Tag Archives: cinema

Watching (and reading) the Detectives

Posted on by Steve Higgins

Liz and I are over here in sunny Lanzarote having exchanged the cold of the UK for the warmth of Lanzarote. Of course, it is still February and things aren’t perfect over here. It’s warm but there are plenty of days when gusty winds blow across the island as well as days when the sun has been obscured by clouds. Even so there are still plenty of bars to drink at, plenty of tapas to be eaten and of course we have plenty of books to read, two of which have inspired this week’s post.

The Thin Man is a book I picked up somewhere in a second hand bookshop. It was written by Dashiell Hammett and features his famous detective, Nick Charles.

Dashiell Hammett was born in May, 1924 and became a writer of detective stories after working for the famous Pinkerton National Detective Agency. In his obituary in the New York Times, they described him as ‘the dean of the hard boiled school of detective fiction.’

Time magazine included his novel Red Harvest, published in 1929, on their list of the 100 best English language novels. The Thin Man was made into a film in 1934 starring William Powell as Nick Charles and Myrna Loy as his wife Nora. I’ve only just started reading the Thin Man and it’s been pretty good so far. One interesting element of it though was finding out that in New York in the mid 1930’s it was possible to find an all-night delicatessen that would deliver coffee and sandwiches at 5 in the morning.

A further 5 sequels in the Thin Man film series were made finishing in 1947 with Songs of the Thin Man.

Another book by the same author is one that Liz got me for Christmas, The Maltese Falcon. I’ve only just scanned through it so far but it looks like being a good read. The book was made into a classic film in 1941 with Humphrey Bogart playing the part of detective Sam Spade. Mary Astor plays Ruth Wanderley who contacts the firm of Spade and Archer to help her track down her missing sister who she thinks might be held against her will by a man called Thursby.  Miles Archer, Spade’s partner decides to take on the case but is found dead by the police later that night.

Spade begins to try and find out what has happened and meets various other characters like Joel Cairo and Kasper Gutman played wonderfully by Peter Lorre and Sydney Greenstreet. One of my favourite scenes is where Spade and Gutman meet and Gutman asks ‘are you a close mouthed man?’ Spade replies that no, he likes to talk and Gutman responds famously with ‘I’m a man who likes to talk to a man who likes to talk’.

Hammet died in 1961 of lung cancer and Raymond Chandler said this of him: ‘He was spare, frugal, hard-boiled, but he did over and over again what only the best writers can ever do at all. He wrote scenes that seemed never to have been written before.’

That brings me nicely to another of my favourite detectives, Philip Marlowe and he first appeared in the novel The Big Sleep. The book was written by Raymond Chandler and Chandler had this really fabulous talkative way of writing. You can almost imagine hearing Humphrey Bogart’s voice as you read the book. Bogart of course played Marlowe in the 1946 film version directed by Howard Hawks. Here’s a quote from the book, an example of Chandler’s descriptive style:

I sat down on the edge of a deep soft chair and looked at Mrs Regan. She was worth a stare. She was trouble. She was stretched out on a modernistic chaise-longue with her slippers off so I stared at her legs in the sheerest silk stocking. They seemed to be arranged to stare at. They were visible to the knee and one of them well beyond. The knees were dimpled, not bony or sharp. The calves were beautiful, the ankles long and slim with enough melodic line for a tone poem. She was tall and rangy and strong looking. Her head was against an ivory satin cushion. Her hair was black and wiry and parted in the middle and she had the hot black eyes of the portrait in the hall. She had a good mouth and a good chin. There was a sulky droop to her lips and the lower lip was full.

Not bad eh? Dilys Powell called his writing ‘a peculiar mixture of harshness, sensuality, high polish and backstreet poetry’ and it’s easy to see why. Mrs Regan was played by Lauren Bacall in the film version and up until now I had always thought this was the film where Bogart and Bacall met. Wrong! A quick check on Wikipedia and I see the couple met on the set of To Have and Have Not in 1944. Bacall was 19 and Bogart was 45 and married to his third wife Mayo Methot at the time. Sparks apparently flew between the couple and Bogart divorced Mayo and married Bacall the next year, 1945. Despite the great on screen chemistry together the couple only made four films together.

The film version of The Big Sleep was a brilliant adaptation of the book and some of the differences are interesting. For instance, early in the book, detective Philip Marlowe played by Bogart meets General Sternwood’s daughter Carmen. She looks at Marlowe and remarks how tall he is. In the film, Bogart of course wasn’t that tall so the dialogue is reversed ‘You’re not very tall, are you?’ comments Carmen.

The plot of the book and film are pretty complicated, although having read the book recently I think that the book is easier to follow. During the filming the director and his stars wondered who killed the character of Owen Taylor, the Sternwood’s chauffeur. They sent a cable to Raymond Chandler asking him. Chandler told a friend later ‘Dammit, I don’t know either!’

One strange element in the film, certainly for me, is a scene where Philip Marlowe (Bogart) is watching blackmailer Geiger. Geiger has a shop that sells rare books in Hollywood and Marlowe asks for information in another bookshop opposite. There he chats to a bookseller played by Dorothy Malone who, if you are old enough, you will remember her from the Peyton Place TV series. Malone and Bogart seem to hit it off well in the film but he never returns to the bookshop and Dorothy is never seen again in the film.

Every time I watch the film, I always expect Malone to reappear but that’s one of the many dead ends the film leads us down. I think it was Hitchcock who said that every scene in a film should lead the audience somewhere and Quentin Tarantino of course said the reverse. Perhaps director Howard Hawks favoured Tarantino’s view.

Basil Rathbone as Holmes and Nigel Bruce as Dr Watson (image via creative commons)

Perhaps the most famous literary detective is Sherlock Holmes, created by the author Sir Arthur Conan Doyle in 1887, first appearing in the story A Study in Scarlet. The stories are narrated by Holmes’ friend and companion, Doctor Watson. The Guinness Book of Records reports Holmes as the most portrayed character in film and television history.

My personal favourite Sherlock Holmes in the cinema was the version created by Basil Rathbone in a series of films beginning in 1939. 14 films were made with Rathbone as Holmes and Nigel Bruce playing the part of Dr Watson. The first two films were set in the Victorian era and were produced by Twentieth Century Fox. The later films were produced by Universal who set the films in, what was then, the present time period, that of the second world war.

Time now to move onto my favourite TV detective, the bumbling Lieutenant Columbo.

Columbo first appeared in the early 1970s as part of the Mystery Movie TV series. Each week followed a different detective trying to track down a murder case, sometimes it was MacMillan and Wife and other weeks McCloud, Banacek or various others. The most popular one by far though was Columbo.

Columbo was a homicide detective for the LAPD and he was played by Peter Falk, although the role was originally written for Bing Crosby. Crosby however thought a regular TV slot would interfere too much with his golf so he turned down the role, went back to the fairway and the part went to Peter Falk who made it his own.

If you ever see the original pilot, shot in 1968, you can see how Crosby might have fitted into the part, as Falk plays Columbo in a very Crosby like laid back way. The very first guest murderer was Gene Barry who was familiar to TV audiences after playing Amos Burke in Burke’s Law for many years. He also starred in a 1953 film version of War of the Worlds.

The pilot episode also introduced audiences to a particular feature of Columbo, in that we see who the murderer is and how he commits the crime first. Then we see Lieutenant Columbo gradually solve the clues and get his man, or woman. The essence then of a great episode comes in the clever way Columbo nails the murderer. Sometimes that moment is a bit of a non starter, other times it’s nothing short of brilliant. Sometimes, even if that final moment is not so great, it’s still been a great episode.

The Columbo of the early series is an absent-minded quirky fellow although in later episodes, Peter Falk who plays the detective, seems to downplay that quirky element.

Favourite episode? I’m not certain but it might be ‘Murder by the Book‘, starring my favourite murderer, Jack Cassidy. In this 1971 episode, Jack plays a writer, actually part of a writing double act, who together produce a series of novels about ‘Mrs Melville’ who is an amateur detective. The thing is, Jack’s partner wants to ditch the partnership but Jack is not happy about it. He is so unhappy he decides to, yes you guessed it, bump off his co-writer. He does it in a rather ingenious way which foxes Columbo but not for long and to cap it all, the episode is directed by none other than Steven Spielberg!

So who was your favourite fictional detective?

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Transformations (3)

Posted on by Steve Higgins

This the third instalment of a post on the theme of transformations. The very first one (which you can read by clicking here) started off with the transformation of the common market flower seller Eliza Doolittle into a refined lady.  I hope that explains the basic idea so let’s get cracking with a few more interesting transformations.

