your record collection, replace them with royalty free music which you can download free from YouTube.

One of my favourite videos is another I made in the 1980’s, A Welsh Journey, Manchester to Porthmadoc. It’s a short documentary made about a rail trip which was inspired at the time by a documentary film presented by Michael Palin called Confessions of a Train Spotter. It was part of a Great Railway Journeys series and unlike some of the travel films made later by the former Monty Python performer, it was a great little film full of enthusiasm for the subject.

My old friend Steve and I wanted to recreate Palin’s journey but instead decided to do something cheaper and easier, a rail trip from Manchester Victoria to Porthmadoc. I did a great edit with a documentary style voice over and some top notch sound, music and effects mixing, courtesy of the new sound mixer I had just picked up. The big problem with that video, as regards YouTube, was that I used music from a great album by the Crusaders called Images. Now, that was fine in 1986 when the video was viewed just by me and my friends. Fast forward however to the 21st century digital age, upload it to YouTube and suddenly you have a whole lot of  musical rights owners who are not happy that their music is playing on my video. Result: YouTube have muted the entire soundtrack. You can still watch it but you cannot hear it.

The only thing to do was to take my original VHS video, slip the digitised version into my Windows Movie Maker and then re-edit and add some royalty free music provided by YouTube, in this case a little track by a guy called Kevin MacLeod called Local Forecast. I re-did some of the commentary, faded in Local Forecast in place of the Crusaders and even tidied up the video as a whole.

Some time ago videos could be edited on YouTube using their on-line video editor, hence the reason for uploading videos for ‘production use only’ as I mentioned earlier. You could trim videos, use the soundtrack from a different video and so on. Alas, the YouTube editor is no more, so it’s important to have your video all ready for viewing before you upload it.

One handy little thing on YouTube are YouTube cards. They are just that; a little card that appears in the top right hand corner in which you can add a link to other videos or even to your website.

Just going back to my Trucking video, two other reasons why that video does so well might be as follows.

a) The title is very SEO compatible. It’s straight to the point and tells you all you want to know and it also has a pretty good thumbnail or icon. That’s the image when you see when you first find a video on YouTube. If you look at the railway video above, you can see the icon has all the basics, a simple but relevant picture, the title, and a little explanation that it’s the updated version, not the one with the sound muted!

b) Thumbnails are important as a  good one can pull the viewer into watching your video.

A lot of my more recent videos were made on the Animoto web site. Animoto is a video editing website that comes with templates so you can easily upload your photos and video clips and the template will do the rest. You can even create a whole slide show video with just a collection of still images. Here’s one of my favourites, even though it’s just a little advert for my book:

Here’s another one, this time a collection of photographs of Lytham St Annes :

Right, so so far we’ve got documentaries from the 1980’s, promo videos, and slide shows. Not only that but I also have my book reviews on YouTube. Yes, I’ve always added a video version of my Book Bag series. Here’s the last one, filmed in sunny France in 2017:

Just as I’ve finished this post and pretty much finished re-editing my Airport 1986 video by adding royalty free music, I’ve had an email from YouTube advising me that because I have under a 1000 subscribers I can no longer ‘monetise’ my videos! Oh well, the Internet is a fast moving and ever changing place. Perhaps I should look at shifting my videos over to rival video channel Vimeo.com! Anyway, here’s my updated airport video, split into two parts for ease of uploading.

So, just to finish, here are three points that are key to developing your YouTube channel:

1. Use royalty free music!

2. Think carefully about your video title.

3. Add a simple but effective icon for your video; that and your video title can be the key to bringing in your viewers and subscribers!

4. People have very short attention spans these days. If they are not interested in your video in the first few seconds, they will navigate away from your video to something else so make those first few seconds count.

Floating in Space is a novel set in Manchester, 1977. Click the links at the top of the page for more information or watch the short promo below.

The Giorgio Factor and other Dining Stories.

