Writing, the Village and Young Higgins

Liz and I will soon be off to France in our motorhome. It’s had an MOT, it’s been taxed and has had a good wash and clean up and it’s pretty much all ready for the trip. As a writer, I try and get ready for the trip too, I like to get ahead with my weekly posts so I have a few all written and ready to be posted, even if I’m in the middle of the outback of the Loire valley. All I have to do is press the post button and I know that I will have met my deadline, my one deadline of 10:00am on a Saturday morning when my new post goes out.

A couple of weeks ago I was feeling pretty pleased with myself, I was actually three blogs in advance, a whole three weeks, all I had to do was keep writing one blog per week and then in the hoped for sunny Loire I could relax, read books, sunbathe and swim and still put out my one blog post every week. Of course, there are some writers, some bloggers whose output is considerably more than that. Even so, my one blog post per week keeps me honest as a writer and of course I do actually write more. I’ve started to recycle my old posts over on Medium.com to hopefully engage more readers and even sell more books. One day, when my royalties build up, I might even have enough to splash out on a pint of lager on our regular Thursday night pub quiz.

It was nice to get back behind the wheel of our motorhome and take it down for its first wash of 2023. I’ve already got a few good books to read packed aboard and it almost seems as though I can already taste the vin rouge and the French bread. Yes, that was a good feeling. A bad feeling though was when I realised that despite being three blogs ahead, it was soon two and then just one and as much as I looked at prompts and old posts, no inspiration seemed to come.

Parked by a lake in France

I did a post a while ago about Ideas, Inspiration and Effort. They, I thought, were the key things to any kind of writing, whether it’s a blog post, a story or a poem. The more I think about it, a better title might be Inspiration, Observation and Effort. Some ideas just come naturally. A writer is inspired, he jots down notes and then writes. Other ideas come just by observing things. A recent idea for a post came from a car journey and observing what happened during the trip and it got me talking about my former job, working as a motorway traffic officer and other ideas from my car stereo and the music I was playing. After that comes the effort, the actual work of putting together a blog or story or book.

This week it’s round about a year since I retired. I’m really still getting used to retirement. It’s nice having a free bus pass and it’s nice not having to go into work all the time. I did think about getting a part time job but I actually don’t need a job. Perhaps if I spend too much on holidays or restaurants then I might have to think about working but so far, I seem to be doing OK. When my father retired, he went out on long walks with his dog. He used to roam about the huge council estate where he lived and take in the farms or what used to be farms where he used to work in his youth. He once showed me an old farmhouse hidden in the estate surrounded by council houses. There was a large green there which he said used to be the farm’s orchard and indeed, there were still many apple and pear trees on the green.

After thinking about my father I thought that I might do a similar thing, have a little walkabout around some places I used to know well and see how they had changed.

Not far from the housing estate is a small village called Gatley and when I was younger I used to go there quite a lot. There was a fabulous model shop there and as a schoolboy I bought many a plastic model kit from there. I used to make models from scratch too using glue and balsa wood which I also bought from that shop. The shop itself was a wooden hut type of affair and walking down there the other day the shop was gone and only bushes and shrubs had taken its place. Right outside the shop was the bus stop for the 45 bus which came from Manchester, turned around in Gatley and then went back to Manchester. Today, the small block which the bus circled in order to turn round has been blocked off so the 45 bus is no more, although there is another bus which carries on through the village.

The Red Lion pub is now a Tesco store. There is still a café on the spot where there was aways a café but despite various visits recently, I have never seen it open. Further down, The Prince of Wales is still there. In that particular pub I had my first ever pint many years ago.

As I walked further into the village the traditional English chip shop I used to frequent is now a Chinese takeaway and the chip shop dining room is another shop entirely. The Tatton cinema was demolished some time ago although the builders kept the façade of the building when they built the new supermarket. Among many other films I remember seeing there was my first James Bond film, On Her Majesty’s Secret Service in what must have been 1969.

Next door is the Horse and Farrier pub. My mother once worked there at lunchtimes making sandwiches and my father too, he was the pub gardener. Once, when I was 16 and still at school, a couple of friends and I went inside for a pint. We left our briefcases outside with our school jackets and just as we bought our drinks and had our first sips of beer, who came in through the entrance but our physics master, Mr Farragher. The three of us shot out of the back door and into the gardens before going round to grab our jackets and briefcases from the front. Ever afterwards we three referred to the pub as the Horse and Farragher!

