Last night I was watching a TV documentary on BBC 1 about the Monty Python team and how they are getting ready for their new stage show. When I was a school kid I loved Monty Python and watching the film brought back a load of schoolboy memories.
Way back in my school days Monty Python was on TV late on -I think- a Thursday night. It was certainly a week night and it was certainly late as I had a running argument with my Mum about staying up to watch it. The next day talk at school would be all about the latest episode.
One day for some inexplicable reason I completely forgot about it and in my first lesson the following day one of my schoolmates approached me and said ‘Nobody expects the Spanish Inquisition!’ I looked blankly back at him and said something like ‘What are you on about?’ Only to get the disgusted answer ‘Didn’t you watch Monty Python last night?’ and then the lad moved on to someone else. Moments later I heard something again about the Spanish Inquisition and then two boys rolling with laughter. I was totally left out and I didn’t know what to do about it until later when I had an idea.
In my next class another friend asked ‘Did you see Monty Python last night?’ and after a brief moment I decided to take something of a chance and answered ‘Nobody expects the Spanish Inquisition!’ and the two of us rolled about in laughter and this trend continued throughout the day.
Of course, you must have seen what happened there. You must have seen that I was a fraud and a sham but at least my friends never discovered that or the fact that I didn’t see the Spanish Inquisition sketch until the eighties or nineties when some digital channel started showing Monty Python repeats, and all because I missed a TV show and didn’t want to be left out of some schoolboy banter. Funnily enough, the Spanish Inquisition sketch is one of my favourites. Hope the Python boys are using it in the new show!
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Many years ago in my mid-teens I was in Manchester doing pretty much what I have always done, then and now, whenever I have free time on a Saturday, either looking at records in a music store or looking at books in a book shop.
In 2014 there are not many record stores left; the whole culture of buying records is a different ball game these days, downloading instead of taking home a hard physical copy. Anyway, that’s a whole different blog. To get back to this one, back in that record shop I’d thumbed through the discs, checked out all the cheap records and then began flipping through the posters. This must have been mid-seventies so the posters were people like David Bowie, Marc Bolan, Elton John, Rod Stewart but there was one poster of a man in his mid-twenties wearing a white tee shirt and jeans. He was pulling a moody sort of look but there was something about him that was interesting. Anyway, he turned out to be an actor that I’d never heard of and the shop assistant pointed out a book about him in the store, a paperback, so I picked it up and read about the actor’s life. He was called James Dean.
James Dean courtesy wikipedia.
Dean was born in Indiana and his mother died of cancer when Dean was only nine years old. There is a haunting passage in that paperback I bought that tells of how Dean’s father, Winton, sent little Jimmy Dean back to his Aunt and Uncle’s home in Indiana on the train carrying his mother’s coffin. Jimmy was brought up in Marion, Indiana by his Aunt Ortense and Uncle Marcus and later went to college to study acting.
His first movie was East of Eden directed by Elia Kazan who had introduced method acting to the American stage and had worked with Marlon Brando in ‘A Streetcar named Desire’. ‘Rebel Without a cause’ was Dean’s next movie. Directed by Nick Ray it is probably Dean’s most iconic film. This is the movie in which Dean wears his famous outfit of red jacket, white t shirt, and jeans.
His third and last movie was ‘Giant’ in which he stars with Elizabeth Taylor and Rock Hudson and plays Texan bad boy Jett Rink. Dean was killed in car crash only days after finishing shooting. He was a keen amateur racer and had bought a new Porsche speedster only days earlier. The car, nicknamed ‘little bastard’ had collided with another vehicle, a station wagon at the junction of route 41 and 466. Dean suffered a broken neck and was declared dead on arrival at a hospital in Paso Robles.
I’m not sure why a council house boy from Northern England should connect so closely with James Dean, an American actor. but back in the seventies Dean became one of my personal heroes. I remember going to a cinema in Oxford road to see back to back showings of East of Eden and Rebel Without a Cause on a very hot summers day. I bought a soundtrack album of those movies too, in the days before video and DVD. Dean was a counterpoint to actors like Richard Burton, he mumbled and mispronounced things. I think that was what I liked about him, he was natural and imperfect. He had an image more rock star than 50s actor. There was a great documentary about him made in the 70s and the music of the times, Bowie and Elton John featured heavily. Anyone remember that eagles track ‘James Dean?’