One that came to me while lying in bed one morning was a story told to me by my mother. Walking down our old street many years ago she pointed out a tall, thin man who we used to let on to whenever we passed. He was, I assumed, very old as he had a great mop of white hair. Mum had lived on that street most of her life. She had come to Nuffield Road with her mother and father as a child and when mum grew up and married they gifted the house to her. She told me that the tall lanky man wasn’t old at all. He had gone away to war in the 1940’s and had been captured by the Japanese. He had endured a terrible time as a prisoner of war and when he returned he was a shattered man and his hair had turned snow white.

Shirley Valentine

Shirley Valentine started life as a play by Liverpool writer Willy Russell. Later the story was turned into a film with Pauline Collins starring as the eponymous heroine. Shirley Valentine was a lonely Liverpool housewife who spent a lot of her time talking to her kitchen wall. Her children had left home, she had lost touch with many of her friends and she felt alone, sitting at home all by herself when her husband was out at work.

Her husband Joe, played by Bernard Hill, demands a steak dinner every Thursday. He sets so much by this that Shirley calls it the 11th commandment; thou shalt have steak on a Thursday. The thing is, Shirley gives the steak to the neighbour’s dog and makes chips and egg for tea. I personally rather like chips and egg. If I am ever on my own on a Saturday, the first thing I think about making is chips and egg. I always think of it as the perfect Saturday evening meal. Shirley’s husband however does not like chips and egg on a Thursday; he likes steak and this is the catalyst for a big row and for Shirley going on holiday with her friend Jane and leaving Joe to fend for himself.

While on holiday Jane deserts Shirley for an affair with a man she meets on the flight over. Shirley however, begins to gain confidence in herself and far from being lonely, she begins to come out of her shell. She meets Costas, a Greek bar owner with whom she has a brief dalliance.

Shirley is at the airport ready to leave when she decides not to go. Returning to the bar she asks Costas for a job. Meanwhile Jane tells Joe that Shirley has been having an affair but she denies this saying the only affair she is having is one with herself.

The film finishes as Joe arrives in Greece to speak with her but she has changed so much he fails to recognise her at first. Shirley has finally found herself.

Educating Rita

This was a breakthrough film for Julie Walters and I remember Michael Caine who also stars in the film saying that this film would do for Julie what Alfie did for him. Maybe it did, maybe it didn’t. The film is about a Liverpool hairdresser played by Julie who wants to better herself. She decides to take an Open University course in English Literature. Her tutor played by Caine is initially confused as he has the name of Susan White on his documents and Susan explains that she has now changed her name to Rita after reading Rubyfruit Jungle by Rita Mae Brown. Frank Bryant (Caine) is not keen on taking Rita on as a student but she convinces him otherwise. Rita finds Frank has ignited her passion for literature but has to contend with her husband who wants her to be a traditional wife and produce babies. Husband and wife finally split leaving Rita to pursue her studies. She moves in with a fellow student and gradually, as she mixes with more students and studies more, she becomes less and less like her former self. Frank becomes more and more fond of her, possibly even in love with her but his position as a university lecturer is compromised by his heavy drinking.

Just like Shirley Valentine, this story began life as a play by Willy Russell and the film shared the same director, Lewis Gilbert, who also directed Alfie, mentioned above. In a lot of ways this is such a good film. Julie Walters is outstanding as Rita and Michael Caine is excellent too. The big problem for me is that while Julie plays Rita as a typical scouser with a superb Liverpool accent, the setting clearly isn’t Liverpool. Not only that but the other accents in the film all grate with Julie’s as they are a mix of various northern accents. Caine of course as the lecturer, doesn’t have to have to be a Liverpudlian but the hotchpotch of brogues, some from Manchester, some from Liverpool just seemed to jar to my ear. The film was apparently filmed in Ireland so why not make Rita and her family Irish? That would have made more sense although filming in Liverpool with a local cast would have been the better option. Perhaps production finances made that impossible.

The Incredible Hulk

Back in the days when I used to read comic books, I used to read plenty of Marvel comic strips and one was the Incredible Hulk. The origin of the Hulk (every superhero has an origin story!) is a story about a scientist called Bruce Banner who is exposed to gamma radiation during an experiment. Gamma radiation featured in quite a lot of the Marvel comics as I remember but, on this occasion, the result of exposure to gamma rays means that when Bruce gets angry, he mutates into a green skinned, muscular giant with incredible strength and while he cannot fly like other super heroes he manages to get about in some incredible jumps or leaps.

Back in the 1970’s there was a TV version starring Bill Bixby as Bruce Banner although for some reason, perhaps because he was travelling incognito, he used the name David. I can’t remember the opening episode but Bruce travels about the USA and gets involved in various incidents. He tells a lot of people to not make him angry as they won’t like him when he is angry but as you can imagine, various people just go ahead and make him angry anyway which turns him into the green skinned monster. Rather than beef Bill Bixby up with green makeup and fake muscles, the production team brought in the already muscular Lou Ferrigno. He appeared as the Hulk and when he calmed down after a good bout of rampaging and smashing stuff up, he morphed back into Bill Bixby again.

The first film version starred Eric Bana as Bruce Banner and was released in 2003. The Hulk himself was a creation of CGI, computer generated images, although director Ang Lee provided the motion capture movements and the voice of the Hulk. This being the early days of CGI the result appeared to be rather cartoon like, at least to me.

The follow up film was The Incredible Hulk starring Edward Norton as Bruce Banner who is on the run from the military and living in Brazil but still trying to continue his experiments. He does so partly by collaborating with an anonymous individual online known only as ‘Mr Blue’.

The military trace Banner to Brazil and try to capture him but fail. It’s a pretty thoughtful and interesting film until the CGI takes over and a character called Emil Blonsky is injected with a substance aimed to produce a ‘super-soldier’ causing him to become a similar mutant like the Hulk. The two engage in a CGI battle which the Hulk wins.

Later Bruce Banner begins to be able to control his mutations into the Hulk and meets with Tony Stark, alias another Marvel super-hero, Iron Man, which preps the viewer for the next super hero film.

All in all it’s not a bad film and much superior to the first one but please, less CGI in future please.

The History of Mr Polly

This is not a science fiction story despite being penned by H G Wells. Our hero, Mr Polly, finds himself in a very dull job with a very dull wife and resolves to commit suicide. Anyway, events unfold and instead of committing suicide, Polly accidentally starts a fire which threatens the whole street and he then mounts a brave rescue of an old lady. Instead of dying, Mr Polly becomes a hero and when the insurance money comes in, he leaves his wife nicely settled with the insurance money, takes a little for himself and departs for pastures new. He sends some money to a post office in another village and gradually meanders in that direction, sleeping in fields and hedges, getting himself a tan. He works occasionally when he wants and sleeps when the mood takes him at other times.

He comes across the Potwell Inn and asks for work and right away finds himself at home. He potters about happily at the Inn, cleaning, serving and doing various odd jobs. One day the landlady’s nephew, ‘Uncle Jim’ appears. He is a violent bully having been in and out of prison for years. He doesn’t like Mr Polly getting in the way so he decides to scare him off. What should Polly do, stay and help or just leave? He decides to stay and after various battles scares off Jim.

Some time later he returns to see if Miriam, his former wife is alright. He finds that Jim has drowned wearing clothes stolen from Polly so now Mr Polly is presumed to be dead. Polly leaves, content with the transformation of his life.

I first read this book many years ago and I’ve always liked its simple philosophy. If you don’t like your situation, change it.

A film version was made in 1949 starring John Mills as Mr Polly and Megs Jenkins as the landlady of the Inn where Polly finds happiness.

I might as well finish with a transformation close to home. Yes, I’m talking about me. Once I was a ‘six shifts on, three shifts off’ motorway Traffic Officer, setting signals in our control room for the travelling public and now I’m retired, a man of leisure whose only worry is ‘what can I write about next week’.

I’ve also used artificial intelligence to transform me further, well, my digital image anyway. That’s me just above, or at least a version of me that’s similar to the original.

What transformations have you experienced?

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8 Onscreen Portrayals of Real People

Posted on by Steve Higgins

It’s been another cold and wet week and as usual I’ve tended to lie back on my couch and watch a lot of television and not just broadcast TV either. Lots of times when broadcast TV isn’t up to the job of entertaining me, I’m forced to crank up a recording and watch that. Just lately I’ve watched a couple of biopics, films about real people, so for this post I thought I’d continue that theme and look at films and TV shows where the actors have had to portray real people.