Posted on by Steve Higgins

I really do love dining out. I think it’s one of life’s great pleasures, not that I’m a food gourmet or anything, in fact I’ve got pretty simple tastes in food. Give me a nice bottle of red, tasty food and good service and I’m a happy man.

Some years ago Liz and I used to frequent a lovely Italian restaurant in St Annes. It was a great place. It was only small and a little basic and I got the impression that in a former life it used to be a small shop. It was called, well, I won’t say the name but the owner was a guy called, actually, I’m not going to say his name either.

It was a lovely rustic place and when it was quiet the owner would say to me, ‘Steve, tell me what you want, whatever it is I’ll make it, even if it’s not on the menu. If I have the ingredients, I’ll make it for you.’ That was rather nice of him and I hope his offer was because we were friends and not because I was difficult to please.

One of his waiters was a guy called Giorgio. He was a really nice fella but as a waiter, pretty useless. More than two people in the restaurant and he’d start to flap, big style. He’d bring us a menu and then, well that was all he could do really. We’d order a bottle of wine and when it never arrived we’d have to prompt him by waving empty glasses at him. The main course would come and there’d be no cutlery. One time they had this other waitress who was Italian and spoke no English. Another couple would enter the restaurant and before Giorgio could get himself together the trainee waitress seated them and had taken their drinks order. Giorgio ambled over, asked what could he get them to drink just as the drinks were actually arriving! We do miss Giorgio and that lovely restaurant. Ever time you spoke to him he would say, in a strong Italian accent, ‘you’re welcome.’ He rarely did anything but he always said ‘you’re welcome!’

One day the restaurant sadly closed down and the owner started up a new place in Blackpool. When we visited a while ago I noticed Giorgio had not made the transition to the new premises. Pity, he did make us laugh. Anyway, when we dine out these days at somewhere new we sometimes try and spot which waiter has the Giorgio factor.

In Casa Carlos this week in Lanzarote, the main contender for this week’s Giorgio award was a lady that was determined to pour our wine. One of our pet hates is the waiter who tries to pour our wine when we are not ready. In fact, we don’t want the waiter pouring our wine at all. OK, he, or she, can do that initial pour after the opening of the wine and the tasting ritual but after that, leave us alone. We pour the wine only when we are ready and not before. Well, in Casa Carlos we fended this lady off a number of times when she made a raid on our table in a vain attempt to pour our wine. No, ‘get back’ we told her. Liz tried to fool her by hiding our bottle on the low window sill behind our table. Ha, we thought, try and get our wine there!

However, just as we were chatting and I had shovelled in a mouthful of barbecued steak the waitress homed in from our blind side, swerving silently towards us like a ninja but just at the last second Liz spotted her, grabbed the wine and said ‘no thank you’ firmly. You have got to be firm with these Spanish waitresses.

Tapas at the Blue Note Restaurant, nice but a little on the small side . .

When we first arrived in Lanzarote some years ago our first restaurant port of call was a place called the Blue Note, a classy jazz bar restaurant in the Marina Rubicon area of Playa Blanca. We were pretty starving so we ordered a few tapas. Sadly they were of the rather small minimalist type, you know, three meatballs to a plate. We had ordered six tapas but they were so small when we had eaten them we were still hungry. Next port of call was Cafe Berrugo. OK, we get the picture we thought, tapas plates are small in Lanzarote. We ordered four plates of tapas and two beers, then, thought, is that enough? Waiter, portion of fries please. Ten minutes later, the tapas arrive and guess what? They are massive plates! How can we eat this lot and the fries?

We have since become regulars at Cafe Berrugo. The waiters know us and what we like, for instance they always give out complimentary nuts to the English and olives to the locals. However, we have gradually shown them that some English people actually eat olives. Oscar, our favourite waiter looks after us and always serves us the vino tinto at room temperature. Our other favourite waiter is a guy we just call Good Morning as he always bellows out ‘good morning’ when customers arrive, whatever the time of day! It’s always nice to finish the night here with a complimentary shot of ice cold vodka caramel before getting our coats on and waving goodbye with a cheery ‘good morning’!