Today I often have a drink in that pub. On the outside it looks just the same as it always did and when I’m there I often think of Mr Farragher. That reminds me of Return Journey, the radio broadcast by Dylan Thomas I spoke about in last week’s post. Dylan returns to a pub of his youth looking for his younger self. He asks the barmaid about young Thomas and she in turn asks him what he looked like. He replies like this:

Thick blubber lips and a snub nose, a bit of a shower off: plus fours and no breakfast you know, a bombastic adolescent provincial bohemian with a thick knotted artist’s tie made from his sisters scarf. A gabbing, mock tough pretentious young man . .

How would I describe myself if I was looking for young Higgins I wonder?

A tall thin reserved young man wearing aviator spectacles. He sometimes wore tinted glasses even when it wasn’t so bright. A provincial adolescent wannabe writer and film director who packed in his job in an insurance company to travel through Europe and ended up as a bus conductor.

Such a shame we can’t go back and change things.


What to do next: Here are a few options.

Share this post on your favourite social media!

Hit the Subscribe button. Never miss another post!

Listen to my podcast Click here.

Buy the book! Click here to purchase my new poetry anthology.

Click here to visit Amazon and download Floating in Space to your Kindle or order the paperback version.

Return Journey (More Thoughts in my Car)

This week’s post is a sequel to the one last week and I’m going to talk some more about the thoughts and ideas that come to me while driving. OK, I’ve left my house in Manchester in good shape, trimmed the privets, cut the grass and tidied up inside. Final check in the fridge, nothing left behind that is liable to go off. OK, pack the car and let’s get off back to St Annes on the Fylde Coast.

Returning to St Annes is always a nicer journey that the one on the way down. I’m not sure why but perhaps it’s that all the bad traffic areas are closer to Manchester and generally I get them out of the way first and so I can then relax and drive along to some good music. I always tend to return via the M60, the M61, the M6 and finally the M55 motorways. The M60 is always busy around the turn off for the Trafford Centre which is a huge American style shopping mall. I’ve never been that keen on it and on the few occasions when I’ve been there I always have a job trying to find my car again in the huge car parks.

Just as I pass the Trafford centre the signs for ‘Reports of an Accident’ pop up on the VMS (variable message signs). The traffic slows to a crawl and I start to wonder if I should perhaps divert to the M62. I can see the M62 turn off up ahead but I decide to stay on the M60 for a while. When you see Accident on a sign it usually means that is a genuine confirmed accident but when the signs say Reports of an Accident, well there might not be an accident at all. Most of the accident reports come from motorists who dial 999 and tell the police what has happened. The big problem is that a lot of people don’t actually know where they are. They might tell the police they are travelling towards Manchester from Staffordshire and that they are on the M6. The last junction they noticed was junction 16 so they might perhaps reckon they are between 16 and 17 although in fact they might be further up the motorway than they thought. In some cases the informant might even get the motorway wrong saying M6 instead of M60. Anyway, my colleagues and I in the motorway control room would have checked the cameras and maybe we would find the incident on CCTV. We would also task a patrol to run through the area and check.

Approaching the Trafford Centre

Of course all that is behind me now. I’m retired. The traffic begins to speed up and soon we are back to normal speed again. It could have been there was no accident at all or sometimes the cars involved just get going again and leave the scene.

In some ways I miss my life at Highways England or whatever name it is going by now. (Actually National Highways.) In other ways I don’t miss it at all.  I had a long drive into work, forty-two miles and I certainly don’t miss that journey although on the positive side, most of my ideas for blog posts used to come to me while driving. Somehow concentrating on driving always seems to free up another part of my brain and lots of ideas will come. I even have a dictation gadget in the car so I can blab my ideas into that and save them for later.

Another thing I used to do was to create a room in my head for those ideas and make sure to leave those ideas in there. That might sound a bit silly but a long time ago I read a book by Jack Black called Mindstore and it involved using various techniques to help the reader. I bought the book to improve my confidence, especially in job interviews. The writer asked his readers to relax and create a house inside one’s own mind. In the house would be various rooms which one could use for different things. A bathroom with a shower that washed away any problems or negative energy and so on. Another was one for rehearsing events in a positive way, like a job interview for instance. You would rehearse the interview in your mind, imagine being successful and then save the result on a big monitor screen. One of my rooms was for storing my blog ideas.