Barbara Windsor

One night last week I watched a documentary about the Carry On films. It was really interesting and was titled Secrets and Scandals. It showed a lot of previously unseen interviews in which the stars had a whinge about various things, in particular the fact that they didn’t get paid when the films were reshown time and time again on TV. The producers made a shed load of money but the stars were paid peanuts. One of those stars was Barbara Windsor and after I had watched the documentary, I remembered a TV film called Babs about Barbara’s life. It was made in a really interesting way and involved Barbara in later life, imagining that she was talking to her late father about various things that have happened to her. Events from her life are recreated in front of her and she turns and discusses the incidents with her dad.

Theatre director Joan Littlewood was really impressed by Babs and wanted her to play various parts for her but after working together for a short while, Barbara opted to play a part in Carry on Spying which set up her comedy persona for the rest of her life.

Barbara loved her dad but when he and her mother divorced, Barbara, as a small child, was asked to tell the courtroom about the times he had shouted and sworn and later her dad ignored her when leaving the court. Two actresses played Barbara, Honor Kneafsey in her younger days when she played in her first Carry On films and Samantha Spiro who interacts with her father throughout the film. It’s a really good film and it’s put together in a slightly unconventional way which really works.

I couldn’t find a clip on YouTube but the film can be seen on BBC iPlayer by clicking here.

Jimmy Saville

Another TV film I saw earlier in the year was The Reckoning in which Steve Coogan plays Jimmy Saville. It was another 4 part series which we had to stream and Coogan really seemed to me to capture the essence of Jimmy Saville.

I have to admit I always used to rather like Jimmy Saville. I liked his slightly comic presentations on Top of the Pops and his ‘now then, now then’ act. This film was different though and showed the dark side of Saville and the way he used his pretty considerable fame to abuse women and children and get away with it.

Stan Laurel

Steve Coogan also played Stan Laurel in the film Stan and Ollie, a film which looks at the later years of the famous comedy duo. John C Reilly played Oliver Hardy and the film shows the two when they embarked on a music hall tour of the UK in 1953. They were still hugely popular but the tour had a big impact on them, particularly Oliver Hardy. Coogan does have a look of Stan and the two actors played great parts and even recreated some of their comedy routines on stage.

Lee Harvey Oswald

In the film JFK, director Oliver Stone takes a look at the assassination of John F Kennedy. The alleged assassin was an oddball individual called Lee Harvey Oswald. Oswald in the film is played by British actor Gary Oldman. Oswald was paraded to the press in Dallas on a few occasions after his capture and Oldman perfectly captures his look and speaking voice in the film. Stone apparently urged Oldman to do his own research and he met with Marina, Oswald’s widow and some of their Dallas acquaintances. Strangely, Oswald was interviewed on camera before the assassination talking about Marxism and Communism and the differences between the two. No doubt Gary Oldman watched these too.

Winston Churchill

Gary Oldman also played another historical person in Darkest Hour in which he plays Winston Churchill. A great deal of makeup went in to putting together Winston’s visual appearance and the film looks at the outbreak of World War II and Churchill’s ascent to the premiership. Oldman achieves an interesting approximation of Churchill’s overall look and speech and the film is excellent although whether deposed PM Neville Chamberlain had as strong a hold on the conservative party after Churchill had taken over as the film makes out, is open to question. Interestingly though, even though Churchill became the Prime Minister, Chamberlain retained the party leadership and apparently had thoughts of returning to 10 Downing St in later years. He died of cancer though in 1940.

Cary Grant

Archie is a wonderful four part series and Jason Isaacs plays an outstanding part. He doesn’t try to impersonate Cary but he did manage to create a look of the late star and he caught Grant’s voice and enunciation perfectly. Most of the series follows Cary in later life when he becomes involved with and later marries Dyan Cannon. Dyan was his fourth wife and she was the mother of his only child Jennifer and she and her mother co-produced the series which is definitely well worth watching.

Cary Grant retired from films in 1966, the year his daughter was born and he and Dyan Cannon divorced in 1968. Many tried to bring him out of retirement for various films including his favourite director Alfred Hitchcock but he declined. He must have wanted to keep on working though because he did accept a position on the board of Fabergé.

He died in 1986 aged 82 and left behind an estate reputedly worth around 80 million dollars. Archie is a well made and quite fascinating piece of TV. Look out for it, it’s well worth watching.

Howard Hughes

The Aviator was a film released in 2004 starring Leonardo Di Caprio as the billionaire Howard Hughes. Looking at Wikipedia, the film had an extensive development background with other film makers vying with each other to produce biopics about Hughes. This film however finally came together with Martin Scorsese directing and with a screenplay by John Logan. Hughes famously suffered from OCD, Obsessive Compulsive Disorder and in Hughes the disease manifested itself in a fear of germs and an obsession with cleanliness. Apparently Di Caprio did a huge amount of research on OCD and the film shows how Hughes went from an eccentric millionaire film maker and pilot to someone who finally retreated into reclusive madness.

I enjoyed The Aviator although a better film about Hughes was probably a mini series based on a book by Hughes’ former business manager, Noah Dietrich. The TV mini series was called Howard, The Amazing Mr Hughes and starred Tommy Lee Jones as the famous billionaire. I’ve always thought that Jones’ portrayal was much more convincing than Di Caprio’s but I did enjoy both versions.

An interesting element in the TV show was a recreation of an incident in 1972 when Hughes appeared by telephone live on air, to speak with four journalists he personally knew, in order to denounce fake ‘diaries’ which had been published by author Clifford Irving. On the TV mini series the actual journalists played themselves.

Brian Clough

I’m not a great football fan but not long ago I picked up a DVD from the charity shop. It was The Damned United starring Michael Sheen as the 70s football manager Brian Clough. Clough was famous in the UK in the 1970s and was to be seen regularly on various TV shows and all the top impressionists of the day, people like Mike Yarwood, all did a version of Clough. The film follows Clough as he takes over Leeds United from outgoing manager Don Revie. He denounces the team as unsporting because of their brutal and physical style of play and promises a new start for the team. However, only 44 days later Clough was sacked as manager. Despite not being a football fan, the film recreates the 1970s very well and Sheen’s performance as Clough was an outstanding approximation of the real Clough. Various people sued the production company due to a number of factual errors in the film but as a non-football fan I found the film very convincing and hugely entertaining.

I could go on with many other films. James Stewart for instance played both Glenn Miller and Charles Lindbergh although the end result in both cases was someone who looked and talked just like James Stewart usually does. The same could be said for James Cagney who played George M Cohan in the film Yankee Doodle Dandy. Neither actor even tried to impersonate the real person although Stewart did wear spectacles to play Miller. Anyway, I’ll save those examples for another post.

Have a good weekend and thanks for looking in.

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Film Connections (Part 5)

Posted on by Steve Higgins

It’s time for another post in which I try to put together a few golden age cinema stories connected by a thin, sometimes very thin, connecting link. Today I’m going to start with Olivia de Havilland.

Olivia de Havilland was one of the great film stars of Hollywood’s golden age. Amazingly she died only fairly recently in 2004 having lived to be 104 years old. She appeared in eight classic films with fellow star Errol Flynn, including The Adventures of Robin Hood in which she played Maid Marian to Flynn’s Robin Hood. Flynn claimed in later years to have been in love with Olivia but nothing ever happened between the couple, or so they both said.

In my favourite Hollywood book Bring on the Empty Horses, David Niven paints an excellent portrait of Flynn. You always knew where you were with Errol, wrote Niven -he always let you down.

Flynn hailed from Tasmania, an island state of Australia. In Australia he became involved in a film production called In the Wake of the Bounty, a documentary film about the mutiny on the Bounty that featured reconstructions with Flynn as Fletcher Christian. After this he made his way to the UK where he became an actor and spent many years in repertory in Northampton. He was fired from Northampton rep but was spotted by producer Irving Asher and given a part in a film made at Teddington Studios in 1934. The film was Murder in Monte Carlo which has since been lost but apparently Asher, who worked for Warner Brothers, sent word to Hollywood recommending Flynn for a contract. After a successful screen test Flynn was given the starring role in the swashbuckling adventure, Captain Blood, after Robert Donat turned down the role. The film was a great success and made stars of Flynn and co-star Olivia de Havilland.

Olivia began living in Paris in the 1950s but continued acting not only in films but also on television and on the stage. She received numerous awards and she and her sister are the only siblings ever to both receive Academy Awards.

Olivia’s sister was Joan Fontaine and the two had a famous feud or falling out which seemed to consume most of their lives. Olivia seems to have ‘blanked’ Joan when Joan won an Oscar for her role in ‘Suspicion’ in 1942. They seemed to become friendly for a while until they differed about looking after their elderly mother.

