100 Great Movies you Must See!

I really do love movies. Well, my movies, my own personal favourite movies and I don’t always care for other people’s movies. I tend to like classic movies rather than modern ones, not that I’m denigrating modern film. Anyway, I started off trying to work out my top 10 and ended up with, well, a hundred!

Yes, I can also tell you that because of the list maniac that I am, I decided to make the list into a spreadsheet which is great because I can sort the data and throw certain things back at myself, or in this case, at you, the reader. Here are a few examples; A Number of directors had multiple entries, people like Oliver Stone, Michael Curtiz, Martin Scorcese, John Ford, and David Lean (all with three entries.) My top two directors came out as Woody Allen and Stanley Kubrick each with five entries. Woody Allen, Robert Redford and Humphrey Bogart were my favourite leading men and Liz Taylor and Mia Farrow my favourite leading ladies. My favourite years for movies appears to be 1946 with four favourite films and 1956 with five. Anyway, the complete list is below, in no particular order:

A Kind of Loving
A Taste of Honey
Alfie
Blithe Spirit
Broadway Danny Rose
Casablanca
Charlie Bubbles
Dead of Night
It’s a Wonderful Life
Lost Horizon
On the Waterfront
Radio days
Rebecca
Saturday night and Sunday Morning
Serpico
Seven days in May
Spartacus
Sunset Boulevarde
Sweet Smell of Success
The Bad and the Beautiful
The French Connection
The Last Picture Show
The Long Arm
The Maltese falcon
The Man in the White Suit
The Quiet man
The Searchers
The spy who came in from the cold
The Treasure of the Sierra Madre
The VIP’s
2001 A Space Odyessy
A Hard Days Night
A Man for all Seasons
A Matter of Life and Death
Alien
All the President’s men
Angels One Five
Angels with dirty faces
Annie Hall
Around the world in eighty days
Awakenings
Back to the Future
Billy Liar
Bullitt
Citizen Kane
Crimes and Misdemeanors
Dances with Wolves
Desperately Seeking Susan
Dog Day Afternoon
Fail Safe
Fatal Attraction
Four Weddings and a Funeral
Get Carter
Get Shorty
Giant
Gladiator
Goodfellas
Great Expectations
Green for Danger
Gregorys Girl
Hannah and Her Sisters
JFK
Kes
Lawrence of Arabia
Little Man Tate
Lost in Translation
night Of The Demon
North by Northwest
On Her Majestys Secret Service
One Flew over the Cuckoos nest
Paths Of Glory
Platoon
Pulp Fiction
Rocky
Shane
Smokey and the Bandit
Snow White and the Seven dwarfs
Some Like it Hot
Taxi Driver
The Adventures of Robin Hood
The Big Sleep
The Candidate
The Cincinatti Kid
The Cruel Sea
The Dambusters
The day the Earth stood still
The Godfather
The Graduate
The Great gatsby
The Ipcress File
The King of Comedy
The man who shot Liberty Valance
The Misfits
The Shining
The Silence of the Lambs
The Thief of Bagdad
The Third Man
The Wizard of Oz
Three days of the Condor
To Catch a Thief
Viva Zapata
Wall Street
Whats new Pussycat?
Whats up Doc?
When Harry met sally

Hope you enjoyed the list. What are your personal favourites?

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8 Things You Didn’t Know about James Bond, 007

bondblogI’ve been a big James Bond fan since I was a schoolboy and you may have noticed a couple of other Bond posts that I’ve written previously. The first Bond book I ever read was The Man with the Golden Gun which is a rather poor entry into the Bond world. Author Ian Fleming wrote the first draft but died before revising the book. His method was to write a first draft and then on the second, add in all the little bits of detail, such as Bond’s meals, drinks, clothing and so on that made the books so fascinating. I persevered, found the correct sequence of the novels, and have been a Bond fan ever since. Anyway, I’m getting away from my theme, eight things you may not know about 007.

1: The Longest Serving Bond.
Roger Moore made the most Bond films starting with Live and Let Die in 1973 and finishing with A View to A Kill in 1985. As much as I love Roger Moore, I really do feel he was the worst James Bond ever, totally unsuited for the role and a prime factor in me stopping watching the films during the 80’s. Adam West, TV’s Batman, Clint Eastwood and Burt Reynolds were all once in the running to play 007 but all declined, believing Bond should be played by a British actor. Cary Grant was also approached but turned down the role believing he was too old.

2: The Shortest Serving Bond.
George Lazenby was recruited to carry on as 007 when original Bond actor Sean Connery left. Lazenby was an Australian actor and the star of The Fry’s Chocolate Cream TV adverts. Lazenby was my personal favourite Bond actor and the one I’ve always felt that most resembled Ian Fleming’s description of Bond. He had the authentic black comma of hair that Fleming described in the books and his one Bond movie, ‘On Her Majesty’s Secret Service’ was one of the very best. Such a pity that Lazenby didn’t go on to make more Bond films. He was given poor advice about the movie business; in particular he was advised that the Bond movies were on the way out. Away from the Bond set Lazenby dressed like a seventies hippy with long hair and a beard, none of which went down well with his movie bosses and PR men so Lazenby was out and Sean Connery asked back for one last 007 movie.

image courtesy flickr.com

image courtesy flickr.com

3: Who wrote the Bond books and where were they written?
Ian Fleming wrote the Bond books. After the war finished Fleming began work as foreign manager for the Kemsley newspaper group and as his contract with them gave provision for three months holiday during the
winter months, Fleming spent the time in Jamaica where he bought a house. He named the house after a wartime operation known as operation Goldeneye. He returned there every summer where he would work on the next Bond book. When all the books had been made into films, Eon productions, the makers of the Bond movies had to create new stories and new plots. The seventeenth Bond film Goldeneye was named after Ian Fleming’s Jamaica home.
Goldeneye the movie marked the debut of Pierce Brosnan as 007 when the movie franchise returned to the cinema screens after a brief hiatus. Apart from a rather silly tank chase, Goldeneye was one of the very best Bond movies.