One final dining story: Here in Lanzarote the last few days have been a little stormy, however one day the heavens cleared and the sun shone again. The forecast had said heavy rain but what the heck! We were in barbecuing mood so we cranked up the coals and prepared the meat and salad. Yes, it was a lovely barby. Just at the end, literally as I was taking my last bite of a lovely burger and despite the sky in the west being clear and blue, the sky above and to the east darkened. It reminded me, like a lot of things in life, of a film I’d seen years ago. It was a space disaster movie from the seventies or eighties. The one where the crew need to launch to save the guys on the space station but Cape Kennedy is hemmed in by a storm. Well this hurricane passes directly over and the rescue mission launches through the eye of the storm, just like how we had our barbecue in the nick of time before the heavens opened.

What the heck was that film? If you know, answers on a postcard please!

(2021 update: It was Marooned!)

If you liked this post why not try my book, Floating in Space available from Amazon as a kindle or a paperback.

The Long and Dusty Road of Life

Posted on by Steve Higgins

A short road, a long road,
A travelled-only-once-road
It’s the long and dusty road of life
It’s heartache, happiness, and strife

A happy road, a clean road​
Is the road that I desire
A cheerful road, a sweet singing music road,
Free from muddy mire

Let my road be a long road,
A fondly remembered high road
And don’t let me detour at a crossroads,
Or linger on a lonely road

One day I’ll need a fast road, a rushing road
A quickly time is running out road
And I’ll breathe my last in a quiet road, a by road
An end of the line side road

For journeys end is a sad road
A goodbye and thanks for all you’ve done road
A cul de sac, an avenue, a long gone distant road,
And as time passes it soon becomes a travelled-long-ago road.

Steve Higgins is the author of Floating in Space, a novel set in Manchester, 1977. The book is available in Kindle or paperback formats. Click the links at the top of the page for more information.

Tap, Tap, Tapping my Way

Posted on by Steve Higgins 


I’m caught up in the fog


I’ve got my hands out


Feeling my way like a blind man in a haze


Tap, tap, tapping my way along,


Through life.




I don’t really know what I’m looking for


But I keep searching


I’m like a blind man fumbling in the dark


And I sometimes think I need an instruction book


So I can be flick, flick, flicking,


Through life.




There are times; I guess it’s my lot,


When I don’t understand the plot.


I’m going backwards and forwards


Trying to understand.


Fast, fast, forwarding


Through life.




One day there’ll be a break in the fog


And I’ll see the sun,


But when the answers won’t come


I’ll dream harder,


Borne back to the past by memories


Back, back, back,


Through life.




Steve Higgins is the author of Floating in Space set in Manchester, 1977. Click the links at the top of the page for more information.



			

	
	



		
			


	

		
Soaps, Comedians and a DVD: This year’s Christmas TV


		

		Posted on  by Steve Higgins		

	


		

		
Now we are well into 2018 I thought I’d take a quick look back to the recent Christmas and New Year TV. I don’t know about you but for me it just wasn’t really up to standard, at least not on terrestrial TV or ‘proper’ TV as I call it. Christmas on proper TV was all about soaps, Doctor Who and old shows from the TV of yesteryear.


Coronation Street.


Eastenders has never been my cup of tea but I do like Coronation Street. What has been a little disappointing this year is that this soap, set in my home town of Manchester, has drifted away from a lot of the things I used to like about it. It’s not as ‘northern’ as it used to be, or as funny as in the Jack Duckworth and Hilda Ogden days and the current storyline about Pat Phelan which involves kidnapping and murder is just not what I want. I just wish Pat would go away and we could return to storylines about affairs, illicit relationships, and domestic issues with a large dose of tongue-in-cheek humour thrown in. In a recent Coronation Street special about Jean Alexander, who played the warbling Hilda, the many funny and amusing sides of her character were shown, including a very sad and touching  moment when she returns home after the death of her husband and opens a bag of his effects, clothes and spectacles and so on. The sight of these few simple items reduced Hilda to tears -and many viewers along with her. Those were the days when simple observations like that, some sad, some funny, took the series to ever higher dramatic standards.