An RTC on the motorway from quite a few years ago.

A big accident hotspot on the M60 motorway is junction 13. The big problem here is that traffic is entering the M60 from the M62 and the M602; this traffic is all merging to the right while traffic already on the M60 wanting to leave at 13, which comes up pretty quickly after junction 12, is trying to go left. I always try to stay in the outside lane and avoid all this although further up the road I’ll need to get over to the left to exit onto the M61.

As I mentioned last week, I’ve copied a whole lot of audio onto the SD card I’m using in my stereo so no need to be constantly changing discs in my CD player. The next item comes up and it’s not music but Dylan Thomas reciting his work. He reads some poems which really is what got me interested in Dylan. I like to read his work but it’s the power of his recitals that really hooked me. Dylan wrote various plays for radio and one of my favourites pops up now. It’s called Return Journey. It’s a brilliant work read by Dylan himself in which he imagines his older self going back to Swansea in search of his young self.

Anyway, time to get over to the left and merge onto the M61. The M61 is a busy road and once you come on to it you have to beware of traffic coming over to the left from the A666. The traffic is heavy but so far it all seems to be moving well.

Return Journey was inspired by the devastation Dylan saw in Swansea after the town suffered the blitz of WWII. His broadcast begins with ‘It was a cold white day in the High Street, and nothing to stop the wind slicing up from the Docks, for where the squat and tall shops had shielded the town from the sea lay their blitzed flat graves marbled with snow and headstoned with fences.’

Later Dylan is in a Swansea pub asking the barmaid if she remembers young Dylan. He describes his younger self to her and she replies ‘There’s words, what d’you want to find him for. I wouldn’t touch him with a barge pole’.

Later he meets the old park keeper in his childhood haunt, Cwmdonkin Park. Does the park keeper remember him as boy. Of course, replies the man, he remembers all the boys who played there even the ones who would ‘climb the reservoir railings and pelt the old Swans. Run like a billygoat over the grass you should keep off of.’  It’s a very moving piece indeed.

I notice accident signs on the message boards and the traffic begins to slow. Ahead I can see the flashing lights of a Highways Traffic car, slowing the traffic down. A year ago one of my jobs in the control room would be running an incident like this. For a rolling road block the patrol would call for a dedicated radio channel and someone like me would shout up that they were ready to take over. On the M61 the dedicated channel was 28. We had dedicated channels so that any police patrol nearby could also change over and assist us. I’d confirm the patrol were on the channel and drop the speeds down on the motorway signals. The patrol would slow the traffic then sometimes bring it to a stop while they shifted any accident damaged or broken down vehicles to the hard shoulder. A quick sweep of any debris and the patrol would move to the hard shoulder and wave the traffic on.

Me in the Highways Agency Control Room

One particular traffic officer used to make me laugh. When he returned to the main radio channel he would always hail the control room and advise Romeo Echo Three One: Back from the dark side!

As we leave Greater Manchester and enter Lancashire, traffic begins to thin a little although on summer weekends the M6 gets busy with holiday traffic making to the Fylde Coast as well as the Lake District.

I pass a Police car on one of the Police Patrol parking points. They are distributed about on various points of the motorway network. There was a Police desk in our control room and I’m happy to say that generally we at Highways had a good relationship with them. The big surprise to me working with the Police was that I always thought the Police were, well the Police. The thing is, the UK Police are not just one single organisation, they are numerous separate Police Forces that actually all work differently and independently.

Appropriately The Greatest Hits of Sting and the Police starts up on my stereo. I’ve always rather liked the Police and I do love the music of the eighties.

Anyway, getting back to the actual Police, Lancs Police do things differently to Greater Manchester Police and Cumbria do things differently to everyone. Why there isn’t a more centralised Police Force I’ll never know. In our control room the Motorway Police Group is headed by Cheshire Police. They used a computer system that wasn’t compatible to the one used by GMP. When an incident occurred that came from GMP the staff at Cheshire had to copy the incident over to their system. We both used a system called Command and Control. They could then send the incident electronically over to us so we could set the motorway signals and respond with our patrol.