Well, after writing this quick essay about Jimmy Dean I must find the time to take a look at some of his films again. Did I happen to mention what I bought in the HMV sale not long ago? The James Dean Box set, but I’m sure you had guessed that anyway. .
My current job is a safety critical one. I work in an emergency control room and many of the decisions me and my colleagues take have highly serious implications. It can be stressful work and sometimes I look back to a much easier control room job I had years ago. I once worked in the GM Buses Control room in Manchester.
Back then in the mid nineties the buses in Manchester had radio communication so the driver could advise control of late running or breakdowns, and even call for help in an emergency. I worked in a team in the enquiry section and we took queries from the bus travelling public of Greater Manchester.
In many ways it was a good job, lots of fun, good workmates and plenty of practical joking. Everyone had a nickname and one fellow I worked with, Paul, was known as ‘Mister Nasty’. He was the guy to deal with abusive callers and when a caller turned unpleasant we would put him on hold with a cheery ‘hold the line please!’ and shout across to Paul who would take the call and give back as much abuse as the caller would be giving.
One day ‘Nasty’ realised he had perhaps overstepped the line and the caller demanded to speak with his manager. The call was sent through to the duty Inspector who on that particular day was a nice guy called Alan who had the nickname ‘Leave it wi’ me’. Paul ran from his desk in the enquiry section, through the control room to where Alan sat on a raised dais where he could survey the whole room. Paul wanted to get his version of events in first and knew that with our antiquated telephone system the call would take its time to ping across the room. However, just as he reached the Inspectors desk the phone rang and Alan stopped Paul in mid sentence. ‘Just a minute Paul, I’d better take this call.’
Alan took the call, listened for a moment and said ‘Someone in enquiries called you a bastard? Leave it with me!’ and put the phone down. He turned to Paul and asked him to carry on. Paul thought for a moment then said, ‘Actually Alan, it doesn’t matter . .’ and went back to his desk.
Another staff member had the nickname ‘Norm’ which I think was based on a character from the TV comedy ‘Cheers’ but anyway, Norm had a particular dislike of the identity badge we had to wear in the control room. When it was time for a break, Norm would pull off his badge, slap it down on his desk and go off to the canteen. One day, some of the guys decided to cut out a shapely pair of breasts from that day’s newspaper page three model and insert the picture into Norm’s badge. I personally could not stop laughing and everyone was calling me to shut up and be quiet but I couldn’t help it. Thirty minutes later Norm returned, sat down at his desk, put on his headset, switched on his phone and clipped on his badge. I must have looked ready to burst and after stifling my laughter for about five minutes Norm looked over at me and asked what was wrong. He eventually found the offending picture and removed it convinced that I was the offending culprit.
Yes, that wasn’t the best job I have ever had but we did have some fun with fake calls and wind ups. We used to get calls from the Police and they would ask our radio staff to broadcast radio messages to our drivers. ‘Please be on the look out for a red Ford Fiesta registration number . .’ and so on. One day Norm called our radio man, an old chap called ‘Stoddy’ and pretending to be the Police asked him to put out information about a stolen Ford Camper van with a registration number of . . and gave out the registration of Stoddy’s beloved camper van. Stoddy had a near hysterical reaction and rushed out to the car park where of course his camper van was still parked. When he returned fuming to the control room we were still laughing.
Finally, I must tell you about Mr Scrimingeour who was one of the top bosses at GM buses and in charge of our fraud team. His rather unwieldy name was pronounced SKRIM- IN- JUR- and many calls came through the switchboard asking for him as anyone caught fiddling their bus fare received a letter demanding a five-pound fine which was signed by him. We had a list on the wall of the many mispronunciations of his name but the best, the very best came in a call taken by our very own Mr Nasty.
A caller had asked to speak to a Mr Scaremonger!
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Back in the nineties I decided to pack my job in and have a last ditch attempt to break into TV by enrolling on a video production course in Manchester.
It was at a place called the WFA which, if I remember correctly stood for the Workers Film Association. It was a rather left wing place too as you can guess from the name, and certainly it wouldn’t have been a good idea to say you admired Mrs Thatcher!
To get a place on the course I had to give a presentation on a media subject. I chose working class representation in film and television and spoke about the kitchen sink movie dramas of the sixties and seventies, (Saturday Night and Sunday Morning, A Kind of Loving, Alfie, and so on) the TV soaps of the nineties (Coronation Street, Eastenders, and Brookside) and how contemporary British movies were then, and now I suppose, very middle class, (Four Weddings and A Funeral and Notting Hill for example.)