My favourite of Joan’s films and perhaps her most well known was Rebecca, directed by Alfred Hitchcock. Joan played the part of a shy young girl who falls for Maxim de Winter, played by Laurence Olivier.

Rebecca was filmed in 1940 and was Hitchcock’s first Hollywood film. In Monte Carlo a shy young girl played by Fontaine encounters English gentleman Maxim de Winter and thinks he is about to jump off a cliff. Later the two fall for each other and marry but the new Mrs de Winter -her actual name is never revealed- seems to feel Maxim’s love for Rebecca, his late wife, is overshadowing her life. It’s a great film and one of Hitchcock’s best. Olivier apparently wanted his wife, Vivien Leigh, to play the part which Hitchcock ultimately gave to Joan.

Vivien Leigh was the surprise choice to play Scarlett O’Hara in the film version of Gone with the Wind. The film was a major film adaptation of the book by Margaret Mitchell which had been a huge success and producer David O Selznick bought the film rights. Production was delayed for a long while as Selznick was determined to get Clark Gable for the part of the roguish Rhett Butler. Another delay was a distribution deal with MGM which couldn’t be finalised until Selznick’s then current deal with United Artists had expired. Selznick used the delay to promote a huge search for an actress to play the part of Scarlett O’Hara, the spoilt daughter of a plantation owner in the deep south of America. He eventually chose Vivien who was in the USA visiting her husband who of course was filming Rebecca.

Clark Gable was known as the ‘King of Hollywood’ and in 1935 he made a film with Loretta Young called The Call of the Wild. During the production, Young became pregnant with Gable’s child. Their daughter Judy Lewis was born on November 6th 1935. Loretta hid her pregnancy and gave birth in secret and then later arranged to ‘adopt’ the child. Judy never knew the circumstances of her birth although it was an open secret to many in Hollywood. When she finally learned of the rumours, she confronted her mother who admitted she and Gable were her biological parents.,

In 1939 Gable married Carole Lombard. She was a great star particularly in the screwball comedies of the day and Gable adored her. They met while making the film No Man of her Own in 1932 but nothing romantic happened until they met again at a Hollywood party in 1936. Gable was separated from his then wife Ria Langham but still married. Eventually she agreed to a divorce and Gable was free to marry Lombard.

When World War II began, Carole travelled to Indiana to a war bond rally where she raised over 2 million dollars for the American war effort. She and her colleagues were due to return to Los Angeles by train but decided to take a faster option and fly. The flight crew of the aircraft were thought to have been in difficulty crossing the mountains surrounding Las Vegas as safety beacons had been turned off in case Japanese bombers tried to enter the area. The aircraft crashed into the mountains and all on board were killed. Gable was devastated. Afterwards he joined the US Air Force and saw action over Germany as a gunner.

In 1960 Gable began work on his final film, The Misfits. The screenplay had been written for Marilyn Monroe by her husband, playwright Arthur Miller. She was not happy playing a character called Roslyn who she felt was based too much on herself. She and Miller were at the end of their marriage and their deteriorating relationship caused tensions on the set. Miller was stressed as he was doing multiple rewrites. Monroe was frequently late or didn’t turn up for work or didn’t know her lines while Gable, the complete professional was on time and word perfect every day. Director John Huston had to hold all the differing elements together but the film was finally completed. It was the final film for both Monroe and Gable. He died some weeks after filming completed aged only 59 and despite having two other marriages after Lombard, was laid to rest beside her.

Another star of The Misfits was Montgomery Clift. He was also a ‘method’ actor and along with Marlon Brando and James Dean was one of the three great method actors of the 50s and 60s. I have always thought that his first film was The Search, a film made in bombed out post WWII Berlin in which Clift played a US army soldier who helps a refugee boy find his mother. Clift gave such a natural performance that director Fred Zinnemann was asked where did he find a soldier that could act so well?

Clift’s actual first film was one of my personal favourites, Red River with John Wayne, a western about an epic cattle drive across the US. The Search, despite being filmed later was actually released first.

Clift became great friends with Elizabeth Taylor and the two made many films together. In 1956 while filming Raintree County, Clift was involved in a terrible car crash in which he suffered severe injuries to his face, particularly the left side. Taylor comforted Clift in the wreck of his car while they waited for the emergency services. Clift returned to complete Raintree County after taking two months off to recuperate from plastic surgery.

Montgomery Clift was a homosexual in a time when such things were covered up by Hollywood and his sexuality was not mentioned in public until Elizabeth Taylor spoke about it in a speech in 2000.

After the success of The Search, Paramount offered Clift a major contract which he accepted and the first film he made for the company was The Heiress directed by William Wyler.

Bringing us full circle, Clift’s co-star in The Heiress was Olivia de Havilland.

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6 Takes on Dreams

Posted on by Steve Higgins

I was looking back at some of my old blog posts the other day, hoping for a little inspiration. I usually find that my older blog posts are much shorter than the current ones and sometimes I can rewrite them or extend them and actually make them into a new post. Around the same time I noticed a blog post on the BBC web site about dreams in TV and film. That sent me searching for an old blog post about dreams and so here it is, suitably rewritten and extended.

My Dream

The other day I woke up far too early. It was 6 am when I stretched out and fumbled for my phone to check the time. It was a Friday and I didn’t have a completed blog post for my usual Saturday morning deadline, the deadline that for the past few years has kept me honest as a writer. I padded off wearily to the bathroom, had a glass of water and availed myself of the facilities and went back to bed. I don’t dream that much although a few years ago my dreaming seemed to increase, so much so that I started a dream journal, a notebook just by the bedside so that when I awoke I could jot down the details of my dream. Later when I came to review the notes, I tended to find a whole lot of gibberish that not only made no sense but didn’t in any way nudge my memory and bring back those quickly forgotten dreams.

A long time ago I awoke after a crazy dream in which I was out with a friend I hadn’t seen for years, and somehow, don’t ask me how, I had lost all my clothes. We had been out drinking and were walking home then something happened and suddenly I was somewhere without any clothes. I woke up then but that wasn’t the end of it.

The next night I had a sort of follow on dream. I was wandering around with no clothes, although I had come across a blanket somehow, and with me was Michael Portillo (yes, the ex-MP who hosts a show on BBC about railway journeys). Well we ended up in this hotel and I was starting to worry. Well, who wouldn’t? No clothes, no wallet, no mobile. Who could I call? Should I try and cancel my bank cards? What happened to my keys? Where am I and what has Michael Portillo got to do with it?

Michael was standing nearby and using his influence as a famous former MP. Someone brought him a phone and he started chatting into it. Clothes were brought for him and I could hear him speaking to his bank. It actually brought to mind that sequence at the beginning of one of the Bond films where Pierce Brosnan has been in a Chinese prison, escapes and finds himself in Hong Kong. He walks into this posh hotel, his hair long and unkempt, his clothes in rags and the guy at reception says “Will you be wanting your usual suite Mr Bond?”.

Some people just have that manner about them don’t they? Me, I’d have been unceremonially kicked out of that hotel, assuming I’d even made it past the front door! I can just imagine the scene:
“Your usual suite Mr Higgins? Just a moment please?”
The manager beckons to a large man looking similar to Oddjob from the Bond movie Goldfinger. The next moment Mr Higgins hurtles through the front door. As he is propelled into the street he murmurs, “that’s a ‘no’ then is it?”

TV

I mentioned earlier about the BBC post about dreams. I noticed it advertised at the bottom of a page I was looking at and I didn’t actually read it until later. A lot of the films mentioned in the post were ones I had never heard of but in the TV category was one probably everyone knows about. The return of Bobby in Dallas.

In case you have never watched an episode of Dallas here’s a quick resumé: It was about a rich family living in Dallas. The family’s money came from oil and the head of the family was Jock Ewing. The other main characters were his wife Miss Ellie, his sons JR and Bobby and their wives Sue Ellen and Pam. Larry Hagman created the famous character of JR, Patrick Duffy was Bobby, Linda Grey played JR’s wife Sue Ellen and Victoria Principal was Bobby’s wife Pam. There are more characters but those were the main ones. After season 8 Patrick Duffy decided it was time to leave and pursue other acting roles and so his character was killed off. The ratings dropped during season 9 and so Patrick was enticed back to the series, the only problem was how could he come back? His character died surrounded by friends and family so what could the writers do? Well, the answer they came up with was this: It was all a dream!