When I left in 2022, Highways had a new system called (I can’t remember!) and Cheshire Police had a system designed by Saab. I know it sounds a little controversial but why don’t all the Police and even other emergency services use the same system? Wouldn’t that be better?

The Police are singing Every Little Thing She Does is Magic just as I take the slip road onto the M55 for the very last leg of my journey. There are roadworks here that seem to have been going on forever. They are making an entirely new junction and of course all the slip roads and overhead bridges have had to have been constructed. A lot of it is nearly ready but it is still a 50mph zone.

Sting is the frontman to the Police and I read somewhere he got the nickname Sting because he used to wear a black and yellow sweater. His real name is Gordon Sumner and I’ve always thought his attachment to the name Sting kind of silly but what the heck, I still like his music. After leaving the Police, Sting went on to a successful career as a solo artist.

Just as I pull up at home, one of my favourite Sting tracks comes on; If You Love Somebody, Set Them Free. I’m tempted to sit and listen to it but I flip back to the beginning and switch off my stereo. Sting will be all ready for me on my next journey.


What to do next: Here are a few options.

Share this post on your favourite social media!

Hit the Subscribe button. Never miss another post!

Listen to my podcast Click here.

Click here to visit Amazon and download Floating in Space to your Kindle or order the paperback version.

Buy the book! Click here to purchase my new poetry anthology.

 

Dylan Thomas

The 27th of October was the birthday of one of my favourite writers. I love lots of writers but probably my all-time favourite is Dylan Thomas. I love the outstanding power of his writing, his incredible imagery, and the wonderful pictures he creates with his words.

Dylan also is the sort of writer I’ve always wanted to be: A bohemian, pub crawling, boozing writer who fought with himself as he laboured to paint his word pictures. Whether that was really the case I don’t know but Dylan did like his pubs and he did enjoy a drink.

The fact of the matter is that I’m nothing like Dylan, except we both share a love of words, particularly the sound of words, which is the key to the richness of Dylan’s work, especially his poetry. If you think about it, there must be a connection between the sound of a word and its meaning, a deep organic connection. After all, how did words begin? Imagine some ancient caveman, just wanting to get some concept over to his mate. What are the deepest and strongest feelings for a human being? Well, for a caveman food must be one, and love too. Surely love was present in those primordial days when every caveman went out on Saturday with his club looking for his mate. There must have been a moment when ancient man strived to say something to his mate, tried to express his feeling and a sound that was the precursor to the word love slipped uneasily from his lips.

If you have read any of Dylan’s poems and are yet to understand his magic, let me give you a tiny bit of advice: Listen to Dylan’s voice. Yes, Dylan, like many poets wrote for his own voice and if you click on to any Dylan Thomas page or search anywhere on the internet you are bound to come across some old recording of his voice. Don’t make do with lesser voices, even when we are talking about great actors like Richard Burton or Anthony Hopkins. Search out Dylan himself and you will be won over, like me, by the power of his voice.

It’s not just his poems that are rich with the power of words. Dylan wrote and performed a good many radio plays and broadcasts and my very favourite is ‘Return Journey.’ It’s about Dylan himself returning to Swansea in search of his former self ‘Young Thomas’. He visits young Thomas’ old haunts and meets with people who knew him fleetingly; the barmaid who used to serve him, journalists who worked with him and even the park keeper where Dylan and his young friends would play in the park. It’s a lovely piece where fantasy merges with reality and we slip in and out of the two as the story progresses.

Many years ago I visited Dylan Thomas’ house in Wales. The house is in the village of Laugharne and is not far from one of his famous watering holes, the Brown’s Hotel which I’m pretty sure was bought by one of the comedians from TV’s Men Behaving Badly.

The boathouse was bought by a trust some years ago which saved the property from collapsing into the sea. It’s a lovely place and on the day I visited, we had to leave early although I can’t remember why. I came back the next day and the staff remembered I had left early previously and let me in for free. I wandered about Dylan’s old house and sucked in the atmosphere before buying various books and pamphlets about Dylan and his works.

In another old TV documentary I tend to watch now and again, the presenter, a poet himself, visited the house and ventured that he thought he could imagine the conversations of Dylan and his wife, the chit chatting, the arguing and the making up later, or so he supposed.

I took a primitive digital camera with me and took a few shots of the house and Dylan’s famous writing shed. I read somewhere recently that the shed has now been removed and taken to a museum with a duplicate shed now occupying the site.