On the very first day we had to introduce ourselves and explain why we were on the course. I gave a quick resume of myself and my career, a re-hash of the above presentation and a quick mention of my film making heroes from Billy Wilder to Oliver Stone. I was somewhat surprised to say the least when the next candidate said he had just bought a video camera and wanted to know how to work it and then someone else said they knew nothing about video but wanted to know more. Well, I wonder what film making subject they chose for their presentation!
Our movie was about taxi drivers and after a brief introduction to the camera we were off into Manchester to start interviewing taxi drivers and filming the comings and goings of cabs in the City Centre. A big issue for Manchester cabbies at the time was that the city council was enforcing a new ruling about cabs being wheelchair accessible which meant either a new cab or a costly conversion. Every taxi driver we spoke to mentioned this and they were clearly upset about it. Another thing they pulled me up on was when I dared to call a private hire vehicle a taxi! Dear me no! Didn’t I know taxis and private hire vehicles were two entirely different things? Apparently not!
Another issue that came up was when we screened our rough cut for the whole media school. One taxi driver mentioned that certain places in the city were dangerous to go to as there was the possibility of passengers making off without paying or even robbing the drivers. The cabbie mentioned Moss Side, close to the city centre. One member of the audience complained that the driver was racist as Moss Side is a predominantly black area. I didn’t think he was racist; he just didn’t want to be robbed or lose a cab fare whether the passenger was black or white. My co-directors wanted to cut the offending moment but really the cabbie was just trying to highlight the risk factor in his job.
At the end of the course I took away my video and started pestering documentary producers for the chance to make a full length broadcast version but I didn’t seem to be getting anywhere until I wrote to channel 4. I went down to see them, they watched the video and the first thing they said to me was ‘Why didn’t you get in the cab with your camera?’
Well, we had asked taxi drivers if we could do that and they did say ok but if a passenger wanted us out then we would have to get out, no matter where we were, so rather than risk being stranded somewhere we didn’t take any rides in the cab. On hearing this the Channel 4 producer looked at me and said ‘If you were a real film maker you’d have got in that taxi!’ After that, despite my protests and assurance that I would get in the taxi when fully commissioned, numerous assistants arose, handed me my video and quite quickly I found myself out on the street!
That was my part of my brief foray into television. I’ll let you know more in another blog, however if you’re interested in seeing my Taxi video; here it is;
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As a child growing up in the 1960’s one of my favourite television programmes was Tomorrows World, a BBC show about technology and the future. I was acutely interested in science, science fiction and all things related to the future. The future was hi-technology, gleaming metal and plastic cities, hover cars, and space travel. The movie 2001 A Space Odyssey predicted manned missions to Mars, powerful computers, and lunar space stations. But, 2001 is now thirteen years ago, so what happened? Why is 2014 not really that much different from 1968?
Movies like 2001, produced in 1968, were made in the sure knowledge that the incredible leaps in manned space flight made since 1960, and the technology that made it all possible, would continue. How wrong they were. When Neil Armstrong stepped out onto the surface of the Moon in 1969 the space race was over. It was a case of mission accomplished and the Apollo programme was cut short when Apollo 17 made the last manned trip to the Moon. To a great extent, space exploration, or at least manned space exploration stopped there. Space travel had become too expensive even for the Americans. The NASA space programme continued with Skylab and the development of the space shuttle, but none of those projects went further than orbiting the Earth, and that feat had been accomplished easily on the Mercury and Gemini programs.
Take a look at your kitchen and think to yourself how different is it from the kitchen of thirty years ago? Apart from advancements in electronics, probably in the form of your microwave and your freezer, the answer is not much. Step back further and look at your home. Are your living in a gleaming metal and plastic ‘future home’ or is it a modernised terraced house. Terraced houses are over a hundred years old but many people live in them happily today. Differently from our counterparts of a hundred years ago of course. Bathrooms have been added, and extensions with kitchens and indoor toilets, but terraced houses all the same.
Many writers and film makers have chosen to look at the future as a separate place altogether from the present and this has been their mistake. The future is the continuation of the past. Cities, homes, society itself is all an evolution of what has gone before.