Doctor Who.


Another Christmas broadcast that was pretty enjoyable was this year’s Doctor Who special which reunited the current doctor with the original, recreated by actor David Bradley and linked together their regenerations. Just to explain, Doctor Who is the UK’s longest running sci-fi show and one aspect that has helped it continue is that when the lead actor leaves the show, the doctor ‘regenerates’ into a new personality, and of course, a new actor. In this case, Peter Capaldi is leaving and Jodie Whittaker is the new and controversial female doctor. Sound a bit weird? Well, sounds very odd to me. It’s rather like those things you hear on the Internet where people call for a black or even a female James Bond. Bond of course is a white, upper class male and that is the only way to play him. A female Doctor Who? How that will work out is anybody’s guess but this year’s Doctor Who was a good episode, if a tad wordy which is the main problem for me with the modern version of Doctor Who.


Sarah Millican.


Sarah Millican, just for those who have never heard of her, is a Geordie comedian and on Christmas day Liz and I watched three of her stage performances back to back on one of the Freeview channels. Sarah isn’t for me a laugh out loud kind of comedian but she is amusing. She is one of those observational comedians, the ones who take nondescript things and make them into funny monologues. Think Peter Kaye and Garlic bread or Michael McIntyre and bad breath. I tend to prefer my comedians to just tell jokes the old-fashioned way but no, that’s not the way comics work these days. One of the funniest moments in Sarah’s routine was one in which she overheard three older ladies talking about what they would do if they became men for a day. One of the women answered, ‘knowing my luck I’d get a Tuesday –and what can you do on a Tuesday?’ 


As I watched these three performances, all pretty amusing, I started thinking how I could make some of my blogs into a comic routine. (They call them ‘stand up’ comedians these days so I wonder how they would class Dave Allen, the comedian who used to sit on a stool with a glass of whisky nearby?) Anyway, take one of my posts like The day the Cat War Started perhaps. That might make a reasonable comedy monologue. Introducing the neighbours, then the cats, then the confusion of the cats I was supposed to be feeding while my neighbours were away. Possible career change? Well, perhaps not!


There’s Something about Mary.


A great deal of this Christmas and New Year TV I haven’t watched ‘live’ as it were, I just pressed the record button and kept them for a quieter day so I have yet to see 50 years of Star Trek and a couple of Star Wars documentaries from BBC4 but I did watch ‘There’s Something about Mary‘ on New Year’s Eve as we declined to venture out in the face of a major rainstorm. We could have gone out later I suppose but by then the fire had been lit, the wine had been poured and the cheese was warming. The TV guide mentioned something about this film being a ‘movie classic’. Now to me, a movie classic is something like ‘All About Eve’ with Bette Davies which was shown on TV over Christmas but, sadly, I neglected to record, or ‘Lawrence of Arabia’ which I mentioned in a recent post. ‘Mary’ was mildly amusing with the occasional funny scene but was not, I must insist, a film which could now or ever be mentioned in connection with the phrase ‘movie classic’.


Harry Potter films and TV soaps seemed to be the main factor in this years TV schedule. I looked in vain to find a major new movie but the only one I could see was Spectre, the most recent James Bond film which was shown on New Year’s day. Pity really because I happened to be working then. Oh well, 50 Years of a Star Trek is still there on my hard drive so I look forward to the end of one of my late shifts when I might just start it up and relax with a glass of port.


The Intruder.


One final film, and it’s not one that you will find in the TV guide. The Intruder was a DVD that appeared in my Christmas stocking and is one of those classic British films starring the wonderful Jack Hawkins and a whole host of familiar faces from British films of yesteryear. Set in the 1950’s, former army Colonel Merton played by Jack Hawkins returns home to find he is being burgled by one of his own former wartime platoon members, Ginger, played by Michael Medwin. Ginger runs off when he thinks Colonel Merton has called the Police so the colonel decides to track the man down. He visits his former army comrades and they each tell a story in flashback that builds up a picture of Ginger, his life and that of his comrades. It must have been strange to have lived through the intensity of war and then to return home to rationing and shortages and the near normality of post war Britain. The film, directed by Guy Hamilton who also directed some of the early James Bond films, captures all that perfectly.