I enjoyed my visit and Dylan’s own poem always makes me think of it:

In the mustardseed sun,
By full tilt river and switchback sea
Where the cormorants scud,
In his house on stilts high among beaks
And palavers of birds . . .

As you might have guessed from reading these posts, I really do love my books. One particular book pictured here, about the last days of poet Dylan Thomas is one I’ve had a long time but have not got around to reading until more recently. I do endlessly peruse our local secondhand shops for books but I have a feeling I bought this one from one of two online bookshops, either Abebooks or Awesome books, both of which I use especially when there is a particular book that I am after.

This book is a rather slow one but it details Dylan’s last days and ultimately his death in New York in the USA.

Dylan was a slow worker when it came to writing and there was always something, usually a pub, to draw him away from his work. In his latter days he was concerned that his talent or his inspiration had gone and that all his best work was perhaps behind him. He was short of money as usual and that is what drove him to accept an offer to go to the USA on a poetry tour by Canadian poet John Brinnin. Brinnin was the director of a poetry centre in New York and the trips Dylan undertook there were very lucrative for the always hard up poet. Thomas had a number of wealthy patrons, in fact his famous house in Laugharne was bought by for him by an admirer but money went through Dylan’s hands quickly.

He had travelled there before and on his penultimate visit had become romantically involved with a lady called Liz Reitel who worked for Brinnin at the poetry centre. When Dylan arrived for his last visit Reital was shocked to see the poet looking poorly and ‘not his usual robust self’. Dylan was in an odd mood and related a strange story of an encounter on the aircraft with a priest. Over the next few days his mood alternated between being tired and poorly and getting drunk with some moments of normality. I get the impression from the book that Dylan liked attention, he liked admirers and although he was in the middle of an affair with Liz Reitel, he was not averse to enjoying the attention he received from other women.

At the poetry centre, preparations were under way for a recital of the newly finished Under Milk Wood for which Dylan had produced some new edits and updates. Towards the end of the book Liz mentions that she was disappointed that these revisions were not included in the published versions of the play despite the fact that she personally typed them up and passed them on to Dylan’s publishers.

The recital went well and was in fact tape recorded by someone at the time with Dylan taking the part of the narrator.

The book goes on to detail Dylan’s various moods and the symptoms of whatever was ailing him.

Liz called a doctor when Dylan became unwell again and the doctor gave Dylan an injection of morphine sulphate which may or may not have helped him.

After a night of drinking at the White Horse Tavern in Greenwich Village, Dylan returned to the Chelsea hotel claiming famously that he had downed ‘eighteen straight whiskies. I think that’s the record!’

Dylan’s breathing became difficult later in the evening and an ambulance was summoned. Thomas slipped into a coma from which he never awoke and later died on the 9th of November, 1953. He was only 53 years old and died with assets of only £100.

I was always under the impression that Dylan had drunk himself to death but that may not be the case. The autopsy did not find any evidence of liver cirrhosis and his death may have been due to pneumonia and bronchitis as well as the injections he had received from the doctor. It was later thought that the morphine may have inhibited Dylan’s breathing rather than easing his pain.

This was a good read although the author’s style was not completely to my liking. One interesting thing about it was that in my copy, it was a second hand book remember, there was an inscription on the first page. The book was clearly a gift. Did the owner pass away? Did his family send for the house clearance man and clear away his belongings? Who was Kate, the lady who signed the book in 1992?

Who was the person she loved and thought the world of?

In a way it is almost like Under Milk Wood itself, where the dead come alive again at night as time passes . .


This post was compiled from my previous posts about Dylan Thomas


What to do next: Here are a few options.

Share this post on your favourite social media!

Hit the Subscribe button. Never miss another post!

Listen to my podcast Click here.

Buy the book! Click here to purchase my new poetry anthology.

Click here to visit Amazon and download Floating in Space to your Kindle or order the paperback version.


 

Dylan Thomas and the Joy of a Second Hand book

As you might have guessed from reading these posts, I really do love my books. This particular book, about the last days of poet Dylan Thomas is one I’ve had a long time but have not got around to reading until recently. I do endlessly peruse our local secondhand shops for books but I have a feeling I bought this one from one of two online bookshops, either abebooks or awesome books, both of which I use especially when there is a particular book that I am after.