Heathrow Airport was recently in the news because of protests about a possible new runway. New Runway? Why is a runway even necessary when the Harrier Jump jet has been taking off and landing vertically since the 1960’s? The answer is two words, arrested development. Perhaps VTOL has suffered, like Concorde, in not being American. There is no doubt in my mind that had Concorde been an American aircraft instead of an Anglo-French craft the skies above us would have been substantially populated with supersonic passenger aircraft. The United States is the land of opportunity, especially commercial opportunity. The space programme of course was also American but perhaps commercial exploitation in visiting the moon was limited. The great technological advances in the last thirty years have come in computer orientated technology that is full of commercial applications like, pc’s, laptops, tablet computers, mobile phones, and of course the internet.
Having a book published has been the dream of many people, including me but today, with the advent of internet technology, that dream is easy to realise. My Book, ‘Floating In Space’ is one that I have been working on, off and on, for thirty years. I found it, uncompleted on an old disc, reacquainted myself with it, finished it off and now you can read it as a kindle e-book available on amazon. There were no meetings with publishers, no discussions, no chats with an editor, no re-writes. It was just a case of upload the files, proof read then press a button and it’s live on-line.
That of course has its drawbacks. As a writer I have discovered a sort of word blindness when it comes to my own work. I’ve proof read my book a multitude of times but how many times have I come to put an extract on this blog only to find missed words and other errors. When the paperback proof version came (in the wrong size: I’d made it far too big!) more errors jumped out at me and my girlfriend Liz, a fully paid up member of the Grammar Police has pointed out so many punctuation issues I sometimes feel like taking it off the market. Anyway, the good thing is that in the digital world, errors can quickly be resolved. A quick update, press the save button and we are all sorted.
Lets see, where’s my ‘Writers and Artists yearbook’? Maybe its time to check out that list of publishers again!
I tried smoking once when I was about nineteen. I hated it, failed to see what people enjoy about it and never smoked again. Missing from pubs and bars these days is the odour of cigarette smoke thanks to the smoking ban which came into force in 2007. I’ve always liked that pipe and cigar smell in old pubs but cigarettes and their smoke do nothing for me and I’m glad pubs are now a smoke free zone.
I used to be a cigarette salesman. More accurately I had a cigarette vending machine round and some places really did make me laugh. I used to service a site in Liverpool and prior to the smoking ban they had a rule that you couldn’t smoke at the bar, in fact there was a white line painted on the floor and smokers could not pass this line. So all those who liked to lean against the bar and have a smoke, well they just took two steps back, enjoyed their cigarette, then stepped back up to the bar once they had finished.
It’s interesting to chart the progress of anti smoking through my old job. We used to give out a lot of promotional stuff in former days. Lambert and Butler bar towels or Rothmans ash trays and so on. Once the cigarette publicity ban kicked in promotional items like that were no longer legal. Even on the front of the machine itself there was usually an advertising panel with picture adverts for Benson and Hedges or some other brand. . It was replaced by a bland picture of a match and a flame.
cigarette machine
As cigarettes were hit by bigger and bigger taxes, the price of a packet rose steadily. In parts of my sales area in Liverpool, drug dealers converted to selling bandit cigarettes. No longer were they the scum of society. Smokers, particularly those retired or on low incomes, looked on the bandit ciggymen as Robin Hood figures, out to save the oppressed from expensive cigarettes. At one pub in Kirkby where my sales were pretty low, a bandit dealer had stooped to selling fake cigarettes which fell apart when lit! ‘Steve!’ came the call, ‘can you come and fill our machine up!’ Easy profits had clearly led to the desire for even easier and bigger takings.
Cigarette machines have now been banned in pubs in the UK so my former colleagues in the vending industry have all been made redundant. Whatever you think of tobacco and cigarettes all those people were working legally in the UK and paying a hefty bill to the taxman. The ban on cigarettes and the restrictions and high taxes on tobacco have opened the field to many criminal elements from those individuals seeking extra cash who travel abroad, buy cigarettes in bulk then return to sell them in the UK to those organised gangs who smuggle tobacco into the UK for big profits and less risk than drugs.
Today in this lovely summer of 2014, the smokers, banished from the interior of the pub have laid claim to the pub gardens and outside seating areas. They are bound together as part of a small social community; the smokers! Fancy taking your pint outside on a sunny evening? No thanks, the pub terrace is full of smokers! Pubs are free of irritating smoke but is smoking on the decrease? I’m not so sure!