4: Was there a real James Bond?
Indeed there was a real James Bond. When Fleming was planning his original novel he was looking around for the blandest and most anonymous name he could think of, and that’s when he came across a book called ‘Birds Of The West Indies’ by ornithologist James Bond. In 1964 Fleming gave Bond a first edition copy of ‘You Only Live twice’ inscribed by Fleming ‘to the real James Bond from the thief of his identity.’ When the book was auctioned in 2008 it fetched £56,000.
Many magazines and newspaper articles have put forward theories as to who the real Bond was but the fact is that while many of Fleming’s colleagues in the wartime SOE (Special Operations Executive) may have inspired him, the character of Bond was inspired by Fleming himself. Fleming was a commander in naval intelligence during the war, just like 007, and it was Fleming who drank the vodka martinis that James Bond liked so much. It was Fleming who wore the Sea Island cotton shirts that appear in the novels and it was Fleming who favoured scrambled eggs for breakfast, just like his creation, James Bond.

5: Which was the highest grossing Bond movie?

image courtesy flickr.com

image courtesy flickr.com

It was actually ‘Skyfall’, the 2012 Bond movie starring Daniel Craig as 007. The movie is easily the best of the Daniel Craig Bond films and there are some interesting aspects to the film in particular a visual homage to past Bond movies using a vintage Aston Martin. Until recently the top grossing movie was ‘Thunderball’ with Sean Connery.

6: How did two independent Bond movies come to be made?
Ian Fleming sold the movie rights to Casino Royale separately from the rest of the books and this enabled producer Charles K Feldman to produce a movie independently from Eon productions who own the rights to the other books. Feeling that he could not compete with the mainstream movies, he decided to make Casino Royale into a comedy version. David Niven starred as Sir James Bond and interestingly, Fleming had mooted Niven as a possible Bond when casting Dr No, the first movie in the series.
The other independent movie, ‘Never say Never Again’, came about due to a legal squabble. Fleming began work with producer Kevin McCLory and writer Jack Whittingham on a script which never came to fruition. Like many writers, Fleming was reluctant to waste this material and used it in his book Thunderball but did not credit McClory or Whittingham. McClory sued Fleming and won certain rights to the story. This enabled him to make what was essentially a remake of Thunderball in 1983 with Sean Connery returning for a last bow as 007.

7: Did the author ever kill off 007?
Not exactly but at the end of ‘You Only Live Twice’ in the novel, Bond is presumed dead or missing and M, the head of the secret service and 007’s boss, writes Bond’s obituary for the Times. It is quite interesting to read and M mentions that Bond was born of a Scottish father and French mother. The Bond family motto as we learn from ‘On Her Majesty’s Secret Service’ is ‘the world is not enough,’ a phrase that later became the title for the 19th Bond movie.

8: Bond girls and voice overs.
A quick internet search tells me there have been 75 Bond girls but I’m not sure whether that includes minor flirtations or ladies like the formidable Miss Moneypenny herself. Two Bond girls were veterans of the British TV espionage series the Avengers: Diana Rigg played Tracy in ‘On her Majesty’s Secret Service’ and Honor Blackman was Pussy Galore in ‘Goldfinger.’ Terri Hatcher, formerly Lois Lane in the TV series of Superman played Bond’s love interest in Tomorrow Never Dies and Eva Green played Vesper Lynd in the new version of Casino Royale. The most famous is probably Ursula Andress who played the first ever Bond girl Honeychile Ryder in Doctor No. Interestingly, Ursula Andress’ voice was dubbed in the film by Nikki van der Zyl who did voice overs for many Bond girls. Apparently Ursula Andress was felt by the producers to have had too strong a German accent. Shirley Eaton played Jill Masterton in Goldfinger and it was she who was famously covered in gold paint. Jill’s voice was dubbed by Nikki in order to give her a softer voice. French actress Claudine Auger who played Domino in Thunderball was also dubbed by Nikki.
Miss Moneypenny, M’s secretary is not necessarily considered to be a Bond girl; however, in the films Moneypenny and Bond always have a certain amount of banter. Lois Maxwell played Moneypenny in the first fourteen Bond films. My personal favourite was Samantha Bond who played the role four times in the Pierce Brosnan era. The current Miss Moneypenny has been given a sort of backstory in Skyfall, that of a former field agent assigned to a desk role.

The 24th and latest Bond movie ‘Spectre,’ premiers later this year. Watch the trailer below!


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Marilyn Monroe: Suicide, the Kennedys, and a Red Notebook

mmpicmonkey-imageIn my book collection, which is pretty big, I’ve probably got more books about Marilyn Monroe than any other single subject although I only have two of her movies on DVD. Some like it Hot directed by the Great Billy Wilder and her very last completed movie, The Misfits. I suppose I’m just more interested in her, the woman herself rather than her films. The woman born Norma Jeane Mortensen, according to her birth certificate, who went on to become the movie star Marilyn Monroe.

Funnily enough, June the 1st, only a few days ago as I write this post, would have been Marilyn’s 89th birthday. It’s hard to imagine Marilyn, this icon of movie star allure as an old woman. Marilyn will never age and our image of her is fixed not only by her movies but by the many clips and photographs of her that fill cyberspace. She was a woman loved by the camera but she had a hard battle to become the person she wanted to be, a serious actress in charge of her own fate as a movie star and in control of her career and her roles.

It seems to me after reading many books about Marilyn, she lived her life in compartments and in each separate compartment were different and separate people. You may have read a book about her by Robert F Slatzer, ‘The Life and Curious Death of Marilyn Monroe,’ who claimed to have married Marilyn only to have had the marriage annulled at the request of her movie bosses. Slatzer was kept in a separate compartment from Bill Purcell, who features in my most recent Marilyn book purchase; IMGA0351‘Marilyn Monroe: Private and Undisclosed’ in which the author refers to a long time relationship between him and Marilyn. Slatzer and Purcell, and indeed her three husbands, Jim Dougherty, Arthur Miller and Joe DiMaggio, were all kept by Marilyn in separate compartments which only occasionally connected.