This book is a rather slow one but it details Dylan’s last days and ultimately his death in New York in the USA.

Dylan was a slow worker when it came to writing and there was always something, usually a pub, to draw him away from his work. In his latter days he was concerned that his talent or his inspiration had gone and that all his best work was perhaps behind him. He was short of money as usual and that is what drove him to accept an offer to go to the USA on a poetry tour by Canadian poet John Brinnin. Brinnin was the director of a poetry centre in New York and the trips Dylan undertook there were very lucrative for the always hard up poet. Thomas had a number of wealthy patrons, in fact his famous house in Laugharne was bought by for him by an admirer but money went through Dylan’s hands quickly.

He had travelled there before and on his penultimate visit had become romantically involved with a lady called Liz Reitel who worked for Brinnin at the poetry centre. When Dylan arrived for his last visit Reital was shocked to see the poet looking poorly and ‘not his usual robust self’. Dylan was in an odd mood and related a strange story of an encounter on the aircraft with a priest. Over the next few days his mood alternated between being tired and poorly and getting drunk with some moments of normality. I get the impression from the book that Dylan liked attention, he liked admirers and although he was in the middle of an affair with Liz Reitel, he was not averse to enjoying the attention he received from other women.

At the poetry centre preparations were under way for a recital of the newly finished Under Milk Wood for which Dylan had produced some new edits and updates. Towards the end of the book Liz mentions that she was disappointed that these revisions were not included in the published versions of the play despite the fact that she personally typed them up and passed them on to Dylan’s publishers.

The recital went well and was in fact tape recorded by someone at the time with Dylan taking the part of the narrator.

The book goes on to detail Dylan’s various moods and the symptoms of whatever was ailing him.

Liz called a doctor when Dylan became unwell again and the doctor gave Dylan an injection of morphine sulphate which may or may not have helped him.

After a night of drinking at the White Horse Tavern in Greenwich Village Dylan returned to the Chelsea hotel claiming famously that he had downed ‘eighteen straight whiskies. I think that’s the record!’

Dylan’s breathing became difficult later in the evening and an ambulance was summoned. Thomas slipped into a coma from which he never awoke and later died on the 9th of November, 1953. He was only 53 years old and died with assets of only £100.

I was always under the impression that Dylan had drunk himself to death but that may not be the case. The autopsy did not find any evidence of liver cirrhosis and his death may have been due to pneumonia and bronchitis as well as the injections he had received from the doctor. It was later thought that the morphine may have inhibited Dylan’s breathing rather than easing his pain.

This was a good read although the author’s style was not completely to my liking. One interesting thing about it was that in my copy, it was a second hand book remember, there was an inscription on the first page. The book was clearly a gift. Did the owner pass away? Did his family send for the house clearance man and clear away his belongings? Who was Kate, the lady who signed the book in 1992?

Who was the person she loved and thought the world of?

In way it is almost like Under Milk Wood itself, where the dead come alive again at night as time passes . .


Floating in Space is a novel by Steve Higgins set in Manchester, 1977. Click here to buy or check out the links at the top of the page for more information.

Four Writers’ Homes

Clouds Hill

TE Lawrence’s home was a small cottage called Clouds Hill. I read somewhere recently that the house had now been refurbished and open to the public. It is a small place and I remember seeing a TV documentary about Lawrence where someone who visited in the past advised that guests were generally left to their own devices, that food was eaten from tins left in the cupboard and that a lot of classical music was played.

Lawrence of course was more popularly known as Lawrence of Arabia, the man who organised the Arab revolt during the First World War. As the feature film by David Lean tells us, Lawrence was dismayed by having to lie to the Arab people, telling them that Great Britain would honour their claims for freedom at the end of the conflict when in fact the UK had every intention of holding on firmly to the Arab lands.

Churchill was impressed by Lawrence and invited him to attend the Paris peace talks.

Lawrence later wrote his classic book, Seven Pillars of Wisdom upon which the film Lawrence of Arabia was based.

A number of elements of the book have interested scholars ever since. The book is a work of history but also a great work of literature and readers have wondered ever since about whether the work was accurate, especially as in one infamous chapter, Lawrence relates how he was captured and beaten by a sadistic Turkish officer.