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Well, you can’t beat a good wedding but weddings are hard work, what with the planning, the arranging, the compromises, the cost, the logistics, and of course all the attendant stress that comes ready built in; very hard work indeed!
The wedding I went to at the weekend had a lot of great elements and the one important thing that only nature can provide; good weather! I shouldn’t complain really but I was sweltering in my three piece suit and a couple of degrees cooler would have been nice but that would be quibbling. The day was wonderful and one that all went to plan as far as I could see anyway.
Another fact that comes built in at a wedding are tears. I am referring to tears of joy of course and the bride and her Mum did their fair share as well as others. I doubt if there was a dry eye in the place during the speeches when it’s traditional to ponder in public about the subject of love and loved ones, those who are with us and those departed. On this occasion, the mother of the bride did a speech herself as her husband had passed away some years ago and her performance as she balanced emotions and stage fright was outstanding.
The one disaster, well for me anyway, came part way into the evening when I took a glass of red wine to my mouth, inexplicably missed and as a result poured red wine all down my shirt. Anyway, I nipped round the corner to my room, luckily we were staying at the venue and soaked the shirt in cold water which I think was the correct remedy for the situation, changed shirt (to a less formal shirt I should add) and was back at the reception within fifteen minutes. My fiancée Liz, and also the mother of the bride, who seems to like me in my three piece attire was not amused that I had ditched my splendid outfit (jacket waistcoat and tie had seemed a little superfluous by this time) but of course you can’t please all the people all of the time.
The only other problem came earlier. The wedding cupcakes were painstakingly assembled in the reception room by bridesmaids and friends only to be told of a rule, well a law actually, that food could not be placed on the tables until licensing hours! First I’ve heard of that so the cakes had to be hastily removed! The thing is the wedding was in Cumbria and my experience of Cumbria people is that they don’t necessarily care about things like rules or laws.
A couple of years ago Liz and I stayed in the small town of Wigton. We had rented a small cottage for a few days and the first day we went to the local chippy for some old fashioned fish and chips, then decided to wash it down with a pint in the pub next door. When we stepped inside there were a number of locals smoking away, happily flouting new anti-smoking laws. We ordered our beer and one of the group asked if we minded them smoking and if we did then they would go outside. Actually we did mind them smoking but being British and not wanting to upset the regulars of a pub we reckoned we would be visiting regularly during our stay we said ‘OK, go ahead and smoke.’ Just as we were about to ask if the pub served food a couple of other locals arrived with fish and chips from the chippy, sat down at a table to eat and called over pleasantly for two pints of bitter! Yes, that’s the way they do things in Cumbria!
Not long ago I asked my Mum what had happened to her wedding pictures as I don’t remember seeing any. She replied, rather shame facedly, that after a row with my Dad she had taken her wedding pictures and ripped them up! Still, she continued in her marriage to my Dad, happily I might add, until his death in 2000. My wedding pictures are still intact in a box somewhere in the loft although my marriage ended in divorce many years ago. So, perhaps my advice to Tania and Alex should be to rip up their wedding pictures! Not so easy in the digital internet age!
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The 22nd of November 2013 was the fiftieth anniversary of one of the most shocking events of the twentieth century, the assassination of President John F Kennedy. I personally expected a deluge of TV documentaries about the assassination but in fact on UK TV there really weren’t that many. A re-showing of the Oliver Stone movie, JFK. A documentary about media response to the assassination which was really the media looking at themselves. But that was really it, there were no probing or investigative programmes, perhaps in 2013 it was far too late for that.
In 1988, twenty-five years after John Kennedy’s death, a veritable wave of documentaries were broadcast on British television, including a rare showing on channel four of the 1966 film of Mark Lane’s ‘Rush to Judgement’. On ITV a documentary by producer Nigel Turner called ‘The Men who Killed Kennedy’ was aired, claiming fantastically that assassins from the French underworld killed the President. That particular film, which had its merits despite its incredible conclusions, was similar to many other films, books, and articles, in that they all challenged the establishment view, framed in the report of the Warren Commission, that the lone killer was a man called Lee Harvey Oswald.
In 1995, BBC TV’s ‘Timewatch’ gave us a view of Oswald that brought us full circle. Heavily influenced by the book ‘Case Closed’ by Gerald Posner, the film said look, Oswald really did it after all. So, have you had your fill of conspiracy theories? Have you heard enough of CIA plots and Watergate and Iran-Contra? Enough of the ‘grassy knoll’, the Book Depository, and Dealey Plaza? Has perhaps our interest in the fate of President Kennedy been diminished by revelations of the apparently numerous indiscretions in his private life?