When you come to really look at it, what else could the writers do? Patrick could return as Bobby’s long lost twin brother. Or perhaps he didn’t die after all. That one would be tricky as he did die as I mentioned above, surrounded by friends and family so they could hardly try to make out he didn’t die. Maybe a double, a fake Bobby really died but that idea is a bit silly, after all Dallas wasn’t a spy or a sci fi show. So what happened was this, at the end of season 9 with Bobby dead and his wife Pam involved with another man, Pam walks into the bathroom and finds Bobby in the shower. The season ends there which was quite a finish and we had to wait for the next season to find out that Pam was having a dream and Bobby hadn’t really died after all. Some fans hated it but when it comes down to it, what else could they do?

The Novel

Dreaming a story and making it into a novel or a screenplay isn’t quite as strange as it seems. In 1898 an American writer, Morgan Robertson, wrote a story about an unsinkable ship called the Titan which sailed from England to the USA, hit an iceberg and sank. The story was published fourteen years before the Titanic disaster. I remember reading the story of this writer years ago, even that the writer saw the story played out in front of him like a movie but all the research I did on the internet for this blog seems to imply that the author was a man who knew his business where ships were concerned, felt that ships were getting bigger and bigger and that a disaster like that of the Titanic was inevitable.

The Quote

The Hit Single (John Lennon; Number 9 Dream)

The Film

It took me a while to think of films based on dreams but then an obvious one finally came to mind; The Wizard of Oz. The film is about a young girl, Dorothy, who lives in a small town in Kansas. She decides to run away from home when her dog is about to be taken away from her. A friendly vaudeville entertainer encourages her to return home but when she tries to she is swept up in a tornado which deposits her in the land of Oz.

Once, back in the 70’s or 80’s, The Wizard of Oz had a cinema re-release and I took my mother to see it. She was a big fan of Judy Garland. When the film came on mum let out a sort of disappointed shrug and I asked her what was wrong. She told me that when she had seen the film originally it had been in colour. ‘Perhaps they couldn’t find a colour print or perhaps it wasn’t in colour after all,’ I told her. ‘I was sure it was in colour,’ she replied.

Later, when Dorothy wakes up in the land of Oz, the film goes from black and white to colour. I looked over at mum and she smiled back. ‘I was right after all,’ she said.

The change from colour to black and white also denotes that Dorothy had entered not only Oz but the world of dreams. Later in the film when she returns to Kansas, it is only then that she realises that her adventure in Oz had been a dream and that the cowardly Lion, the Scarecrow, the Tin Man and even the Wizard, were based on characters from the farm where she lived.

The Wizard of Oz was a classic film made in 1939 and was an adaptation of the book by Frank L Baum, The Wonderful Wizard of Oz. Judy Garland was forever linked to the film and in particular to one of the classic songs she sings in the film; ‘Over the Rainbow’.

To finish I think I’ll pinch a few lines from my original post.

Not so long ago I remember travelling on a luxurious aeroplane, not the cramped budget airline I usually fly on but something very special. I was in first class in a very comfy seat with lots of legroom. The hostess was handing me a drink, not in a plastic cup but a very elegant crystal glass. As I reached forward to take the drink, I slipped and went head over heels towards the floor.

I lifted my hand up to check my fall but I was back in bed at home and everything had been a dream. I looked over and Liz was scrolling down her mobile phone. ‘Bloody hell!’ she said, ‘that snoring was going right through me. Where’s my cup of tea?’

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Random Harvest: The Film of the Book or the Book of the Film

Posted on by Steve Higgins

Once again Liz and I are on holiday in France and as usual I’ve filled up my book bag with books to read. My selection this year was a mix of new books and some books from my collection which I haven’t read for years. The one I’d like to focus on this week is Random Harvest by one of my favourite writers, James Hilton.

Hilton hailed from Leigh in Lancashire, now Greater Manchester. He wrote several books and made his way to Hollywood, California where he worked as a screenwriter. He died in 1954. Searching through a box of my old books I came across Random Harvest, a book I don’t think I have ever read before. I bought it from a second hand book shop along with Goodbye Mr Chips, possibly Hilton’s most famous novel and one I have read before. I can imagine intending to read it but moving on to something else and the book was boxed up in one of numerous house moves before I had a chance to get to it.

The Film

The film version starred Ronald Colman and Greer Garson in the leading roles. The film opens with a man called Smith wandering out of an asylum on a day when there is much excitement. It is Armistice Day, 1918 and ‘Smithy’ is a man who has lost his memory during the fighting in the First World War. He wanders down to the town of Melbury and in a tobacco shop the shopkeeper realises Smithy is from the asylum. When she disappears into the back of the shop a woman played by Greer Garson explains that the shopkeeper has gone to call the asylum so that he if wants to avoid going back he must get away. The woman, Paula, befriends Smithy and hides him away and soon she finds she is falling for him. The two elope together, find a quiet village in which to settle down and get married.

Smithy, who has no memory of his former life begins to write and soon has a story accepted by a newspaper in Liverpool. He takes the train there for an interview with the editor but on a wet afternoon, slips in the road and is hit by a taxi. He is knocked unconscious and when he awakes his memory has returned but he has no memory of his time as Smithy. How did he get to Liverpool? What door to what house fits the key found in his pocket? A policeman asks his name and he replies ‘Charles Rainier’. Gathering his things he sets off to take the train home to his country estate but arrives just as his father has passed away. The family has gathered and they are all surprised but glad to see Charles who later goes on to take charge and rescue the failing family business.

The final part of the film sees Charles happy as a new Conservative MP and successful businessman but also sad that a part of his life has been lost to him. He makes various attempts to find his former life but all end in failure until one night when a strike breaks out at the Melbury factory and he has to go there to sort things out. As he walks into Melbury he comes to the tobacco shop he once entered as ‘Smithy’ and things begin to come back to him.

Colman and Greer Garson play their parts wonderfully well. The film is perhaps a little sentimental for modern viewers but it is one of those films I saw as a child and have always remembered. Reviewers at the time were not impressed but even so, the film was nominated for 7 Oscars and it was MGM’s biggest hit of 1942.

The Book

The book tells the story in an entirely different way. It begins with a chance encounter on a train with Rainier and a young man who is looking for work. The two strike up a sort of friendship and Rainier invites the young man to work for him, He explains that he was in the war, was injured and woke up in a German hospital with loss of memory. He was repatriated through Switzerland but got his memory back after a fall and a collision with a taxi in Liverpool. The time between his earlier life and waking up in Liverpool is a blank. The young man becomes Rainier’s assistant and the two sometimes talk late into the night discussing what might have happened. Later in the book, Rainier is called to intervene at a dispute at the Melbury factory and his memory begins to return. He asks a local taxi driver about the hospital. The man asks does he mean the new or the old one? Rainier thinks the old one and goes on to describe it. ‘That doesn’t sound like either of them,’ answers the man but adds, ‘would you be meaning the asylum sir?’

The book is a really interesting read and being written in the years before the second world war, gives the reader a little insight into the feelings of that time, a dissatisfaction with the League of Nations, a feeling that perhaps the First World War could have been settled sooner or even that the allies might have gone on to Berlin and perhaps parcelled up Germany into a smaller nation.

The climax of the book is Charles’ reunion with Paula who turns out to be his wife and former secretary so we find that Charles and Smithy married the same girl which worked well in the book but of course had to be told differently in the film.

Which did I enjoy more? Well I loved both works but to be fair I’ve always loved the film version and as much as I love James Hilton, I think I prefer the film. It isn’t often seen on TV and not long ago I managed to copy my VHS version to DVD but I did notice that a restored DVD version was released in 2005 which I must look out for.

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The Many Lives of Robin Hood

Posted on by Steve Higgins

One of my unofficial New Year’s resolutions this year was to try and declutter, perhaps actually get rid of some of my huge DVD collection. It’s not always that easy though. Mooching around one of those cheap secondhand shops recently I picked up yet another DVD. I’ll tell you about it in more detail later but it was one of the many films made about Robin Hood and his Merry Men.

My first introduction to Robin Hood was a book I was given for Christmas as a child. There were two parts to it; one was the story of King Arthur and the Knights of the Round Table, the second part was about Robin Hood. I don’t have the book anymore and I have no idea who wrote it but I always look for it when I happen to come across a good secondhand book shop. If I ever found it, it would give me a great thrill to read that book again because I have loved the stories of King Arthur and Robin, ever since.

That unknown book had all the elements of the Robin Hood story we have come to know and love. There was Maid Marian, Friar Tuck, Little John, the Sheriff of Nottingham and much more.