In that same TV documentary, Lawrence’s brother addresses the camera and sheepishly tells the viewer that not many people can understand how someone can enjoy pain. That was in response to a 1960’s newspaper report about a man who claimed Lawrence paid him to be beaten regularly. Clearly Lawrence was a complicated man. In later life he hid from the public by using the names John Ross and later T E Shaw. He was fatally injured in 1935 after a motorcycle accident.

After a little research I find that the property is now owned by the national trust and is open regularly for visitors. Find out more at https://www.nationaltrust.org.uk/clouds-hill

Chartwell

Nothing that I can add to the mountains of books and articles written about Winston Churchill can make much of a difference, but anyway, here we go. Can there ever have been someone who was not only a great politician but also a great writer and also one of the giants of history? I have always felt a tiny spark of excitement when even now I read Churchill’s words on when he attained the premiership in the dark early days of World War II. ‘I felt,’ he wrote ‘as if I was walking with destiny.’

The amazing thing is that only a few years previously Churchill was a has been, a man written off as a former chancellor who had crossed the floor of the house once too often and now was distrusted by everyone.

As it happened, his dire warnings about Nazi Germany and the impending war made him the obvious choice to succeed Neville Chamberlain, whose policies of appeasement had perhaps led Britain towards the path of war.

Churchill’s home, Chartwell had been bought largely from the proceeds of his books. Indeed he was fond of commenting ‘all this, came from my pen.’

During the time of his so called wilderness years he spent a lot of time at Chartwell and even built some of the walls there with his own hands. He painted there and prior to World War II many informants came to him to reveal information with which he used to call attention to the tragic state of unreadiness of the UK for war.

This is also a national trust property. You can find more about visiting Chartwell here: https://www.nationaltrust.org.uk/chartwell

The Boathouse

It’s a long time since I visited Dylan Thomas’ house in Wales. The house is in the village of Laugharne and is not far from one of his famous watering holes, the Brown’s Hotel which I’m pretty sure was bought by one of the comedians from TV’s Men Behaving Badly.

The boathouse was bought by a trust some years ago which saved the property from collapsing into the sea. It’s a lovely place and on the day I visited, we had to leave early although I can’t remember why. I came back the next day and the staff remembered I had left early previously and let me in for free. I wandered about Dylan’s old house and sucked in the atmosphere before buying various books and pamphlets about Dylan and his works.

In another old TV documentary I tend to watch now and again, the presenter, a poet himself, thought he could imagine the conversations of Dylan and his wife, the chit chatting, the arguing and the making up later, or so he supposed.

I took a primitive digital camera with me and took a few shots of the house and Dylan’s famous writing shed. I read somewhere recently that the shed has now been removed and taken to a museum with a duplicate shed now occupying the site.

I enjoyed my visit and Dylan’s own poem always makes me think of it:

In the mustardseed sun,
By full tilt river and switchback sea
Where the cormorants scud,
In his house on stilts high among beaks
And palavers of birds . . .

Click the following link for more information on the boathouse: https://www.dylanthomasboathouse.com/

Mendips.

Lennon is a different kind of writer of course. He did publish a couple of books of his doodlings, one was called In his own Write if I remember correctly but mostly his creative urge went towards his music. Early on, he and fellow Beatle Paul McCartney agreed that all their songs would be known as Lennon and McCartney songs, even though some were written totally by Lennon and some totally by McCartney. Sometimes McCartney would finish off Lennon’s song, other times Lennon would sort out a problem song McCartney couldn’t finish. It was a great collaboration, perhaps the greatest in pop history.

Picture courtesy wikipedia

All the Beatles were from Liverpool of course. Lennon was brought up by his aunt Mimi in the Liverpool suburb of Woolton.

Many years ago I used to have a cigarette vending machine round and one of my sales areas was Woolton. One of the pubs I used to service there was a small modest place, owned by two former Shell tanker drivers. They had retired and pooled their retirement money to buy this small pub. They made little money they told me, in fact neither of them ran the pub, they employed a manager to do so.

One was a quiet chap, the other a pretty talkative fellow. The manageress never spoke to me much but the talkative owner was always in the bar and he usually made me a cup of tea and we would have a bit of a natter and then I would be off on my way to service some other pub.