Whatever the truth of John Kennedy’s private life, his graphic death was the cataclysm of our age, imprinted on the minds of a generation by the flickering incarnation of amateur cine film. For many the case is not closed and has never been even remotely resolved despite two official investigations, the last of which -by the House Select Committee on Assassinations- concluded, ambiguously, that the President was killed “probably” by the result of a conspiracy.
So what are the facts of the assassination? Perhaps the only undisputed fact to emerge from the tragedy was that John F. Kennedy, the thirty-fifth president of the United States, was shot in the head and killed. President Kennedy was hit by rifle fire in Dealey Plaza, Dallas, while riding in an open topped limousine, part of a motorcade that had just turned onto Elm Street by the Texas School Book Depository. Almost every other fact, every statement, every report, every document, every exhibit, every disclosure, is open to question.
Were there three shots or four? Were there more? Was the President shot from behind or from the front? Was he shot from the sixth floor of the book depository or from the so called ‘grassy knoll’? Did twenty-four year old ex-marine Lee Harvey Oswald fire the shots? Was he alone or were there other assassins? Why did Jack Ruby, a local night club owner subsequently shoot Oswald? Was it to silence him, to stop him from telling what he knew? Did Ruby act out of rage or was he part of a conspiracy? Was he in the pay of the Mafia? Was the CIA involved? The questions are endless, the answers are few.
Image courtesy wikipedia
Lee Oswald was a young man with an extraordinary background. He was not the ‘lone nut’ as described by the Warren Commission, the investigative body set up by President Johnson to examine the assassination. An ex radar operator at a top-secret US base in Japan, Oswald had spent years in Soviet Russia as a supposed defector. He was known to the FBI and had connections with military intelligence and the CIA. He appeared to be involved in left-wing Cuban politics and supported Fidel Castro. The Warren Commission concluded that Oswald shot the President but failed to answer the important question -why? Why should a left-wing activist shoot a liberal minded president who in the words of his critics had gone ‘soft’ on communism and Cuba?
But as we examine the accepted elements of the murder more and more inconsistencies occur. The President was shot at 12.30 pm, but Oswald, who worked at the book depository, was seen by witnesses in the second floor lunch room as late as 12.15, which left him only fifteen minutes to ascend to the sixth floor, produce his rifle and take up position. Of course fifteen minutes might have been enough time for a cool and organised killer, but the President was actually due to arrive at a reception at the Dallas Trade Mart at 12.30, which meant he would pass through Dealey Plaza at about 12.25, giving Oswald only ten minutes to be in place, and he had no way of knowing the President would be late. Immediately after the shooting patrolman Marrion Baker entered the Book Depository, drew his gun and with building superintendent Roy Truly hot on his heels confronted a young man in the lunchroom calmly drinking a coke. Truly explained that this was Lee Oswald, an employee. Had Oswald rushed down from his ‘snipers lair’ on the sixth floor or had he been in the lunch room all the while?
image courtesy wikipedia
Perhaps the strongest evidence linking Oswald to the murder was the supposed murder weapon, a 6.5 mm Mannlicher-Carcano bolt-action rifle, a World War II vintage carbine found on the sixth floor of the book depository at 1.22 pm, almost an hour after the assassination. The rifle had been purchased mail order by an ‘Alek Hidell’ and sent to Dallas post office box number 2915, rented by Oswald. When arrested, Oswald was carrying an identity card in the name of ‘Hidell’. To this day there is dispute over whether Oswald’s palm print was found on the rifle. All pretty damning you might think, but the officer who first found the rifle, Deputy Constable Seymour Weitzman, identified it as a 7.65 mmMauser, and was confident enough to make a sworn affidavit to that effect.
The day after the shooting, November 23rd, District Attorney Henry Wade also described the weapon as a Mauser at a televised press conference. How then does a 7.65mm Mauser become a 6.5mm Mannlicher-Carcano? I personally know nothing about guns at all but I have seen enough war films to know that a Mauser is German, and stamped clearly on the side of the Mannlicher-Carcano are the words ‘MADE ITALY’ and ‘CAL 6.5’. And surely a police officer, particularly an American policeman, would know what he was talking about concerning guns?