The first time I saw Robin Hood on TV was the TV series starring Richard Greene as Robin. There were four series of the TV show which was first produced in 1955. I must have seen repeats shown in the 1960’s but just like that book, all the elements of the Robin Hood story were there and in particular there was a really catchy theme tune and song which even now I can still remember:

Robin Hood, Robin Hood,
Riding through the glen.
Robin Hood, Robin Hood,
With his band of men.
Feared by the bad, loved by the good,
Robin Hood! Robin Hood! Robin Hood!

Yes, they just don’t write them like that anymore.

So who is Robin Hood some of you may be asking? He is a character in old English folklore who was an outlaw who robbed from the rich and gave to the poor. He was a renowned archer and he and his men wore Lincoln Green outfits and lived in Sherwood Forest. In some stories he is of noble birth, in others he is not. In some Robin has served in the Crusades with Richard the Lionheart although many of the stories show Robin at odds with Prince John, the King’s brother, who plans to usurp the King who is away on the Crusades.

According to Wikipedia the first known reference to Robin Hood comes from a ballad from the 1370’s.

In the silent film days Hollywood brought Robin Hood to the screen starring Douglas Fairbanks Junior as the legendary hero.

The film was released in 1922 and was the first film to ever have a Hollywood première. It featured huge sets including a castle and an entire town built at the Fairbank’s studio on Santa Monica Boulevard made to look even bigger on screen with hanging models and matte paintings.

There is also a famous scene where Fairbanks, who did many of his own stunts, rode down a huge curtain at Nottingham castle, made slightly easier with a slide concealed behind the curtain.

Probably the best ever Robin Hood film is the one I mentioned earlier which I picked up on DVD at a charity shop. The Adventures of Robin Hood starred Errol Flynn as Robin, and Olivia De Havilland as Maid Marian. The film differs from many other portrayals of the Robin Hood story in that the main villain of the film is Sir Guy of Gisborne rather than the Sheriff of Nottingham. Basil Rathbone played Guy and the Sheriff  is portrayed as something of a comic figure by Melville Cooper.

Incredibly, James Cagney was supposed to play Robin but he had a major disagreement with Warner Brothers and walked off the lot, not making another film for two years. The studio turned instead to their new star, Errol Flynn. He had shot to stardom in the Film Captain Blood and shortly before production began the studio decided to film the project in their new Technicolor process.

A lot of the film was shot in California’s Bidwell Park which substituted for Sherwood Forest with some scenes shot at the Warner Ranch in Calabasas.

The film had two directors, William Keighley and latterly, Michael Curtiz who was asked to take over when the producer, Hal B Wallis, became dissatisfied with Keighley. Curtiz made a number of films with Flynn including The Charge of the Light Brigade in which Flynn and co-star David Niven fell about laughing when Curtiz called for a horde of riderless horses to enter the scene. Curtiz yelled ‘bring on the empty horses’ which Niven later used as the title of his famous book about Hollywood.

The film picks up on all the elements of the Robin Hood legends, including Friar Tuck and the meeting with Little John. The highlight of the film comes towards the end when Robin and Sir Guy battle it out in an outstanding display of swordsmanship including a famous scene where the two move off camera and we see their shadows dancing along the castle walls.

The Adventures of Robin Hood was a wonderful film and probably the best film ever made about the hero of Sherwood Forest but there are a few other entertaining Robin Hoods.

In 1991 Kevin Costner appeared in Robin Hood: Prince of Thieves. In this film Costner, as the noble Robin of Loxley, returns from the crusades to find that his father has been hung and his home laid to ruin by the Sheriff of Nottingham, played in a villainous but camp way by Alan Rickman, whose performance was universally praised. Robin was accompanied by Azeem, a Muslim who feels he has to repay Robin for saving his life. Costner as Robin, did not attempt to lose his American accent and although the film had mixed reviews, I personally have always enjoyed it.

The film featured the hit single Everything I Do, I Do it For You sung by Bryan Adams and also had a small cameo with Sean Connery playing King John. The exteriors were shot in the UK and one particular location was at Sycamore Gap, just by Hadrian’s Wall in Northumberland. The tree used in the sequence became known as the Robin Hood tree which featured in the news in 2023 when it was cut down by vandals.

A 2010 film version of Robin Hood was directed by Ridley Scott and starred Russell Crowe as Robin. Simply called Robin Hood, this film had a slightly different storyline with Crowe’s character masquerading as Robin of Loxley and was more serious in tone than the Flynn or Costner versions. During the crusades Robin Longstride comforts a dying Knight. Sir Robin Loxley asks him to return his sword to his father in England which he does. Loxley’s father asks him to continue to impersonate Robin to prevent the new King John seizing his lands. Cate Blanchett played the part of Marian and of course Robin soon brings his band of Merry Men together to fight the evil King John.

Perhaps I should also mention the Walt Disney animated version of Robin Hood that was released in 1973. The story is narrated by Alan-a-Dale who tells the story of Robin who as usual, robs from the rich to help the poor. The characters are all animals so Robin becomes a fox, Maid Marian a vixen, Little John is a bear and of course Richard the Lion Heart is a lion. The film was the first animated feature for the Disney Studios following the death of Walt Disney.

I should also mention that a few years ago I actually met Robin Hood. Well, the actor who played Robin in the 2006 BBC series, Jonas Armstrong who now lives in Lytham on the Fylde coast. I met him in the Victoria Hotel in St Annes.

All the films I have mentioned here recreate or at least try to recreate the legend of Robin Hood. All the original stories of folklore and legend are incorporated in the many Robin Hood films, from Robin and Little John meeting, to Robin’s love affair with Maid Marian. One story though that I still remember from that long lost Robin Hood book I used to have is one that I’ve never seen used in any Robin Hood film and it’s this. At the very end of Robin’s life, he is dying and he fires his bow and arrow one last time, asking to be buried wherever the arrow lands. He pulls back the bow and fires his last arrow which I’ve always thought was a fitting finale to the story of Robin Hood.

There are probably more films I could mention, Robin and Marian for instance starring Sean Connery and Audrey Hepburn as an aging Robin and Marian but I think that’s enough Robin Hood for now. Time for a cheese sandwich and a cup of tea. Wonder what’s on the TV this afternoon?

As a great believer in synchronicity, I really wasn’t surprised to see a repeat of Robin of Sherwood, the 1980s TV series!

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Remembering James Dean

Posted on by Steve Higgins

Back in the 1970s my Saturday ritual involved getting the bus into town and scouring book and record shops for, yes, you’ve guessed it, books and records. One day back then I was flipping through the posters in one particular shop. The posters were the music stars of the 70s; Elton John, Mick Jagger, Suzi Quatro, David Bowie and so on but one was a picture of a really good looking guy with a fifties combed back hair style. In some pictures he was dressed like a cowboy and in others in a red jacket and denim jeans. The guy behind the counter must have seen me wondering who the guy was and he told me he was a film star called James Dean. He handed me a paperback book about the actor and I took it home and read it and very soon I was trying to find out everything I could about him.

James Dean had been killed in a car crash in 1955 and had only appeared in three films and at the time of his death, only one of those films had been released. I read a great deal about Dean when I was in my late teens and from what I could find out, the biography to read was written by his best friend, William Bast. I never managed to get a copy of that book back then but Bast produced a made for TV film version, James Dean: Portrait of a friend with Stephen McHattie as Dean.

As TV biopics go, Portrait of a Friend was pretty enjoyable but I don’t think I’ve ever seen it repeated on TV. I used to have a VHS recording of the film but when I looked recently I was unable to find it. Funnily enough, not long ago I was in one of those budget shops, it might have been Poundstretchers and I saw a copy of the film on DVD. It was a very poor version, in fact it looked as though it had been copied straight from an old VHS tape but even so, it was interesting to see it again.

Watching that DVD got me interested in Dean again and so I had a search through my book collection to see what books I had on the subject.

The paperback book I bought that day in the record shop in the 1970’s was probably James Dean: A Short Life by Venable Herndon. It wasn’t a great book but an interesting introduction to Dean and who he was. It detailed his struggle for acting roles, TV work in New York, his apartment at 19 West Sixty-Eighth Street, his three films, his doomed affair with Pier Angeli and of course his death.

A similar book although bigger and with more photographs was a biography by John Howlet. I couldn’t find that particular book although I’m certain I wouldn’t have given it away or thrown it out.

A slightly different book I bought back in the 1970’s was a Japanese book about Dean. I’m not sure of the title, there are some Japanese ideograms and the name in English, James Dean, on the back cover. There is little text inside the book, basically it’s just a picture album and I guess the Japanese read books from right to left as the book starts with his last film and then finishes with his first film.

My Japanese James Dean book.