One day we started talking about Lennon and my friend mentioned that Lennon had lived just around the corner from that very pub. Later I followed the directions given to me and found myself parked outside a typical 1950’s looking suburban semi-detached house. Surely Lennon came from a deprived background, a rough and tumble council estate? But no, there was a blue plaque on the wall denoting Lennon had indeed lived here. It was somehow not what I was expecting.

Since I last visited here I see that the house is now owned or at least managed by the national trust along with Paul McCartney’s former home. Click this link for more information: https://www.nationaltrust.org.uk/beatles-childhood-homes


Floating in Space is a novel by Steve Higgins. Click the links at the top of the page to buy or for more information.

Dylan Thomas

Time for a reblog to commemorate Dylan’s birthday today!

Letters from an unknown author!

I love lots of writers but probably my all-time favourite is Dylan Thomas. I love the outstanding power of his writing, his incredible imagery, and the wonderful pictures he creates with his words.

Dylan also is the sort of writer I’ve always wanted to be: A bohemian, pub crawling, boozing writer who fought with himself as he laboured to paint his word pictures. Whether that was really the case I don’t know but Dylan did like his pubs and he did enjoy a drink.

The fact of the matter is that I’m nothing like Dylan, except we both share a love of words, particularly the sound of words, which is the key to the richness of Dylan’s work, especially his poetry. If you think about it, there must be a connection between the sound of a word and its meaning, a deep organic connection. After all, how did words begin? Imagine…

View original post 477 more words

The Sound of a writing hero: Dylan Thomas

under-milk-wood I love lots of writers but probably my all-time favourite is Dylan Thomas. I love the outstanding power of his writing, his incredible imagery, and the wonderful pictures he creates with his words.

Dylan also is the sort of writer I’ve always wanted to be: A bohemian, pub crawling, boozing writer who fought with himself as he laboured to paint his word pictures. Whether that was really the case I don’t know but Dylan did like his pubs and he did enjoy a drink.

The fact of the matter is that I’m nothing like Dylan, except we both share a love of words, particularly the sound of words, which is the key to the richness of Dylan’s work, especially his poetry. If you think about it, there must be a connection between the sound of a word and its meaning, a deep organic connection. After all, how did words begin? Imagine some ancient caveman, just wanting to get some concept over to his mate. What are the deepest and strongest feelings for a human being? Well, for a caveman food must be one, and love too. Surely love was present in those primordial days when every caveman went out on Saturday with his club looking for his mate. There must have been a moment when ancient man strived to say something to his mate, tried to express his feeling and a sound that was the precursor to the word love slipped uneasily from his lips.

27th October this year is the centenary of Dylan’s birth and I’m sure Wales and Great Britain itself won’t let the occasion pass without celebrations of some sort. If you have read any of Dylan’s poems and are yet to understand his magic, let me give you a tiny bit of advice: Listen to Dylan’s voice. Yes, Dylan, like many poets wrote for his own voice and if you click on to any Dylan Thomas page or search anywhere on the internet you are bound to come across some old recording of his voice. Don’t make do with lesser voices, even when we are talking about great actors like Richard Burton or Anthony Hopkins. Search out Dylan himself and you will be won over, like me, by the power of his voice.

It’s not just his poems that are rich with the power of words. Dylan wrote and performed a good many radio plays and broadcasts and my very favourite is ‘Return Journey.’ It’s about Dylan himself returning to Swansea in search of his former self ‘Young Thomas.’ He visits young Thomas’ old haunts and meets with people who knew him fleetingly; like the barmaid who used to serve him, journalists who worked with him and even the park keeper where Dylan and his young friends would play in the park. It’s a lovely piece where drama merges with prose and we slip in and out of the two as the story progresses.

5737365722_15dde4c19c_bMany years ago I visited Dylan’s former home in Laugharne, now a museum dedicated to Dylan. I can only say I loved the place and didn’t want to leave. I wandered through its rooms and looked at the black and white photos on the walls and tried to imagine Dylan living here and banging out his poems and stories in his writing shed then later ambling down to the pub for a pint. I had to leave early the day I visited so I went back the next day and the staff recognised me and let me in without paying so in return I bought some books about Dylan and a copy of his collected stories.

At least I can say that in the mustardseed sun, I visited his house on stilts, high among beaks and palavers of birds . .


If you liked this post why not buy my book? Click the icon below! Want to know more about Floating In Space? Visit my video page!

Floating in space: a novel