Marilyn claimed she only wanted to settle down and have children but stardom was something she could never give up. She had worked so hard for it and when her struggles to have a child failed, or when her relationships themselves failed, her movie career was always there to fall back on.

She died in 1962 aged 36. The coroner said she died as a result of a probable overdose. Indeed, she had a history of overdosing and Arthur Miller, her third husband, saved her from death more than once. Many writers have attributed her sacking from her final film ‘Something’s Got To Give’ as a contributing factor in her suicide but in fact Marilyn had been reinstated to the film at an increased salary. On top of that she had many film projects planned, including a movie biopic about Jean Harlow, so did she commit suicide? Was it an accidental overdose, or was she murdered? Who would want to murder Marilyn Monroe and why?

The fact of the matter is that Marilyn had become rather dangerous to quite a few people and she was in possession of some pretty interesting information because of her involvement with President John Kennedy. Kennedy, who was a serial womaniser, was not amused at her overtly sexual performance at his birthday party and decided to end his association with her. FBI boss J Edgar Hoover had made Kennedy painfully aware he knew of his trysts with another woman named Judith Campbell, who was also intimate with mafia boss Sam Giancana. Anxious perhaps not to give Hoover further ammunition against him, the President tasked his brother, Attorney General Bobby Kennedy to do the dirty work and smooth over things with Marilyn.

Some books and articles claim that was exactly Bobby Kennedy’s mission with Marilyn; damage limitation and keeping her quiet. Others say things had gone further and Marilyn had another affair, this time with Bobby Kennedy himself. Marilyn was someone who had spent a lifetime trying to better herself in the arts and literature. She was a great reader and she began taking notes of her conversations with the Attorney General in order to research their topics and appear confident and knowledgeable. Those conversations included, incredibly, highly secret things within the US government including attempts to topple the communist government of Fidel Castro in Cuba. She wrote these notes down in a red notebook which she showed to Robert Slatzer. He advised her it was an extremely dangerous notebook to have but as her affair with Bobby Kennedy cooled, if indeed it was an affair, Marilyn grew more and more angry. She claimed to friends she was fed up of being tossed around ‘like a piece of meat’ and threatened to blow the lid on her dealings with the Kennedys in a press conference. Bobby Kennedy wanted that notebook destroyed and Marilyn kept quiet. The mafia wanted derogatory information on the Kennedys and had even had Marilyn’s home bugged. The press conference was arranged for Monday August 6th, 1962. Sadly, Marilyn was found dead in the early hours of the 5th.

mm5409683410_8350501c78_oOn the last day of her life, August 4th, 1962, Marilyn was not depressed but making plans for the future. The day before, the 3rd, she spoke on the telephone with handyman Ray Tolman and arranged for him to visit the next week to sort out some repairs on her house, 12305 5th Helena Drive in Brentwood. She also ordered various plants and shrubs for her garden. She spoke with her publicist Pat Newcomb and invited Pat to stay the night. The two women dined locally and turned in to bed early.

The next day, 4th August, Marilyn was awake when the housekeeper arrived at 8am. She spoke with numerous people on the telephone and arranged for Masseur Ralph Roberts to come over for a barbeque the next night.
Pat Newcomb arose around 12 noon and felt that Marilyn was not in a good mood. Pat had slept well while Marilyn, who had a long history of sleeping problems, had slept badly. This seemed to cause some friction between the two women. Shortly after 1 pm Ralph Greenson, Marilyn’s psychiatrist arrived. Marilyn and Greenson had a therapy session together while Pat spent the afternoon sunbathing by the pool as previously arranged.

At around 3pm Pat Newcomb says Greenson asked her to leave as he wanted to work alone with Marilyn.
Later, Eunice Murray, Marilyn’s housekeeper dropped Marilyn off at Peter Lawford’s beach house while she did some shopping. At about 4pm she returned home and Doctor Greenson also returned for presumably, more therapy.

At 5pm Peter Lawford called and asked Marilyn to a supper later that evening but she declined. Marilyn received numerous telephone calls during the day some of which Eunice Murray had fielded by telling callers Marilyn was busy or not at home. Many times this was simply not true. A call from Ralph Roberts was answered by Dr Greenson who said sharply “Not here,” and put down the phone.

At 7 pm Greenson says he left, leaving Marilyn alone with housekeeper Eunice Murray. At around this time Marilyn took a call from Joe DiMaggio Jr. Joe had broken off his engagement to his fiancée and found Marilyn to be in good spirits. At about 7.30 Peter Lawford called again to ask Marilyn to dinner. His description of Marilyn contrasts with Joe Jr as Lawford states Marilyn’s speech was slurred and that she appeared disorientated. Towards the end of the call Lawford stated famously that Marilyn said, “say goodbye to the President and say goodbye to yourself because you’re a nice guy.” Mexican actor Jose Balleros also claimed to have spoken on the telephone with Marilyn that night, he claims Marilyn was lucid and awake in contrast to Peter Lawford’s statements. The fact is Lawford and Eunice Murray both gave varying reports of what happened on Marilyn’s last evening and neither’s statements can be completely trusted.

According to Murray she noticed a light on under Marilyn’s door but the door was locked. She went outside and saw Marilyn either asleep or unconscious on the bed. This was 10 pm in the first version Eunice told. Later on it was moved forward to 3 am. She called Ralph Greenson who advised her to break a window with a poker. Greenson himself then arrived at the house, broke another window and gained entry through the window and found Marilyn dead.