James Dean by David Dalton was another purchase back in the 1970s. It’s a much more in depth look at Dean’s life and skimming through it I came across a few pages about Dean’s last day, Friday September 30th, 1955. The author presented a short timeline of that day starting from 8am when Dean picked up his silver Porsche from Competition Motors in Hollywood to 5.45pm when he was killed in a car accident.

James Dean was competing in a car race in Salinas and had decided to drive his competition car, the Porsche, to the event as the car was brand new and Dean wanted to get some miles on the clock.

As well as my books on the famous actor I also have a box set containing his three films.

East of Eden is based on the final part of the book by John Steinbeck. It’s about two brothers who compete for the love of their father. Dean played the ‘bad’ brother and the father was played by veteran actor Raymond Massey who was continually shocked by Dean’s bad language and sullen and moody demeanour.

Rebel Without a Cause is probably the most well known of Dean’s three films. Dean plays Jim Stark, a rebellious teenager who has been in trouble at school and has either been expelled or forced to leave. The film follows him on his first day at the new school as he attempts to make friends with a group of fellow classmates but the result is that he makes more enemies. He gets involved in a ‘chicken run’ with fellow classmate Buzz in which the two have to drive a stolen car towards a cliff edge and the last one to jump out is ‘chicken’. Buzz fails to exit his car and is killed.

It’s a great film even though James Dean looks far too old to be still going to school.

His final film was Giant based on a novel by Edna Ferber. The film is set in Texas and is about millionaire ranchers and cattlemen. Dean plays Jett Rink, a sullen ranch hand who unexpectedly inherits some land, finds oil there and suddenly becomes rich. After punching ranch owner Rock Hudson, Dean, covered in oil after striking oil, drives away as Chill Wills says, ‘you should have shot that fella a long time ago. Now he’s too rich to kill.’

Another book I picked up only recently was another picture album James Dean: Portrait of Cool edited by Leith Adams and Keith Burns. It’s an album of photographs found in the Warner Bros archive and some have not been published before. Included are all sorts of documents such as casting sheets, production notes and messages. Dean’s address is listed as 3908 West Olive Avenue which I think might have been a place he shared with Dick Davalos who played his brother in East of Eden. During Rebel Without a Cause, Dean was listed as living at 1541 Sunset Plaza Drive.

1541 sunset Plaza Drive today from Google Maps.

Last Christmas Liz bought me one of my favourite presents, a copy of the Bill Bast memoir I mentioned earlier. Bill Bast shared apartments in both Hollywood and New York with Dean. In Hollywood, Bast became frustrated sharing a home with his friend. In the book, Bast accuses Dean of being untidy and moody and seemed to feel that he was subsidising Dean at one point as Bast was the only one with a job. After a dispute Bill decided to move to another apartment although the two remained friends. The book is written almost as if Dean was the love of Bast’s life and perhaps he was. In later life Bast wrote another memoir in which he claimed he and Dean had a gay relationship.

I’m not sure why someone like me, a council house boy from Northern England, should connect so closely with James Dean but back in the seventies the late star became one of my personal heroes. I remember going to a cinema on Oxford Road in Manchester to see back to back showings of East of Eden and Rebel Without a Cause on a very hot summer’s day. I bought a soundtrack album of those movies too, in the days before video and DVD.

Dean was a counterpoint to actors like Richard Burton; he mumbled and mispronounced things. I think that was what I liked about him; he was natural and imperfect. He had an image more rock star than 50’s actor. There was a great documentary about him made in the 70s and the music of the times, Bowie and Elton John featured heavily. Anyone remember that Eagles track ‘James Dean’?

Dean met his end on September 30th 1955 as he sped towards a race meeting in Salinas. He had already been stopped by the police and given a speeding ticket while driving his Porsche. In the passenger seat was his mechanic Rolf Weutherich and following behind was photographer Sandforth Roth and his friend Bill Hickman. They were towing the trailer on which the Porsche was originally mounted before Dean decided to drive.

As Dean approached the intersection of routes 466 and 41 in Chalome, a Ford station wagon turned across the path of the Porsche. “That guy up there’s gotta stop.” said Dean. The two cars collided. Rolf was thrown clear but James Dean was killed.

Today, years later, thousands of fans make pilgrimages every year to see Dean’s home in Fairmount, Indiana and to the intersection on highway 466 where he died. At his graveside in Fairmount fans chisel away bits of his gravestone for mementos and a bust of Dean by the sculptor Kenneth Kendall was ripped from its plinth. In 1977 a Japanese businessman named Seita Ohnishi had a chromium sculpture erected at the crash site on highway 466 in memory of Dean.

So why do people still hanker after James Dean all these years later? Well, I simply don’t know. As a young man I thought Dean was the epitome of cool and like many others I made him into my hero. Whilst doing some research about Jimmy Dean I came across this line on another site: “Some people are living lodestones. They get under the skin of people. You can’t explain why.” I can’t disagree.

Still, heroes come and heroes fade away. My heroes today are not the ones I used to love and worship thirty years ago. The thing is though, after writing this essay about Jimmy Dean I felt that I must find the time to look at some of his films again. Now where did I put that James Dean box set?

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A Slice of My Life 2024

Posted on by Steve Higgins

It’s a long time since I’ve made a video for my YouTube channel and recently I’ve been trying to think about what my next project should be. When I’m stuck for a video I tend to tweak or even remake some of the short videos I use on social media to promote this page and my two books. In fact my YouTube page is made up of quite a lot of videos like that as well as numerous short video versions of my poems. Every now and again I try and put something different together. I usually make a video about our yearly trips to France in our motorhome and I’ve made a few videos about Manchester, my home town and also the place where my book Floating in Space is set.

Liz and I have just spent 5 weeks in Lanzarote and although I took my video camera over there I actually didn’t use it except to take some holiday snaps.

Last week I decided to take a little jolly out on the bus over to Stockport and see how the new bus station, currently under construction there, was coming along. Travelling to Stockport on the bus made me think about how our lives change and move on. Back in 1979 I was a coach driver for National Express but I wasn’t happy with the job. In the summer of 79 I was 22 years old and far too young and immature to do such a responsible job. Covering the long distance National Express routes wasn’t too bad but private hires were difficult as the driver had to plan his routes and to be honest I didn’t know my way about the country particularly well.

After being stuck on the same long distance bus route from Manchester to Lowestoft far too many times I packed the job in. I went to ask for my old job back at GM Buses but they gave me a big lecture about how they were fed up of training drivers only for them to resign and go driving for other companies and so I was turned away. That same afternoon I drove over to the GM Bus depot at Stockport where they were short of staff and they started me the same day. For over ten years I spent every working day in Stockport taking fares and later, driving buses. Returning in 2024 after over 30 years away was interesting, I must say.

Most of Mersey Square, the square at the very centre of Stockport, was fenced off while the builders worked on the new bus station. A huge railway viaduct spans the centre of Stockport and the bus station or bus interchange as they are now calling it is mostly on one side of the viaduct with part of it spilling over onto the other side. Someone told me it was due to open in two weeks time but looking around, that seemed to be a pretty tall order.

I shot some video in the square then walked around the construction, filming as I went. I was planning to film myself with my trusty selfie stick and chat away to the camera about my memories of Stockport but as usual, I felt a little self-conscious and just stuck to filming the new construction. I couldn’t walk through the area as of course the builders were still working so I had to walk around it.

When I got to the other side a new Stagecoach bus went past on its way into the Stagecoach garage. It was displaying the route number 192 which is a very busy bus route indeed, going down the A6 from Hazel Grove into Stockport and then on into Manchester. Back in my day there was a 192 every six minutes and each one was packed. Looking back I must have spent an awful lot of time going up and down on that bus route.

When the bus services were deregulated in 1986 the Busy Bee bus company tried to muscle in onto our route and so the service moved up to one every three minutes! Yes we would load up in Piccadilly, Manchester. An inspector would count three minutes and then you were off. Straight away there was a set of traffic lights and if you hit those on red you were in trouble as the bus behind was already following you out.

I followed the Stagecoach bus round the corner to the old GM Buses depot, now of course owned and run by Stagecoach. Inside it was full of buses and for a moment I remembered the old days when it was full of the old orange and cream of GM Buses.

I left the bus company in the early 1990s and started my own company selling motorsport memorabilia. I loved that job and spent all my day chatting to various regular people about F1 and motorsport but sadly, I didn’t make a lot of money, eventually selling all my stock to someone who had a similar business. After a failed attempt to become a TV producer I ended up short of money and went back to GM Buses. I worked for the GM coaching company known as Charterplan. After a short while there I transferred to an office job in the GM Buses control room in Ardwick, Manchester and that was the last time I set foot in Stockport, until last week.