Despite the host of cable and satellite TV channels available these days, it’s a shame that sometimes you have to crank up the DVD player to find something worthwhile to watch.




Steve Higgins is the author of Floating in Space, a novel set in Manchester, 1977. The book is available in Kindle or paperback formats. Click the icon below to go straight to Amazon.


Floating in Space

			

	
	



		
			


	

		
Thoughts from a (Lanzarote) Sun Lounger


		

		Posted on  by Steve Higgins		

	


		

		
Travel.


This year’s  flight to Lanzarote wasn’t too bad at all. It was a pretty busy flight, busier than I had expected, but there seemed to me to be slightly more leg room on my flight. It was certainly better than on my previous trip, a few years back, so much so that I was actually almost comfortable. I’ve flown in January with Jet 2 in recent years and the flights have always been under subscribed which has been good, because as you know, budget airlines always try to cram as many passengers as possible into the limited confines of their aircraft and it’s nice to have a vacant seat next to you so you can stretch out a little. Happily on this rather busy aeroplane in the seat next to me was not a big non speaking, rather tubby fellow -like the guy I was stuck with a few years ago- but a pleasant, slim and quite small lady who was nice to talk to and gave me a little extra much-needed room.


Man Bag.


When I am off to European climes I tend to take my ‘man bag’ with me to carry my bits and pieces about. Much more sensible than trying to cram your wallet, phone, keys, reading specs and all sorts into your trouser pockets like we Brits do. There was some consternation at the airport when the bag went though the x-ray machine. That was due to a bullet key ring I had picked up some years ago and left in the bag. It was made using a world war one bullet, decommissioned of course but I was called to security, reprimanded and the bullet confiscated. Good job they didn’t find the Colt 45 cigarette lighter I was carrying! Seriously, airport security can be a bit of a pain but at least we are sure that we are flying safely.


Taxi.


The weather forecast for Lanzarote had predicted rain on our arrival but actually it was a lovely warm day although a little windy. We had arranged a lift from the airport to our accommodation by a Canarian fellow called James we had met some years earlier. He had claimed before we met that he spoke perfect English although the truth is actually slightly different. He actually speaks something that sounds like English, in the way a drunken Glaswegian or a speech impaired drunken Scouser speaks English. There are some familiar sounds there, even some complete English words, but most of what he says is completely unintelligible.


Numerous texts had passed forth between us detailing our time of arrival, our flight numbers and so on. James had texted back, ‘look for a Renault Kangoo van in white outside the exit’. Great, I thought, clearly his written English is better than his verbal variety. On arrival in Lanzarote we looked and waited quite a while but the van was not to be seen so I called him and he answered with a stream of unintelligible sounds, none of which were recognisable as words currently in use in the UK. One phrase did stand out, the repeated use of ‘no problem’. This of course is a new spin on that familiar phrase because there was a problem, that of getting to our villa down in Playa Blanca. Never mind, I said, we’ll get a taxi. No problem came the reply. Well, might as well delete that contact from my phone.


Lanzarote


Anyway, within a few hours we were sitting by our pool in Lanzarote, sipping wine and deliberating whether to plunge into the heated pool. A few minutes later I was regretting that decision as the pool was cold. Very cold! The villa company sent their man out to take a look and he saw that the pool had not been heated for a while and reckoned it could take a few days to get up to temperature so he cranked the heat up and by the next day the pool felt much warmer. So much so that I could actually just get straight in without having to gingerly slip in an inch at a time while I acclimatised!


Anyway, I think I think its time to throw in a picture guaranteed to make all my fellow Brits back home in the freezing cold UK totally envious. Here it is:




Yes, that’s our dining area with the pool in the background.


Spectacles.