When Police Sgt Clemmons arrived at 4.25 am he saw Marilyn lying face down in what he called the ‘soldier’s position.’ He said “her hands were by her side and her legs perfectly straight. It was the most obviously staged death scene I have ever seen.” Not only that, all the sheets on the bed were clean and Mrs Murray was busy doing the laundry. Clemmons also noted the unusually long time that had elapsed before calling the police and asked why wait until gone 4 in the morning? Greenson and Murray said the film studios had to be informed first. Later, Murray changed her story saying she saw the light on in Marilyn’s room at midnight, went back to bed then awoke later and saw it was still on at 3am then she called Greenson. Greenson then called Doctor Hyman Engleberg and both doctors arrived shortly after. It was Hyman Engleberg who pronounced Marilyn dead.

Eunice Murray admitted in a BBC interview in 1985 for the documentary say Goodbye to the President that Bobby Kennedy was at Marilyn’s house on the day of her death. Eunice’s son in law and Marilyn’s handyman, Norman Jefferies told author Donald Wolfe that Bobby Kennedy arrived late on the Saturday evening with two unknown men and asked Jefferies and Murray to leave while he spoke with Marilyn alone. When they returned Marilyn was comatose in one of the guest cottages attached to her house. Jefferies and Murray called an ambulance but Marilyn died from an overdose. Was it a suicide or an accident? Was it murder? It seems to me that at this late stage we can never know but the autopsy showed that Marilyn’s blood level contained a lethal level of Chloral hydrate and Nembutal but there was no residue from the pills in her stomach, in fact, Marilyn would have had to swallow 38 to 66 capsules of Nembutal plus the chloral hydrate, and would have lost consciousness long before swallowing all of the pills. Was an injection given? The autopsy showed no trace of any needle marks and the final result was noted as a ‘probable suicide.’ Other versions of this story state that an ambulance was called and Marilyn expired on the way to hospital. Presumably it was the ambulance crew that pumped her stomach removing the pill residue. Recently an ambulance driver named James Hall claimed he attended Marilyn’s home that night and Marilyn was responding to treatment when a doctor whom he identified as Ralph Greenson injected Marilyn in the chest with a hypodermic syringe with a long needle. It was he said an inept amateur injection that broke one of her ribs however, these claims were not substantiated by the autopsy. The body was then returned to her home in order to give Robert Kennedy time to leave Los Angeles. I cannot for a moment imagine Bobby Kennedy as a murderer but he certainly would not want to be associated in any way with a movie star suicide. To this day John Bates, a friend of Kennedy’s claims that Bobby and his family spent the weekend with him at his ranch in Gilroy, south of San Francisco.

The final tragedy of this drama is that former husband Joe DiMaggio was set to remarry Marilyn. The date of the wedding should have been August 8th. Instead Joe attended Marilyn’s funeral on that day.

DiMaggio sent half a dozen red roses to her crypt three times a week for the next twenty years. He died in 1999 aged 84 and never remarried. He never spoke about Marilyn publically ever again. When Robert Kennedy visited the Yankee stadium in 1965, DiMaggio took a discreet step back when it was time to shake Kennedy’s hand.

"Marilyn Monroe crypt2" by User:Oleg Alexandrov. Original uploader was Oleg Alexandrov at en.wikipedia - Transferred from en.wikipedia(Original text : Made by Kodak Easy Share camera by User:Oleg Alexandrov). Licensed under Public Domain via Wikimedia Commons - https://commons.wikimedia.org/wiki/File:Marilyn_Monroe_crypt2.jpg#/media/File:Marilyn_Monroe_crypt2.jpg

“Marilyn Monroe crypt2” by User:Oleg Alexandrov. Original uploader was Oleg Alexandrov at en.wikipedia – Transferred from en.wikipedia(Original text : Made by Kodak Easy Share camera by User:Oleg Alexandrov). Licensed under Public Domain via Wikimedia Commons – https://commons.wikimedia.org/wiki/File:Marilyn_Monroe_crypt2.jpg#/media/File:Marilyn_Monroe_crypt2.jpg

Sources: The Assassination of Marilyn Monroe by Donald Wolfe

Marilyn Monroe: Private and Undisclosed by Michelle Morgan

Goddess by Anthony Summers

Say Goodbye to the President: 1985 BBC documentary

Websites: http://www.lovingmarilyn.com

http://www.cursumperficio.net

For a recent daily Mail article, click here.

 

My Love Affair With Back To The Future

The world of the cinema is filled with great movies; Stanley Kubrick’s 2001: A Space Odyssey, Orson Welles’ Citizen Kane, John Ford’s The Searchers and Michael Curtiz’ Casablanca, to name but a few.
One movie, that I saw described on one web page as a ‘phenomenon of popular culture’ is a movie as good, certainly as entertaining and probably more accessible than any in the list above. Yes, I’m talking about Back To The Future.
The movie was directed by Robert Zemeckis. Zemeckis and Bob Gale wrote the screenplay and Steven Speilberg produced and the stars of the picture were Michael J Fox and Christopher Lloyd.

5274270428_c4dff8b634_bIt was released in 1985 and was the biggest grossing movie of that year. It was also in the headlines again this year because 2015 was featured in Back To The Future 2 and the reality in 2015 was a little different to what the producers imagined! No hover boards, no self tying shoelaces!
Even so, Back To The Future is one of those movies that I loved straight from the opening titles and one that gets a regular airing on my DVD player.

Just in case you didn’t know, the movie is about a scientist called Doctor Emmet Brown who invents a time machine and installs it in his DeLorean. Michael J Fox plays Marty McFly who is helping him in his experiments but things go awry and it’s Marty who ends up in 1955 and he turns to the Doc’s younger self for help. The younger Doc Brown agrees to assist but warns Marty not to interact with anyone from 1955 in case the future is affected. Too late because Marty’s Mum – the 1955 version that is – already has a crush on him and Marty needs to get her focussed on his future Dad George, otherwise he’ll cease to exist!