The Comfy GillI walked round to the other side of the bus depot and there opposite, what used to be the main exit for our buses, was the Comfortable Gill. The Comfy, as we affectionately called it, was the pub where we busmen used to drink after the day’s shift was over. At one time if a driver was due to finish after last orders at 11, the landlord used to accept telephone orders for a pint so sometimes we could pull in at 11:20, park the bus in the depot and then pop over to the Comfy to find a pint waiting for us to sup while we cashed up our day’s takings. When I saw it the other day the Comfy was all closed up and looked neglected. So many of Britain’s pubs have closed down and I walked away hoping that the Comfy might be saved in the near future.

It’s always interesting to look back and have a stroll down memory lane. I can’t say working at GM Buses was a great job and looking back I wonder why I stayed so long. Of course back then I had bought a house and I had a very expensive mortgage to pay and I put in a lot of hours to pay for it. Perhaps I would have been better served by prioritising my career rather than my house. Oh well!

Liz and I went to the pictures this week. It was the first time we had visited the cinema since seeing Oppenheimer last year and although I didn’t rate it as the work of genius many people seem to think it is, Oppenheimer was certainly an excellent film and deservedly won the best picture Oscar.

The film we went to see was Wicked Little Letters set in England after the first World War. It’s about an Irish lady who comes to live in an English village. She is outspoken, very rude and swears a lot and is soon branded as the author of a very nasty series of poison pen letters. It wasn’t a bad film but what was odd was the way the 1920s were portrayed. There was a black judge, a black Asian policewoman, numerous other black people and the Irish lady was living with a black man. It was if they had substituted 1920s life with today’s multicultural society. I’m not sure why they would do that but the end result was that the entire film looked a little bit strange. Why didn’t they just set the film in the present day when different ethnic groups, as well as bad language is just the norm? Or was the director trying to make some point about society that perhaps I have missed? Wicked Little Letters isn’t a bad film in fact it’s quite amusing in a way and was actually based on a true story but that cutural shift just didn’t work for me.

Perhaps we all look back at the past in different ways.

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Boy Meets Girl

Posted on by Steve Higgins

I’ve watched quite a few films recently that come into the romcom category. It’s not my favourite genre but I thought I’d put together a short list of my favourite ones so here we go.

Four Weddings and a Funeral

I’d not seen this film for a while so it was great to see it pop up on my TV screen recently. I sometimes think of Four Weddings as a sort of modern Ealing Comedy, if Ealing were still making movies of course. There are a couple of elements that stop it from being perfect. One is the use of the F word. Why make a gentle comedy and then throw in a few gratuitous F words? I really don’t get it. The other thing is this, Hugh Grant plays a character who falls in love with a girl played by Andie McDowell. Andie McDowell, I’m sorry to say, doesn’t do it for me at all. She’s not, to me, that great looking and has a particularly irritating voice, all of which makes it a little difficult for me to identify with the Hugh Grant character, who, as I mentioned, has the hots for her.

In many ways I have a similar problem with the Steve Martin film LA Story. Steve’s character has the hots for a girl played by Victoria Tennant who is very pleasant, very nice but sadly, she doesn’t do it for me either. Happily, I can honestly say that in Casablanca I can fully identify with the Humphrey Bogart character, although whether I would have put Ingrid Bergman on the plane and stayed behind with Claude Rains, well that’s another matter.

Four Weddings and a Funeral is the movie that brought fame to writer Richard Curtis and actor Hugh Grant, as the announcer on Film 4 mentioned. Strangely, he didn’t mention Mike Newell, who directed the film. Funny how the credit from a successful film doesn’t always get spread equally around.

Notting Hill

It just so happens that this film, Notting Hill, was written once again by Richard Curtis. It’s not a movie classic, at least I used to think that but perhaps in its own way, a very minor way, perhaps it actually is. It’s a pleasant film to watch, it’s mildly amusing but it suffers, at least for me in that Julia Roberts, like Andie McDowell in the film above, just doesn’t really do it for me. Julia, in case you didn’t know is the love interest for Hugh Grant. Grant plays a young guy who owns a travel bookshop in London’s Notting Hill. One day in comes famous film star Julia. Grant gets involved with her, his middle class friends are suitably impressed and give advice when the love train comes off the rails. There are no car chases or shootings although now I come to think of it, there is a sort of car chase through the streets of London but it’s all a great deal of fun and right at the end the bookstore owner gets his film star girl.

You’ve Got Mail

This is a 1998 film based on the old James Stewart classic The Shop Around the Corner. Tom Hanks is Joe Fox who owns a massive discount book shop which is about to open just around the corner from Kathleen Kelly’s small bookstore The Shop Around the Corner. Meg Ryan plays Kathleen whose shop is a New York landmark but looks like going under when the big discount store opens. Joe and Kathleen meet but naturally they don’t like each other as it looks like Joe might put Kathleen out of business. Now it just so happens that Joe and Kathleen are internet penpals. They met on a chat site and only know each other from their chat line ‘handles’ so neither realises who the other actually is. Both are unhappy with their current partners and they decide to meet but Joe takes a peek at his date and realises it’s Kathleen.

Eventually Kathleen’s bookstore is forced to close down and she and Joe finally get it together.

Nora Ephron directed and wrote the script and the result is a really lovely film. Personally, I would have liked to see Billy Crystal in the Tom Hanks part but that’s just me. One last point, I wonder if younger viewers will understand the concept of ‘dial up’ internet?

His Girl Friday

They made rom-coms back in the old days too although this film from director Howard Hawks is probably more thought of as a screwball comedy as they used to call them back then. Cary Grant plays a newspaper editor and his top reporter and ex-wife Hildy Johnson, played by Rosalind Russell, is about to get married. Cary Grant as ex-husband Walter Burns wants to cover one last story with Hildy but he is also determined to sabotage her marriage plans. He frames Hildy’s husband-to-be, Bruce, in a theft and later sets him up with counterfeit money.

Hildy wants to help Bruce but finds that the case she is working on is actually more interesting. Eventually Walter and Hildy agree to remarry on condition that they honeymoon in Niagara Falls but Walter realises there is a strike in Albany so they divert there to honeymoon and cover the story.

There is a lot of fast-moving witty dialogue in the film and the director encouraged the actors to improvise although according to Wikipedia, Russell had a ghostwriter beef up her lines so she could insert them when she and Cary were improvising. Director Hawks wanted to produce a film with the fastest dialogue ever and he certainly succeeded.

Love Story

I wrote a post a long time ago called Unseen TV and it was about films that I hadn’t seen on TV for many years. I wonder if some TV executive had actually read it because very soon afterwards all but one of those films had appeared on terrestrial TV. Love Story is one of those films that I could have included. I can’t even remember the last time it had a showing on British television.

Love Story is a 1970’s tearjerker about a couple who fall in love and get married. Ryan O’Neal plays the son of wealthy Ray Milland who does not approve of his son’s impending marriage and threatens to cut him off financially if the wedding goes ahead. The pair get married anyway and Jenny played by Ali McGraw tries to support her new husband Oliver played by O’Neal as he goes through law school. She gets a job as a teacher to pay Oliver’s tuition bills and he eventually graduates. They have trouble conceiving but after tests they find Jenny is terminally ill.

The tagline for the film, used in all the publicity was ‘love means never having to say you’re sorry’. Yes, it was sentimental but it was well acted and well put together and I hope some British TV channel happens to read this and finally shows it again.

Definitely Maybe

This is not a film I would normally have watched but Liz chose it and we both watched it together. I’ve got to say that I didn’t pay much attention during the first part but gradually I got really interested. It’s about a divorced guy called Will, played a little lamely by Ryan Reynolds who decides to tell his 9 year old daughter the story of his life, well his love life anyway. He tells the story of the three loves of his life but uses fake names so the child won’t realise which of the stories concerns her mother. Girl 1 cheats on him when he moves to New York. Girl 2 is a girl who runs the copier where they both work on Bill Clinton’s election campaign and girl 3 is a girl who is involved with an older guy when he meets her. The older guy is a famous writer played by Kevin Kline in a really rather good cameo part. As the story unfolds we see who Will is really fond of, who turns out to be his daughter’s mother and who he will eventually end up with. It turns out that one of the girls collects inscribed copies of Jane Eyre as she is looking for a copy inscribed by her late father that she had lost. Will eventually finds the copy in a bookstore and presents it to her.

The film was written and directed by Adam Brooks and the next time I see it shown on TV I will definitely pay attention to the film’s beginning. To sum up, the film is a load of sentimental tosh but having said that, I actually kind of liked it.

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