Abraham Zapruder, a local businessman took his cine camera to work that day to film the Presidential parade but what he recorded instead was a Presidential murder. In doing so he contributed arguably the most important piece of evidence in the whole case. His film gave investigators a filmed record and a timetable for the shooting. Examination of the film by FBI experts revealed the time between the first shot to hit the President and the shot that struck his head was 4.8 to 5.6 seconds. It was first thought that there were four shots, one shot hitting Kennedy in the throat, a second completely missing and hitting the kerb, a third hitting Governor Connally also seated in the Presidential car, and a fourth shattering Kennedy’s skull. Given that it takes 2.3 seconds to operate the bolt action rifle, four shots will not fit the time frame for one assassin and one rifle so the Warren Commission came up with the so called ‘magic bullet’ theory, that the second of three shots hit both Kennedy and Connally. This view has been blasted from a number of angles, firstly the bullet itself emerged as almost completely pristine, while one which had passed through the flesh and bone of two human bodies would have been severely deformed. Secondly, in the Zapruder film Governor Connally is seen to turn around as Kennedy is hit then appears to be hit himself as he turns to face front again.
Expert riflemen were called in to test the murder weapon. They were unable to duplicate Oswald’s supposed feat of marksmanship and complained of difficulty operating the rifle’s bolt mechanism and even the trigger. The telescopic sight could not be properly aligned and had to be rebuilt with metal shims added to make it accurate, which means of course that the rifle was tested in a configuration not available to Oswald. Also, test firing was done at still, rather than moving targets. The assassin would also have had to track the President as he passed behind an oak tree, resight his target and then shoot. So did Lee Oswald really do the shooting? What about the shot to the Presidents head which knocked him back and to the left indicating a shot from the right front -the grassy knoll area? And what about the bystanders who rushed up the grassy knoll including a motorcycle patrolman who tried to ride his bike up there? They felt the final shot came from the knoll as did railroad workers on the triple underpass, as did Abraham Zapruder the amateur cine cameraman, as did Mary Woodward of the Dallas Morning News, as did Lee Bowers positioned behind the grassy knoll atop a 14-foot railroad tower, as did many others. So, if other gunmen were involved, who were they? Who paid them? Who organised them? Who stood silently in the wings and watched while the President was killed?
JFK movie poster
Oliver Stone’s blockbuster movie from 1991, JFK. was a recreation of New Orleans District Attorney Jim Garrison’s investigation into the murder of the president and before filming had even been completed the US media had begun -if you’ll excuse the pun- to throw stones at Stone. In conclusion the movie offers us the theory that the American ‘military-industrial complex’ was responsible for the crime, the theory running like this; Lyndon Johnson took over the reins of the presidency following JFK’s death. He continued with Kennedy’s cabinet and Kennedy’s policies, all except one -Vietnam.
Not wishing to become embroiled in a guerrilla war in south-east Asia Kennedy had already ordered home from Vietnam one thousand troops. Johnson reversed that decision and thus began the disastrous American adventure that was the Vietnam War. Extreme right-wing elements opposed to John Kennedy’s policies of peace ‘removed’ Kennedy in favour of Johnson. Sound fantastic? To be fair to JFK, everything presented as fact was factual, and everything that was conjecture was presented as such, but the real life investigation by Jim Garrison concluded that the CIA were the real culprits.
After the disaster of the Bay of Pigs, the CIA-backed invasion of Cuba by Cuban exile brigades during which the CIA had attempted to force Kennedy into committing American troops into the assault, Kennedy had vowed to splinter the CIA into “a thousand pieces and scatter it to the winds”. The CIA had become almost autonomous from the elected government, pursuing its own policies around the globe. It had developed a capability -revealed during the 1970’s in senate hearings- known as ‘executive action’, a capability of political assassination. The ‘company’ as the CIA calls itself, was involved with mafia hoodlums to murder Fidel Castro. Castro is alive and well today, but did the CIA collude with the mafia to murder its own commander-in-chief, the President of the United States?
Jim Garrison’s investigation came to nothing but in 1991 lawyer, writer, and JFK investigator Mark Lane was involved as defence attorney in a libel case instigated by CIA man and ex Watergate burglar Howard Hunt. The hub of the case was a newspaper article claiming Hunt was in Dallas on the day of the President’s murder. Hunt denied this, claiming to be in Washington at the time. In court Lane introduced testimony that indeed placed Hunt as part of a CIA team in Dallas on the day in question. Leslie Armstrong, forewoman of the jury said afterwards “Mr Lane was asking us to do something very difficult -he was asking us to believe that John Kennedy had been killed by our own government. Yet, when we examined the evidence, we were compelled to conclude that the CIA had indeed killed President Kennedy!”