Now what I really love about the movie is that all the little things that you see come together to make the plot work. The lady in the town square who is collecting for the clock tower restoration fund and the flyer she gives away that proves to be the key to getting 20,000 gigawatts of power into the time machine. (That’s the time machine that’s built in the Docs car, a DeLorean DNC-12.) The guy who works in the coffee shop who we know will become Mayor in 1985. The ‘enchantment under the sea’ ball where we know Marty’s Mum and Dad will fall for each other. I could go on, so there’s so much I love in this movie!

Huey Lewis and the News play the wonderful title track ‘The Power of Love’ and Huey himself makes an appearance in the movie as a judge at a talent competition who rejects Marty and his band for being too loud.

To finish here’s a couple of things you didn’t know about Back To The Future:

Michael J Fox was the first choice to play Marty McFly but the producers of his TV show Family Ties refused to release him from the show. The producers then engaged Eric Stoltz to play the role, however during filming, Zemeckis felt that Stoltz’ portrayal was a little dramatic. They were after someone more like, well more like Michael J Fox, so they went back to the TV show producers, came to an agreement and Michael was given the OK to star in the movie, but only after his day’s shooting was finished on the TV show. That meant a full day on the TV set for Michael, and then he started shooting on Back To The Future in the afternoons and evenings. Most of the daytime shots were done on the weekends as of course on a weekday he was still doing the TV show. Must have been one heck of a work schedule for Michael!

Ever wonder why Marty’s Dad doesn’t appear much in the sequels? Crispin Glover played the part of George McFly, Marty’s dad and both he and Lea Thompson who played Marty’s mum had to age from teenagers to middle age in the movie. Glover fell into a dispute with the producers because he asked for too much money to appear in part 2, so they dropped him. That’s the reason!

US President Ronald Reagan quoted the film in his 1986 State of the Union Address. Apparently when he first saw the joke about him being President, he asked the projectionist to stop the film, rewind and play the sequence again.

This year, 2015, the thirtieth anniversary of the film’s original release should see the first performance of a Back To the Future musical based on the original movie.


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James Dean and A Manchester Record Store

James DeanMany years ago in my mid-teens I was in Manchester doing pretty much what I have always done, then and now, whenever I have free time on a Saturday, either looking at records in a music store or looking at books in a book shop.

In 2015 there are not many record stores left; the whole culture of buying records is a different ball game these days, downloading instead of taking home a hard physical copy. Anyway, that’s a whole different blog. To get back to this one, back in that record shop I’d thumbed through the discs, checked out all the cheap records and then began flipping through the posters. This must have been mid-seventies so the posters were people like David Bowie, Marc Bolan, Elton John, Rod Stewart but there was one poster of a man in his mid-twenties wearing a white t-shirt and jeans. He was pulling a moody sort of look but there was something about him that was interesting. Anyway, he turned out to be an actor that I’d never heard of and the shop assistant pointed out a book about him in the store, a paperback, so I picked it up and read about the actor’s life. He was called James Dean.

James Dean courtesy wikipedia.

James Dean courtesy wikipedia.

Dean was born in Indiana and his mother died of cancer when Dean was only nine years old. There is a haunting passage in that paperback I bought that tells of how Dean’s father, Winton, sent little Jimmy Dean back to his Aunt and Uncle’s home in Indiana on the train carrying his mother’s coffin. Jimmy was brought up in Marion, Indiana by his Aunt Ortense and Uncle Marcus and later went to college to study acting.

His first movie was East of Eden directed by Elia Kazan who had introduced method acting to the American stage and had worked with Marlon Brando in ‘A Streetcar named Desire’. ‘Rebel Without a Cause’ was Dean’s second cinematic outing. Directed by Nick Ray it is probably Dean’s most iconic film. This is the movie in which he wears his famous outfit of red jacket, white t-shirt, and jeans.

His third and final movie was ‘Giant’ in which he stars with Elizabeth Taylor and Rock Hudson and plays Texan bad boy Jett Rink. Dean was killed in a car crash only days after finishing shooting. He was a keen amateur racer and had bought a new Porsche speedster only days earlier. The car, nicknamed ‘little bastard’ had collided with another vehicle, a station wagon at the junction of route 41 and 466. Dean suffered a broken neck and was declared dead on arrival at a hospital in Paso Robles.

I was looking through my old VHS videos the other day and I came across a documentary called ‘James Dean’s last day’. It’s an interesting film and a sad one too as it counts down Dean’s last hours, his leaving Hollywood and his departure for a racing event at Salinas. There are so many ‘if onlys’ that unfold before me as I watch the film: I keep thinking if only Dean had left the Porsche on the trailer instead of driving it to the race track. If only the speeding ticket he was given a few hours earlier had made him slow down. If only a man called Donald Turnupseed had seen Dean and not turned across him. Such a shame, such a tragedy. Dean, I’m sure, would have gone on to make so many more great films and perhaps would even have directed some too.

I’m not sure why a council house boy from Northern England should connect so closely with James Dean, an American actor but back in the seventies Dean became one of my personal heroes. I remember going to a cinema in Oxford road to see back to back showings of East of Eden and Rebel Without a Cause on a very hot summers day. I bought a soundtrack album of those movies too, in the days before video and DVD. Dean was a counterpoint to actors like Richard Burton; he mumbled and mispronounced things. I think that was what I liked about him, he was natural and imperfect. He had an image more rock star than 50’s actor. There was a great documentary about him made in the 70s and the music of the times, Bowie and Elton John featured heavily. Anyone remember that eagles track ‘James Dean?’

Today, years later, thousands of fans make pilgrimages every year to see Dean’s home in Fairmount, Indiana, and to the intersection on highway 466 where he died. At his graveside in Fairmount fans chisel away bits of his gravestone for mementos and a bust of Dean by the sculptor Kenneth Kendall was ripped from its plinth. In 1977 a Japanese businessman named Seita Ohnishi had a chromium sculpture erected at the crash site on highway 466 in memory of Dean.

So why do people still hanker after James Dean all these years later? Well, I simply don’t know. As a young man I thought Dean was the epitome of cool and like many others I made him into my hero. Whilst doing some research about Jimmy Dean I came across this line on another site: “Some people are living lodestones. They get under the skin of people. You can’t explain why.” I can’t disagree.