Not long ago I got myself some new specs. They are what I call the Clark Kent type, you know black and fairly square, square in more ways than one although they are actually rather fashionable these days. Anyway, I don’t like them and much prefer my old ones which have photochromic lenses which go darker when the sun gets brighter. I love those lenses and as I am rather sensitive to bright light they are perfect for me. For reasons directly linked to my reluctance to open my wallet I didn’t add them to my new prescription and I didn’t bring the old specs but I did bring instead a pair of clip on dark shades that are so worn I can hardly see through them!


Employment.


On this holiday I’ve decided to start looking and see what jobs are out there for an ancient four O’ level former comprehensive school boy like me. Looking for jobs in this digital age is a tad different from what I’m used to. No need to buy lots of newspapers and troll through the situations vacant columns, yes now you can subscribe to special job seeking websites which search available jobs for you. You can upload your CV and the site will pass any likely looking situations on to you via your inbox. Here are some recommended jobs that were sent to me recently


Strategic Insights Executive


Quality Control Executive


Care Home Deputy Manager


PHP Developer (What’s that about?)


Here’s a great one from an e-mail titled:  26 jobs available in Lytham St Annes, (1)  Driving Instructor, Liverpool (!)


Yes, perhaps I might have to put up with my current job for a while longer.


Laptop.


My Toshiba laptop is not one of the best. Perhaps it’s time to put my hand in my pocket and get myself a top of the range one and make my writing and video editing life a little easier. Just in time for this holiday I took my laptop in to be repaired as a lot of the keys, particularly the ‘o’ were sticking. A new keyboard is what is needed, the guy in the shop told me. They sent off for the part and the day before departing the UK I got my laptop back. Everything seemed in order, the culprit keys were all working and I was fully prepared to bang out my new book and churn out numerous blog posts. Now I find, a week into my holiday, the r and y keys are not working! A writer’s life is not easy . . .




Floating in Space is a novel by Steve Higgins set in Manchester, 1977. Click the links at the top of the page for more information!



			

	
	



		
			


	

		
Video and Recycling the Re-edit


		

		Posted on  by Steve Higgins		

	


		

		
The video of today is very much a tool of social media. Attention spans are short so documentaries are out and very much in is a short, straight to the point video. In fact, social media videos today have a lot in common with music videos which started life in the 1980’s when the idea of a short film or video to promote a music single evolved. Since then, a whole generation of MTV style cable and satellite channels have emerged showing nothing but music videos. No intros, titles or credits, just straight in with the song.


Video.


Michael Jackson’s video Thriller was a highlight of the music video genre. It won an award for best short film if I remember but my favourite video was the one where each paving stone lights up as Jackson, doing his wholly personal trademark style of dancing, steps on each one. Billie Jean, I do love that song.


On social media a video needs to have a quick impact: So quick you wouldn’t believe it. According to statistics, a viewer has to be hooked by a video in the first ten seconds, otherwise they are off. There are more videos to watch and better content to be found elsewhere.  Here are a few more stats from http://www.wordstream.com


    

  • 82% of Twitter users watch video content on Twitter
    • 

  • YouTube has over a billion users, almost one-third of total internet users.
    • 

  • 45% of people watch more than an hour of Facebook or YouTube videos a week.
    • 

  • More than 500 million hours of videos are watched on YouTube each day.
    • 

  • More video content is uploaded in 30 days than the major U.S. television networks have created in 30 years.
    • 

  • 87% of online marketers use video content.
    • 

  • 85% of Facebook videos are watched without sound.
    • 

  • 72 Hours of video are uploaded to YouTube every 60 seconds.
    • 



Pretty staggering stats aren’t they? However you interpret those figures they are saying this; if you are in the business of marketing or social media, you need to be in the business of video. Happily, with today’s technology, videos are not quite as hard to make as they were a few years back. Many social media videos are made with minimal editing on tablets or even mobile phones. Most of my videos are shot either on a small hand-held Panasonic HD camera or on my newest gadget, my action cam. Technology has helped some bloggers evolve from blogging into vlogging, simply by pointing a camera at themselves and chatting away, instead of writing.