A shocking and significant breakthrough in the JFK murder you might think? Leslie Armstrong went on to call for action to be taken by the proper authorities in the government. Nothing was done. The US Justice Department did not stir, nor has any other organ of the forces of law and order in the United States. The US media continues to ignore the countless revelations that have appeared in the years since John F Kennedy was killed, yet conspiracy theories are abundant in Europe and the UK. Watergate and the Iran-Contra scandals have shown us the dark underbelly of the American establishment, could it be that some secret influence is at work, hidden from public perception, preventing serious examination of the crime of the century?
President Obama has recently been elected to another four years in office, and in accordance with US law they will constitute his last term. Obama’s presidency has been largely unremarkable but he still has a chance to offer something significant to his fellow Americans and to the world. He can appoint a special prosecutor and special investigators and direct the CIA and FBI to answer pertinent questions. Not about how many shots, or from what direction, or any of the other thousand and one questions regarding the minutiae of the assassination but who was responsible? Who gave the orders? Who really killed President Kennedy? Still, perhaps even that would be fifty years too late.
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Forget the blue skies and the swimming pool
Your desk is all ready so don’t act like a fool.
Forget the pavement cafes and Mademoiselles
As your computer fires up with a thousand e-mails
Enough to numb the pain
And the nagging desire for a glass of red wine;
Act cool.
Briefings, meetings and folders to review
Memoranda and consultations to plough through
Forget the camembert and French bread
Close the door on the plat du jour
Its not even lunch and I can’t resist
The thought of a cool aperitif;
As if . .
Revised protocols need to be sorted
And I see the new software is unsupported
I’ll enjoy my lunch in the works canteen
A ham sandwich and a cup of tea
And the memory of a French bistro won’t even arise
All bustle and chatter and joie de vivre
No, not for me . .
I couldn’t tell you what my number one favourite book of all time is but a strong contender must be ‘David Copperfield’ by Charles Dickens.
My well thumbed copy of David Copperfield
It’s a book written by a wonderful wordsmith and is rich in powerful and subtle images.
A lot of Dickens’ characters display their personal characters and traits through their names. Uriah Heep and Mr Murdstone for instance. Even when we are yet to be introduced to these fictional people we can understand a lot about them from the sound of their names. This is how Dickens works, giving us numerous hints and pointers to who these people are and what they are like.
James Steerforth though is something of an exception. He is my favourite character from within Dickens’ pages and he is neither a Heep nor a Murdstone; neither a Pickwick nor a Bumble. Apart from David Copperfield himself, he is the most human of Dickens’ creations. He is kind but can be unpleasant, caring and yet selfish, thoughtful but also unfeeling. In short, as Mr Micawber might say, he is full of human contradictions.
The best part in the book probably, for me at any rate, is the storm when David returns to Yarmouth. Dickens builds the storm slowly and each word and phrase adds a new layer to the sense of danger and foreboding and when Copperfield is finally reunited with his old friend Steerforth at the height of the storm’s ferocity, death comes between them and Steerforth is sadly drowned. Dickens reveals this in a unique way for he does not tell the reader Steerforth is dead. He leaves the reader to realise this themselves and in the process makes the reader almost at one with the narrative.
Throughout the book, Dickens mentions in passing about Steerforth’s habit of sleeping with his head on his arm. It’s referred to many times in the narrative almost as matter of non interest. Something unimportant that the reader doesn’t really need to know, but when David Copperfield spies someone aboard a stricken ship trapped in the fierce storm who evokes some faint remembrance for him, a tiny warning bell is set off.
Finally, when the body of a drowned man is brought ashore and lies mutely on the sand, his head upon his arm, we know just from that simple bit of information, without the author telling us anything more, that Steerforth is dead. The prompts and clues that Dickens has hinted at have paid off for the reader in the most satisfying of ways.
I’ve returned to this wonderful book time and time again, to enjoy that unique almost religious feeling, that communion with the thoughts of a man who died in 1870, over a hundred and forty years ago, yet whose frozen thoughts live on in the pages of his books.
As long as people read books, Charles Dickens and his characters will live on.
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