Still, heroes come and heroes fade away. My heroes today are not the ones I used to love and worship thirty years ago. The thing is though, after writing this essay about Jimmy Dean I felt that I must find the time to look at some of his films again. Did I happen to mention what I bought in the HMV sale not long ago? The James Dean Box Set. Perhaps old heroes never completely fade away.


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Laughter and Some Random Thoughts on Movie Comedians

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Chaplin with Jackie Coogan in ‘The Kid’ (1921)

Charlie Chaplin is one of my personal heroes and one of the greats of the silver screen, perhaps the very first movie genius ever, but here’s a flash; he never ever made me laugh. Smile, yes, but laugh, no. I look at his movies and recognise his story telling power, his movie making magic and much more but no, Charlie never really made me laugh. Laurel and Hardy on the other hand, two movie comedians who are not perhaps as lauded the world over as geniuses, but who are perhaps more universally loved, well, now they do make me laugh. Whenever some catastrophe befell Oliver Hardy, whenever he stood and looked straight at the camera after a cabinet landed on his head or a car accident befell him and he stood up straight amid the shambles of a house exploding around him and Stanley would go into his helpless ‘it wasn’t my fault’ act, that my friend, would not only crack me totally up but would leave me helpless with tears of laughter running down my face.

My Dad liked Laurel and Hardy and my Dad was the master of the silent laugh. I remember once, convulsing with merriment at the aforementioned duo and wondering why my Dad didn’t think it was so funny, then turning to see him also creased up with laughter, only this was a completely silent laughter, his shoulders shook and his face contorted with mirth but no sound would ever pass his lips.

chickadeeOne of the reasons that the above few lines came to me was because, through the power of e-bay and the internet, I came into the possession of a DVD starring another of my Dad’s favourite stars, WC Fields. Fields starred with Mae West in a movie called ‘My Little Chicadee’ and it’s good to think that this movie, produced some 75 years ago still has the power to bring laughter to people like me. I love the ending of the movie when the two stars use each other’s catchphrases, Fields saying to Mae West, ‘Why don’t you come up and see me some time?’ and West replying ‘I might do that, my little chickadee!’

Another favourite comedian of mine who only made a few movies was Tony Hancock. Hancock was a successful radio and TV comedian and his TV show was so popular in the late fifties and early sixties that pub landlords complained they were losing revenue because people stayed at home to watch Hancock. Tony Hancock was a troubled and insecure man though. He dropped Sid James from his show as he felt James was becoming too popular, and at times of stress had trouble learning his lines. If you take a close look at the classic ‘blood donor’ sketch it’s clear Hancock was reading his lines from cue cards. He ventured into movies only a few times but did make the wonderful movie ‘The Rebel’ written by his BBC TV writers Galton and Simpson. In later years Hancock and his writers had a parting of the ways and Hancock sadly committed suicide in Australia in 1968.

DSC_0287Peter Sellers was a master of impersonation and the funny voice and it was his voices and the inspired madness of writer Spike Milligan that made the Goon show such a hit. Sellars went on to make many a memorable comedy movies, including the Inspector Clouseau series but for his last movie, ‘Being There’, Sellers based his character, Chancey Gardner on Stan Laurel, whom he made friends with and spent time with when he lived in Hollywood. Sellars was a strange character and if you ever catch that wonderful TV documentary made by the BBC Arena team you can see Sellers as he saw himself through his own amateur film footage. Sellars seemed to think he had no personality of his own and cloned himself from the many characters he played. During the movie ‘Casino Royale’, a spoof version of the James Bond film, Peter had a disagreement with the director and vanished for three weeks. If you watch the finished film, which has its great moments as well as its bad ones, Sellars’ character seems to disappear from the movie towards the end; clearly that’s why.

Being a great comedy star is a difficult job and perhaps that’s why so many comics and comedians are difficult people. Today’s comedy stars really do nothing for me at all and ‘observational’ comedy which is at the centre of contemporary stand-up comedy leaves me cold.

Still, if I ever need cheering up I can always just reach for the DVD cabinet and take out some classic Laurel and Hardy!


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What happens when classic TV gets remade?

. . . Or perhaps more importantly, why does classic TV get remade? Why not just let sleeping TV classics lie? What! When there’s more money to be made! The thing about classic TV is that people know what it’s about. When they made Mission Impossible into a movie with Tom Cruise we all knew that somewhere in the movie Cruise would get to listen to a recording giving him some impossible mission with the reminder that ‘if any of your people are caught or killed, the secretary will disavow knowledge of your actions!’ The PR man’s job is half done already, done by the collective TV memory of millions of people who watched the TV series.

Recently movie producers did the impossible, re created (re-imagined to use movie-speak) Kirk, Spock, and Scotty from the original Star Trek. The first was a pretty good movie, the second, Into Darkness, I wasn’t so keen on. Someone must have liked it though because director JJ Abrams has now been recruited to inject new life into the Star Wars franchise.

Every day the more visible you are on the internet the more stuff comes into your inbox. Some of it is unwanted, TAG_Teaser_Email_05_asome of it is junk but occasionally you get something pretty interesting. I recently received this picture to the left and a week later the video link below. Looks like there is a new version of Thunderbirds in the offing.

As a school kid I was brought up on Gerry Anderson’s TV productions. I vaguely remember Four Feather Falls, a cowboy puppet show, but then came Supercar, Stingray and Thunderbirds, all part of Gerry’s vision of the future. What was great about Gerry’s TV shows was that they were aimed at kids but all had a serious adult perspective. They didn’t look down at kids, they treated children more as future adults. Supercar, Stingray and Fireball XL5 were all thirty minute shows but Thunderbirds was a full hour and many of the episodes were serious and complex.