Earlier in 2017 I made a short film about cycling. I had picked up, fairly cheaply, one of those action cams you have probably seen advertised. The same style of action cam that is responsible for so many videos of stunt cycles, skiing, surfing and so on that are featured regularly on Facebook and other social media sites. I thought I could perhaps combine some sort of physical activity; in which I am severely lacking, with cameras; which I love messing about with and the result might be an entertaining film with which to pull viewers into the clutches of my web site and then, you guessed it, flog more copies of my book!




Recycling.


So, I dug out my old bike from the depths of the garage. A quick hosing down and a spray on the vital points with WD40 and the bike didn’t look so bad.  I have two action cams; they are not expensive Go-Pro cameras, just cheap copy versions. One cost about £19 from eBay, the other was £2 from a car boot sale. They come with various clamps and grabs and things to attach them to your bike. I had the cameras mounted  in various positions although the best was when I strapped one to my wrist with a Velcro strap so I could flip it around and catch shots of gear changing and braking and so on and even flip round to see me, straining somewhat as I began to get my muscles to flex again.


The big problem with these kind of cameras, at least for me is this -not only are they small, the buttons are small too, and the screen is small, and the indications on the screen -which mode you are in, battery time, record, play and so on, are even smaller, so setting things up is pretty hard especially for a man who uses reading glasses. As for setting the date and time -forget about it! Another thing is that when I switched on my camera and then set off biking, I was not always sure if I had pressed the right mode; if the two clicks for standby and then one for record actually registered so when I came back after a ride I sometimes got:

1. Nothing.

2. A short video of me messing about with the camera and then it switching off just as I ride away.


To be honest, I’m not even sure why I was filming myself, although if I’m truthful, I just like messing about with cameras and video, just as I said earlier, and pretending to be the film director I always wanted to be. Anyway, after three laps of the immediate area and about forty minutes of camera video, it was time for a cuppa. Then it was time to spend days, weeks even, fiddling about on Windows Movie Maker, cutting and splicing and so on until I managed to produce a workable edit.


Editing can be a slow process but as long as you have a clear result in mind it can be very satisfying.


I do so like photography in the digital age. No expensive films, no waiting for the film to be developed and printed. No more expensive mistakes. Today, if you take a bad picture, delete it, take another in fact, take multiple exposures and just delete or edit the bad ones later.


Digital video is pretty much the same. Delete what you don’t like and start again. Even if what you have shot isn’t good, it can be saved by cutting or effects like slow motion.


In the editing suite, build your video slowly, adding each scene and then later your soundtrack, adding layers to the original sound with effects, music and narration.


I remember editing in the VHS days, juggling different tracks on my sound mixer, having to cue each track and fade in when ready, keeping an eye on the monitor all the time. Once, in one of my airport videos I had to do a narration, fade down the original video soundtrack, pause while a helicopter flew into the shot, fade in a helicopter sound effect, fade in the next section of original sound while I narrated the next paragraph and finally, cue and fade in the music and then fade out the original sound.


Today, with digital, all that is a step by step process.


The Re-edit.


Since my original version of my cycle ride, I seem to have finally mastered (perhaps not quite the word) my sound technology and have produced a number of short films featuring me, chattering away about various things. On A French Journey I added a narration that was done extemporaneously (I like that word) meaning basically that I started talking off the top of my head armed only with a few notes about the history of the M6 and the channel tunnel. I think I did about three takes, took away the soundtrack to my sound mixer, cut out a lot of er and ahs and returned it successfully to the video. For my cycling re-edit I tried to do a similar off the cuff piece but it didn’t work out so I sat down, wrote a short essay linking cycling, photography and editing and read it over the video. Again after a few cuts here and there it doesn’t seem so bad. Is it the sort of content that will pull the viewers in to stevehigginslive.com?


Only time will tell . .






Floating in Space is a novel by Steve Higgins set in Manchester, 1977. Click the links at the top of the page for more information!