Not so long ago I thought about doing a post about the film director Steven Spielberg. I’d already done a couple of ‘favourite director‘ posts but the thing with Spielberg is that he’s not exactly one of my favourite directors so any post would be not really be complimentary so I didn’t want to get into writing something negative.
Anyway, I just happened to pick up a book about Spielberg in the second hand bookshop so it seems to me I can just combine my criticisms of the book and Spielberg’s works all in one post. I’ll try not to be too negative.
Steven Spielberg the Unauthorised Biography by John Baxter.
Spielberg was born in 1946 and the book glosses over his early life. His parents were divorced when Steven was at school and though staying initially with his mother and sisters he later went to stay in California with his dad. He was making amateur 8mm films as a youngster and according to the book, went on the Universal film studios tour and just stayed on wandering about the studio. At the time one of the only ways to get a job at Universal was through a relative who worked there and the book says that security guards let Spielberg through the gates on subsequent occasions, assuming he was the brother or son of one of the employees.
Spielberg apparently did quite a bit of networking at the studios showing his amateur movies around and after being rejected from the University of Southern California’s film school he managed to get an unpaid job at Universal. Later he took the opportunity to make a short film called Amblin which impressed the studio vice president so much that they offered Spielberg a seven year directing contract.
His first professional job was the shooting of an episode of the US TV show Night Gallery which starred Joan Crawford. It was apparently a difficult job for Steven, dealing with his temperamental star which gave him an aversion to working with so called ‘stars’. Looking through Wikipedia though, the website claims he and Crawford were friends until her death.
The first work of Spielberg’s that I saw was the feature length episode of Columbo ‘Murder by the Book’. At the time Universal was looking for something new to challenge the usual 60 minute episode format and the feature length episodes of their many crime shows seemed to be the answer. Spileberg’s episode is probably one of the very best of the Columbo series.
Spielberg‘s first cinema project was ‘The Sugarland Express’, a movie about a married couple chased by Police as they try to regain custody of their baby. The film received critical success but fared poorly at the box office. Producers however were impressed enough to ask Spielberg to direct the movie version of the book ‘Jaws’ about a man eating shark.
The shoot was a difficult one as the director rejected the idea of shooting in the studio and opted for a location shoot. Steven initially thought of using real sharks and midgets to make the sharks look even bigger but finally had to accept that a mechanical shark had to be made. Difficulties with the shark added delays to the shoot and some parts eventually had to be made in the studio. It was also interesting to read how the script was constantly under review with various writers adding to it and rewriting. Author Peter Benchley had added various subplots to make the book more entertaining and many of these were taken out by Spielberg who concentrated on the fundamentals of the shark chase.
At the time the movie industry was suffering because of competition from TV and Spielberg realised that a film needed to be an event, a major event in order to bring viewers out of their homes and into cinemas. The movie blockbuster was born with Jaws which was a huge hit which made Spielberg’s reputation overnight. I have to say it is probably my favourite of Steven Spielberg’s films. I’ve always enjoyed it and the performances are excellent especially those of Robert Shaw and Roy Scheider.
Spielberg went on to make a series of blockbuster films, all different in subject matter but all designed as major events in the world of cinema. Close Encounters of the Third Kind, The Indiana Jones films and ET were all highly successful. I can’t say they are on my list of all time great films, ET I thought was uninspired and Close Encounters was a film I couldn’t see the point of, a little like Hitchcock’s Birds. I didn’t get it at all.
Raiders of the Lost Ark is a great Saturday afternoon film based of course, on the film serials of the 1940’s. My big problem with most of Spielberg’s films is that they always leave me unsatisfied. Saving Private Ryan is another case in point. What was the point of all that invasion stuff with people being blown up on the beach? Empire of the Sun was a slow moving drudge of a film lacking any sort of pace. It was a project Spielberg took over from one of his personal directing heroes David Lean and I sort of get the feeling Steven was trying to make the film as Lean might have done. Sorry but it didn’t work for me.
This isn’t a great book and concentrates mostly on Steven Spielberg’s professional rather than personal life and doesn’t really offer too many insights into Spielberg himself although interestingly it says that Steven dismisses the auteur school of directing and thinks of a film as a collaborative effort. I remember once watching an interview with David Lean in which he said that a director’s job was to ‘tickle the talents’ of his crew and cast and get the best possible effort from each person to show in the finished film. After reading this book I’d guess that is something Spielberg would go along with.
The early part of the book I found particularly interesting especially when it explains how Spielberg put his movie projects together, often filming one while beginning preliminary work on another. The author also links Spielberg to the other directors of ‘New Hollywood’, people like Coppola, Lucas, and Scorsese who were great fans of classic Hollywood and built new films and productions while recognising the contributions of classic directors like Hitchcock and John Ford who had gone before.
This is not a great book and certainly not one that really gets to the core of its subject but still a good read all the same.
I do love France but sometimes I think my love affair with this country is waning. I love the relaxed lifestyle, the food, the restaurants, the innate calm of sleepy French villages but, I do miss the absence of nightlife. The nights when I would stay out till the early hours are long gone of course but I do like a nice friendly bar or a busy restaurant. In rural France those things are hard to find. In our favourite French town of Doué la Fontaine it is hard work to get a restaurant table on a Saturday lunch time but on Saturday night, the bars close around 9 pm and the restaurants are empty except for a few English tourists.
It’s a book written from first-hand experience for starters. The author, British born movie actor David Niven arrived in Hollywood in the early 1930’s. He had decided to try his luck in the movie business and he had come to the right place because Hollywood, California was the centre of the film making universe.
Now as far as I know the referendum wasn’t legally binding in any way, just an indication of public feeling but the Prime Minister, who was David Cameron at the time, decided the referendum result meant we had to leave the EU and as he couldn’t go along with that because he didn’t want to leave the EU, he had to resign.
This week started off with a tune running through my head. That’s not unusual. I often wake up with a tune in my head. It’s usually a leftover from our local pub quiz where they have a great music round, ten tracks with points on offer for song title, artist and year of highest chart placing. As it happened the tune was nothing to do with the quiz and sadly I didn’t have any words to go on, just a bit of a tune which irritatingly, kept floating around my head.
Way back in the 1970’s when I was a shy gawky teenager, one of my very best friends was a big fan of the Moody Blues. Everything that ever happened to him, life, love, romance, anything and everything really, he related back to something on one of the Moody Blues’ many concept albums. I really wanted something like that, a band or musician I could relate to and follow as they created more music. Very quickly I discovered Elton John.
TE Lawrence’s home was a small cottage called Clouds Hill. I read somewhere recently that the house had now been refurbished and open to the public. It is a small place and I remember seeing a TV documentary about Lawrence where someone who visited in the past advised that guests were generally left to their own devices, that food was eaten from tins left in the cupboard and that a lot of classical music was played.
I’ve had a little time on my hands this week, looking after my elderly mother. Nothing particularly exciting presented itself on terrestrial TV so I thought, the perfect time to pour a glass of red and crank up a few Bond DVDs.
The world of digital photography is so easy and convenient. Point your camera and shoot. Upload to social media or your cloud storage and there it is. If your picture isn’t quite right you can lighten or darken it, straighten it, crop it, even delete it if you want and start again.
The Secret Life of Marilyn Monroe by J. Randy Taraborelli.
My Turn by Norman Wisdom.
Tricks of the Mind by Derren Brown.