One episode entitled the ‘cham cham’ was about a musical code written into a song and it was up to Lady Penelope, the Thunderbirds London agent, to get to the bottom of things. Another Lady Penelope episode that comes to mind was ‘Vault of Death’ in which an employee is trapped in the vault of the Bank of England and the international rescue guys try to save the man before the oxygen runs out. Of course it is Parker, Penelope’s chauffeur, manservant, and former safe cracker who manages to open the vault with a hairpin!

Scott Tracy Thunderbird 1 pilot

Scott Tracy Thunderbird 1 pilot

Sylvia Anderson, Gerry’s wife, was the voice of Lady Penelope and Sylvia always had a credit on the shows for characterisation. It was always the characters that brought the shows to life, not just the incredible Thunderbirds craft launching from under the swimming pool or other hidden places. Gerry and Sylvia went on to make live action shows like UFO and Space 1999 before they had an acrimonious split. Later Gerry tried for a comeback children’s show with Terrahawks but without Sylvia’s characterisations the show didn’t really hit the mark.

Anyway, I do wonder how the guys from this new series targeted me. I must have left something somewhere, some random cookie in cyberspace that let the marketing people know that I used to watch Thunderbirds years ago. Well, I’m not ashamed to say that I did and I also subscribed to the Gerry Anderson comic TV21 and built a plastic kit version of Thunderbird One. Hope the new series lives up to the old one, although I seriously doubt it. Anyway, if today’s kids don’t enjoy the new Thunderbirds, they can catch the classic original on DVD!


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Sex and The City -What was your favourite season?

I do love Sex and the City. It’s one of my favourite shows and I’ve got the whole lot on DVD so when I come home after a late shift and fancy a glass of something and a DVD, Sex and the City invariably gets slipped onto the DVD player.

51WNVUght3LI have my favourites like everyone, particularly Mister Big, the coolest guy ever and my personal hero but I like all the characters, especially Carrie. What a life; living in New York City and working as a journalist and not in a nine to five way either; working from home writing about her friends and her life. Why can’t I get a job like that?

Recently I worked my way through the whole of season four, the very best season. Mr Big was involved with a movie superstar, Carrie had got back with Aiden whom I have probably more in common with than the super cool Mr Big. There was the whole Trey and Bunny saga involving Charlotte which was so good. Personally I thought Trey was great for Charlotte. He was quirky and interesting, if only they could have worked out their problems.

What else was there? Miranda’s Mum died; what a great episode, and later Steve, her ex gets testicular cancer so she sleeps with him to cheer him up and gets pregnant. Anyway, loads of good episodes but I loved it when Big and Aiden met and Big came down to Aiden’s country cabin for a chat with Carrie. Aiden, naturally I thought, was not happy so eventually he and Big have a fight and later become friends, of a sort.

Finally, Carrie splits with Aiden in a really bitter sweet episode and Mr Big moves to Napa in California. Like Charlotte and Trey I wished Aiden and Carrie could have worked things out. In a lot of ways they were more suited than Carrie and Mister Big. Anyway, you can see how much involvement I have tied up in this show. I really felt that in season four the show came of age. Serious relationships, serious problems, some fabulous characters, some humour and some moving stuff especially right at the very end when Carrie is too late to meet up with Mister Big. He has gone to California but left behind his Moon River album for Carrie. Great stuff.

Pity about those Sex and the City movies! Sometimes you just have to step away, and I guess that’s the same even for TV production companies! You made a great TV show but now it’s over! Step away!

So,what was your favourite season?

 

My Favourite Movie Director (Part 1)

I’ll come straight to the point; my favourite movie director? Well, it’s complicated because I’ve got more than one; hence the part 1 in the title, but anyway, Woody Allen is probably my very favourite. Now why a working class guy like me brought up in a suburban council estate in Manchester would relate to the Jewish intellectual New York humour of Woody, well, I don’t know but I just love this guy’s films.

My very favourite moment from one of Woody’s film is probably the one from take the Money and Run when he goes into the bank to rob it and hands a note through the window. The note says “Give me the money, I have a gub!”

“Does that say gub?” asks the bank teller.

picture courtesy wikipedia

picture courtesy wikipedia

“No that’s gun! I have a gun!” replies Woody and soon all the staff are discussing the spelling and the robbery is forgotten.  That movie was right at the very start of Woody’s career when he was a stand up funny man turned movie maker and as his movies got gradually more serious and more thoughtful, well, I probably loved them even more.

I love the opening of Manhattan where Woody narrates over the opening sequence;

“Chapter One. He adored New York City. To him it was a metaphor for the decay of contemporary culture. The same lack of individual integrity that caused so many people to take the easy way out was rapidly turning the town of his dreams in… no, it’s gonna be too preachy, I mean, you know, let’s face it, I wanna sell some books here. Chapter One. He was as tough and romantic as the city he loved. Behind his black-rimmed glasses was the coiled sexual power of a jungle cat.”

Another Allen movie that opens with a monologue is Annie Hall. His character, Alvy Singer, says: “There’s an old joke. Two elderly women are at a Catskill restaurant. One of them says, ‘Boy, the food at this place is just terrible.’ The other one says, ‘Yeah I know. And such small portions.’ Well, that’s essentially how I feel about life. Full of misery, loneliness and suffering and unhappiness – and it’s all over much too quickly.”

Apart from Woody himself and his casual comedy chatter I’ve always like the look of Woody’s films from the black and white of Annie Hall, Manhattan and Broadway Danny Rose to the full colour Hannah and her Sisters and the jump cuts of Deconstructing Harry. I like the way the camera moves, or really doesn’t move. In Hannah and her Sisters Woody doesn’t follow Michael Caine when he goes into the bedroom and continues a conversation. Why should we? We all carry on long distance conversations with our partners in the bathroom or dining room when we are in the kitchen. We don’t need to see the other person, just hear them.

Woody’s films have a natural unobtrusive style which enables you to sit back and enjoy his humour and his observations. Another great Allen movie is Crimes and Misdemeanours. It’s a movie with a dark side but with the same flashes of Allen humour to keep you smiling. Martin Landau stars in the film and gives a wonderful performance. No longer the rather wooden actor from the TV series Mission Impossible or that Hitchcock movie North By Northwest. Here, Landau delivers a thoughtful and human performance and there are lots of the usual Woody Allen touches like returning to old homes and discussing morality then flipping to the next scene where Allen and Mia deliver some more comedy as a counterpoint.

I can’t write a blog about Woody Allen without mentioning Bananas. If I need to cheer myself up, this movie works every time, especially the bit at the end where Woody and Louise Lasser’s wedding night becomes a TV sports event with commentators and interviewers.

It’s almost an ‘in’ joke with Woody about how his older movies are funny and the later ones are not but all his movies have a certain something; not always laugh out loud humour, but some well observed human element. I love Woody himself in his movies which is why it’s a little odd that one movie I can watch over and over again is Radio Days. Like it says in the title, the movie is set in those days before TV when people had their ears glued to the great shows and performers of the time. Woody narrates the movie and we see him as a little boy entranced by a crime show, so much so that his parents take him to see the Rabbi. ‘You speak the truth, my faithful Indian companion’ quotes the young Woody much to the dismay of his parents, not to mention the Rabbi. In some ways I can see myself as a young lad, obsessed with the TV shows of my day and this is the crux of Woody’s films because in many ways he is turning the camera round, and the camera is pointing at us, the viewer.

My love affair with the movies encompasses many genres but when I want to smile it’s usually the Woody Allen DVD I pull down from the shelf.


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James Bond and Me.

I spoke briefly about James Bond in a previous blog and thought I might write a little more about the UK’s most famous secret agent.

I started reading the Bond books when I was a schoolboy and unfortunately the very first one I read was the only one they had in our local library: ‘The Man With The Golden Gun’, one of writer Ian Fleming’s worst Bond books. Fleming used to write his initial drafts of the novels and then write a second one, adding in all the details which make the Bond books so interesting. Details of Bond’s clothes, his food, his cars, his cigarettes (the special handmade ones with the triple gold band) and all that sort of stuff. ‘The Man with the Golden Gun’ was published after Fleming had died and sadly he had not revised his original draft. I persevered though, did some research, found the proper order of the books and began to read ‘Casino Royale’, the first in the series. I have loved the books, and the films ever since.

007I didn’t see the Bond films until 1969 when I saw probably my favourite Bond film ever, ‘On Her Majesty’s Secret Service’, at the cinema. It was everything I had imagined it would be and what I liked about George Lazenby, who played 007 in the film, was that he looked pretty much as I had imagined Bond. He had the authentic ‘comma of black hair’ as Fleming had always described Bond having and not only that, Diana Rigg was probably my favourite Bond girl too.

The Bond films were not then a staple of UK TV but there was always a Bond documentary, usually on TV at Christmas time which built up, as it was supposed to do, the public interest in Bond. It certainly built up mine. There was one documentary I remember which showed the viewer how Ian Fleming suffered with back pain and was sent to recuperate at a rest home where they put him on a back stretching machine which he later incorporated into ‘Thunderball’. Aha, I thought, this is how writers think!

Sean Connery was the first movie Bond and he did a great job in setting out the 007 ‘stall.’ The Bond movies are as much about Bond’s colleagues as they are about Bond and in the original films we had some great supporting actors, Miss Moneypenny, played by Lois Maxwell, ‘M’ played by Bernard Lee, and the long serving ‘Q’, played by Desmond Llewellyn. CIA man Felix Leiter was always played by a different actor in each of the movies, which never ceases to surprise me. A good Leiter would have been a pretty good idea for US cinema goers, surely.

George Lazenby was selected to play Bond when Connery tired of the role. However, he was new to the industry and advisers told him that the Bond movies were on the way out. Friction occurred with his movie bosses when he grew his hair long and sported a beard and eventually Lazenby was sacked. Connery returned to the Bond role in ‘Diamonds are Forever’. With Lazenby that would have been such a good movie but Connery played a tired and lacklustre Bond and after the serious and fast moving ‘On Her Majesty’s Secret Service’, ‘Diamonds’ perhaps appears a little tame. Worse was to follow however when Roger Moore was selected to play Bond. Moore plays Bond as a sort of smooth talking fashion icon and some dreadful Bond films were produced in the 1980s.

Timothy Dalton took over for two movies, ‘The Living Daylights’ and ‘License To Kill,’ and after that the film franchise was in limbo until it re started with ‘Goldeneye,’ which after OHMSS is my favourite Bond movie. Brosnan doesn’t overdo the comedy unlike Connery and Moore. He looks like a pretty tough customer yet looks good in a finely tailored suit and, like Sean Connery, he has a wonderful troupe of supporting actors to help him. Judi Dench plays a female ‘M,’ Samantha Bond plays the faithful Miss Moneypenny, and Desmond Lewellyn once again plays ‘Q.’

I was sorry to see Peirce Brosnan go because I can’t really say I’m keen on the latest Bond films although I have seen them all at the cinema. The aim of the producers was to re-introduce Bond to 21st century moviegoers and to show Bond as the hard man he must really be. My feeling is that they have succeeded too well and the films have a hard edge that I don’t really care for. Let’s have another villain like Goldfinger or Doctor No. Not trying to take over the world perhaps but with a really clever criminal scheme for Bond to sort out. And give me some good espionage gadgets, please! Yes, I’m sorry to say that Daniel Craig isn’t my idea of James Bond. Fleming himself reckoned that Hoagy Carmichael was how he imagined Bond and he wanted David Niven to play the part, which he did although it was in the spoof version of Casino Royale back in 1967. And it’s my considered opinon that Bond was based on one man, yes, none other than Commander Ian Fleming of Naval Intelligence in World war II. Anyway, it was nice to see that in ‘Skyfall’, a good set of supporting actors was established and as usual, I look forward to the next new Bond movie!


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